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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #584A8B it is the complementary color #A7B574. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #584A8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #584A8B shade: #5D4A86, #6E5C99, #7F6EAC, #9080BF and #A192D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #584A8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #584A8B shade: #584A8B, #473878, #362665, #251452 and #14023F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #584A8B shade: #58498C, #6A498C, #7C498C, #8C498A and #8C4978

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #584A8B shade: #58498C and #49498C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #584A8B shade matches the following richer shades: #58498C, #4E389D, #4427AE, #3A15C0 and #3004D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #584A8B shade: #58498C, #625B7A, #6B6C69, #757D58 and #7F8F46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #584A8B shade: #49608C, #494E8C, #57498C, #68498C and #7A498C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #584A8B shade: #362D56, #473B71, #58498C, #6958A7 and #8173B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #584A8B shade: #584A8B, #8C4971 and #578C49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #584A8B shade: #584A8B, #8C5749 and #498C57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #584A8B shade: #584A8B, #8C4971, #7F8C49 and #498C64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #584A8B shade: #584A8B, #8C495D, #7F8C49 and #498C78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 47 / 0 / 45

HEX #584A8B

RGB 88 74 139

HSL 252.92, 0.31%, 0.42%

LAB 35.67, 21.94, -34.27

 

Complementary color

CMYK 8 / 0 / 36 / 29

HEX #A7B574

RGB 167 181 116

HSL 72.92, 0.31%, 0.58%

LAB 71.23, -15.53, 31.54

 

CMYK 31 / 45 / 0 / 47

HEX #5D4A86

RGB 93 74 134

HSL 259, 0.29%, 0.41%

LAB 35.88, 21.99, -30.84

 

CMYK 28 / 40 / 0 / 40

HEX #6E5C99

RGB 110 92 153

HSL 257.7, 0.25%, 0.48%

LAB 43.17, 21.09, -30.76

 

CMYK 26 / 36 / 0 / 33

HEX #7F6EAC

RGB 127 110 172

HSL 256.45, 0.27%, 0.55%

LAB 50.27, 20.31, -30.73

 

CMYK 25 / 33 / 0 / 25

HEX #9080BF

RGB 144 128 191

HSL 255.24, 0.33%, 0.63%

LAB 57.2, 19.63, -30.75

 

CMYK 23 / 30 / 0 / 18

HEX #A192D2

RGB 161 146 210

HSL 254.06, 0.42%, 0.7%

LAB 63.99, 19.01, -30.81

 

CMYK 37 / 47 / 0 / 45

HEX #584A8B

RGB 88 74 139

HSL 252.92, 0.31%, 0.42%

LAB 35.67, 21.94, -34.27

 

CMYK 41 / 53 / 0 / 53

HEX #473878

RGB 71 56 120

HSL 254.06, 0.36%, 0.35%

LAB 28.18, 23.11, -34.49

 

CMYK 47 / 62 / 0 / 60

HEX #362665

RGB 54 38 101

HSL 255.24, 0.45%, 0.27%

LAB 20.48, 24.49, -34.75

 

CMYK 55 / 76 / 0 / 68

HEX #251452

RGB 37 20 82

HSL 256.45, 0.61%, 0.2%

LAB 12.63, 26.02, -34.89

 

CMYK 68 / 97 / 0 / 75

HEX #14023F

RGB 20 2 63

HSL 257.7, 0.94%, 0.13%

LAB 4.98, 26.25, -34.21

 

CMYK 37 / 48 / 0 / 45

HEX #58498C

RGB 88 73 140

HSL 253.43, 0.31%, 0.42%

LAB 35.47, 22.86, -35.2

 

CMYK 24 / 48 / 0 / 45

HEX #6A498C

RGB 106 73 140

HSL 269.55, 0.31%, 0.42%

LAB 37.34, 28.1, -32.11

 

CMYK 11 / 48 / 0 / 45

HEX #7C498C

RGB 124 73 140

HSL 285.67, 0.31%, 0.42%

LAB 39.49, 33.59, -28.59

 

CMYK 0 / 48 / 1 / 45

HEX #8C498A

RGB 140 73 138

HSL 301.79, 0.31%, 0.42%

LAB 41.49, 38.17, -24.08

 

CMYK 0 / 48 / 14 / 45

HEX #8C4978

RGB 140 73 120

HSL 317.91, 0.31%, 0.42%

LAB 40.73, 34.89, -14.25

 

CMYK 37 / 48 / 0 / 45

HEX #58498C

RGB 88 73 140

HSL 253.43, 0.31%, 0.42%

LAB 35.47, 22.86, -35.2

 

CMYK 48 / 48 / 0 / 45

HEX #49498C

RGB 73 73 140

HSL 240, 0.31%, 0.42%

LAB 34.14, 18.85, -37.39

 

CMYK 37 / 48 / 0 / 45

HEX #58498C

RGB 88 73 140

HSL 253.43, 0.31%, 0.42%

LAB 35.47, 22.86, -35.2

 

CMYK 50 / 64 / 0 / 38

HEX #4E389D

RGB 78 56 157

HSL 253.07, 0.47%, 0.42%

LAB 31.54, 36.09, -51.93

 

CMYK 61 / 78 / 0 / 32

HEX #4427AE

RGB 68 39 174

HSL 252.89, 0.63%, 0.42%

LAB 28.74, 48.97, -66.8

 

CMYK 70 / 89 / 0 / 25

HEX #3A15C0

RGB 58 21 192

HSL 252.98, 0.8%, 0.42%

LAB 27.41, 60.37, -79.73

 

CMYK 77 / 98 / 0 / 18

HEX #3004D1

RGB 48 4 209

HSL 252.88, 0.96%, 0.42%

LAB 27.62, 68.06, -89.37

 

CMYK 37 / 48 / 0 / 45

HEX #58498C

RGB 88 73 140

HSL 253.43, 0.31%, 0.42%

LAB 35.47, 22.86, -35.2

 

CMYK 20 / 25 / 0 / 52

HEX #625B7A

RGB 98 91 122

HSL 253.55, 0.15%, 0.42%

LAB 40.38, 9.81, -16.44

 

CMYK 1 / 0 / 3 / 58

HEX #6B6C69

RGB 107 108 105

HSL 80, 0.01%, 0.42%

LAB 45.46, -0.99, 1.53

 

CMYK 6 / 0 / 30 / 51

HEX #757D58

RGB 117 125 88

HSL 72.97, 0.17%, 0.42%

LAB 50.87, -9.68, 19.23

 

CMYK 11 / 0 / 51 / 44

HEX #7F8F46

RGB 127 143 70

HSL 73.15, 0.34%, 0.42%

LAB 56.68, -17.49, 36.59

 

CMYK 48 / 31 / 0 / 45

HEX #49608C

RGB 73 96 140

HSL 219.4, 0.31%, 0.42%

LAB 40.7, 4.09, -27.04

 

CMYK 48 / 44 / 0 / 45

HEX #494E8C

RGB 73 78 140

HSL 235.52, 0.31%, 0.42%

LAB 35.52, 15.6, -35.2

 

CMYK 38 / 48 / 0 / 45

HEX #57498C

RGB 87 73 140

HSL 252.54, 0.31%, 0.42%

LAB 35.37, 22.58, -35.36

 

CMYK 26 / 48 / 0 / 45

HEX #68498C

RGB 104 73 140

HSL 267.76, 0.31%, 0.42%

LAB 37.12, 27.5, -32.48

 

CMYK 13 / 48 / 0 / 45

HEX #7A498C

RGB 122 73 140

HSL 283.88, 0.31%, 0.42%

LAB 39.23, 32.97, -29

 

CMYK 37 / 48 / 0 / 66

HEX #362D56

RGB 54 45 86

HSL 253.17, 0.31%, 0.26%

LAB 21.33, 15.01, -23.49

 

CMYK 37 / 48 / 0 / 56

HEX #473B71

RGB 71 59 113

HSL 253.33, 0.31%, 0.34%

LAB 28.54, 19.03, -29.49

 

CMYK 37 / 48 / 0 / 45

HEX #58498C

RGB 88 73 140

HSL 253.43, 0.31%, 0.42%

LAB 35.47, 22.86, -35.2

 

CMYK 37 / 47 / 0 / 35

HEX #6958A7

RGB 105 88 167

HSL 252.91, 0.31%, 0.5%

LAB 42.42, 25.93, -40.29

 

CMYK 29 / 36 / 0 / 29

HEX #8173B5

RGB 129 115 181

HSL 252.73, 0.31%, 0.58%

LAB 52.14, 20.24, -33.02

 

CMYK 37 / 47 / 0 / 45

HEX #584A8B

RGB 88 74 139

HSL 252.92, 0.31%, 0.42%

LAB 35.67, 21.94, -34.27

 

CMYK 0 / 48 / 19 / 45

HEX #8C4971

RGB 140 73 113

HSL 324.18, 0.31%, 0.42%

LAB 40.46, 33.72, -10.33

 

CMYK 38 / 0 / 48 / 45

HEX #578C49

RGB 87 140 73

HSL 107.46, 0.31%, 0.42%

LAB 53.24, -31.2, 30.23

 

CMYK 37 / 47 / 0 / 45

HEX #584A8B

RGB 88 74 139

HSL 252.92, 0.31%, 0.42%

LAB 35.67, 21.94, -34.27

 

CMYK 0 / 38 / 48 / 45

HEX #8C5749

RGB 140 87 73

HSL 12.54, 0.31%, 0.42%

LAB 42.57, 20.27, 17.3

 

CMYK 48 / 0 / 38 / 45

HEX #498C57

RGB 73 140 87

HSL 132.54, 0.31%, 0.42%

LAB 52.8, -33.45, 21.9

 

CMYK 37 / 47 / 0 / 45

HEX #584A8B

RGB 88 74 139

HSL 252.92, 0.31%, 0.42%

LAB 35.67, 21.94, -34.27

 

CMYK 0 / 48 / 19 / 45

HEX #8C4971

RGB 140 73 113

HSL 324.18, 0.31%, 0.42%

LAB 40.46, 33.72, -10.33

 

CMYK 9 / 0 / 48 / 45

HEX #7F8C49

RGB 127 140 73

HSL 71.64, 0.31%, 0.42%

LAB 55.84, -15.59, 34.02

 

CMYK 48 / 0 / 29 / 45

HEX #498C64

RGB 73 140 100

HSL 144.18, 0.31%, 0.42%

LAB 53.05, -30.92, 14.92

 

CMYK 37 / 47 / 0 / 45

HEX #584A8B

RGB 88 74 139

HSL 252.92, 0.31%, 0.42%

LAB 35.67, 21.94, -34.27

 

CMYK 0 / 48 / 34 / 45

HEX #8C495D

RGB 140 73 93

HSL 342.09, 0.31%, 0.42%

LAB 39.8, 30.72, 1.11

 

CMYK 9 / 0 / 48 / 45

HEX #7F8C49

RGB 127 140 73

HSL 71.64, 0.31%, 0.42%

LAB 55.84, -15.59, 34.02

 

CMYK 48 / 0 / 14 / 45

HEX #498C78

RGB 73 140 120

HSL 162.09, 0.31%, 0.42%

LAB 53.52, -26.41, 4.12

 

Description

Color code: HEX #584A8B | qconv.com Color code: HEX #584A8B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 74 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 74 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 47 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 47% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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