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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #576AFE it is the complementary color #A89501. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #576AFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #576AFE shade: #5C6AF9, #6D7CFF, #7E8EFF, #8FA0FF and #A0B2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #576AFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #576AFE shade: #576AFE, #4658EB, #3546D8, #2434C5 and #1322B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #576AFE shade: #576AFE, #7157FE, #9E57FE, #CB57FE and #F857FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #576AFE shade: #576AFE and #5757FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #576AFE shade matches the following richer shades: #576AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #576AFE shade: #576AFE, #6575F0, #727FE2, #808AD5 and #8E94C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #576AFE shade: #57C3FE, #5797FE, #576AFE, #7057FE and #9C57FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #576AFE shade: #0521FD, #2E46FD, #576AFE, #808EFE and #A9B3FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #576AFE shade: #576AFE, #FE57F0 and #ADFE57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #576AFE shade: #576AFE, #FE576A and #6AFE57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #576AFE shade: #576AFE, #FE57F0, #FEEA57 and #57FE65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #576AFE shade: #576AFE, #FE57BE, #FEEA57 and #57FE97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 58 / 0 / 0

HEX #576AFE

RGB 87 106 254

HSL 233.17, 0.99%, 0.67%

LAB 51.26, 38.68, -75.89

 

Complementary color

CMYK 0 / 11 / 99 / 34

HEX #A89501

RGB 168 149 1

HSL 53.17, 0.99%, 0.33%

LAB 61.5, -5.77, 65.16

 

CMYK 63 / 57 / 0 / 2

HEX #5C6AF9

RGB 92 106 249

HSL 234.65, 0.93%, 0.67%

LAB 51.18, 37.76, -73.23

 

CMYK 57 / 51 / 0 / 0

HEX #6D7CFF

RGB 109 124 255

HSL 233.84, 1%, 0.71%

LAB 56.96, 31.75, -67.13

 

CMYK 51 / 44 / 0 / 0

HEX #7E8EFF

RGB 126 142 255

HSL 232.56, 1%, 0.75%

LAB 62.51, 24.46, -58.18

 

CMYK 44 / 37 / 0 / 0

HEX #8FA0FF

RGB 143 160 255

HSL 230.89, 1%, 0.78%

LAB 68.17, 17.89, -49.14

 

CMYK 37 / 30 / 0 / 0

HEX #A0B2FF

RGB 160 178 255

HSL 228.63, 1%, 0.81%

LAB 73.89, 12, -40.09

 

CMYK 66 / 58 / 0 / 0

HEX #576AFE

RGB 87 106 254

HSL 233.17, 0.99%, 0.67%

LAB 51.26, 38.68, -75.89

 

CMYK 70 / 63 / 0 / 8

HEX #4658EB

RGB 70 88 235

HSL 233.45, 0.8%, 0.6%

LAB 44.63, 40.98, -76.12

 

CMYK 75 / 68 / 0 / 15

HEX #3546D8

RGB 53 70 216

HSL 233.74, 0.68%, 0.53%

LAB 38.01, 43.57, -76.19

 

CMYK 82 / 74 / 0 / 23

HEX #2434C5

RGB 36 52 197

HSL 234.04, 0.69%, 0.46%

LAB 31.49, 46.36, -75.95

 

CMYK 89 / 81 / 0 / 30

HEX #1322B2

RGB 19 34 178

HSL 234.34, 0.81%, 0.39%

LAB 25.25, 49.05, -75.06

 

CMYK 66 / 58 / 0 / 0

HEX #576AFE

RGB 87 106 254

HSL 233.17, 0.99%, 0.67%

LAB 51.26, 38.68, -75.89

 

CMYK 56 / 66 / 0 / 0

HEX #7157FE

RGB 113 87 254

HSL 249.34, 0.99%, 0.67%

LAB 48.86, 53.54, -79.72

 

CMYK 38 / 66 / 0 / 0

HEX #9E57FE

RGB 158 87 254

HSL 265.51, 0.99%, 0.67%

LAB 53.21, 61.41, -72.45

 

CMYK 20 / 66 / 0 / 0

HEX #CB57FE

RGB 203 87 254

HSL 281.68, 0.99%, 0.67%

LAB 58.67, 70.52, -63.37

 

CMYK 2 / 66 / 0 / 0

HEX #F857FE

RGB 248 87 254

HSL 297.84, 0.99%, 0.67%

LAB 64.91, 80.21, -53.05

 

CMYK 66 / 58 / 0 / 0

HEX #576AFE

RGB 87 106 254

HSL 233.17, 0.99%, 0.67%

LAB 51.26, 38.68, -75.89

 

CMYK 66 / 66 / 0 / 0

HEX #5757FE

RGB 87 87 254

HSL 240, 0.99%, 0.67%

LAB 46.97, 49.9, -82.89

 

CMYK 66 / 58 / 0 / 0

HEX #576AFE

RGB 87 106 254

HSL 233.17, 0.99%, 0.67%

LAB 51.26, 38.68, -75.89

 

CMYK 66 / 58 / 0 / 0

HEX #576AFE

RGB 87 106 254

HSL 233.17, 0.99%, 0.67%

LAB 51.26, 38.68, -75.89

 

CMYK 58 / 51 / 0 / 6

HEX #6575F0

RGB 101 117 240

HSL 233.09, 0.82%, 0.67%

LAB 53.79, 29.69, -63.96

 

CMYK 50 / 44 / 0 / 11

HEX #727FE2

RGB 114 127 226

HSL 233.04, 0.66%, 0.67%

LAB 56.33, 21.92, -52.03

 

CMYK 40 / 35 / 0 / 16

HEX #808AD5

RGB 128 138 213

HSL 232.94, 0.5%, 0.67%

LAB 59.5, 15.01, -39.68

 

CMYK 29 / 26 / 0 / 22

HEX #8E94C7

RGB 142 148 199

HSL 233.68, 0.34%, 0.67%

LAB 62.55, 9.44, -27

 

CMYK 66 / 23 / 0 / 0

HEX #57C3FE

RGB 87 195 254

HSL 201.2, 0.99%, 0.67%

LAB 74.96, -13.25, -38.16

 

CMYK 66 / 41 / 0 / 0

HEX #5797FE

RGB 87 151 254

HSL 217.01, 0.99%, 0.67%

LAB 62.77, 11.48, -57.34

 

CMYK 66 / 58 / 0 / 0

HEX #576AFE

RGB 87 106 254

HSL 233.17, 0.99%, 0.67%

LAB 51.26, 38.68, -75.89

 

CMYK 56 / 66 / 0 / 0

HEX #7057FE

RGB 112 87 254

HSL 248.98, 0.99%, 0.67%

LAB 48.78, 53.38, -79.86

 

CMYK 39 / 66 / 0 / 0

HEX #9C57FE

RGB 156 87 254

HSL 264.79, 0.99%, 0.67%

LAB 52.99, 61.02, -72.81

 

CMYK 98 / 87 / 0 / 1

HEX #0521FD

RGB 5 33 253

HSL 233.23, 0.98%, 0.51%

LAB 34.42, 71.58, -103.2

 

CMYK 82 / 72 / 0 / 1

HEX #2E46FD

RGB 46 70 253

HSL 233.04, 0.98%, 0.59%

LAB 41.3, 55.51, -91.74

 

CMYK 66 / 58 / 0 / 0

HEX #576AFE

RGB 87 106 254

HSL 233.17, 0.99%, 0.67%

LAB 51.26, 38.68, -75.89

 

CMYK 50 / 44 / 0 / 0

HEX #808EFE

RGB 128 142 254

HSL 233.33, 0.98%, 0.75%

LAB 62.58, 24.59, -57.51

 

CMYK 33 / 30 / 0 / 0

HEX #A9B3FE

RGB 169 179 254

HSL 232.94, 0.98%, 0.83%

LAB 74.72, 13.6, -38.22

 

CMYK 66 / 58 / 0 / 0

HEX #576AFE

RGB 87 106 254

HSL 233.17, 0.99%, 0.67%

LAB 51.26, 38.68, -75.89

 

CMYK 0 / 66 / 6 / 0

HEX #FE57F0

RGB 254 87 240

HSL 305.03, 0.99%, 0.67%

LAB 65.1, 79.35, -44.95

 

CMYK 32 / 0 / 66 / 0

HEX #ADFE57

RGB 173 254 87

HSL 89.1, 0.99%, 0.67%

LAB 91.89, -49.91, 69.23

 

CMYK 66 / 58 / 0 / 0

HEX #576AFE

RGB 87 106 254

HSL 233.17, 0.99%, 0.67%

LAB 51.26, 38.68, -75.89

 

CMYK 0 / 66 / 58 / 0

HEX #FE576A

RGB 254 87 106

HSL 353.17, 0.99%, 0.67%

LAB 60.72, 64.38, 25.11

 

CMYK 58 / 0 / 66 / 0

HEX #6AFE57

RGB 106 254 87

HSL 113.17, 0.99%, 0.67%

LAB 89.22, -69.39, 65.59

 

CMYK 66 / 58 / 0 / 0

HEX #576AFE

RGB 87 106 254

HSL 233.17, 0.99%, 0.67%

LAB 51.26, 38.68, -75.89

 

CMYK 0 / 66 / 6 / 0

HEX #FE57F0

RGB 254 87 240

HSL 305.03, 0.99%, 0.67%

LAB 65.1, 79.35, -44.95

 

CMYK 0 / 8 / 66 / 0

HEX #FEEA57

RGB 254 234 87

HSL 52.81, 0.99%, 0.67%

LAB 91.96, -9.5, 70.98

 

CMYK 66 / 0 / 60 / 0

HEX #57FE65

RGB 87 254 101

HSL 125.03, 0.99%, 0.67%

LAB 88.85, -71.95, 59.35

 

CMYK 66 / 58 / 0 / 0

HEX #576AFE

RGB 87 106 254

HSL 233.17, 0.99%, 0.67%

LAB 51.26, 38.68, -75.89

 

CMYK 0 / 66 / 25 / 0

HEX #FE57BE

RGB 254 87 190

HSL 322.99, 0.99%, 0.67%

LAB 63.02, 72.45, -20.09

 

CMYK 0 / 8 / 66 / 0

HEX #FEEA57

RGB 254 234 87

HSL 52.81, 0.99%, 0.67%

LAB 91.96, -9.5, 70.98

 

CMYK 66 / 0 / 41 / 0

HEX #57FE97

RGB 87 254 151

HSL 142.99, 0.99%, 0.67%

LAB 89.46, -64.99, 36.92

 

Description

Color code: HEX #576AFE | qconv.com Color code: HEX #576AFE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 106 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 106 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 58 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 58% 0% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Дизайн, разработка, ...
Link: http://www.media-planeta.ru

Verification of their color palette as a manufacturer!

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