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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #580C58 it is the complementary color #A7F3A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #580C58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #580C58 shade: #5D0C53, #6E1E66, #7F3079, #90428C and #A1549F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #580C58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #580C58 shade: #580C58, #470045, #360032, #25001F and #14000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #580C58 shade: #590C59, #590C44, #590C2F, #590C1B and #590C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #580C58 shade: #590C59, #440C59, #2F0C59, #1B0C59 and #0C0C59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #580C58 shade matches the following richer shades: #590C59 and #620362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #580C58 shade: #590C59, #511451, #491C49, #412441 and #382D38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #580C58 shade: #300C59, #450C59, #590C59, #590C45 and #590C30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #580C58 shade: #110211, #350735, #590C59, #7E117E and #A216A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #580C58 shade: #580C58, #591B0C and #0C593A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #580C58 shade: #580C58, #59590C and #0C5959

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #580C58 shade: #580C58, #591B0C, #0C590C and #0C4A59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #580C58 shade: #580C58, #59330C, #0C590C and #0C3359

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 0 / 65

HEX #580C58

RGB 88 12 88

HSL 300, 0.76%, 0.2%

LAB 20.21, 42.08, -26.3

 

Complementary color

CMYK 31 / 0 / 31 / 5

HEX #A7F3A7

RGB 167 243 167

HSL 120, 0.76%, 0.8%

LAB 89.44, -37.94, 29.41

 

CMYK 0 / 87 / 11 / 64

HEX #5D0C53

RGB 93 12 83

HSL 307.41, 0.77%, 0.21%

LAB 20.88, 42.37, -21.81

 

CMYK 0 / 73 / 7 / 57

HEX #6E1E66

RGB 110 30 102

HSL 306, 0.57%, 0.27%

LAB 27.31, 43.68, -24.03

 

CMYK 0 / 62 / 5 / 50

HEX #7F3079

RGB 127 48 121

HSL 304.56, 0.45%, 0.34%

LAB 34, 43.82, -25.44

 

CMYK 0 / 54 / 3 / 44

HEX #90428C

RGB 144 66 140

HSL 303.08, 0.37%, 0.41%

LAB 40.77, 43.42, -26.39

 

CMYK 0 / 48 / 1 / 37

HEX #A1549F

RGB 161 84 159

HSL 301.56, 0.31%, 0.48%

LAB 47.52, 42.78, -27.09

 

CMYK 0 / 86 / 0 / 65

HEX #580C58

RGB 88 12 88

HSL 300, 0.76%, 0.2%

LAB 20.21, 42.08, -26.3

 

CMYK 0 / 100 / 3 / 72

HEX #470045

RGB 71 0 69

HSL 301.69, 1%, 0.14%

LAB 14.23, 38.75, -23.04

 

CMYK 0 / 100 / 7 / 79

HEX #360032

RGB 54 0 50

HSL 304.44, 1%, 0.11%

LAB 9.11, 31.99, -17.79

 

CMYK 0 / 100 / 16 / 85

HEX #25001F

RGB 37 0 31

HSL 309.73, 1%, 0.07%

LAB 4.45, 21.8, -10.9

 

CMYK 0 / 100 / 40 / 92

HEX #14000C

RGB 20 0 12

HSL 324, 1%, 0.04%

LAB 1.58, 7.71, -2.46

 

CMYK 0 / 87 / 0 / 65

HEX #590C59

RGB 89 12 89

HSL 300, 0.76%, 0.2%

LAB 20.47, 42.48, -26.54

 

CMYK 0 / 87 / 24 / 65

HEX #590C44

RGB 89 12 68

HSL 316.36, 0.76%, 0.2%

LAB 19.24, 39.05, -14.19

 

CMYK 0 / 87 / 47 / 65

HEX #590C2F

RGB 89 12 47

HSL 332.73, 0.76%, 0.2%

LAB 18.33, 36.38, -0.8

 

CMYK 0 / 87 / 70 / 65

HEX #590C1B

RGB 89 12 27

HSL 348.31, 0.76%, 0.2%

LAB 17.76, 34.66, 12.76

 

CMYK 0 / 87 / 87 / 65

HEX #590C0C

RGB 89 12 12

HSL 0, 0.76%, 0.2%

LAB 17.52, 33.91, 21.83

 

CMYK 0 / 87 / 0 / 65

HEX #590C59

RGB 89 12 89

HSL 300, 0.76%, 0.2%

LAB 20.47, 42.48, -26.54

 

CMYK 24 / 87 / 0 / 65

HEX #440C59

RGB 68 12 89

HSL 283.64, 0.76%, 0.2%

LAB 16.57, 38.04, -33.02

 

CMYK 47 / 87 / 0 / 65

HEX #2F0C59

RGB 47 12 89

HSL 267.27, 0.76%, 0.2%

LAB 13.16, 34.18, -38.72

 

CMYK 70 / 87 / 0 / 65

HEX #1B0C59

RGB 27 12 89

HSL 251.69, 0.76%, 0.2%

LAB 10.68, 31.4, -42.89

 

CMYK 87 / 87 / 0 / 65

HEX #0C0C59

RGB 12 12 89

HSL 240, 0.76%, 0.2%

LAB 9.5, 30.08, -44.88

 

CMYK 0 / 87 / 0 / 65

HEX #590C59

RGB 89 12 89

HSL 300, 0.76%, 0.2%

LAB 20.47, 42.48, -26.54

 

CMYK 0 / 97 / 0 / 62

HEX #620362

RGB 98 3 98

HSL 300, 0.94%, 0.2%

LAB 22.1, 48.05, -29.81

 

CMYK 0 / 87 / 0 / 65

HEX #590C59

RGB 89 12 89

HSL 300, 0.76%, 0.2%

LAB 20.47, 42.48, -26.54

 

CMYK 0 / 75 / 0 / 68

HEX #511451

RGB 81 20 81

HSL 300, 0.6%, 0.2%

LAB 19.41, 36.33, -22.94

 

CMYK 0 / 62 / 0 / 71

HEX #491C49

RGB 73 28 73

HSL 300, 0.45%, 0.2%

LAB 18.92, 28.54, -18.36

 

CMYK 0 / 45 / 0 / 75

HEX #412441

RGB 65 36 65

HSL 300, 0.29%, 0.2%

LAB 19.09, 19.21, -12.7

 

CMYK 0 / 20 / 0 / 78

HEX #382D38

RGB 56 45 56

HSL 300, 0.11%, 0.2%

LAB 20.06, 7.42, -5.13

 

CMYK 46 / 87 / 0 / 65

HEX #300C59

RGB 48 12 89

HSL 268.05, 0.76%, 0.2%

LAB 13.31, 34.34, -38.48

 

CMYK 22 / 87 / 0 / 65

HEX #450C59

RGB 69 12 89

HSL 284.42, 0.76%, 0.2%

LAB 16.75, 38.24, -32.73

 

CMYK 0 / 87 / 0 / 65

HEX #590C59

RGB 89 12 89

HSL 300, 0.76%, 0.2%

LAB 20.47, 42.48, -26.54

 

CMYK 0 / 87 / 22 / 65

HEX #590C45

RGB 89 12 69

HSL 315.58, 0.76%, 0.2%

LAB 19.29, 39.2, -14.8

 

CMYK 0 / 87 / 46 / 65

HEX #590C30

RGB 89 12 48

HSL 331.95, 0.76%, 0.2%

LAB 18.37, 36.49, -1.46

 

CMYK 0 / 88 / 0 / 93

HEX #110211

RGB 17 2 17

HSL 300, 0.79%, 0.04%

LAB 1.83, 6.6, -4.72

 

CMYK 0 / 87 / 0 / 79

HEX #350735

RGB 53 7 53

HSL 300, 0.77%, 0.12%

LAB 10.3, 28.83, -18.11

 

CMYK 0 / 87 / 0 / 65

HEX #590C59

RGB 89 12 89

HSL 300, 0.76%, 0.2%

LAB 20.47, 42.48, -26.54

 

CMYK 0 / 87 / 0 / 51

HEX #7E117E

RGB 126 17 126

HSL 300, 0.76%, 0.28%

LAB 30.26, 55.34, -34.49

 

CMYK 0 / 86 / 0 / 36

HEX #A216A2

RGB 162 22 162

HSL 300, 0.76%, 0.36%

LAB 39.35, 67.06, -41.75

 

CMYK 0 / 86 / 0 / 65

HEX #580C58

RGB 88 12 88

HSL 300, 0.76%, 0.2%

LAB 20.21, 42.08, -26.3

 

CMYK 0 / 70 / 87 / 65

HEX #591B0C

RGB 89 27 12

HSL 11.69, 0.76%, 0.2%

LAB 19.78, 27.7, 24.48

 

CMYK 87 / 0 / 35 / 65

HEX #0C593A

RGB 12 89 58

HSL 155.84, 0.76%, 0.2%

LAB 32.98, -30.41, 11.8

 

CMYK 0 / 86 / 0 / 65

HEX #580C58

RGB 88 12 88

HSL 300, 0.76%, 0.2%

LAB 20.21, 42.08, -26.3

 

CMYK 0 / 0 / 87 / 65

HEX #59590C

RGB 89 89 12

HSL 60, 0.76%, 0.2%

LAB 36.55, -9.6, 40.29

 

CMYK 87 / 0 / 0 / 65

HEX #0C5959

RGB 12 89 89

HSL 180, 0.76%, 0.2%

LAB 33.87, -21.23, -6.3

 

CMYK 0 / 86 / 0 / 65

HEX #580C58

RGB 88 12 88

HSL 300, 0.76%, 0.2%

LAB 20.21, 42.08, -26.3

 

CMYK 0 / 70 / 87 / 65

HEX #591B0C

RGB 89 27 12

HSL 11.69, 0.76%, 0.2%

LAB 19.78, 27.7, 24.48

 

CMYK 87 / 0 / 87 / 65

HEX #0C590C

RGB 12 89 12

HSL 120, 0.76%, 0.2%

LAB 32.37, -37.66, 34.95

 

CMYK 87 / 17 / 0 / 65

HEX #0C4A59

RGB 12 74 89

HSL 191.69, 0.76%, 0.2%

LAB 28.63, -12.81, -14.23

 

CMYK 0 / 86 / 0 / 65

HEX #580C58

RGB 88 12 88

HSL 300, 0.76%, 0.2%

LAB 20.21, 42.08, -26.3

 

CMYK 0 / 43 / 87 / 65

HEX #59330C

RGB 89 51 12

HSL 30.39, 0.76%, 0.2%

LAB 25.32, 13.78, 30.25

 

CMYK 87 / 0 / 87 / 65

HEX #0C590C

RGB 12 89 12

HSL 120, 0.76%, 0.2%

LAB 32.37, -37.66, 34.95

 

CMYK 87 / 43 / 0 / 65

HEX #0C3359

RGB 12 51 89

HSL 209.61, 0.76%, 0.2%

LAB 20.7, 2.22, -26.65

 

Description

Color code: HEX #580C58 | qconv.com Color code: HEX #580C58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 12 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 12 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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