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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #582822 it is the complementary color #A7D7DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #582822. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #582822 shade: #5D281D, #6E3A30, #7F4C43, #905E56 and #A17069

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #582822. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #582822 shade: #582822, #47160F, #360400, #250000 and #140000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #582822 shade: #582822 and #582222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #582822 shade: #582822, #583622, #584522, #585322 and #4D5822

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #582822 shade matches the following richer shades: #582822, #622018, #6B180E and #751104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #582822 shade: #582822, #4E2F2C, #443736, #3A3F3F and #304749

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #582822 shade: #582239, #58222B, #582722, #583622 and #584422

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #582822 shade: #1C0D0B, #3A1A16, #582822, #75352D and #934339

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #582822 shade: #582822, #475822 and #223258

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #582822 shade: #582822, #225827 and #272258

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #582822 shade: #582822, #475822, #225258 and #322258

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #582822 shade: #582822, #375822, #225258 and #422258

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 61 / 65

HEX #582822

RGB 88 40 34

HSL 6.67, 0.44%, 0.24%

LAB 22.68, 21.51, 14.26

 

Complementary color

CMYK 24 / 3 / 0 / 13

HEX #A7D7DD

RGB 167 215 221

HSL 186.67, 0.44%, 0.76%

LAB 82.93, -14.15, -8.05

 

CMYK 0 / 57 / 69 / 64

HEX #5D281D

RGB 93 40 29

HSL 10.31, 0.52%, 0.24%

LAB 23.45, 23.29, 18.71

 

CMYK 0 / 47 / 56 / 57

HEX #6E3A30

RGB 110 58 48

HSL 9.68, 0.39%, 0.31%

LAB 30.77, 21.8, 16.36

 

CMYK 0 / 40 / 47 / 50

HEX #7F4C43

RGB 127 76 67

HSL 9, 0.31%, 0.38%

LAB 38, 20.5, 14.51

 

CMYK 0 / 35 / 40 / 44

HEX #905E56

RGB 144 94 86

HSL 8.28, 0.25%, 0.45%

LAB 45.09, 19.4, 12.98

 

CMYK 0 / 30 / 35 / 37

HEX #A17069

RGB 161 112 105

HSL 7.5, 0.23%, 0.52%

LAB 52.05, 18.46, 11.68

 

CMYK 0 / 55 / 61 / 65

HEX #582822

RGB 88 40 34

HSL 6.67, 0.44%, 0.24%

LAB 22.68, 21.51, 14.26

 

CMYK 0 / 69 / 79 / 72

HEX #47160F

RGB 71 22 15

HSL 7.5, 0.65%, 0.17%

LAB 15.21, 22.98, 16.62

 

CMYK 0 / 93 / 100 / 79

HEX #360400

RGB 54 4 0

HSL 4.44, 1%, 0.11%

LAB 7.87, 24.31, 12.34

 

CMYK 0 / 100 / 100 / 85

HEX #250000

RGB 37 0 0

HSL 0, 1%, 0.07%

LAB 3.55, 15.94, 5.61

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 55 / 61 / 65

HEX #582822

RGB 88 40 34

HSL 6.67, 0.44%, 0.24%

LAB 22.68, 21.51, 14.26

 

CMYK 0 / 61 / 61 / 65

HEX #582222

RGB 88 34 34

HSL 0, 0.44%, 0.24%

LAB 21.34, 24.97, 12.5

 

CMYK 0 / 55 / 61 / 65

HEX #582822

RGB 88 40 34

HSL 6.67, 0.44%, 0.24%

LAB 22.68, 21.51, 14.26

 

CMYK 0 / 39 / 61 / 65

HEX #583622

RGB 88 54 34

HSL 22.22, 0.44%, 0.24%

LAB 26.24, 12.86, 18.78

 

CMYK 0 / 22 / 61 / 65

HEX #584522

RGB 88 69 34

HSL 38.89, 0.44%, 0.24%

LAB 30.51, 3.37, 23.98

 

CMYK 0 / 6 / 61 / 65

HEX #585322

RGB 88 83 34

HSL 54.44, 0.44%, 0.24%

LAB 34.76, -5.21, 28.9

 

CMYK 13 / 0 / 61 / 65

HEX #4D5822

RGB 77 88 34

HSL 72.22, 0.44%, 0.24%

LAB 35.35, -13.36, 29.31

 

CMYK 0 / 55 / 61 / 65

HEX #582822

RGB 88 40 34

HSL 6.67, 0.44%, 0.24%

LAB 22.68, 21.51, 14.26

 

CMYK 0 / 67 / 76 / 62

HEX #622018

RGB 98 32 24

HSL 6.49, 0.61%, 0.24%

LAB 22.64, 29.38, 21.19

 

CMYK 0 / 78 / 87 / 58

HEX #6B180E

RGB 107 24 14

HSL 6.45, 0.77%, 0.24%

LAB 23.04, 35.89, 28.13

 

CMYK 0 / 85 / 97 / 54

HEX #751104

RGB 117 17 4

HSL 6.9, 0.93%, 0.24%

LAB 24.29, 41.33, 34.37

 

CMYK 0 / 55 / 61 / 65

HEX #582822

RGB 88 40 34

HSL 6.67, 0.44%, 0.24%

LAB 22.68, 21.51, 14.26

 

CMYK 0 / 40 / 44 / 69

HEX #4E2F2C

RGB 78 47 44

HSL 5.29, 0.28%, 0.24%

LAB 23.12, 13.78, 7.85

 

CMYK 0 / 19 / 21 / 73

HEX #443736

RGB 68 55 54

HSL 4.29, 0.11%, 0.24%

LAB 24.41, 5.57, 2.78

 

CMYK 8 / 0 / 0 / 75

HEX #3A3F3F

RGB 58 63 63

HSL 180, 0.04%, 0.24%

LAB 26.2, -2.08, -0.72

 

CMYK 34 / 3 / 0 / 71

HEX #304749

RGB 48 71 73

HSL 184.8, 0.21%, 0.24%

LAB 28.42, -8.28, -4.06

 

CMYK 0 / 61 / 35 / 65

HEX #582239

RGB 88 34 57

HSL 334.44, 0.44%, 0.24%

LAB 22, 27.67, -2.43

 

CMYK 0 / 61 / 51 / 65

HEX #58222B

RGB 88 34 43

HSL 350, 0.44%, 0.24%

LAB 21.55, 25.88, 6.61

 

CMYK 0 / 56 / 61 / 65

HEX #582722

RGB 88 39 34

HSL 5.56, 0.44%, 0.24%

LAB 22.45, 22.11, 13.96

 

CMYK 0 / 39 / 61 / 65

HEX #583622

RGB 88 54 34

HSL 22.22, 0.44%, 0.24%

LAB 26.24, 12.86, 18.78

 

CMYK 0 / 23 / 61 / 65

HEX #584422

RGB 88 68 34

HSL 37.78, 0.44%, 0.24%

LAB 30.22, 4, 23.62

 

CMYK 0 / 54 / 61 / 89

HEX #1C0D0B

RGB 28 13 11

HSL 7.06, 0.44%, 0.08%

LAB 5.05, 6.23, 3.15

 

CMYK 0 / 55 / 62 / 77

HEX #3A1A16

RGB 58 26 22

HSL 6.67, 0.45%, 0.16%

LAB 13.8, 15.29, 9.96

 

CMYK 0 / 55 / 61 / 65

HEX #582822

RGB 88 40 34

HSL 6.67, 0.44%, 0.24%

LAB 22.68, 21.51, 14.26

 

CMYK 0 / 55 / 62 / 54

HEX #75352D

RGB 117 53 45

HSL 6.67, 0.44%, 0.32%

LAB 30.68, 27.38, 18.37

 

CMYK 0 / 54 / 61 / 42

HEX #934339

RGB 147 67 57

HSL 6.67, 0.44%, 0.4%

LAB 38.75, 32.88, 22.2

 

CMYK 0 / 55 / 61 / 65

HEX #582822

RGB 88 40 34

HSL 6.67, 0.44%, 0.24%

LAB 22.68, 21.51, 14.26

 

CMYK 19 / 0 / 61 / 65

HEX #475822

RGB 71 88 34

HSL 78.89, 0.44%, 0.24%

LAB 34.87, -16.1, 28.64

 

CMYK 61 / 43 / 0 / 65

HEX #223258

RGB 34 50 88

HSL 222.22, 0.44%, 0.24%

LAB 21.3, 6.52, -24.97

 

CMYK 0 / 55 / 61 / 65

HEX #582822

RGB 88 40 34

HSL 6.67, 0.44%, 0.24%

LAB 22.68, 21.51, 14.26

 

CMYK 61 / 0 / 56 / 65

HEX #225827

RGB 34 88 39

HSL 125.56, 0.44%, 0.24%

LAB 32.85, -29.45, 23

 

CMYK 56 / 61 / 0 / 65

HEX #272258

RGB 39 34 88

HSL 245.56, 0.44%, 0.24%

LAB 16.89, 19.17, -32.01

 

CMYK 0 / 55 / 61 / 65

HEX #582822

RGB 88 40 34

HSL 6.67, 0.44%, 0.24%

LAB 22.68, 21.51, 14.26

 

CMYK 19 / 0 / 61 / 65

HEX #475822

RGB 71 88 34

HSL 78.89, 0.44%, 0.24%

LAB 34.87, -16.1, 28.64

 

CMYK 61 / 7 / 0 / 65

HEX #225258

RGB 34 82 88

HSL 186.67, 0.44%, 0.24%

LAB 31.99, -14.17, -8.43

 

CMYK 43 / 61 / 0 / 65

HEX #322258

RGB 50 34 88

HSL 257.78, 0.44%, 0.24%

LAB 18.04, 21.95, -30.1

 

CMYK 0 / 55 / 61 / 65

HEX #582822

RGB 88 40 34

HSL 6.67, 0.44%, 0.24%

LAB 22.68, 21.51, 14.26

 

CMYK 38 / 0 / 61 / 65

HEX #375822

RGB 55 88 34

HSL 96.67, 0.44%, 0.24%

LAB 33.79, -22.94, 27.11

 

CMYK 61 / 7 / 0 / 65

HEX #225258

RGB 34 82 88

HSL 186.67, 0.44%, 0.24%

LAB 31.99, -14.17, -8.43

 

CMYK 25 / 61 / 0 / 65

HEX #422258

RGB 66 34 88

HSL 275.56, 0.44%, 0.24%

LAB 20.07, 26.47, -26.74

 

Description

Color code: HEX #582822 | qconv.com Color code: HEX #582822 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 40 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 40 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 61 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 61% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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