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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5823BD it is the complementary color #A7DC42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5823BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5823BD shade: #5D23B8, #6E35CB, #7F47DE, #9059F1 and #A16BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5823BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5823BD shade: #5823BD, #4711AA, #360097, #250084 and #140071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5823BD shade: #5822BD, #8122BD, #AB22BD, #BD22A5 and #BD227C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5823BD shade: #5822BD, #2E22BD and #2222BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5823BD shade matches the following richer shades: #5822BD and #5210CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5823BD shade: #5822BD, #5D34AB, #634799, #695987 and #6E6B75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5823BD shade: #2241BD, #2D22BD, #5622BD, #7F22BD and #A822BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5823BD shade: #371577, #471C9A, #5822BD, #6A30D9 and #8353DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5823BD shade: #5823BD, #BD226B and #2DBD22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5823BD shade: #5823BD, #BD5622 and #22BD56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5823BD shade: #5823BD, #BD226B, #8ABD22 and #22BD75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5823BD shade: #5823BD, #BD223C, #8ABD22 and #22BDA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 81 / 0 / 26

HEX #5823BD

RGB 88 35 189

HSL 260.65, 0.69%, 0.44%

LAB 31.69, 57.28, -70.78

 

Complementary color

CMYK 24 / 0 / 70 / 14

HEX #A7DC42

RGB 167 220 66

HSL 80.65, 0.69%, 0.56%

LAB 81.73, -38.85, 66.47

 

CMYK 49 / 81 / 0 / 28

HEX #5D23B8

RGB 93 35 184

HSL 263.36, 0.68%, 0.43%

LAB 31.78, 56.62, -67.65

 

CMYK 46 / 74 / 0 / 20

HEX #6E35CB

RGB 110 53 203

HSL 262.8, 0.59%, 0.5%

LAB 38.15, 56.27, -68.28

 

CMYK 43 / 68 / 0 / 13

HEX #7F47DE

RGB 127 71 222

HSL 262.25, 0.7%, 0.57%

LAB 44.65, 55.44, -68.53

 

CMYK 40 / 63 / 0 / 5

HEX #9059F1

RGB 144 89 241

HSL 261.71, 0.84%, 0.65%

LAB 51.18, 54.42, -68.57

 

CMYK 37 / 58 / 0 / 0

HEX #A16BFF

RGB 161 107 255

HSL 261.89, 1%, 0.71%

LAB 57.38, 52.07, -66.25

 

CMYK 53 / 81 / 0 / 26

HEX #5823BD

RGB 88 35 189

HSL 260.65, 0.69%, 0.44%

LAB 31.69, 57.28, -70.78

 

CMYK 58 / 90 / 0 / 33

HEX #4711AA

RGB 71 17 170

HSL 261.18, 0.82%, 0.37%

LAB 25.69, 56.77, -69.42

 

CMYK 64 / 100 / 0 / 41

HEX #360097

RGB 54 0 151

HSL 261.46, 1%, 0.3%

LAB 20.12, 54.97, -67.12

 

CMYK 72 / 100 / 0 / 48

HEX #250084

RGB 37 0 132

HSL 256.82, 1%, 0.26%

LAB 15.8, 49.39, -62.48

 

CMYK 82 / 100 / 0 / 56

HEX #140071

RGB 20 0 113

HSL 250.62, 1%, 0.22%

LAB 11.56, 43.82, -57.38

 

CMYK 53 / 82 / 0 / 26

HEX #5822BD

RGB 88 34 189

HSL 260.9, 0.7%, 0.44%

LAB 31.56, 57.67, -71

 

CMYK 32 / 82 / 0 / 26

HEX #8122BD

RGB 129 34 189

HSL 276.77, 0.7%, 0.44%

LAB 36.9, 63.35, -62.04

 

CMYK 10 / 82 / 0 / 26

HEX #AB22BD

RGB 171 34 189

HSL 293.03, 0.7%, 0.44%

LAB 43.47, 70.51, -51.09

 

CMYK 0 / 82 / 13 / 26

HEX #BD22A5

RGB 189 34 165

HSL 309.29, 0.7%, 0.44%

LAB 45.19, 70.31, -33.98

 

CMYK 0 / 82 / 34 / 26

HEX #BD227C

RGB 189 34 124

HSL 325.16, 0.7%, 0.44%

LAB 43.39, 65.22, -11.92

 

CMYK 53 / 82 / 0 / 26

HEX #5822BD

RGB 88 34 189

HSL 260.9, 0.7%, 0.44%

LAB 31.56, 57.67, -71

 

CMYK 76 / 82 / 0 / 26

HEX #2E22BD

RGB 46 34 189

HSL 244.65, 0.7%, 0.44%

LAB 27.84, 53.83, -77.27

 

CMYK 82 / 82 / 0 / 26

HEX #2222BD

RGB 34 34 189

HSL 240, 0.7%, 0.44%

LAB 27.18, 53.15, -78.39

 

CMYK 53 / 82 / 0 / 26

HEX #5822BD

RGB 88 34 189

HSL 260.9, 0.7%, 0.44%

LAB 31.56, 57.67, -71

 

CMYK 60 / 92 / 0 / 19

HEX #5210CF

RGB 82 16 207

HSL 260.73, 0.86%, 0.44%

LAB 31.04, 67, -82.43

 

CMYK 53 / 82 / 0 / 26

HEX #5822BD

RGB 88 34 189

HSL 260.9, 0.7%, 0.44%

LAB 31.56, 57.67, -71

 

CMYK 46 / 70 / 0 / 33

HEX #5D34AB

RGB 93 52 171

HSL 260.67, 0.53%, 0.44%

LAB 33.4, 45.3, -57.26

 

CMYK 35 / 54 / 0 / 40

HEX #634799

RGB 99 71 153

HSL 260.49, 0.37%, 0.44%

LAB 36.85, 30.78, -40.83

 

CMYK 22 / 34 / 0 / 47

HEX #695987

RGB 105 89 135

HSL 260.87, 0.21%, 0.44%

LAB 41.05, 16.7, -23.27

 

CMYK 6 / 9 / 0 / 54

HEX #6E6B75

RGB 110 107 117

HSL 258, 0.04%, 0.44%

LAB 45.79, 3.25, -5.15

 

CMYK 82 / 66 / 0 / 26

HEX #2241BD

RGB 34 65 189

HSL 228, 0.7%, 0.44%

LAB 33.55, 35.39, -67.86

 

CMYK 76 / 82 / 0 / 26

HEX #2D22BD

RGB 45 34 189

HSL 244.26, 0.7%, 0.44%

LAB 27.78, 53.76, -77.37

 

CMYK 54 / 82 / 0 / 26

HEX #5622BD

RGB 86 34 189

HSL 260.13, 0.7%, 0.44%

LAB 31.34, 57.44, -71.37

 

CMYK 33 / 82 / 0 / 26

HEX #7F22BD

RGB 127 34 189

HSL 276, 0.7%, 0.44%

LAB 36.61, 63.04, -62.52

 

CMYK 11 / 82 / 0 / 26

HEX #A822BD

RGB 168 34 189

HSL 291.87, 0.7%, 0.44%

LAB 42.98, 69.97, -51.91

 

CMYK 54 / 82 / 0 / 53

HEX #371577

RGB 55 21 119

HSL 260.82, 0.7%, 0.27%

LAB 18.72, 39.85, -49.29

 

CMYK 54 / 82 / 0 / 40

HEX #471C9A

RGB 71 28 154

HSL 260.48, 0.69%, 0.36%

LAB 25.27, 48.71, -60.38

 

CMYK 53 / 82 / 0 / 26

HEX #5822BD

RGB 88 34 189

HSL 260.9, 0.7%, 0.44%

LAB 31.56, 57.67, -71

 

CMYK 51 / 78 / 0 / 15

HEX #6A30D9

RGB 106 48 217

HSL 260.59, 0.69%, 0.52%

LAB 38.18, 61.5, -76.35

 

CMYK 41 / 63 / 0 / 13

HEX #8353DF

RGB 131 83 223

HSL 260.57, 0.69%, 0.6%

LAB 47.42, 50.28, -64.59

 

CMYK 53 / 81 / 0 / 26

HEX #5823BD

RGB 88 35 189

HSL 260.65, 0.69%, 0.44%

LAB 31.69, 57.28, -70.78

 

CMYK 0 / 82 / 43 / 26

HEX #BD226B

RGB 189 34 107

HSL 331.74, 0.7%, 0.44%

LAB 42.8, 63.51, -2.25

 

CMYK 76 / 0 / 82 / 26

HEX #2DBD22

RGB 45 189 34

HSL 115.74, 0.7%, 0.44%

LAB 67.33, -63.93, 61.19

 

CMYK 53 / 81 / 0 / 26

HEX #5823BD

RGB 88 35 189

HSL 260.65, 0.69%, 0.44%

LAB 31.69, 57.28, -70.78

 

CMYK 0 / 54 / 82 / 26

HEX #BD5622

RGB 189 86 34

HSL 20.13, 0.7%, 0.44%

LAB 48.99, 38.5, 47.8

 

CMYK 82 / 0 / 54 / 26

HEX #22BD56

RGB 34 189 86

HSL 140.13, 0.7%, 0.44%

LAB 67.58, -60.23, 40.95

 

CMYK 53 / 81 / 0 / 26

HEX #5823BD

RGB 88 35 189

HSL 260.65, 0.69%, 0.44%

LAB 31.69, 57.28, -70.78

 

CMYK 0 / 82 / 43 / 26

HEX #BD226B

RGB 189 34 107

HSL 331.74, 0.7%, 0.44%

LAB 42.8, 63.51, -2.25

 

CMYK 27 / 0 / 82 / 26

HEX #8ABD22

RGB 138 189 34

HSL 79.74, 0.7%, 0.44%

LAB 70.81, -37.71, 65.64

 

CMYK 82 / 0 / 38 / 26

HEX #22BD75

RGB 34 189 117

HSL 152.13, 0.7%, 0.44%

LAB 68.04, -54.91, 25.77

 

CMYK 53 / 81 / 0 / 26

HEX #5823BD

RGB 88 35 189

HSL 260.65, 0.69%, 0.44%

LAB 31.69, 57.28, -70.78

 

CMYK 0 / 82 / 68 / 26

HEX #BD223C

RGB 189 34 60

HSL 349.94, 0.7%, 0.44%

LAB 41.67, 60.14, 25.65

 

CMYK 27 / 0 / 82 / 26

HEX #8ABD22

RGB 138 189 34

HSL 79.74, 0.7%, 0.44%

LAB 70.81, -37.71, 65.64

 

CMYK 82 / 0 / 14 / 26

HEX #22BDA3

RGB 34 189 163

HSL 169.94, 0.7%, 0.44%

LAB 69.03, -44.14, 2.28

 

Description

Color code: HEX #5823BD | qconv.com Color code: HEX #5823BD | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 35 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 35 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 81 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 81% 0% 26% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Stuuny - Le monde se...
Link: http://stouny.webou.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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