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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #584B7B it is the complementary color #A7B484. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #584B7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #584B7B shade: #5D4B76, #6E5D89, #7F6F9C, #9081AF and #A193C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #584B7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #584B7B shade: #584B7B, #473968, #362755, #251542 and #14032F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #584B7B shade: #584B7B, #654B7B, #724B7B, #7B4B77 and #7B4B6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #584B7B shade: #584B7B, #4B4B7B and #4B4B7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #584B7B shade matches the following richer shades: #584B7B, #513B8B, #492B9B, #421BAB and #3B0BBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #584B7B shade: #584B7B, #5F5B6B, #676B5B, #6E7B4B and #768B3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #584B7B shade: #4B587B, #4B4B7B, #584B7B, #654B7B and #714B7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #584B7B shade: #332C48, #463B61, #584B7B, #6A5B94 and #8071A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #584B7B shade: #584B7B, #7B4B65 and #517B4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #584B7B shade: #584B7B, #7B584B and #4B7B58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #584B7B shade: #584B7B, #7B4B65, #6E7B4B and #4B7B61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #584B7B shade: #584B7B, #7B4B56, #6E7B4B and #4B7B70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 39 / 0 / 52

HEX #584B7B

RGB 88 75 123

HSL 256.25, 0.24%, 0.39%

LAB 35.08, 16.79, -25.35

 

Complementary color

CMYK 7 / 0 / 27 / 29

HEX #A7B484

RGB 167 180 132

HSL 76.25, 0.24%, 0.61%

LAB 71.23, -12.82, 23.04

 

CMYK 21 / 36 / 0 / 54

HEX #5D4B76

RGB 93 75 118

HSL 265.12, 0.22%, 0.38%

LAB 35.34, 17.11, -21.8

 

CMYK 20 / 32 / 0 / 46

HEX #6E5D89

RGB 110 93 137

HSL 263.18, 0.19%, 0.45%

LAB 42.69, 16.4, -21.91

 

CMYK 19 / 29 / 0 / 39

HEX #7F6F9C

RGB 127 111 156

HSL 261.33, 0.19%, 0.52%

LAB 49.84, 15.78, -22.05

 

CMYK 18 / 26 / 0 / 31

HEX #9081AF

RGB 144 129 175

HSL 259.57, 0.22%, 0.6%

LAB 56.81, 15.23, -22.23

 

CMYK 17 / 24 / 0 / 24

HEX #A193C2

RGB 161 147 194

HSL 257.87, 0.28%, 0.67%

LAB 63.62, 14.73, -22.43

 

CMYK 28 / 39 / 0 / 52

HEX #584B7B

RGB 88 75 123

HSL 256.25, 0.24%, 0.39%

LAB 35.08, 16.79, -25.35

 

CMYK 32 / 45 / 0 / 59

HEX #473968

RGB 71 57 104

HSL 257.87, 0.29%, 0.32%

LAB 27.48, 17.7, -25.42

 

CMYK 36 / 54 / 0 / 67

HEX #362755

RGB 54 39 85

HSL 259.57, 0.37%, 0.24%

LAB 19.6, 18.8, -25.57

 

CMYK 44 / 68 / 0 / 74

HEX #251542

RGB 37 21 66

HSL 261.33, 0.52%, 0.17%

LAB 11.44, 20.12, -25.74

 

CMYK 57 / 94 / 0 / 82

HEX #14032F

RGB 20 3 47

HSL 263.18, 0.88%, 0.1%

LAB 3.79, 17.85, -24.4

 

CMYK 28 / 39 / 0 / 52

HEX #584B7B

RGB 88 75 123

HSL 256.25, 0.24%, 0.39%

LAB 35.08, 16.79, -25.35

 

CMYK 18 / 39 / 0 / 52

HEX #654B7B

RGB 101 75 123

HSL 272.5, 0.24%, 0.39%

LAB 36.42, 21.04, -23.15

 

CMYK 7 / 39 / 0 / 52

HEX #724B7B

RGB 114 75 123

HSL 288.75, 0.24%, 0.39%

LAB 37.91, 25.43, -20.72

 

CMYK 0 / 39 / 3 / 52

HEX #7B4B77

RGB 123 75 119

HSL 305, 0.24%, 0.39%

LAB 38.86, 27.7, -16.7

 

CMYK 0 / 39 / 14 / 52

HEX #7B4B6A

RGB 123 75 106

HSL 321.25, 0.24%, 0.39%

LAB 38.35, 25.24, -9.41

 

CMYK 28 / 39 / 0 / 52

HEX #584B7B

RGB 88 75 123

HSL 256.25, 0.24%, 0.39%

LAB 35.08, 16.79, -25.35

 

CMYK 39 / 39 / 0 / 52

HEX #4B4B7B

RGB 75 75 123

HSL 240, 0.24%, 0.39%

LAB 33.9, 12.77, -27.28

 

CMYK 39 / 39 / 0 / 52

HEX #4B4B7B

RGB 75 75 123

HSL 240, 0.24%, 0.39%

LAB 33.9, 12.77, -27.28

 

CMYK 28 / 39 / 0 / 52

HEX #584B7B

RGB 88 75 123

HSL 256.25, 0.24%, 0.39%

LAB 35.08, 16.79, -25.35

 

CMYK 42 / 58 / 0 / 45

HEX #513B8B

RGB 81 59 139

HSL 256.5, 0.4%, 0.39%

LAB 31.21, 29.5, -41.43

 

CMYK 53 / 72 / 0 / 39

HEX #492B9B

RGB 73 43 155

HSL 256.07, 0.57%, 0.39%

LAB 28.14, 42, -56.27

 

CMYK 61 / 84 / 0 / 33

HEX #421BAB

RGB 66 27 171

HSL 256.25, 0.73%, 0.39%

LAB 26.4, 53.21, -68.87

 

CMYK 68 / 94 / 0 / 27

HEX #3B0BBB

RGB 59 11 187

HSL 256.36, 0.89%, 0.39%

LAB 26.03, 61.7, -79.07

 

CMYK 28 / 39 / 0 / 52

HEX #584B7B

RGB 88 75 123

HSL 256.25, 0.24%, 0.39%

LAB 35.08, 16.79, -25.35

 

CMYK 11 / 15 / 0 / 58

HEX #5F5B6B

RGB 95 91 107

HSL 255, 0.08%, 0.39%

LAB 39.54, 5.1, -8.54

 

CMYK 4 / 0 / 15 / 58

HEX #676B5B

RGB 103 107 91

HSL 75, 0.08%, 0.39%

LAB 44.45, -4.69, 8.45

 

CMYK 11 / 0 / 39 / 52

HEX #6E7B4B

RGB 110 123 75

HSL 76.25, 0.24%, 0.39%

LAB 49.48, -13.36, 24.67

 

CMYK 15 / 0 / 58 / 45

HEX #768B3A

RGB 118 139 58

HSL 75.56, 0.41%, 0.39%

LAB 54.68, -20.39, 40.07

 

CMYK 39 / 28 / 0 / 52

HEX #4B587B

RGB 75 88 123

HSL 223.75, 0.24%, 0.39%

LAB 37.67, 4.43, -21.39

 

CMYK 39 / 39 / 0 / 52

HEX #4B4B7B

RGB 75 75 123

HSL 240, 0.24%, 0.39%

LAB 33.9, 12.77, -27.28

 

CMYK 28 / 39 / 0 / 52

HEX #584B7B

RGB 88 75 123

HSL 256.25, 0.24%, 0.39%

LAB 35.08, 16.79, -25.35

 

CMYK 18 / 39 / 0 / 52

HEX #654B7B

RGB 101 75 123

HSL 272.5, 0.24%, 0.39%

LAB 36.42, 21.04, -23.15

 

CMYK 8 / 39 / 0 / 52

HEX #714B7B

RGB 113 75 123

HSL 287.5, 0.24%, 0.39%

LAB 37.79, 25.09, -20.91

 

CMYK 29 / 39 / 0 / 72

HEX #332C48

RGB 51 44 72

HSL 255, 0.24%, 0.23%

LAB 19.94, 10.43, -16.3

 

CMYK 28 / 39 / 0 / 62

HEX #463B61

RGB 70 59 97

HSL 257.37, 0.24%, 0.31%

LAB 27.55, 14.05, -20.8

 

CMYK 28 / 39 / 0 / 52

HEX #584B7B

RGB 88 75 123

HSL 256.25, 0.24%, 0.39%

LAB 35.08, 16.79, -25.35

 

CMYK 28 / 39 / 0 / 42

HEX #6A5B94

RGB 106 91 148

HSL 255.79, 0.24%, 0.47%

LAB 42.28, 19.16, -29.18

 

CMYK 24 / 33 / 0 / 34

HEX #8071A8

RGB 128 113 168

HSL 256.36, 0.24%, 0.55%

LAB 50.95, 17.83, -27.33

 

CMYK 28 / 39 / 0 / 52

HEX #584B7B

RGB 88 75 123

HSL 256.25, 0.24%, 0.39%

LAB 35.08, 16.79, -25.35

 

CMYK 0 / 39 / 18 / 52

HEX #7B4B65

RGB 123 75 101

HSL 327.5, 0.24%, 0.39%

LAB 38.17, 24.35, -6.56

 

CMYK 34 / 0 / 39 / 52

HEX #517B4B

RGB 81 123 75

HSL 112.5, 0.24%, 0.39%

LAB 47.52, -24.76, 21.74

 

CMYK 28 / 39 / 0 / 52

HEX #584B7B

RGB 88 75 123

HSL 256.25, 0.24%, 0.39%

LAB 35.08, 16.79, -25.35

 

CMYK 0 / 28 / 39 / 52

HEX #7B584B

RGB 123 88 75

HSL 16.25, 0.24%, 0.39%

LAB 40.73, 12.6, 13.24

 

CMYK 39 / 0 / 28 / 52

HEX #4B7B58

RGB 75 123 88

HSL 136.25, 0.24%, 0.39%

LAB 47.45, -24.45, 14.12

 

CMYK 28 / 39 / 0 / 52

HEX #584B7B

RGB 88 75 123

HSL 256.25, 0.24%, 0.39%

LAB 35.08, 16.79, -25.35

 

CMYK 0 / 39 / 18 / 52

HEX #7B4B65

RGB 123 75 101

HSL 327.5, 0.24%, 0.39%

LAB 38.17, 24.35, -6.56

 

CMYK 11 / 0 / 39 / 52

HEX #6E7B4B

RGB 110 123 75

HSL 76.25, 0.24%, 0.39%

LAB 49.48, -13.36, 24.67

 

CMYK 39 / 0 / 21 / 52

HEX #4B7B61

RGB 75 123 97

HSL 147.5, 0.24%, 0.39%

LAB 47.66, -22.56, 9.15

 

CMYK 28 / 39 / 0 / 52

HEX #584B7B

RGB 88 75 123

HSL 256.25, 0.24%, 0.39%

LAB 35.08, 16.79, -25.35

 

CMYK 0 / 39 / 30 / 52

HEX #7B4B56

RGB 123 75 86

HSL 346.25, 0.24%, 0.39%

LAB 37.69, 21.92, 2.13

 

CMYK 11 / 0 / 39 / 52

HEX #6E7B4B

RGB 110 123 75

HSL 76.25, 0.24%, 0.39%

LAB 49.48, -13.36, 24.67

 

CMYK 39 / 0 / 9 / 52

HEX #4B7B70

RGB 75 123 112

HSL 166.25, 0.24%, 0.39%

LAB 48.05, -19.05, 0.87

 

Description

Color code: HEX #584B7B | qconv.com Color code: HEX #584B7B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 75 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 75 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 39 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 39% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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