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Color name
HEX #581C6C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #581C6C it is the complementary color #A7E393. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #581C6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #581C6C shade: #5D1C67, #6E2E7A, #7F408D, #9052A0 and #A164B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #581C6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #581C6C shade: #581C6C, #470A59, #360046, #250033 and #140020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #581C6C shade: #591C6D, #6D1C6B, #6D1C55, #6D1C40 and #6D1C2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #581C6C shade: #591C6D, #431C6D, #2D1C6D and #1C1C6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #581C6C shade matches the following richer shades: #591C6D, #5E1178 and #640583

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #581C6C shade: #591C6D, #532762, #4E3257, #483D4C and #424840

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #581C6C shade: #2D1C6D, #431C6D, #591C6D, #6D1C6C and #6D1C56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #581C6C shade: #230B2B, #3E134C, #591C6D, #73248E and #8E2DAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #581C6C shade: #581C6C, #6D1C20 and #1C6D38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #581C6C shade: #581C6C, #6D591C and #1C6D59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #581C6C shade: #581C6C, #6D1C20, #306D1C and #1C6D69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #581C6C shade: #581C6C, #6D301C, #306D1C and #1C596D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 74 / 0 / 58

HEX #581C6C

RGB 88 28 108

HSL 285, 0.59%, 0.27%

LAB 23.63, 40.21, -33.99

 

Complementary color

CMYK 26 / 0 / 35 / 11

HEX #A7E393

RGB 167 227 147

HSL 105, 0.59%, 0.73%

LAB 84.62, -33.68, 33.12

 

CMYK 10 / 73 / 0 / 60

HEX #5D1C67

RGB 93 28 103

HSL 292, 0.57%, 0.26%

LAB 24.12, 40.36, -29.92

 

CMYK 10 / 62 / 0 / 52

HEX #6E2E7A

RGB 110 46 122

HSL 290.53, 0.45%, 0.33%

LAB 31.05, 40.26, -30.88

 

CMYK 10 / 55 / 0 / 45

HEX #7F408D

RGB 127 64 141

HSL 289.09, 0.38%, 0.4%

LAB 38.02, 39.68, -31.47

 

CMYK 10 / 49 / 0 / 37

HEX #9052A0

RGB 144 82 160

HSL 287.69, 0.32%, 0.47%

LAB 44.94, 38.93, -31.87

 

CMYK 10 / 44 / 0 / 30

HEX #A164B3

RGB 161 100 179

HSL 286.33, 0.34%, 0.55%

LAB 51.78, 38.13, -32.18

 

CMYK 19 / 74 / 0 / 58

HEX #581C6C

RGB 88 28 108

HSL 285, 0.59%, 0.27%

LAB 23.63, 40.21, -33.99

 

CMYK 20 / 89 / 0 / 65

HEX #470A59

RGB 71 10 89

HSL 286.33, 0.8%, 0.19%

LAB 16.88, 39.28, -32.48

 

CMYK 23 / 100 / 0 / 73

HEX #360046

RGB 54 0 70

HSL 286.29, 1%, 0.14%

LAB 10.75, 35.86, -29.53

 

CMYK 27 / 100 / 0 / 80

HEX #250033

RGB 37 0 51

HSL 283.53, 1%, 0.1%

LAB 5.71, 27.82, -24.17

 

CMYK 38 / 100 / 0 / 87

HEX #140020

RGB 20 0 32

HSL 277.5, 1%, 0.06%

LAB 2.29, 12.65, -15.18

 

CMYK 18 / 74 / 0 / 57

HEX #591C6D

RGB 89 28 109

HSL 285.19, 0.59%, 0.27%

LAB 23.86, 40.66, -34.26

 

CMYK 0 / 74 / 2 / 57

HEX #6D1C6B

RGB 109 28 107

HSL 301.48, 0.59%, 0.27%

LAB 27.14, 45.08, -27.54

 

CMYK 0 / 74 / 22 / 57

HEX #6D1C55

RGB 109 28 85

HSL 317.78, 0.59%, 0.27%

LAB 25.97, 41.45, -14.97

 

CMYK 0 / 74 / 41 / 57

HEX #6D1C40

RGB 109 28 64

HSL 333.33, 0.59%, 0.27%

LAB 25.11, 38.65, -2.17

 

CMYK 0 / 74 / 61 / 57

HEX #6D1C2A

RGB 109 28 42

HSL 349.63, 0.59%, 0.27%

LAB 24.48, 36.5, 11.94

 

CMYK 18 / 74 / 0 / 57

HEX #591C6D

RGB 89 28 109

HSL 285.19, 0.59%, 0.27%

LAB 23.86, 40.66, -34.26

 

CMYK 39 / 74 / 0 / 57

HEX #431C6D

RGB 67 28 109

HSL 268.89, 0.59%, 0.27%

LAB 20.55, 35.74, -39.78

 

CMYK 59 / 74 / 0 / 57

HEX #2D1C6D

RGB 45 28 109

HSL 252.59, 0.59%, 0.27%

LAB 17.88, 31.52, -44.24

 

CMYK 74 / 74 / 0 / 57

HEX #1C1C6D

RGB 28 28 109

HSL 240, 0.59%, 0.27%

LAB 16.41, 29.05, -46.71

 

CMYK 18 / 74 / 0 / 57

HEX #591C6D

RGB 89 28 109

HSL 285.19, 0.59%, 0.27%

LAB 23.86, 40.66, -34.26

 

CMYK 22 / 86 / 0 / 53

HEX #5E1178

RGB 94 17 120

HSL 284.85, 0.75%, 0.27%

LAB 24.12, 48.07, -40.87

 

CMYK 24 / 96 / 0 / 49

HEX #640583

RGB 100 5 131

HSL 285.24, 0.93%, 0.27%

LAB 25.13, 54.01, -46.16

 

CMYK 18 / 74 / 0 / 57

HEX #591C6D

RGB 89 28 109

HSL 285.19, 0.59%, 0.27%

LAB 23.86, 40.66, -34.26

 

CMYK 15 / 60 / 0 / 62

HEX #532762

RGB 83 39 98

HSL 284.75, 0.43%, 0.27%

LAB 24.23, 31.03, -26.57

 

CMYK 10 / 43 / 0 / 66

HEX #4E3257

RGB 78 50 87

HSL 285.41, 0.27%, 0.27%

LAB 25.53, 20.11, -17.37

 

CMYK 5 / 20 / 0 / 70

HEX #483D4C

RGB 72 61 76

HSL 284, 0.11%, 0.27%

LAB 27.4, 8.02, -7.34

 

CMYK 8 / 0 / 11 / 72

HEX #424840

RGB 66 72 64

HSL 105, 0.06%, 0.27%

LAB 29.82, -4.23, 3.96

 

CMYK 59 / 74 / 0 / 57

HEX #2D1C6D

RGB 45 28 109

HSL 252.59, 0.59%, 0.27%

LAB 17.88, 31.52, -44.24

 

CMYK 39 / 74 / 0 / 57

HEX #431C6D

RGB 67 28 109

HSL 268.89, 0.59%, 0.27%

LAB 20.55, 35.74, -39.78

 

CMYK 18 / 74 / 0 / 57

HEX #591C6D

RGB 89 28 109

HSL 285.19, 0.59%, 0.27%

LAB 23.86, 40.66, -34.26

 

CMYK 0 / 74 / 1 / 57

HEX #6D1C6C

RGB 109 28 108

HSL 300.74, 0.59%, 0.27%

LAB 27.2, 45.26, -28.09

 

CMYK 0 / 74 / 21 / 57

HEX #6D1C56

RGB 109 28 86

HSL 317.04, 0.59%, 0.27%

LAB 26.02, 41.61, -15.56

 

CMYK 19 / 74 / 0 / 83

HEX #230B2B

RGB 35 11 43

HSL 285, 0.59%, 0.11%

LAB 6.97, 19, -16.23

 

CMYK 18 / 75 / 0 / 70

HEX #3E134C

RGB 62 19 76

HSL 285.26, 0.6%, 0.19%

LAB 15.55, 30.74, -25.88

 

CMYK 18 / 74 / 0 / 57

HEX #591C6D

RGB 89 28 109

HSL 285.19, 0.59%, 0.27%

LAB 23.86, 40.66, -34.26

 

CMYK 19 / 75 / 0 / 44

HEX #73248E

RGB 115 36 142

HSL 284.72, 0.6%, 0.35%

LAB 31.49, 50.16, -42.61

 

CMYK 19 / 74 / 0 / 31

HEX #8E2DAF

RGB 142 45 175

HSL 284.77, 0.59%, 0.43%

LAB 39.11, 59.02, -50.09

 

CMYK 19 / 74 / 0 / 58

HEX #581C6C

RGB 88 28 108

HSL 285, 0.59%, 0.27%

LAB 23.63, 40.21, -33.99

 

CMYK 0 / 74 / 71 / 57

HEX #6D1C20

RGB 109 28 32

HSL 357.04, 0.59%, 0.27%

LAB 24.28, 35.8, 18.43

 

CMYK 74 / 0 / 49 / 57

HEX #1C6D38

RGB 28 109 56

HSL 140.74, 0.59%, 0.27%

LAB 40.36, -36.79, 22.78

 

CMYK 19 / 74 / 0 / 58

HEX #581C6C

RGB 88 28 108

HSL 285, 0.59%, 0.27%

LAB 23.63, 40.21, -33.99

 

CMYK 0 / 18 / 74 / 57

HEX #6D591C

RGB 109 89 28

HSL 45.19, 0.59%, 0.27%

LAB 38.69, 1, 36.78

 

CMYK 74 / 0 / 18 / 57

HEX #1C6D59

RGB 28 109 89

HSL 165.19, 0.59%, 0.27%

LAB 41.07, -29.15, 4.29

 

CMYK 19 / 74 / 0 / 58

HEX #581C6C

RGB 88 28 108

HSL 285, 0.59%, 0.27%

LAB 23.63, 40.21, -33.99

 

CMYK 0 / 74 / 71 / 57

HEX #6D1C20

RGB 109 28 32

HSL 357.04, 0.59%, 0.27%

LAB 24.28, 35.8, 18.43

 

CMYK 56 / 0 / 74 / 57

HEX #306D1C

RGB 48 109 28

HSL 105.19, 0.59%, 0.27%

LAB 40.65, -35.64, 37.38

 

CMYK 74 / 0 / 4 / 57

HEX #1C6D69

RGB 28 109 105

HSL 177.04, 0.59%, 0.27%

LAB 41.54, -24.44, -4.71

 

CMYK 19 / 74 / 0 / 58

HEX #581C6C

RGB 88 28 108

HSL 285, 0.59%, 0.27%

LAB 23.63, 40.21, -33.99

 

CMYK 0 / 56 / 74 / 57

HEX #6D301C

RGB 109 48 28

HSL 14.81, 0.59%, 0.27%

LAB 27.98, 25.6, 25.34

 

CMYK 56 / 0 / 74 / 57

HEX #306D1C

RGB 48 109 28

HSL 105.19, 0.59%, 0.27%

LAB 40.65, -35.64, 37.38

 

CMYK 74 / 18 / 0 / 57

HEX #1C596D

RGB 28 89 109

HSL 194.81, 0.59%, 0.27%

LAB 34.99, -12.12, -17.06

 

Description

Color code: HEX #581C6C | qconv.com Color code: HEX #581C6C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 28 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 28 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 74 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 74% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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