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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #574A35 it is the complementary color #A8B5CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #574A35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #574A35 shade: #5C4A30, #6D5C43, #7E6E56, #8F8069 and #A0927C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #574A35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #574A35 shade: #574A35, #463822, #35260F, #241400 and #130200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #574A35 shade: #554834, #553F34, #553634 and #553434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #574A35 shade: #554834, #555134, #505534, #475534 and #3E5534

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #574A35 shade matches the following richer shades: #554834, #604B29, #6B4D1E, #765012 and #815307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #574A35 shade: #554834, #4A463F, #3F434A, #334055 and #283E60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #574A35 shade: #553734, #553F34, #554834, #555134 and #505534

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #574A35 shade: #221D14, #3B3224, #554834, #6E5E44 and #887453

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #574A35 shade: #574A35, #3A5534 and #3B3455

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #574A35 shade: #574A35, #345548 and #483455

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #574A35 shade: #574A35, #3A5534, #344055 and #4F3455

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #574A35 shade: #574A35, #345538, #344055 and #553451

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 39 / 66

HEX #574A35

RGB 87 74 53

HSL 37.06, 0.24%, 0.27%

LAB 32.22, 1.98, 14.58

 

Complementary color

CMYK 17 / 10 / 0 / 21

HEX #A8B5CA

RGB 168 181 202

HSL 217.06, 0.24%, 0.73%

LAB 73.31, -0.13, -12.15

 

CMYK 0 / 20 / 48 / 64

HEX #5C4A30

RGB 92 74 48

HSL 35.45, 0.31%, 0.27%

LAB 32.67, 3.68, 18.37

 

CMYK 0 / 16 / 39 / 57

HEX #6D5C43

RGB 109 92 67

HSL 35.71, 0.24%, 0.35%

LAB 40.1, 2.94, 16.96

 

CMYK 0 / 13 / 32 / 51

HEX #7E6E56

RGB 126 110 86

HSL 36, 0.19%, 0.42%

LAB 47.31, 2.37, 15.71

 

CMYK 0 / 10 / 27 / 44

HEX #8F8069

RGB 143 128 105

HSL 36.32, 0.15%, 0.49%

LAB 54.34, 1.91, 14.59

 

CMYK 0 / 9 / 23 / 37

HEX #A0927C

RGB 160 146 124

HSL 36.67, 0.16%, 0.56%

LAB 61.21, 1.53, 13.56

 

CMYK 0 / 15 / 39 / 66

HEX #574A35

RGB 87 74 53

HSL 37.06, 0.24%, 0.27%

LAB 32.22, 1.98, 14.58

 

CMYK 0 / 20 / 51 / 73

HEX #463822

RGB 70 56 34

HSL 36.67, 0.35%, 0.2%

LAB 24.47, 2.74, 16.05

 

CMYK 0 / 28 / 72 / 79

HEX #35260F

RGB 53 38 15

HSL 36.32, 0.56%, 0.13%

LAB 16.39, 3.89, 17.48

 

CMYK 0 / 44 / 100 / 86

HEX #241400

RGB 36 20 0

HSL 33.33, 1%, 0.07%

LAB 7.91, 5.69, 11.95

 

CMYK 0 / 89 / 100 / 93

HEX #130200

RGB 19 2 0

HSL 6.32, 1%, 0.04%

LAB 1.64, 4.81, 2.55

 

CMYK 0 / 15 / 39 / 67

HEX #554834

RGB 85 72 52

HSL 36.36, 0.24%, 0.27%

LAB 31.38, 2.15, 14.05

 

CMYK 0 / 26 / 39 / 67

HEX #553F34

RGB 85 63 52

HSL 20, 0.24%, 0.27%

LAB 28.73, 7.85, 10.46

 

CMYK 0 / 36 / 39 / 67

HEX #553634

RGB 85 54 52

HSL 3.64, 0.24%, 0.27%

LAB 26.21, 13.61, 6.96

 

CMYK 0 / 39 / 39 / 67

HEX #553434

RGB 85 52 52

HSL 0, 0.24%, 0.27%

LAB 25.67, 14.88, 6.21

 

CMYK 0 / 15 / 39 / 67

HEX #554834

RGB 85 72 52

HSL 36.36, 0.24%, 0.27%

LAB 31.38, 2.15, 14.05

 

CMYK 0 / 5 / 39 / 67

HEX #555134

RGB 85 81 52

HSL 52.73, 0.24%, 0.27%

LAB 34.12, -3.4, 17.67

 

CMYK 6 / 0 / 39 / 67

HEX #505534

RGB 80 85 52

HSL 69.09, 0.24%, 0.27%

LAB 34.9, -8.08, 18.61

 

CMYK 16 / 0 / 39 / 67

HEX #475534

RGB 71 85 52

HSL 85.45, 0.24%, 0.27%

LAB 34.16, -12.08, 17.49

 

CMYK 27 / 0 / 39 / 67

HEX #3E5534

RGB 62 85 52

HSL 101.82, 0.24%, 0.27%

LAB 33.5, -15.88, 16.5

 

CMYK 0 / 15 / 39 / 67

HEX #554834

RGB 85 72 52

HSL 36.36, 0.24%, 0.27%

LAB 31.38, 2.15, 14.05

 

CMYK 0 / 22 / 57 / 62

HEX #604B29

RGB 96 75 41

HSL 37.09, 0.4%, 0.27%

LAB 33.31, 4.2, 23.47

 

CMYK 0 / 28 / 72 / 58

HEX #6B4D1E

RGB 107 77 30

HSL 36.62, 0.56%, 0.27%

LAB 35.06, 7.41, 31.94

 

CMYK 0 / 32 / 85 / 54

HEX #765012

RGB 118 80 18

HSL 37.2, 0.74%, 0.27%

LAB 37.17, 10.32, 39.98

 

CMYK 0 / 36 / 95 / 49

HEX #815307

RGB 129 83 7

HSL 37.38, 0.9%, 0.27%

LAB 39.36, 13.5, 45.89

 

CMYK 0 / 15 / 39 / 67

HEX #554834

RGB 85 72 52

HSL 36.36, 0.24%, 0.27%

LAB 31.38, 2.15, 14.05

 

CMYK 0 / 5 / 15 / 71

HEX #4A463F

RGB 74 70 63

HSL 38.18, 0.08%, 0.27%

LAB 29.9, 0.26, 4.82

 

CMYK 15 / 9 / 0 / 71

HEX #3F434A

RGB 63 67 74

HSL 218.18, 0.08%, 0.27%

LAB 28.29, 0.04, -4.79

 

CMYK 40 / 25 / 0 / 67

HEX #334055

RGB 51 64 85

HSL 217.06, 0.25%, 0.27%

LAB 26.81, 0.78, -14.3

 

CMYK 58 / 35 / 0 / 62

HEX #283E60

RGB 40 62 96

HSL 216.43, 0.41%, 0.27%

LAB 25.98, 2.68, -22.79

 

CMYK 0 / 35 / 39 / 67

HEX #553734

RGB 85 55 52

HSL 5.45, 0.24%, 0.27%

LAB 26.48, 12.97, 7.35

 

CMYK 0 / 26 / 39 / 67

HEX #553F34

RGB 85 63 52

HSL 20, 0.24%, 0.27%

LAB 28.73, 7.85, 10.46

 

CMYK 0 / 15 / 39 / 67

HEX #554834

RGB 85 72 52

HSL 36.36, 0.24%, 0.27%

LAB 31.38, 2.15, 14.05

 

CMYK 0 / 5 / 39 / 67

HEX #555134

RGB 85 81 52

HSL 52.73, 0.24%, 0.27%

LAB 34.12, -3.4, 17.67

 

CMYK 6 / 0 / 39 / 67

HEX #505534

RGB 80 85 52

HSL 69.09, 0.24%, 0.27%

LAB 34.9, -8.08, 18.61

 

CMYK 0 / 15 / 41 / 87

HEX #221D14

RGB 34 29 20

HSL 38.57, 0.26%, 0.11%

LAB 11.06, 0.6, 7.02

 

CMYK 0 / 15 / 39 / 77

HEX #3B3224

RGB 59 50 36

HSL 36.52, 0.24%, 0.19%

LAB 21.35, 1.5, 10.41

 

CMYK 0 / 15 / 39 / 67

HEX #554834

RGB 85 72 52

HSL 36.36, 0.24%, 0.27%

LAB 31.38, 2.15, 14.05

 

CMYK 0 / 15 / 38 / 57

HEX #6E5E44

RGB 110 94 68

HSL 37.14, 0.24%, 0.35%

LAB 40.8, 2.32, 17.31

 

CMYK 0 / 15 / 39 / 47

HEX #887453

RGB 136 116 83

HSL 37.36, 0.24%, 0.43%

LAB 49.92, 2.79, 21.13

 

CMYK 0 / 15 / 39 / 66

HEX #574A35

RGB 87 74 53

HSL 37.06, 0.24%, 0.27%

LAB 32.22, 1.98, 14.58

 

CMYK 32 / 0 / 39 / 67

HEX #3A5534

RGB 58 85 52

HSL 109.09, 0.24%, 0.27%

LAB 33.23, -17.49, 16.1

 

CMYK 31 / 39 / 0 / 67

HEX #3B3455

RGB 59 52 85

HSL 252.73, 0.24%, 0.27%

LAB 23.81, 11.56, -18.9

 

CMYK 0 / 15 / 39 / 66

HEX #574A35

RGB 87 74 53

HSL 37.06, 0.24%, 0.27%

LAB 32.22, 1.98, 14.58

 

CMYK 39 / 0 / 15 / 67

HEX #345548

RGB 52 85 72

HSL 156.36, 0.24%, 0.27%

LAB 33.34, -15.43, 3.79

 

CMYK 15 / 39 / 0 / 67

HEX #483455

RGB 72 52 85

HSL 276.36, 0.24%, 0.27%

LAB 25.23, 16.16, -16.58

 

CMYK 0 / 15 / 39 / 66

HEX #574A35

RGB 87 74 53

HSL 37.06, 0.24%, 0.27%

LAB 32.22, 1.98, 14.58

 

CMYK 32 / 0 / 39 / 67

HEX #3A5534

RGB 58 85 52

HSL 109.09, 0.24%, 0.27%

LAB 33.23, -17.49, 16.1

 

CMYK 39 / 25 / 0 / 67

HEX #344055

RGB 52 64 85

HSL 218.18, 0.24%, 0.27%

LAB 26.88, 1.11, -14.18

 

CMYK 7 / 39 / 0 / 67

HEX #4F3455

RGB 79 52 85

HSL 289.09, 0.24%, 0.27%

LAB 26.08, 18.72, -15.19

 

CMYK 0 / 15 / 39 / 66

HEX #574A35

RGB 87 74 53

HSL 37.06, 0.24%, 0.27%

LAB 32.22, 1.98, 14.58

 

CMYK 39 / 0 / 34 / 67

HEX #345538

RGB 52 85 56

HSL 127.27, 0.24%, 0.27%

LAB 32.95, -19.02, 13.21

 

CMYK 39 / 25 / 0 / 67

HEX #344055

RGB 52 64 85

HSL 218.18, 0.24%, 0.27%

LAB 26.88, 1.11, -14.18

 

CMYK 0 / 39 / 5 / 67

HEX #553451

RGB 85 52 81

HSL 307.27, 0.24%, 0.27%

LAB 26.68, 20.07, -11.57

 

Description

Color code: HEX #574A35 | qconv.com Color code: HEX #574A35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 74 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 74 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 39 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 39% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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