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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5703D6 it is the complementary color #A8FC29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5703D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5703D6 shade: #5C03D1, #6D15E4, #7E27F7, #8F39FF and #A04BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5703D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5703D6 shade: #5703D6, #4600C3, #3500B0, #24009D and #13008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5703D6 shade: #5703D8, #9103D8, #CA03D8, #D803AB and #D80372

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5703D6 shade: #5703D8, #1E03D8 and #0303D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5703D6 shade matches the following richer shades: #5703D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5703D6 shade: #5703D8, #5B15C6, #5F26B4, #6238A2 and #664A91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5703D6 shade: #0323D8, #1C03D8, #5403D8, #8D03D8 and #C603D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5703D6 shade: #360286, #4702AF, #5703D8, #6909FB and #8231FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5703D6 shade: #5703D6, #D8035B and #06D803

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5703D6 shade: #5703D6, #D85403 and #03D854

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5703D6 shade: #5703D6, #D8035B, #86D803 and #03D87F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5703D6 shade: #5703D6, #D8031C, #86D803 and #03D8BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 99 / 0 / 16

HEX #5703D6

RGB 87 3 214

HSL 263.89, 0.97%, 0.43%

LAB 31.68, 71.12, -85.42

 

Complementary color

CMYK 33 / 0 / 84 / 1

HEX #A8FC29

RGB 168 252 41

HSL 83.89, 0.97%, 0.57%

LAB 90.83, -53.21, 82.13

 

CMYK 56 / 99 / 0 / 18

HEX #5C03D1

RGB 92 3 209

HSL 265.92, 0.97%, 0.42%

LAB 31.68, 70.3, -82.51

 

CMYK 52 / 91 / 0 / 11

HEX #6D15E4

RGB 109 21 228

HSL 265.51, 0.83%, 0.49%

LAB 36.72, 72.98, -85.04

 

CMYK 49 / 84 / 0 / 3

HEX #7E27F7

RGB 126 39 247

HSL 265.1, 0.93%, 0.56%

LAB 42.16, 74.39, -86.76

 

CMYK 44 / 78 / 0 / 0

HEX #8F39FF

RGB 143 57 255

HSL 266.06, 1%, 0.61%

LAB 46.96, 72.22, -83.28

 

CMYK 37 / 71 / 0 / 0

HEX #A04BFF

RGB 160 75 255

HSL 268.33, 1%, 0.65%

LAB 51.53, 67.54, -75.73

 

CMYK 59 / 99 / 0 / 16

HEX #5703D6

RGB 87 3 214

HSL 263.89, 0.97%, 0.43%

LAB 31.68, 71.12, -85.42

 

CMYK 64 / 100 / 0 / 24

HEX #4600C3

RGB 70 0 195

HSL 261.54, 1%, 0.38%

LAB 27.41, 66.3, -81.47

 

CMYK 70 / 100 / 0 / 31

HEX #3500B0

RGB 53 0 176

HSL 258.07, 1%, 0.35%

LAB 23.31, 61, -77.04

 

CMYK 77 / 100 / 0 / 38

HEX #24009D

RGB 36 0 157

HSL 253.76, 1%, 0.31%

LAB 19.26, 55.7, -72.29

 

CMYK 86 / 100 / 0 / 46

HEX #13008A

RGB 19 0 138

HSL 248.26, 1%, 0.27%

LAB 15.35, 50.41, -67.05

 

CMYK 60 / 99 / 0 / 15

HEX #5703D8

RGB 87 3 216

HSL 263.66, 0.97%, 0.43%

LAB 31.92, 71.57, -86.18

 

CMYK 33 / 99 / 0 / 15

HEX #9103D8

RGB 145 3 216

HSL 280, 0.97%, 0.43%

LAB 39.65, 76.61, -73.16

 

CMYK 6 / 99 / 0 / 15

HEX #CA03D8

RGB 202 3 216

HSL 296.06, 0.97%, 0.43%

LAB 48.98, 84.28, -57.58

 

CMYK 0 / 99 / 21 / 15

HEX #D803AB

RGB 216 3 171

HSL 312.68, 0.97%, 0.43%

LAB 49.01, 80.54, -31.2

 

CMYK 0 / 99 / 47 / 15

HEX #D80372

RGB 216 3 114

HSL 328.73, 0.97%, 0.43%

LAB 46.82, 74.85, -0.08

 

CMYK 60 / 99 / 0 / 15

HEX #5703D8

RGB 87 3 216

HSL 263.66, 0.97%, 0.43%

LAB 31.92, 71.57, -86.18

 

CMYK 86 / 99 / 0 / 15

HEX #1E03D8

RGB 30 3 216

HSL 247.61, 0.97%, 0.43%

LAB 27.57, 69.57, -93.54

 

CMYK 99 / 99 / 0 / 15

HEX #0303D8

RGB 3 3 216

HSL 240, 0.97%, 0.43%

LAB 26.86, 69.31, -94.76

 

CMYK 60 / 99 / 0 / 15

HEX #5703D8

RGB 87 3 216

HSL 263.66, 0.97%, 0.43%

LAB 31.92, 71.57, -86.18

 

CMYK 60 / 99 / 0 / 15

HEX #5703D8

RGB 87 3 216

HSL 263.66, 0.97%, 0.43%

LAB 31.92, 71.57, -86.18

 

CMYK 54 / 89 / 0 / 22

HEX #5B15C6

RGB 91 21 198

HSL 263.73, 0.81%, 0.43%

LAB 31.43, 64.39, -76.49

 

CMYK 47 / 79 / 0 / 29

HEX #5F26B4

RGB 95 38 180

HSL 264.08, 0.65%, 0.43%

LAB 32.07, 54.66, -64.8

 

CMYK 40 / 65 / 0 / 36

HEX #6238A2

RGB 98 56 162

HSL 263.77, 0.49%, 0.43%

LAB 34.05, 41.69, -50.77

 

CMYK 30 / 49 / 0 / 43

HEX #664A91

RGB 102 74 145

HSL 263.66, 0.32%, 0.43%

LAB 37.42, 27.61, -35.06

 

CMYK 99 / 84 / 0 / 15

HEX #0323D8

RGB 3 35 216

HSL 230.99, 0.97%, 0.43%

LAB 29.86, 60.16, -89.74

 

CMYK 87 / 99 / 0 / 15

HEX #1C03D8

RGB 28 3 216

HSL 247.04, 0.97%, 0.43%

LAB 27.49, 69.54, -93.68

 

CMYK 61 / 99 / 0 / 15

HEX #5403D8

RGB 84 3 216

HSL 262.82, 0.97%, 0.43%

LAB 31.6, 71.4, -86.73

 

CMYK 35 / 99 / 0 / 15

HEX #8D03D8

RGB 141 3 216

HSL 278.87, 0.97%, 0.43%

LAB 39.05, 76.16, -74.18

 

CMYK 8 / 99 / 0 / 15

HEX #C603D8

RGB 198 3 216

HSL 294.93, 0.97%, 0.43%

LAB 48.3, 83.67, -58.72

 

CMYK 60 / 99 / 0 / 47

HEX #360286

RGB 54 2 134

HSL 263.64, 0.97%, 0.27%

LAB 18.14, 50.22, -59.8

 

CMYK 59 / 99 / 0 / 31

HEX #4702AF

RGB 71 2 175

HSL 263.93, 0.98%, 0.35%

LAB 25.19, 61.27, -73.26

 

CMYK 60 / 99 / 0 / 15

HEX #5703D8

RGB 87 3 216

HSL 263.66, 0.97%, 0.43%

LAB 31.92, 71.57, -86.18

 

CMYK 58 / 96 / 0 / 2

HEX #6909FB

RGB 105 9 251

HSL 263.8, 0.97%, 0.51%

LAB 38.13, 79.75, -95.74

 

CMYK 48 / 80 / 0 / 2

HEX #8231FB

RGB 130 49 251

HSL 264.06, 0.96%, 0.59%

LAB 44.1, 72.52, -85.79

 

CMYK 59 / 99 / 0 / 16

HEX #5703D6

RGB 87 3 214

HSL 263.89, 0.97%, 0.43%

LAB 31.68, 71.12, -85.42

 

CMYK 0 / 99 / 58 / 15

HEX #D8035B

RGB 216 3 91

HSL 335.21, 0.97%, 0.43%

LAB 46.2, 73.22, 13.32

 

CMYK 97 / 0 / 99 / 15

HEX #06D803

RGB 6 216 3

HSL 119.15, 0.97%, 0.43%

LAB 75.55, -75.76, 73.13

 

CMYK 59 / 99 / 0 / 16

HEX #5703D6

RGB 87 3 214

HSL 263.89, 0.97%, 0.43%

LAB 31.68, 71.12, -85.42

 

CMYK 0 / 61 / 99 / 15

HEX #D85403

RGB 216 84 3

HSL 22.82, 0.97%, 0.43%

LAB 52.89, 49.09, 62.17

 

CMYK 99 / 0 / 61 / 15

HEX #03D854

RGB 3 216 84

HSL 142.82, 0.97%, 0.43%

LAB 75.93, -70.87, 51.63

 

CMYK 59 / 99 / 0 / 16

HEX #5703D6

RGB 87 3 214

HSL 263.89, 0.97%, 0.43%

LAB 31.68, 71.12, -85.42

 

CMYK 0 / 99 / 58 / 15

HEX #D8035B

RGB 216 3 91

HSL 335.21, 0.97%, 0.43%

LAB 46.2, 73.22, 13.32

 

CMYK 38 / 0 / 99 / 15

HEX #86D803

RGB 134 216 3

HSL 83.1, 0.97%, 0.43%

LAB 78.57, -51.3, 76.8

 

CMYK 99 / 0 / 41 / 15

HEX #03D87F

RGB 3 216 127

HSL 154.93, 0.97%, 0.43%

LAB 76.47, -64.23, 31.71

 

CMYK 59 / 99 / 0 / 16

HEX #5703D6

RGB 87 3 214

HSL 263.89, 0.97%, 0.43%

LAB 31.68, 71.12, -85.42

 

CMYK 0 / 99 / 87 / 15

HEX #D8031C

RGB 216 3 28

HSL 352.96, 0.97%, 0.43%

LAB 45.29, 70.73, 49.28

 

CMYK 38 / 0 / 99 / 15

HEX #86D803

RGB 134 216 3

HSL 83.1, 0.97%, 0.43%

LAB 78.57, -51.3, 76.8

 

CMYK 99 / 0 / 12 / 15

HEX #03D8BF

RGB 3 216 191

HSL 172.96, 0.97%, 0.43%

LAB 77.81, -49.43, -0.11

 

Description

Color code: HEX #5703D6 | qconv.com Color code: HEX #5703D6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 3 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 3 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 99 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 99% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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