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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #579AFF it is the complementary color #A86500. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #579AFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #579AFF shade: #5C9AFA, #6DACFF, #7EBEFF, #8FD0FF and #A0E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #579AFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #579AFF shade: #579AFF, #4688EC, #3576D9, #2464C6 and #1352B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #579AFF shade: #5699FF, #566CFF, #6E56FF, #9B56FF and #C956FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #579AFF shade: #5699FF, #566CFF and #5656FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #579AFF shade matches the following richer shades: #5699FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #579AFF shade: #5699FF, #649CF1, #719FE3, #7FA2D6 and #8DA4C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #579AFF shade: #56F3FF, #56C6FF, #569AFF, #566DFF and #6D56FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #579AFF shade: #0468FF, #2D81FF, #5699FF, #7FB2FF and #A9CBFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #579AFF shade: #579AFF, #DD56FF and #DDFF56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #579AFF shade: #579AFF, #FF569A and #9AFF56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #579AFF shade: #579AFF, #DD56FF, #FFBB56 and #78FF56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #579AFF shade: #579AFF, #FF56EE, #FFBB56 and #56FF67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 40 / 0 / 0

HEX #579AFF

RGB 87 154 255

HSL 216.07, 1%, 0.67%

LAB 63.64, 10.05, -56.51

 

Complementary color

CMYK 0 / 40 / 100 / 34

HEX #A86500

RGB 168 101 0

HSL 36.07, 1%, 0.33%

LAB 49.05, 20.94, 56.81

 

CMYK 63 / 38 / 0 / 2

HEX #5C9AFA

RGB 92 154 250

HSL 216.46, 0.94%, 0.67%

LAB 63.58, 9.2, -53.85

 

CMYK 57 / 33 / 0 / 0

HEX #6DACFF

RGB 109 172 255

HSL 214.11, 1%, 0.71%

LAB 69.45, 3.56, -47.24

 

CMYK 51 / 25 / 0 / 0

HEX #7EBEFF

RGB 126 190 255

HSL 210.23, 1%, 0.75%

LAB 75.13, -2.9, -38.31

 

CMYK 44 / 18 / 0 / 0

HEX #8FD0FF

RGB 143 208 255

HSL 205.18, 1%, 0.78%

LAB 80.83, -8.62, -29.44

 

CMYK 37 / 11 / 0 / 0

HEX #A0E2FF

RGB 160 226 255

HSL 198.32, 1%, 0.81%

LAB 86.55, -13.71, -20.66

 

CMYK 66 / 40 / 0 / 0

HEX #579AFF

RGB 87 154 255

HSL 216.07, 1%, 0.67%

LAB 63.64, 10.05, -56.51

 

CMYK 70 / 42 / 0 / 7

HEX #4688EC

RGB 70 136 236

HSL 216.14, 0.81%, 0.6%

LAB 57.04, 11.68, -56.6

 

CMYK 76 / 46 / 0 / 15

HEX #3576D9

RGB 53 118 217

HSL 216.22, 0.68%, 0.53%

LAB 50.36, 13.67, -56.69

 

CMYK 82 / 49 / 0 / 22

HEX #2464C6

RGB 36 100 198

HSL 216.3, 0.69%, 0.46%

LAB 43.6, 16.12, -56.73

 

CMYK 89 / 54 / 0 / 30

HEX #1352B3

RGB 19 82 179

HSL 216.38, 0.81%, 0.39%

LAB 36.8, 19.18, -56.69

 

CMYK 66 / 40 / 0 / 0

HEX #5699FF

RGB 86 153 255

HSL 216.21, 1%, 0.67%

LAB 63.33, 10.48, -57

 

CMYK 66 / 58 / 0 / 0

HEX #566CFF

RGB 86 108 255

HSL 232.19, 1%, 0.67%

LAB 51.75, 37.67, -75.64

 

CMYK 57 / 66 / 0 / 0

HEX #6E56FF

RGB 110 86 255

HSL 248.52, 1%, 0.67%

LAB 48.5, 53.92, -80.88

 

CMYK 39 / 66 / 0 / 0

HEX #9B56FF

RGB 155 86 255

HSL 264.5, 1%, 0.67%

LAB 52.78, 61.57, -73.72

 

CMYK 21 / 66 / 0 / 0

HEX #C956FF

RGB 201 86 255

HSL 280.83, 1%, 0.67%

LAB 58.31, 70.72, -64.5

 

CMYK 66 / 40 / 0 / 0

HEX #5699FF

RGB 86 153 255

HSL 216.21, 1%, 0.67%

LAB 63.33, 10.48, -57

 

CMYK 66 / 58 / 0 / 0

HEX #566CFF

RGB 86 108 255

HSL 232.19, 1%, 0.67%

LAB 51.75, 37.67, -75.64

 

CMYK 66 / 66 / 0 / 0

HEX #5656FF

RGB 86 86 255

HSL 240, 1%, 0.67%

LAB 46.78, 50.66, -83.76

 

CMYK 66 / 40 / 0 / 0

HEX #5699FF

RGB 86 153 255

HSL 216.21, 1%, 0.67%

LAB 63.33, 10.48, -57

 

CMYK 66 / 40 / 0 / 0

HEX #5699FF

RGB 86 153 255

HSL 216.21, 1%, 0.67%

LAB 63.33, 10.48, -57

 

CMYK 59 / 35 / 0 / 5

HEX #649CF1

RGB 100 156 241

HSL 216.17, 0.83%, 0.67%

LAB 64.03, 6.55, -48.19

 

CMYK 50 / 30 / 0 / 11

HEX #719FE3

RGB 113 159 227

HSL 215.79, 0.67%, 0.67%

LAB 64.85, 3.21, -39.15

 

CMYK 41 / 24 / 0 / 16

HEX #7FA2D6

RGB 127 162 214

HSL 215.86, 0.51%, 0.67%

LAB 65.91, 1.21, -30.26

 

CMYK 30 / 18 / 0 / 22

HEX #8DA4C8

RGB 141 164 200

HSL 216.61, 0.35%, 0.67%

LAB 66.81, 0.36, -21.04

 

CMYK 66 / 5 / 0 / 0

HEX #56F3FF

RGB 86 243 255

HSL 184.26, 1%, 0.67%

LAB 88.59, -36.86, -17.84

 

CMYK 66 / 22 / 0 / 0

HEX #56C6FF

RGB 86 198 255

HSL 200.24, 1%, 0.67%

LAB 75.81, -14.67, -37.37

 

CMYK 66 / 40 / 0 / 0

HEX #569AFF

RGB 86 154 255

HSL 215.86, 1%, 0.67%

LAB 63.6, 9.89, -56.57

 

CMYK 66 / 57 / 0 / 0

HEX #566DFF

RGB 86 109 255

HSL 231.83, 1%, 0.67%

LAB 51.99, 37.06, -75.25

 

CMYK 57 / 66 / 0 / 0

HEX #6D56FF

RGB 109 86 255

HSL 248.17, 1%, 0.67%

LAB 48.42, 53.77, -81.01

 

CMYK 98 / 59 / 0 / 0

HEX #0468FF

RGB 4 104 255

HSL 216.1, 1%, 0.51%

LAB 48.44, 34.03, -81.13

 

CMYK 82 / 49 / 0 / 0

HEX #2D81FF

RGB 45 129 255

HSL 216, 1%, 0.59%

LAB 55.56, 20.16, -69.53

 

CMYK 66 / 40 / 0 / 0

HEX #5699FF

RGB 86 153 255

HSL 216.21, 1%, 0.67%

LAB 63.33, 10.48, -57

 

CMYK 50 / 30 / 0 / 0

HEX #7FB2FF

RGB 127 178 255

HSL 216.09, 1%, 0.75%

LAB 71.94, 3.95, -43.28

 

CMYK 34 / 20 / 0 / 0

HEX #A9CBFF

RGB 169 203 255

HSL 216.28, 1%, 0.83%

LAB 80.94, 0.73, -29.15

 

CMYK 66 / 40 / 0 / 0

HEX #579AFF

RGB 87 154 255

HSL 216.07, 1%, 0.67%

LAB 63.64, 10.05, -56.51

 

CMYK 13 / 66 / 0 / 0

HEX #DD56FF

RGB 221 86 255

HSL 287.93, 1%, 0.67%

LAB 61, 74.93, -60.05

 

CMYK 13 / 0 / 66 / 0

HEX #DDFF56

RGB 221 255 86

HSL 72.07, 1%, 0.67%

LAB 94.98, -32.79, 73.7

 

CMYK 66 / 40 / 0 / 0

HEX #579AFF

RGB 87 154 255

HSL 216.07, 1%, 0.67%

LAB 63.64, 10.05, -56.51

 

CMYK 0 / 66 / 40 / 0

HEX #FF569A

RGB 255 86 154

HSL 335.86, 1%, 0.67%

LAB 61.87, 69.06, -1.1

 

CMYK 40 / 0 / 66 / 0

HEX #9AFF56

RGB 154 255 86

HSL 95.86, 1%, 0.67%

LAB 91.26, -56.66, 68.67

 

CMYK 66 / 40 / 0 / 0

HEX #579AFF

RGB 87 154 255

HSL 216.07, 1%, 0.67%

LAB 63.64, 10.05, -56.51

 

CMYK 13 / 66 / 0 / 0

HEX #DD56FF

RGB 221 86 255

HSL 287.93, 1%, 0.67%

LAB 61, 74.93, -60.05

 

CMYK 0 / 27 / 66 / 0

HEX #FFBB56

RGB 255 187 86

HSL 35.86, 1%, 0.67%

LAB 80.44, 14.85, 59.23

 

CMYK 53 / 0 / 66 / 0

HEX #78FF56

RGB 120 255 86

HSL 107.93, 1%, 0.67%

LAB 89.95, -66.43, 66.88

 

CMYK 66 / 40 / 0 / 0

HEX #579AFF

RGB 87 154 255

HSL 216.07, 1%, 0.67%

LAB 63.64, 10.05, -56.51

 

CMYK 0 / 66 / 7 / 0

HEX #FF56EE

RGB 255 86 238

HSL 306.04, 1%, 0.67%

LAB 65.03, 79.64, -43.94

 

CMYK 0 / 27 / 66 / 0

HEX #FFBB56

RGB 255 187 86

HSL 35.86, 1%, 0.67%

LAB 80.44, 14.85, 59.23

 

CMYK 66 / 0 / 60 / 0

HEX #56FF67

RGB 86 255 103

HSL 126.04, 1%, 0.67%

LAB 89.15, -72.25, 58.83

 

Description

Color code: HEX #579AFF | qconv.com Color code: HEX #579AFF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 154 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 154 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 40 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 40% 0% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - Super Mario Bros
Link: http://osmuk.m.free.fr

42% - 百度地图
Link: http://map.baidu.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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