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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58484B it is the complementary color #A7B7B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58484B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58484B shade: #5D4846, #6E5A59, #7F6C6C, #907E7F and #A19092

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58484B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58484B shade: #58484B, #473638, #362425, #251212 and #140000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58484B shade: #56474A and #564747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58484B shade: #56474A, #56474E, #564752, #564756 and #524756

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58484B shade matches the following richer shades: #56474A, #633A42, #702D3A, #7D2032 and #8A132A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58484B shade: #56474A, #4A5352, #3D605A, #306D62 and #237A6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58484B shade: #564752, #56474E, #56474A, #564847 and #564C47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58484B shade: #292223, #403436, #56474A, #6D595D and #846C70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58484B shade: #58484B, #565647 and #475056

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58484B shade: #58484B, #4A5647 and #474A56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58484B shade: #58484B, #565647, #475653 and #474756

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58484B shade: #58484B, #525647, #475653 and #4B4756

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 15 / 65

HEX #58484B

RGB 88 72 75

HSL 348.75, 0.1%, 0.31%

LAB 32.3, 7.34, 0.75

 

Complementary color

CMYK 9 / 0 / 2 / 28

HEX #A7B7B4

RGB 167 183 180

HSL 168.75, 0.1%, 0.69%

LAB 73.14, -6.1, -0.38

 

CMYK 0 / 23 / 25 / 64

HEX #5D4846

RGB 93 72 70

HSL 5.22, 0.14%, 0.32%

LAB 32.71, 8.59, 4.61

 

CMYK 0 / 18 / 19 / 57

HEX #6E5A59

RGB 110 90 89

HSL 2.86, 0.11%, 0.39%

LAB 40.16, 7.99, 3.64

 

CMYK 0 / 15 / 15 / 50

HEX #7F6C6C

RGB 127 108 108

HSL 0, 0.08%, 0.46%

LAB 47.39, 7.49, 2.77

 

CMYK 0 / 13 / 12 / 44

HEX #907E7F

RGB 144 126 127

HSL 356.67, 0.08%, 0.53%

LAB 54.43, 7.06, 1.98

 

CMYK 0 / 11 / 9 / 37

HEX #A19092

RGB 161 144 146

HSL 352.94, 0.08%, 0.6%

LAB 61.31, 6.68, 1.24

 

CMYK 0 / 18 / 15 / 65

HEX #58484B

RGB 88 72 75

HSL 348.75, 0.1%, 0.31%

LAB 32.3, 7.34, 0.75

 

CMYK 0 / 24 / 21 / 72

HEX #473638

RGB 71 54 56

HSL 352.94, 0.14%, 0.25%

LAB 24.52, 7.95, 1.65

 

CMYK 0 / 33 / 31 / 79

HEX #362425

RGB 54 36 37

HSL 356.67, 0.2%, 0.18%

LAB 16.4, 8.75, 2.75

 

CMYK 0 / 51 / 51 / 85

HEX #251212

RGB 37 18 18

HSL 0, 0.35%, 0.11%

LAB 7.86, 9.88, 3.78

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 17 / 14 / 66

HEX #56474A

RGB 86 71 74

HSL 348, 0.1%, 0.31%

LAB 31.76, 6.94, 0.58

 

CMYK 0 / 17 / 17 / 66

HEX #564747

RGB 86 71 71

HSL 0, 0.1%, 0.31%

LAB 31.67, 6.37, 2.38

 

CMYK 0 / 17 / 14 / 66

HEX #56474A

RGB 86 71 74

HSL 348, 0.1%, 0.31%

LAB 31.76, 6.94, 0.58

 

CMYK 0 / 17 / 9 / 66

HEX #56474E

RGB 86 71 78

HSL 332, 0.1%, 0.31%

LAB 31.89, 7.73, -1.8

 

CMYK 0 / 17 / 5 / 66

HEX #564752

RGB 86 71 82

HSL 316, 0.1%, 0.31%

LAB 32.02, 8.56, -4.17

 

CMYK 0 / 17 / 0 / 66

HEX #564756

RGB 86 71 86

HSL 300, 0.1%, 0.31%

LAB 32.16, 9.42, -6.52

 

CMYK 5 / 17 / 0 / 66

HEX #524756

RGB 82 71 86

HSL 284, 0.1%, 0.31%

LAB 31.74, 7.83, -7.19

 

CMYK 0 / 17 / 14 / 66

HEX #56474A

RGB 86 71 74

HSL 348, 0.1%, 0.31%

LAB 31.76, 6.94, 0.58

 

CMYK 0 / 41 / 33 / 61

HEX #633A42

RGB 99 58 66

HSL 348.29, 0.26%, 0.31%

LAB 29.59, 19.28, 2.83

 

CMYK 0 / 60 / 48 / 56

HEX #702D3A

RGB 112 45 58

HSL 348.36, 0.43%, 0.31%

LAB 28.45, 30.98, 6.75

 

CMYK 0 / 74 / 60 / 51

HEX #7D2032

RGB 125 32 50

HSL 348.39, 0.59%, 0.31%

LAB 28.44, 40.89, 12.43

 

CMYK 0 / 86 / 70 / 46

HEX #8A132A

RGB 138 19 42

HSL 348.4, 0.76%, 0.31%

LAB 29.5, 48.5, 19.64

 

CMYK 0 / 17 / 14 / 66

HEX #56474A

RGB 86 71 74

HSL 348, 0.1%, 0.31%

LAB 31.76, 6.94, 0.58

 

CMYK 11 / 0 / 1 / 67

HEX #4A5352

RGB 74 83 82

HSL 173.33, 0.06%, 0.31%

LAB 34.5, -3.79, -0.64

 

CMYK 36 / 0 / 6 / 62

HEX #3D605A

RGB 61 96 90

HSL 169.71, 0.22%, 0.31%

LAB 38.01, -14.13, -0.59

 

CMYK 56 / 0 / 10 / 57

HEX #306D62

RGB 48 109 98

HSL 169.18, 0.39%, 0.31%

LAB 41.92, -22.67, 0.16

 

CMYK 71 / 0 / 13 / 52

HEX #237A6A

RGB 35 122 106

HSL 168.97, 0.55%, 0.31%

LAB 46.07, -29.5, 1.36

 

CMYK 0 / 17 / 5 / 66

HEX #564752

RGB 86 71 82

HSL 316, 0.1%, 0.31%

LAB 32.02, 8.56, -4.17

 

CMYK 0 / 17 / 9 / 66

HEX #56474E

RGB 86 71 78

HSL 332, 0.1%, 0.31%

LAB 31.89, 7.73, -1.8

 

CMYK 0 / 17 / 14 / 66

HEX #56474A

RGB 86 71 74

HSL 348, 0.1%, 0.31%

LAB 31.76, 6.94, 0.58

 

CMYK 0 / 16 / 17 / 66

HEX #564847

RGB 86 72 71

HSL 4, 0.1%, 0.31%

LAB 31.96, 5.73, 2.8

 

CMYK 0 / 12 / 17 / 66

HEX #564C47

RGB 86 76 71

HSL 20, 0.1%, 0.31%

LAB 33.14, 3.21, 4.49

 

CMYK 0 / 17 / 15 / 84

HEX #292223

RGB 41 34 35

HSL 351.43, 0.09%, 0.15%

LAB 14.04, 3.54, 0.55

 

CMYK 0 / 19 / 16 / 75

HEX #403436

RGB 64 52 54

HSL 350, 0.1%, 0.23%

LAB 23.04, 5.76, 0.75

 

CMYK 0 / 17 / 14 / 66

HEX #56474A

RGB 86 71 74

HSL 348, 0.1%, 0.31%

LAB 31.76, 6.94, 0.58

 

CMYK 0 / 18 / 15 / 57

HEX #6D595D

RGB 109 89 93

HSL 348, 0.1%, 0.39%

LAB 39.89, 8.9, 0.77

 

CMYK 0 / 18 / 15 / 48

HEX #846C70

RGB 132 108 112

HSL 350, 0.1%, 0.47%

LAB 48.01, 10.18, 1.34

 

CMYK 0 / 18 / 15 / 65

HEX #58484B

RGB 88 72 75

HSL 348.75, 0.1%, 0.31%

LAB 32.3, 7.34, 0.75

 

CMYK 0 / 0 / 17 / 66

HEX #565647

RGB 86 86 71

HSL 60, 0.1%, 0.31%

LAB 36.15, -2.95, 8.76

 

CMYK 17 / 7 / 0 / 66

HEX #475056

RGB 71 80 86

HSL 204, 0.1%, 0.31%

LAB 33.45, -2.13, -4.74

 

CMYK 0 / 18 / 15 / 65

HEX #58484B

RGB 88 72 75

HSL 348.75, 0.1%, 0.31%

LAB 32.3, 7.34, 0.75

 

CMYK 14 / 0 / 17 / 66

HEX #4A5647

RGB 74 86 71

HSL 108, 0.1%, 0.31%

LAB 35.14, -7.98, 7.17

 

CMYK 17 / 14 / 0 / 66

HEX #474A56

RGB 71 74 86

HSL 228, 0.1%, 0.31%

LAB 31.6, 1.65, -7.51

 

CMYK 0 / 18 / 15 / 65

HEX #58484B

RGB 88 72 75

HSL 348.75, 0.1%, 0.31%

LAB 32.3, 7.34, 0.75

 

CMYK 0 / 0 / 17 / 66

HEX #565647

RGB 86 86 71

HSL 60, 0.1%, 0.31%

LAB 36.15, -2.95, 8.76

 

CMYK 17 / 0 / 3 / 66

HEX #475653

RGB 71 86 83

HSL 168, 0.1%, 0.31%

LAB 35.24, -6.53, -0.21

 

CMYK 17 / 17 / 0 / 66

HEX #474756

RGB 71 71 86

HSL 240, 0.1%, 0.31%

LAB 30.68, 3.58, -8.89

 

CMYK 0 / 18 / 15 / 65

HEX #58484B

RGB 88 72 75

HSL 348.75, 0.1%, 0.31%

LAB 32.3, 7.34, 0.75

 

CMYK 5 / 0 / 17 / 66

HEX #525647

RGB 82 86 71

HSL 76, 0.1%, 0.31%

LAB 35.8, -4.66, 8.2

 

CMYK 17 / 0 / 3 / 66

HEX #475653

RGB 71 86 83

HSL 168, 0.1%, 0.31%

LAB 35.24, -6.53, -0.21

 

CMYK 13 / 17 / 0 / 66

HEX #4B4756

RGB 75 71 86

HSL 256, 0.1%, 0.31%

LAB 31.05, 5.1, -8.3

 

Description

Color code: HEX #58484B | qconv.com Color code: HEX #58484B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 72 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 72 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 15 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 15% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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