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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5812A9 it is the complementary color #A7ED56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5812A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5812A9 shade: #5D12A4, #6E24B7, #7F36CA, #9048DD and #A15AF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5812A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5812A9 shade: #5812A9, #470096, #360083, #250070 and #14005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5812A9 shade: #5811AA, #8111AA, #AA11AA, #AA1181 and #AA1157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5812A9 shade: #5811AA, #2F11AA and #1111AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5812A9 shade matches the following richer shades: #5811AA and #5702BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5812A9 shade: #5811AA, #59219B, #5A308C, #5C3F7C and #5D4E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5812A9 shade: #111EAA, #2D11AA, #5611AA, #7F11AA and #A811AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5812A9 shade: #310A60, #450E85, #5811AA, #6C15D0 and #8026E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5812A9 shade: #5812A9, #AA1147 and #11AA19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5812A9 shade: #5812A9, #AA5611 and #11AA56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5812A9 shade: #5812A9, #AA1147, #65AA11 and #11AA75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5812A9 shade: #5812A9, #AA1119, #65AA11 and #11AAA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 89 / 0 / 34

HEX #5812A9

RGB 88 18 169

HSL 267.81, 0.81%, 0.37%

LAB 27.77, 57.94, -65.31

 

Complementary color

CMYK 30 / 0 / 64 / 7

HEX #A7ED56

RGB 167 237 86

HSL 87.81, 0.81%, 0.63%

LAB 86.73, -44.9, 64.03

 

CMYK 43 / 89 / 0 / 36

HEX #5D12A4

RGB 93 18 164

HSL 270.82, 0.8%, 0.36%

LAB 27.95, 57.35, -61.96

 

CMYK 40 / 80 / 0 / 28

HEX #6E24B7

RGB 110 36 183

HSL 270.2, 0.67%, 0.43%

LAB 33.97, 58.4, -63.39

 

CMYK 37 / 73 / 0 / 21

HEX #7F36CA

RGB 127 54 202

HSL 269.59, 0.58%, 0.5%

LAB 40.27, 58.44, -64.16

 

CMYK 35 / 67 / 0 / 13

HEX #9048DD

RGB 144 72 221

HSL 268.99, 0.69%, 0.57%

LAB 46.69, 57.94, -64.56

 

CMYK 33 / 63 / 0 / 6

HEX #A15AF0

RGB 161 90 240

HSL 268.4, 0.83%, 0.65%

LAB 53.15, 57.18, -64.74

 

CMYK 48 / 89 / 0 / 34

HEX #5812A9

RGB 88 18 169

HSL 267.81, 0.81%, 0.37%

LAB 27.77, 57.94, -65.31

 

CMYK 53 / 100 / 0 / 41

HEX #470096

RGB 71 0 150

HSL 268.4, 1%, 0.29%

LAB 22.09, 55.87, -63.16

 

CMYK 59 / 100 / 0 / 49

HEX #360083

RGB 54 0 131

HSL 264.73, 1%, 0.26%

LAB 17.57, 50.09, -58.85

 

CMYK 67 / 100 / 0 / 56

HEX #250070

RGB 37 0 112

HSL 259.82, 1%, 0.22%

LAB 13, 44.25, -54.28

 

CMYK 78 / 100 / 0 / 64

HEX #14005D

RGB 20 0 93

HSL 252.9, 1%, 0.18%

LAB 8.47, 38.38, -49.28

 

CMYK 48 / 90 / 0 / 33

HEX #5811AA

RGB 88 17 170

HSL 267.84, 0.82%, 0.37%

LAB 27.79, 58.43, -65.89

 

CMYK 24 / 90 / 0 / 33

HEX #8111AA

RGB 129 17 170

HSL 283.92, 0.82%, 0.37%

LAB 33.92, 63.8, -55.6

 

CMYK 0 / 90 / 0 / 33

HEX #AA11AA

RGB 170 17 170

HSL 300, 0.82%, 0.37%

LAB 40.98, 70.59, -43.86

 

CMYK 0 / 90 / 24 / 33

HEX #AA1181

RGB 170 17 129

HSL 316.08, 0.82%, 0.37%

LAB 38.78, 64.9, -22.39

 

CMYK 0 / 90 / 49 / 33

HEX #AA1157

RGB 170 17 87

HSL 332.55, 0.82%, 0.37%

LAB 37.18, 60.54, 1.75

 

CMYK 48 / 90 / 0 / 33

HEX #5811AA

RGB 88 17 170

HSL 267.84, 0.82%, 0.37%

LAB 27.79, 58.43, -65.89

 

CMYK 72 / 90 / 0 / 33

HEX #2F11AA

RGB 47 17 170

HSL 251.76, 0.82%, 0.37%

LAB 23.36, 55.05, -73.35

 

CMYK 90 / 90 / 0 / 33

HEX #1111AA

RGB 17 17 170

HSL 240, 0.82%, 0.37%

LAB 21.66, 53.9, -76.23

 

CMYK 48 / 90 / 0 / 33

HEX #5811AA

RGB 88 17 170

HSL 267.84, 0.82%, 0.37%

LAB 27.79, 58.43, -65.89

 

CMYK 53 / 99 / 0 / 27

HEX #5702BA

RGB 87 2 186

HSL 267.72, 0.98%, 0.37%

LAB 28.42, 64.93, -74.42

 

CMYK 48 / 90 / 0 / 33

HEX #5811AA

RGB 88 17 170

HSL 267.84, 0.82%, 0.37%

LAB 27.79, 58.43, -65.89

 

CMYK 43 / 79 / 0 / 39

HEX #59219B

RGB 89 33 155

HSL 267.54, 0.65%, 0.37%

LAB 28.32, 49.48, -55.9

 

CMYK 36 / 66 / 0 / 45

HEX #5A308C

RGB 90 48 140

HSL 267.39, 0.49%, 0.37%

LAB 29.86, 38.41, -44.16

 

CMYK 26 / 49 / 0 / 51

HEX #5C3F7C

RGB 92 63 124

HSL 268.52, 0.33%, 0.37%

LAB 32.45, 25.86, -30.08

 

CMYK 15 / 28 / 0 / 57

HEX #5D4E6D

RGB 93 78 109

HSL 269.03, 0.17%, 0.37%

LAB 35.75, 12.96, -15.55

 

CMYK 90 / 82 / 0 / 33

HEX #111EAA

RGB 17 30 170

HSL 234.9, 0.82%, 0.37%

LAB 23.51, 48.39, -73.16

 

CMYK 74 / 90 / 0 / 33

HEX #2D11AA

RGB 45 17 170

HSL 250.98, 0.82%, 0.37%

LAB 23.21, 54.94, -73.61

 

CMYK 49 / 90 / 0 / 33

HEX #5611AA

RGB 86 17 170

HSL 267.06, 0.82%, 0.37%

LAB 27.52, 58.22, -66.33

 

CMYK 25 / 90 / 0 / 33

HEX #7F11AA

RGB 127 17 170

HSL 283.14, 0.82%, 0.37%

LAB 33.6, 63.5, -56.14

 

CMYK 1 / 90 / 0 / 33

HEX #A811AA

RGB 168 17 170

HSL 299.22, 0.82%, 0.37%

LAB 40.62, 70.24, -44.45

 

CMYK 49 / 90 / 0 / 62

HEX #310A60

RGB 49 10 96

HSL 267.21, 0.81%, 0.21%

LAB 13.91, 37.2, -42.17

 

CMYK 48 / 89 / 0 / 48

HEX #450E85

RGB 69 14 133

HSL 267.73, 0.81%, 0.29%

LAB 21.1, 48.09, -54.2

 

CMYK 48 / 90 / 0 / 33

HEX #5811AA

RGB 88 17 170

HSL 267.84, 0.82%, 0.37%

LAB 27.79, 58.43, -65.89

 

CMYK 48 / 90 / 0 / 18

HEX #6C15D0

RGB 108 21 208

HSL 267.91, 0.82%, 0.45%

LAB 34.56, 68.35, -77.1

 

CMYK 45 / 84 / 0 / 9

HEX #8026E8

RGB 128 38 232

HSL 267.84, 0.81%, 0.53%

LAB 40.9, 71.48, -80.35

 

CMYK 48 / 89 / 0 / 34

HEX #5812A9

RGB 88 18 169

HSL 267.81, 0.81%, 0.37%

LAB 27.77, 57.94, -65.31

 

CMYK 0 / 90 / 58 / 33

HEX #AA1147

RGB 170 17 71

HSL 338.82, 0.82%, 0.37%

LAB 36.75, 59.32, 11.47

 

CMYK 90 / 0 / 85 / 33

HEX #11AA19

RGB 17 170 25

HSL 123.14, 0.82%, 0.37%

LAB 60.73, -61.84, 57.36

 

CMYK 48 / 89 / 0 / 34

HEX #5812A9

RGB 88 18 169

HSL 267.81, 0.81%, 0.37%

LAB 27.77, 57.94, -65.31

 

CMYK 0 / 49 / 90 / 33

HEX #AA5611

RGB 170 86 17

HSL 27.06, 0.82%, 0.37%

LAB 45.96, 30.34, 50.62

 

CMYK 90 / 0 / 49 / 33

HEX #11AA56

RGB 17 170 86

HSL 147.06, 0.82%, 0.37%

LAB 61.26, -55.29, 33.11

 

CMYK 48 / 89 / 0 / 34

HEX #5812A9

RGB 88 18 169

HSL 267.81, 0.81%, 0.37%

LAB 27.77, 57.94, -65.31

 

CMYK 0 / 90 / 58 / 33

HEX #AA1147

RGB 170 17 71

HSL 338.82, 0.82%, 0.37%

LAB 36.75, 59.32, 11.47

 

CMYK 41 / 0 / 90 / 33

HEX #65AA11

RGB 101 170 17

HSL 87.06, 0.82%, 0.37%

LAB 62.97, -43.79, 61.89

 

CMYK 90 / 0 / 31 / 33

HEX #11AA75

RGB 17 170 117

HSL 159.22, 0.82%, 0.37%

LAB 61.79, -49.13, 17.27

 

CMYK 48 / 89 / 0 / 34

HEX #5812A9

RGB 88 18 169

HSL 267.81, 0.81%, 0.37%

LAB 27.77, 57.94, -65.31

 

CMYK 0 / 90 / 85 / 33

HEX #AA1119

RGB 170 17 25

HSL 356.86, 0.82%, 0.37%

LAB 36.02, 57.24, 39.05

 

CMYK 41 / 0 / 90 / 33

HEX #65AA11

RGB 101 170 17

HSL 87.06, 0.82%, 0.37%

LAB 62.97, -43.79, 61.89

 

CMYK 90 / 0 / 4 / 33

HEX #11AAA3

RGB 17 170 163

HSL 177.25, 0.82%, 0.37%

LAB 62.94, -36.94, -6.68

 

Description

Color code: HEX #5812A9 | qconv.com Color code: HEX #5812A9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 18 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 18 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 89 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 89% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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