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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #582154 it is the complementary color #A7DEAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #582154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #582154 shade: #5D214F, #6E3362, #7F4575, #905788 and #A1699B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #582154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #582154 shade: #582154, #470F41, #36002E, #25001B and #140008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #582154 shade: #582154, #582145, #582137, #582128 and #582121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #582154 shade: #582154, #4D2158, #3F2158, #302158 and #212158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #582154 shade matches the following richer shades: #582154, #62175D, #6C0D65 and #76036E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #582154 shade: #582154, #4E2B4C, #443543, #3B3F3B and #314932

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #582154 shade: #3F2158, #4D2158, #582155, #582146 and #582137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #582154 shade: #1C0A1B, #3A1638, #582154, #762D71 and #94388D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #582154 shade: #582154, #583021 and #215846

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #582154 shade: #582154, #555821 and #215558

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #582154 shade: #582154, #583021, #215825 and #214A58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #582154 shade: #582154, #584021, #215825 and #213958

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 5 / 65

HEX #582154

RGB 88 33 84

HSL 304.36, 0.45%, 0.24%

LAB 23.01, 32.8, -19.2

 

Complementary color

CMYK 25 / 0 / 23 / 13

HEX #A7DEAB

RGB 167 222 171

HSL 124.36, 0.45%, 0.76%

LAB 83.65, -27.5, 19.43

 

CMYK 0 / 65 / 15 / 64

HEX #5D214F

RGB 93 33 79

HSL 314, 0.48%, 0.25%

LAB 23.6, 33.44, -14.87

 

CMYK 0 / 54 / 11 / 57

HEX #6E3362

RGB 110 51 98

HSL 312.2, 0.37%, 0.32%

LAB 30.79, 32.91, -16.01

 

CMYK 0 / 46 / 8 / 50

HEX #7F4575

RGB 127 69 117

HSL 310.34, 0.3%, 0.38%

LAB 37.94, 32.15, -16.83

 

CMYK 0 / 40 / 6 / 44

HEX #905788

RGB 144 87 136

HSL 308.42, 0.25%, 0.45%

LAB 44.97, 31.34, -17.46

 

CMYK 0 / 35 / 4 / 37

HEX #A1699B

RGB 161 105 155

HSL 306.43, 0.23%, 0.52%

LAB 51.89, 30.55, -18

 

CMYK 0 / 63 / 5 / 65

HEX #582154

RGB 88 33 84

HSL 304.36, 0.45%, 0.24%

LAB 23.01, 32.8, -19.2

 

CMYK 0 / 79 / 8 / 72

HEX #470F41

RGB 71 15 65

HSL 306.43, 0.65%, 0.17%

LAB 15.81, 32.69, -17.72

 

CMYK 0 / 100 / 15 / 79

HEX #36002E

RGB 54 0 46

HSL 308.89, 1%, 0.11%

LAB 8.84, 31.32, -15.27

 

CMYK 0 / 100 / 27 / 85

HEX #25001B

RGB 37 0 27

HSL 316.22, 1%, 0.07%

LAB 4.27, 20.75, -7.99

 

CMYK 0 / 100 / 60 / 92

HEX #140008

RGB 20 0 8

HSL 336, 1%, 0.04%

LAB 1.5, 7.14, -0.91

 

CMYK 0 / 63 / 5 / 65

HEX #582154

RGB 88 33 84

HSL 304.36, 0.45%, 0.24%

LAB 23.01, 32.8, -19.2

 

CMYK 0 / 63 / 22 / 65

HEX #582145

RGB 88 33 69

HSL 320.73, 0.45%, 0.24%

LAB 22.27, 30.08, -10.23

 

CMYK 0 / 63 / 38 / 65

HEX #582137

RGB 88 33 55

HSL 336, 0.45%, 0.24%

LAB 21.72, 27.93, -1.46

 

CMYK 0 / 63 / 55 / 65

HEX #582128

RGB 88 33 40

HSL 352.36, 0.45%, 0.24%

LAB 21.27, 26.11, 8.28

 

CMYK 0 / 63 / 63 / 65

HEX #582121

RGB 88 33 33

HSL 0, 0.45%, 0.24%

LAB 21.1, 25.44, 12.88

 

CMYK 0 / 63 / 5 / 65

HEX #582154

RGB 88 33 84

HSL 304.36, 0.45%, 0.24%

LAB 23.01, 32.8, -19.2

 

CMYK 13 / 63 / 0 / 65

HEX #4D2158

RGB 77 33 88

HSL 288, 0.45%, 0.24%

LAB 21.47, 30.31, -24.41

 

CMYK 28 / 63 / 0 / 65

HEX #3F2158

RGB 63 33 88

HSL 272.73, 0.45%, 0.24%

LAB 19.43, 26.21, -27.79

 

CMYK 45 / 63 / 0 / 65

HEX #302158

RGB 48 33 88

HSL 256.36, 0.45%, 0.24%

LAB 17.56, 22.09, -30.89

 

CMYK 63 / 63 / 0 / 65

HEX #212158

RGB 33 33 88

HSL 240, 0.45%, 0.24%

LAB 16.08, 18.53, -33.35

 

CMYK 0 / 63 / 5 / 65

HEX #582154

RGB 88 33 84

HSL 304.36, 0.45%, 0.24%

LAB 23.01, 32.8, -19.2

 

CMYK 0 / 77 / 5 / 62

HEX #62175D

RGB 98 23 93

HSL 304, 0.62%, 0.24%

LAB 23.67, 41.73, -24.02

 

CMYK 0 / 88 / 6 / 58

HEX #6C0D65

RGB 108 13 101

HSL 304.42, 0.79%, 0.24%

LAB 25, 48.41, -27.05

 

CMYK 0 / 97 / 7 / 54

HEX #76036E

RGB 118 3 110

HSL 304.17, 0.95%, 0.24%

LAB 26.86, 53.8, -29.82

 

CMYK 0 / 63 / 5 / 65

HEX #582154

RGB 88 33 84

HSL 304.36, 0.45%, 0.24%

LAB 23.01, 32.8, -19.2

 

CMYK 0 / 45 / 3 / 69

HEX #4E2B4C

RGB 78 43 76

HSL 303.43, 0.29%, 0.24%

LAB 23.23, 22.03, -13.62

 

CMYK 0 / 22 / 1 / 73

HEX #443543

RGB 68 53 67

HSL 304, 0.12%, 0.24%

LAB 24.26, 9.6, -6.15

 

CMYK 6 / 0 / 6 / 75

HEX #3B3F3B

RGB 59 63 59

HSL 120, 0.03%, 0.24%

LAB 26.16, -2.59, 1.87

 

CMYK 33 / 0 / 32 / 71

HEX #314932

RGB 49 73 50

HSL 122.5, 0.2%, 0.24%

LAB 28.51, -14.72, 10.89

 

CMYK 28 / 63 / 0 / 65

HEX #3F2158

RGB 63 33 88

HSL 272.73, 0.45%, 0.24%

LAB 19.43, 26.21, -27.79

 

CMYK 13 / 63 / 0 / 65

HEX #4D2158

RGB 77 33 88

HSL 288, 0.45%, 0.24%

LAB 21.47, 30.31, -24.41

 

CMYK 0 / 63 / 3 / 65

HEX #582155

RGB 88 33 85

HSL 303.27, 0.45%, 0.24%

LAB 23.06, 32.99, -19.79

 

CMYK 0 / 63 / 20 / 65

HEX #582146

RGB 88 33 70

HSL 319.64, 0.45%, 0.24%

LAB 22.32, 30.24, -10.84

 

CMYK 0 / 63 / 38 / 65

HEX #582137

RGB 88 33 55

HSL 336, 0.45%, 0.24%

LAB 21.72, 27.93, -1.46

 

CMYK 0 / 64 / 4 / 89

HEX #1C0A1B

RGB 28 10 27

HSL 303.33, 0.47%, 0.07%

LAB 4.91, 11.02, -7.2

 

CMYK 0 / 62 / 3 / 77

HEX #3A1638

RGB 58 22 56

HSL 303.33, 0.45%, 0.16%

LAB 14.17, 23.38, -14.12

 

CMYK 0 / 63 / 5 / 65

HEX #582154

RGB 88 33 84

HSL 304.36, 0.45%, 0.24%

LAB 23.01, 32.8, -19.2

 

CMYK 0 / 62 / 4 / 54

HEX #762D71

RGB 118 45 113

HSL 304.11, 0.45%, 0.32%

LAB 31.63, 41.23, -24.21

 

CMYK 0 / 62 / 5 / 42

HEX #94388D

RGB 148 56 141

HSL 304.57, 0.45%, 0.4%

LAB 39.66, 49.51, -28.68

 

CMYK 0 / 63 / 5 / 65

HEX #582154

RGB 88 33 84

HSL 304.36, 0.45%, 0.24%

LAB 23.01, 32.8, -19.2

 

CMYK 0 / 45 / 63 / 65

HEX #583021

RGB 88 48 33

HSL 16.36, 0.45%, 0.24%

LAB 24.63, 16.54, 17.41

 

CMYK 63 / 0 / 20 / 65

HEX #215846

RGB 33 88 70

HSL 160.36, 0.45%, 0.24%

LAB 33.45, -23.04, 5.08

 

CMYK 0 / 63 / 5 / 65

HEX #582154

RGB 88 33 84

HSL 304.36, 0.45%, 0.24%

LAB 23.01, 32.8, -19.2

 

CMYK 3 / 0 / 63 / 65

HEX #555821

RGB 85 88 33

HSL 63.27, 0.45%, 0.24%

LAB 36.02, -9.68, 30.77

 

CMYK 63 / 3 / 0 / 65

HEX #215558

RGB 33 85 88

HSL 183.27, 0.45%, 0.24%

LAB 32.97, -16.1, -6.95

 

CMYK 0 / 63 / 5 / 65

HEX #582154

RGB 88 33 84

HSL 304.36, 0.45%, 0.24%

LAB 23.01, 32.8, -19.2

 

CMYK 0 / 45 / 63 / 65

HEX #583021

RGB 88 48 33

HSL 16.36, 0.45%, 0.24%

LAB 24.63, 16.54, 17.41

 

CMYK 63 / 0 / 58 / 65

HEX #215825

RGB 33 88 37

HSL 124.36, 0.45%, 0.24%

LAB 32.78, -30.04, 24.03

 

CMYK 63 / 16 / 0 / 65

HEX #214A58

RGB 33 74 88

HSL 195.27, 0.45%, 0.24%

LAB 29.22, -9.64, -12.63

 

CMYK 0 / 63 / 5 / 65

HEX #582154

RGB 88 33 84

HSL 304.36, 0.45%, 0.24%

LAB 23.01, 32.8, -19.2

 

CMYK 0 / 27 / 63 / 65

HEX #584021

RGB 88 64 33

HSL 33.82, 0.45%, 0.24%

LAB 29.03, 6.43, 22.8

 

CMYK 63 / 0 / 58 / 65

HEX #215825

RGB 33 88 37

HSL 124.36, 0.45%, 0.24%

LAB 32.78, -30.04, 24.03

 

CMYK 63 / 35 / 0 / 65

HEX #213958

RGB 33 57 88

HSL 213.82, 0.45%, 0.24%

LAB 23.52, 1.4, -21.47

 

Description

Color code: HEX #582154 | qconv.com Color code: HEX #582154 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 33 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 33 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 5 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 5% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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