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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57201F it is the complementary color #A8DFE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57201F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57201F shade: #5C201A, #6D322D, #7E4440, #8F5653 and #A06866

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57201F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57201F shade: #57201F, #460E0C, #350000, #240000 and #130000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57201F shade: #56201F and #561F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57201F shade: #56201F, #562E1F, #563D1F, #564C1F and #50561F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57201F shade matches the following richer shades: #56201F, #5F1615, #690D0C and #720402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57201F shade: #56201F, #4C2928, #433232, #393B3B and #304445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57201F shade: #561F3B, #561F2C, #56201F, #562E1F and #563D1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57201F shade: #190909, #371414, #56201F, #742B2A and #923634

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57201F shade: #57201F, #4A561F and #1F3456

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57201F shade: #57201F, #1F5620 and #201F56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57201F shade: #57201F, #4A561F, #1F5556 and #2B1F56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57201F shade: #57201F, #39561F, #1F5556 and #3B1F56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 64 / 66

HEX #57201F

RGB 87 32 31

HSL 1.07, 0.47%, 0.23%

LAB 20.67, 25.4, 13.64

 

Complementary color

CMYK 25 / 0 / 0 / 12

HEX #A8DFE0

RGB 168 223 224

HSL 181.07, 0.47%, 0.77%

LAB 85.24, -17.24, -6.22

 

CMYK 0 / 65 / 72 / 64

HEX #5C201A

RGB 92 32 26

HSL 5.45, 0.56%, 0.23%

LAB 21.52, 27.08, 18.27

 

CMYK 0 / 54 / 59 / 57

HEX #6D322D

RGB 109 50 45

HSL 4.69, 0.42%, 0.3%

LAB 28.7, 25.73, 15.54

 

CMYK 0 / 46 / 49 / 51

HEX #7E4440

RGB 126 68 64

HSL 3.87, 0.33%, 0.37%

LAB 35.87, 24.42, 13.47

 

CMYK 0 / 40 / 42 / 44

HEX #8F5653

RGB 143 86 83

HSL 3, 0.27%, 0.44%

LAB 42.94, 23.25, 11.81

 

CMYK 0 / 35 / 36 / 37

HEX #A06866

RGB 160 104 102

HSL 2.07, 0.23%, 0.51%

LAB 49.9, 22.23, 10.42

 

CMYK 0 / 63 / 64 / 66

HEX #57201F

RGB 87 32 31

HSL 1.07, 0.47%, 0.23%

LAB 20.67, 25.4, 13.64

 

CMYK 0 / 80 / 83 / 73

HEX #460E0C

RGB 70 14 12

HSL 2.07, 0.71%, 0.16%

LAB 13.49, 26.38, 15.82

 

CMYK 0 / 100 / 100 / 79

HEX #350000

RGB 53 0 0

HSL 0, 1%, 0.1%

LAB 6.84, 26.09, 10.8

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 100 / 100 / 93

HEX #130000

RGB 19 0 0

HSL 0, 1%, 0.04%

LAB 1.25, 5.61, 1.98

 

CMYK 0 / 63 / 64 / 66

HEX #56201F

RGB 86 32 31

HSL 1.09, 0.47%, 0.23%

LAB 20.48, 24.99, 13.36

 

CMYK 0 / 64 / 64 / 66

HEX #561F1F

RGB 86 31 31

HSL 0, 0.47%, 0.23%

LAB 20.27, 25.54, 13.09

 

CMYK 0 / 63 / 64 / 66

HEX #56201F

RGB 86 32 31

HSL 1.09, 0.47%, 0.23%

LAB 20.48, 24.99, 13.36

 

CMYK 0 / 47 / 64 / 66

HEX #562E1F

RGB 86 46 31

HSL 16.36, 0.47%, 0.23%

LAB 23.77, 16.68, 17.56

 

CMYK 0 / 29 / 64 / 66

HEX #563D1F

RGB 86 61 31

HSL 32.73, 0.47%, 0.23%

LAB 27.89, 7.16, 22.56

 

CMYK 0 / 12 / 64 / 66

HEX #564C1F

RGB 86 76 31

HSL 49.09, 0.47%, 0.23%

LAB 32.36, -2.22, 27.75

 

CMYK 7 / 0 / 64 / 66

HEX #50561F

RGB 80 86 31

HSL 66.55, 0.47%, 0.23%

LAB 34.92, -11.08, 30.45

 

CMYK 0 / 63 / 64 / 66

HEX #56201F

RGB 86 32 31

HSL 1.09, 0.47%, 0.23%

LAB 20.48, 24.99, 13.36

 

CMYK 0 / 77 / 78 / 63

HEX #5F1615

RGB 95 22 21

HSL 0.81, 0.64%, 0.23%

LAB 20.29, 32.69, 20.27

 

CMYK 0 / 88 / 89 / 59

HEX #690D0C

RGB 105 13 12

HSL 0.65, 0.79%, 0.23%

LAB 21.27, 38.82, 27.09

 

CMYK 0 / 96 / 98 / 55

HEX #720402

RGB 114 4 2

HSL 1.07, 0.97%, 0.23%

LAB 22.54, 43.38, 33.19

 

CMYK 0 / 63 / 64 / 66

HEX #56201F

RGB 86 32 31

HSL 1.09, 0.47%, 0.23%

LAB 20.48, 24.99, 13.36

 

CMYK 0 / 46 / 47 / 70

HEX #4C2928

RGB 76 41 40

HSL 1.67, 0.31%, 0.23%

LAB 21.12, 16.18, 7.76

 

CMYK 0 / 25 / 25 / 74

HEX #433232

RGB 67 50 50

HSL 0, 0.15%, 0.23%

LAB 22.67, 7.68, 2.96

 

CMYK 3 / 0 / 0 / 77

HEX #393B3B

RGB 57 59 59

HSL 180, 0.02%, 0.23%

LAB 24.68, -0.85, -0.3

 

CMYK 30 / 1 / 0 / 73

HEX #304445

RGB 48 68 69

HSL 182.86, 0.18%, 0.23%

LAB 27.28, -7.54, -3.16

 

CMYK 0 / 64 / 31 / 66

HEX #561F3B

RGB 86 31 59

HSL 329.45, 0.47%, 0.23%

LAB 21.11, 28.84, -5.17

 

CMYK 0 / 64 / 49 / 66

HEX #561F2C

RGB 86 31 44

HSL 345.82, 0.47%, 0.23%

LAB 20.6, 26.84, 4.51

 

CMYK 0 / 63 / 64 / 66

HEX #56201F

RGB 86 32 31

HSL 1.09, 0.47%, 0.23%

LAB 20.48, 24.99, 13.36

 

CMYK 0 / 47 / 64 / 66

HEX #562E1F

RGB 86 46 31

HSL 16.36, 0.47%, 0.23%

LAB 23.77, 16.68, 17.56

 

CMYK 0 / 29 / 64 / 66

HEX #563D1F

RGB 86 61 31

HSL 32.73, 0.47%, 0.23%

LAB 27.89, 7.16, 22.56

 

CMYK 0 / 64 / 64 / 90

HEX #190909

RGB 25 9 9

HSL 0, 0.47%, 0.07%

LAB 3.81, 6.02, 2.12

 

CMYK 0 / 64 / 64 / 78

HEX #371414

RGB 55 20 20

HSL 0, 0.47%, 0.15%

LAB 11.71, 17.49, 8.43

 

CMYK 0 / 63 / 64 / 66

HEX #56201F

RGB 86 32 31

HSL 1.09, 0.47%, 0.23%

LAB 20.48, 24.99, 13.36

 

CMYK 0 / 63 / 64 / 55

HEX #742B2A

RGB 116 43 42

HSL 0.81, 0.47%, 0.31%

LAB 28.4, 32.07, 17.34

 

CMYK 0 / 63 / 64 / 43

HEX #923634

RGB 146 54 52

HSL 1.28, 0.47%, 0.39%

LAB 35.98, 38.7, 21.73

 

CMYK 0 / 63 / 64 / 66

HEX #57201F

RGB 87 32 31

HSL 1.07, 0.47%, 0.23%

LAB 20.67, 25.4, 13.64

 

CMYK 14 / 0 / 64 / 66

HEX #4A561F

RGB 74 86 31

HSL 73.09, 0.47%, 0.23%

LAB 34.42, -13.91, 29.75

 

CMYK 64 / 40 / 0 / 66

HEX #1F3456

RGB 31 52 86

HSL 217.09, 0.47%, 0.23%

LAB 21.65, 3.63, -23.1

 

CMYK 0 / 63 / 64 / 66

HEX #57201F

RGB 87 32 31

HSL 1.07, 0.47%, 0.23%

LAB 20.67, 25.4, 13.64

 

CMYK 64 / 0 / 63 / 66

HEX #1F5620

RGB 31 86 32

HSL 121.09, 0.47%, 0.23%

LAB 31.92, -30.45, 25.72

 

CMYK 63 / 64 / 0 / 66

HEX #201F56

RGB 32 31 86

HSL 241.09, 0.47%, 0.23%

LAB 15.27, 19, -33.32

 

CMYK 0 / 63 / 64 / 66

HEX #57201F

RGB 87 32 31

HSL 1.07, 0.47%, 0.23%

LAB 20.67, 25.4, 13.64

 

CMYK 14 / 0 / 64 / 66

HEX #4A561F

RGB 74 86 31

HSL 73.09, 0.47%, 0.23%

LAB 34.42, -13.91, 29.75

 

CMYK 64 / 1 / 0 / 66

HEX #1F5556

RGB 31 85 86

HSL 181.09, 0.47%, 0.23%

LAB 32.83, -17.17, -5.9

 

CMYK 50 / 64 / 0 / 66

HEX #2B1F56

RGB 43 31 86

HSL 253.09, 0.47%, 0.23%

LAB 16.33, 21.51, -31.55

 

CMYK 0 / 63 / 64 / 66

HEX #57201F

RGB 87 32 31

HSL 1.07, 0.47%, 0.23%

LAB 20.67, 25.4, 13.64

 

CMYK 34 / 0 / 64 / 66

HEX #39561F

RGB 57 86 31

HSL 91.64, 0.47%, 0.23%

LAB 33.19, -21.45, 28.03

 

CMYK 64 / 1 / 0 / 66

HEX #1F5556

RGB 31 85 86

HSL 181.09, 0.47%, 0.23%

LAB 32.83, -17.17, -5.9

 

CMYK 31 / 64 / 0 / 66

HEX #3B1F56

RGB 59 31 86

HSL 270.55, 0.47%, 0.23%

LAB 18.28, 25.75, -28.31

 

Description

Color code: HEX #57201F | qconv.com Color code: HEX #57201F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 32 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 32 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 64 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 64% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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