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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56FF52 it is the complementary color #A900AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56FF52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56FF52 shade: #5BFF4D, #6CFF60, #7DFF73, #8EFF86 and #9FFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56FF52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56FF52 shade: #56FF52, #45ED3F, #34DB2C, #23C919 and #12B706

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56FF52 shade: #55FF51, #84FF51, #B3FF51, #E1FF51 and #FFED51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56FF52 shade: #55FF51, #51FF7C, #51FFAB, #51FFD9 and #51F5FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56FF52 shade matches the following richer shades: #55FF51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56FF52 shade: #55FF51, #62F05F, #70E26D, #7DD47B and #8BC689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56FF52 shade: #B3FF51, #85FF51, #57FF51, #51FF7A and #51FFA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56FF52 shade: #05FE00, #2DFF28, #55FF51, #7DFF7A and #A6FFA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56FF52 shade: #56FF52, #51E2FF and #FF519C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56FF52 shade: #56FF52, #5157FF and #FF5157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56FF52 shade: #56FF52, #51E2FF, #F951FF and #FF6E51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56FF52 shade: #56FF52, #51AEFF, #F951FF and #FFA251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 68 / 0

HEX #56FF52

RGB 86 255 82

HSL 118.61, 1%, 0.66%

LAB 88.97, -74.31, 67.07

 

Complementary color

CMYK 2 / 100 / 0 / 32

HEX #A900AD

RGB 169 0 173

HSL 298.61, 1%, 0.34%

LAB 40.33, 72.8, -46.69

 

CMYK 64 / 0 / 70 / 0

HEX #5BFF4D

RGB 91 255 77

HSL 115.28, 1%, 0.65%

LAB 89.05, -73.76, 69.02

 

CMYK 58 / 0 / 62 / 0

HEX #6CFF60

RGB 108 255 96

HSL 115.47, 1%, 0.69%

LAB 89.65, -68.44, 62.48

 

CMYK 51 / 0 / 55 / 0

HEX #7DFF73

RGB 125 255 115

HSL 115.71, 1%, 0.73%

LAB 90.38, -62.26, 55.3

 

CMYK 44 / 0 / 47 / 0

HEX #8EFF86

RGB 142 255 134

HSL 116.03, 1%, 0.76%

LAB 91.23, -55.32, 47.74

 

CMYK 38 / 0 / 40 / 0

HEX #9FFF99

RGB 159 255 153

HSL 116.47, 1%, 0.8%

LAB 92.22, -47.76, 40

 

CMYK 66 / 0 / 68 / 0

HEX #56FF52

RGB 86 255 82

HSL 118.61, 1%, 0.66%

LAB 88.97, -74.31, 67.07

 

CMYK 71 / 0 / 73 / 7

HEX #45ED3F

RGB 69 237 63

HSL 117.93, 0.83%, 0.59%

LAB 83.02, -73.13, 67.57

 

CMYK 76 / 0 / 80 / 14

HEX #34DB2C

RGB 52 219 44

HSL 117.26, 0.71%, 0.52%

LAB 77.03, -71.47, 67.51

 

CMYK 83 / 0 / 88 / 21

HEX #23C919

RGB 35 201 25

HSL 116.59, 0.78%, 0.44%

LAB 71.01, -69.19, 66.53

 

CMYK 90 / 0 / 97 / 28

HEX #12B706

RGB 18 183 6

HSL 115.93, 0.94%, 0.37%

LAB 64.97, -66.11, 64.22

 

CMYK 67 / 0 / 68 / 0

HEX #55FF51

RGB 85 255 81

HSL 118.62, 1%, 0.66%

LAB 88.94, -74.58, 67.41

 

CMYK 48 / 0 / 68 / 0

HEX #84FF51

RGB 132 255 81

HSL 102.41, 1%, 0.66%

LAB 90.33, -63.61, 69.29

 

CMYK 30 / 0 / 68 / 0

HEX #B3FF51

RGB 179 255 81

HSL 86.21, 1%, 0.66%

LAB 92.44, -48.66, 72.13

 

CMYK 12 / 0 / 68 / 0

HEX #E1FF51

RGB 225 255 81

HSL 70.34, 1%, 0.66%

LAB 95.21, -31.52, 75.84

 

CMYK 0 / 7 / 68 / 0

HEX #FFED51

RGB 255 237 81

HSL 53.79, 1%, 0.66%

LAB 92.76, -10.88, 74.12

 

CMYK 67 / 0 / 68 / 0

HEX #55FF51

RGB 85 255 81

HSL 118.62, 1%, 0.66%

LAB 88.94, -74.58, 67.41

 

CMYK 68 / 0 / 51 / 0

HEX #51FF7C

RGB 81 255 124

HSL 134.83, 1%, 0.66%

LAB 89.26, -70.51, 49.58

 

CMYK 68 / 0 / 33 / 0

HEX #51FFAB

RGB 81 255 171

HSL 151.03, 1%, 0.66%

LAB 89.96, -62.72, 27.58

 

CMYK 68 / 0 / 15 / 0

HEX #51FFD9

RGB 81 255 217

HSL 166.9, 1%, 0.66%

LAB 90.91, -52.71, 5.34

 

CMYK 68 / 4 / 0 / 0

HEX #51F5FF

RGB 81 245 255

HSL 183.45, 1%, 0.66%

LAB 89.05, -38.45, -17.15

 

CMYK 67 / 0 / 68 / 0

HEX #55FF51

RGB 85 255 81

HSL 118.62, 1%, 0.66%

LAB 88.94, -74.58, 67.41

 

CMYK 67 / 0 / 68 / 0

HEX #55FF51

RGB 85 255 81

HSL 118.62, 1%, 0.66%

LAB 88.94, -74.58, 67.41

 

CMYK 59 / 0 / 60 / 6

HEX #62F05F

RGB 98 240 95

HSL 118.76, 0.83%, 0.66%

LAB 84.87, -65.57, 57.44

 

CMYK 50 / 0 / 52 / 11

HEX #70E26D

RGB 112 226 109

HSL 118.46, 0.67%, 0.66%

LAB 81.26, -55.33, 47.02

 

CMYK 41 / 0 / 42 / 17

HEX #7DD47B

RGB 125 212 123

HSL 118.65, 0.51%, 0.66%

LAB 77.8, -43.98, 35.97

 

CMYK 30 / 0 / 31 / 22

HEX #8BC689

RGB 139 198 137

HSL 118.03, 0.35%, 0.66%

LAB 74.62, -31.03, 24.67

 

CMYK 30 / 0 / 68 / 0

HEX #B3FF51

RGB 179 255 81

HSL 86.21, 1%, 0.66%

LAB 92.44, -48.66, 72.13

 

CMYK 48 / 0 / 68 / 0

HEX #85FF51

RGB 133 255 81

HSL 102.07, 1%, 0.66%

LAB 90.37, -63.32, 69.34

 

CMYK 66 / 0 / 68 / 0

HEX #57FF51

RGB 87 255 81

HSL 117.93, 1%, 0.66%

LAB 88.99, -74.21, 67.47

 

CMYK 68 / 0 / 52 / 0

HEX #51FF7A

RGB 81 255 122

HSL 134.14, 1%, 0.66%

LAB 89.24, -70.78, 50.48

 

CMYK 68 / 0 / 34 / 0

HEX #51FFA8

RGB 81 255 168

HSL 150, 1%, 0.66%

LAB 89.9, -63.29, 29.02

 

CMYK 98 / 0 / 100 / 0

HEX #05FE00

RGB 5 254 0

HSL 118.82, 1%, 0.5%

LAB 87.44, -85.78, 82.95

 

CMYK 82 / 0 / 84 / 0

HEX #2DFF28

RGB 45 255 40

HSL 118.6, 1%, 0.58%

LAB 88.08, -82.8, 78.53

 

CMYK 67 / 0 / 68 / 0

HEX #55FF51

RGB 85 255 81

HSL 118.62, 1%, 0.66%

LAB 88.94, -74.58, 67.41

 

CMYK 51 / 0 / 52 / 0

HEX #7DFF7A

RGB 125 255 122

HSL 118.65, 1%, 0.74%

LAB 90.45, -61.42, 52.23

 

CMYK 35 / 0 / 36 / 0

HEX #A6FFA4

RGB 166 255 164

HSL 118.68, 1%, 0.82%

LAB 92.71, -44.03, 35.28

 

CMYK 66 / 0 / 68 / 0

HEX #56FF52

RGB 86 255 82

HSL 118.61, 1%, 0.66%

LAB 88.97, -74.31, 67.07

 

CMYK 68 / 11 / 0 / 0

HEX #51E2FF

RGB 81 226 255

HSL 190, 1%, 0.66%

LAB 83.63, -29.52, -25.36

 

CMYK 0 / 68 / 39 / 0

HEX #FF519C

RGB 255 81 156

HSL 334.14, 1%, 0.66%

LAB 61.26, 71.1, -3.16

 

CMYK 66 / 0 / 68 / 0

HEX #56FF52

RGB 86 255 82

HSL 118.61, 1%, 0.66%

LAB 88.97, -74.31, 67.07

 

CMYK 68 / 66 / 0 / 0

HEX #5157FF

RGB 81 87 255

HSL 237.93, 1%, 0.66%

LAB 46.69, 49.5, -83.92

 

CMYK 0 / 68 / 66 / 0

HEX #FF5157

RGB 255 81 87

HSL 357.93, 1%, 0.66%

LAB 59.74, 65.83, 34.77

 

CMYK 66 / 0 / 68 / 0

HEX #56FF52

RGB 86 255 82

HSL 118.61, 1%, 0.66%

LAB 88.97, -74.31, 67.07

 

CMYK 68 / 11 / 0 / 0

HEX #51E2FF

RGB 81 226 255

HSL 190, 1%, 0.66%

LAB 83.63, -29.52, -25.36

 

CMYK 2 / 68 / 0 / 0

HEX #F951FF

RGB 249 81 255

HSL 297.93, 1%, 0.66%

LAB 64.36, 82.69, -54.46

 

CMYK 0 / 57 / 68 / 0

HEX #FF6E51

RGB 255 110 81

HSL 10, 1%, 0.66%

LAB 64.17, 53.46, 43.38

 

CMYK 66 / 0 / 68 / 0

HEX #56FF52

RGB 86 255 82

HSL 118.61, 1%, 0.66%

LAB 88.97, -74.31, 67.07

 

CMYK 68 / 32 / 0 / 0

HEX #51AEFF

RGB 81 174 255

HSL 207.93, 1%, 0.66%

LAB 68.93, -2.37, -48.15

 

CMYK 2 / 68 / 0 / 0

HEX #F951FF

RGB 249 81 255

HSL 297.93, 1%, 0.66%

LAB 64.36, 82.69, -54.46

 

CMYK 0 / 36 / 68 / 0

HEX #FFA251

RGB 255 162 81

HSL 27.93, 1%, 0.66%

LAB 74.63, 27.63, 55.18

 

Description

Color code: HEX #56FF52 | qconv.com Color code: HEX #56FF52 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 255 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 255 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 68 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 68% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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