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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #572F95 it is the complementary color #A8D06A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #572F95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #572F95 shade: #5C2F90, #6D41A3, #7E53B6, #8F65C9 and #A077DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #572F95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #572F95 shade: #572F95, #461D82, #350B6F, #24005C and #130049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #572F95 shade: #562E93, #712E93, #8C2E93, #932E7F and #932E63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #572F95 shade: #562E93, #3A2E93 and #2E2E93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #572F95 shade matches the following richer shades: #562E93, #521EA2 and #4F0FB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #572F95 shade: #562E93, #593E83, #5C4D73, #605D64 and #636D54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #572F95 shade: #2E3D93, #3A2E93, #552E93, #702E93 and #8A2E93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #572F95 shade: #311A54, #432473, #562E93, #6838B2 and #7D4DC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #572F95 shade: #572F95, #932E58 and #30932E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #572F95 shade: #572F95, #93552E and #2E9355

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #572F95 shade: #572F95, #932E58, #6C932E and #2E9369

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #572F95 shade: #572F95, #932E3A, #6C932E and #2E9387

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 68 / 0 / 42

HEX #572F95

RGB 87 47 149

HSL 263.53, 0.52%, 0.38%

LAB 29.98, 40.73, -49.53

 

Complementary color

CMYK 19 / 0 / 49 / 18

HEX #A8D06A

RGB 168 208 106

HSL 83.53, 0.52%, 0.62%

LAB 78.74, -29.63, 46.03

 

CMYK 36 / 67 / 0 / 44

HEX #5C2F90

RGB 92 47 144

HSL 267.84, 0.51%, 0.37%

LAB 30.21, 40.46, -46.06

 

CMYK 33 / 60 / 0 / 36

HEX #6D41A3

RGB 109 65 163

HSL 266.94, 0.43%, 0.45%

LAB 37.25, 39.5, -46.14

 

CMYK 31 / 54 / 0 / 29

HEX #7E53B6

RGB 126 83 182

HSL 266.06, 0.4%, 0.52%

LAB 44.23, 38.47, -46.11

 

CMYK 29 / 50 / 0 / 21

HEX #8F65C9

RGB 143 101 201

HSL 265.2, 0.48%, 0.59%

LAB 51.11, 37.47, -46.04

 

CMYK 27 / 46 / 0 / 14

HEX #A077DC

RGB 160 119 220

HSL 264.36, 0.59%, 0.66%

LAB 57.88, 36.53, -45.98

 

CMYK 42 / 68 / 0 / 42

HEX #572F95

RGB 87 47 149

HSL 263.53, 0.52%, 0.38%

LAB 29.98, 40.73, -49.53

 

CMYK 46 / 78 / 0 / 49

HEX #461D82

RGB 70 29 130

HSL 264.36, 0.64%, 0.31%

LAB 22.97, 41.54, -49.24

 

CMYK 52 / 90 / 0 / 56

HEX #350B6F

RGB 53 11 111

HSL 265.2, 0.82%, 0.24%

LAB 16.23, 41.4, -48.23

 

CMYK 61 / 100 / 0 / 64

HEX #24005C

RGB 36 0 92

HSL 263.48, 1%, 0.18%

LAB 10.17, 39.01, -45.74

 

CMYK 74 / 100 / 0 / 71

HEX #130049

RGB 19 0 73

HSL 255.62, 1%, 0.14%

LAB 5.6, 31.52, -40.31

 

CMYK 41 / 69 / 0 / 42

HEX #562E93

RGB 86 46 147

HSL 263.76, 0.52%, 0.38%

LAB 29.51, 40.51, -49.08

 

CMYK 23 / 69 / 0 / 42

HEX #712E93

RGB 113 46 147

HSL 279.8, 0.52%, 0.38%

LAB 33.07, 46.44, -43.14

 

CMYK 5 / 69 / 0 / 42

HEX #8C2E93

RGB 140 46 147

HSL 295.84, 0.52%, 0.38%

LAB 37.18, 52.81, -36.34

 

CMYK 0 / 69 / 14 / 42

HEX #932E7F

RGB 147 46 127

HSL 311.88, 0.52%, 0.38%

LAB 37.28, 51.18, -23.81

 

CMYK 0 / 69 / 33 / 42

HEX #932E63

RGB 147 46 99

HSL 328.51, 0.52%, 0.38%

LAB 36.1, 47.21, -8.02

 

CMYK 41 / 69 / 0 / 42

HEX #562E93

RGB 86 46 147

HSL 263.76, 0.52%, 0.38%

LAB 29.51, 40.51, -49.08

 

CMYK 61 / 69 / 0 / 42

HEX #3A2E93

RGB 58 46 147

HSL 247.13, 0.52%, 0.38%

LAB 26.62, 35.31, -53.91

 

CMYK 69 / 69 / 0 / 42

HEX #2E2E93

RGB 46 46 147

HSL 240, 0.52%, 0.38%

LAB 25.69, 33.53, -55.48

 

CMYK 41 / 69 / 0 / 42

HEX #562E93

RGB 86 46 147

HSL 263.76, 0.52%, 0.38%

LAB 29.51, 40.51, -49.08

 

CMYK 49 / 81 / 0 / 36

HEX #521EA2

RGB 82 30 162

HSL 263.64, 0.69%, 0.38%

LAB 27.66, 51.47, -61.29

 

CMYK 56 / 92 / 0 / 30

HEX #4F0FB2

RGB 79 15 178

HSL 263.56, 0.84%, 0.38%

LAB 27.35, 59.96, -71.45

 

CMYK 41 / 69 / 0 / 42

HEX #562E93

RGB 86 46 147

HSL 263.76, 0.52%, 0.38%

LAB 29.51, 40.51, -49.08

 

CMYK 32 / 53 / 0 / 49

HEX #593E83

RGB 89 62 131

HSL 263.48, 0.36%, 0.38%

LAB 32.28, 27.48, -34.73

 

CMYK 20 / 33 / 0 / 55

HEX #5C4D73

RGB 92 77 115

HSL 263.68, 0.2%, 0.38%

LAB 35.64, 14.74, -19.48

 

CMYK 4 / 7 / 0 / 61

HEX #605D64

RGB 96 93 100

HSL 265.71, 0.04%, 0.38%

LAB 39.97, 2.68, -3.57

 

CMYK 9 / 0 / 23 / 57

HEX #636D54

RGB 99 109 84

HSL 84, 0.13%, 0.38%

LAB 44.56, -8.72, 12.73

 

CMYK 69 / 59 / 0 / 42

HEX #2E3D93

RGB 46 61 147

HSL 231.09, 0.52%, 0.38%

LAB 29.48, 23.67, -49.29

 

CMYK 61 / 69 / 0 / 42

HEX #3A2E93

RGB 58 46 147

HSL 247.13, 0.52%, 0.38%

LAB 26.62, 35.31, -53.91

 

CMYK 42 / 69 / 0 / 42

HEX #552E93

RGB 85 46 147

HSL 263.17, 0.52%, 0.38%

LAB 29.39, 40.31, -49.27

 

CMYK 24 / 69 / 0 / 42

HEX #702E93

RGB 112 46 147

HSL 279.21, 0.52%, 0.38%

LAB 32.93, 46.21, -43.38

 

CMYK 6 / 69 / 0 / 42

HEX #8A2E93

RGB 138 46 147

HSL 294.65, 0.52%, 0.38%

LAB 36.86, 52.33, -36.87

 

CMYK 42 / 69 / 0 / 67

HEX #311A54

RGB 49 26 84

HSL 263.79, 0.53%, 0.22%

LAB 15.65, 25.62, -31.27

 

CMYK 42 / 69 / 0 / 55

HEX #432473

RGB 67 36 115

HSL 263.54, 0.52%, 0.3%

LAB 22.63, 33.03, -40.27

 

CMYK 41 / 69 / 0 / 42

HEX #562E93

RGB 86 46 147

HSL 263.76, 0.52%, 0.38%

LAB 29.51, 40.51, -49.08

 

CMYK 42 / 69 / 0 / 30

HEX #6838B2

RGB 104 56 178

HSL 263.61, 0.52%, 0.46%

LAB 35.96, 47.2, -57.22

 

CMYK 37 / 61 / 0 / 22

HEX #7D4DC6

RGB 125 77 198

HSL 263.8, 0.51%, 0.54%

LAB 43.86, 45.69, -56.02

 

CMYK 42 / 68 / 0 / 42

HEX #572F95

RGB 87 47 149

HSL 263.53, 0.52%, 0.38%

LAB 29.98, 40.73, -49.53

 

CMYK 0 / 69 / 40 / 42

HEX #932E58

RGB 147 46 88

HSL 335.05, 0.52%, 0.38%

LAB 35.72, 45.9, -1.56

 

CMYK 67 / 0 / 69 / 42

HEX #30932E

RGB 48 147 46

HSL 118.81, 0.52%, 0.38%

LAB 53.7, -48.59, 43.51

 

CMYK 42 / 68 / 0 / 42

HEX #572F95

RGB 87 47 149

HSL 263.53, 0.52%, 0.38%

LAB 29.98, 40.73, -49.53

 

CMYK 0 / 42 / 69 / 42

HEX #93552E

RGB 147 85 46

HSL 23.17, 0.52%, 0.38%

LAB 42.61, 22.15, 33.24

 

CMYK 69 / 0 / 42 / 42

HEX #2E9355

RGB 46 147 85

HSL 143.17, 0.52%, 0.38%

LAB 54.14, -43.39, 24.6

 

CMYK 42 / 68 / 0 / 42

HEX #572F95

RGB 87 47 149

HSL 263.53, 0.52%, 0.38%

LAB 29.98, 40.73, -49.53

 

CMYK 0 / 69 / 40 / 42

HEX #932E58

RGB 147 46 88

HSL 335.05, 0.52%, 0.38%

LAB 35.72, 45.9, -1.56

 

CMYK 27 / 0 / 69 / 42

HEX #6C932E

RGB 108 147 46

HSL 83.17, 0.52%, 0.38%

LAB 56.34, -29.48, 47.11

 

CMYK 69 / 0 / 29 / 42

HEX #2E9369

RGB 46 147 105

HSL 155.05, 0.52%, 0.38%

LAB 54.52, -39.22, 13.98

 

CMYK 42 / 68 / 0 / 42

HEX #572F95

RGB 87 47 149

HSL 263.53, 0.52%, 0.38%

LAB 29.98, 40.73, -49.53

 

CMYK 0 / 69 / 61 / 42

HEX #932E3A

RGB 147 46 58

HSL 352.87, 0.52%, 0.38%

LAB 34.93, 43.11, 16.62

 

CMYK 27 / 0 / 69 / 42

HEX #6C932E

RGB 108 147 46

HSL 83.17, 0.52%, 0.38%

LAB 56.34, -29.48, 47.11

 

CMYK 69 / 0 / 8 / 42

HEX #2E9387

RGB 46 147 135

HSL 172.87, 0.52%, 0.38%

LAB 55.28, -31.53, -2.08

 

Description

Color code: HEX #572F95 | qconv.com Color code: HEX #572F95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 47 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 47 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 68 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 68% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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