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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56F9E4 it is the complementary color #A9061B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56F9E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56F9E4 shade: #5BF9DF, #6CFFF2, #7DFFFF, #8EFFFF and #9FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56F9E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56F9E4 shade: #56F9E4, #45E7D1, #34D5BE, #23C3AB and #12B198

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56F9E4 shade: #57F8E4, #57F8B8, #57F88D, #57F861 and #79F857

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56F9E4 shade: #57F8E4, #57E2F8, #57B6F8, #578BF8 and #575FF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56F9E4 shade matches the following richer shades: #57F8E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56F9E4 shade: #57F8E4, #65EAD9, #73DCCF, #81CEC4 and #8FC0BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56F9E4 shade: #57F88D, #57F8B8, #57F8E3, #57E3F8 and #57B8F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56F9E4 shade: #08F5D6, #2FF7DD, #57F8E4, #7FFAEA and #A7FBF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56F9E4 shade: #56F9E4, #6257F8 and #F8A257

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56F9E4 shade: #56F9E4, #E357F8 and #F8E357

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56F9E4 shade: #56F9E4, #6257F8, #F8576D and #EEF857

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56F9E4 shade: #56F9E4, #9257F8, #F8576D and #BDF857

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 8 / 2

HEX #56F9E4

RGB 86 249 228

HSL 172.27, 0.93%, 0.66%

LAB 89.55, -46.75, -2.33

 

Complementary color

CMYK 0 / 96 / 84 / 34

HEX #A9061B

RGB 169 6 27

HSL 352.27, 0.93%, 0.34%

LAB 35.29, 58.55, 37.21

 

CMYK 63 / 0 / 10 / 2

HEX #5BF9DF

RGB 91 249 223

HSL 170.13, 0.93%, 0.67%

LAB 89.53, -47.24, 0.27

 

CMYK 58 / 0 / 5 / 0

HEX #6CFFF2

RGB 108 255 242

HSL 174.69, 1%, 0.71%

LAB 92.18, -42.28, -5.66

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 38 / 0 / 0 / 0

HEX #9FFFFF

RGB 159 255 255

HSL 180, 1%, 0.81%

LAB 94.36, -28.26, -8.96

 

CMYK 65 / 0 / 8 / 2

HEX #56F9E4

RGB 86 249 228

HSL 172.27, 0.93%, 0.66%

LAB 89.55, -46.75, -2.33

 

CMYK 70 / 0 / 10 / 9

HEX #45E7D1

RGB 69 231 209

HSL 171.85, 0.77%, 0.59%

LAB 83.45, -46.22, -1.34

 

CMYK 76 / 0 / 11 / 16

HEX #34D5BE

RGB 52 213 190

HSL 171.43, 0.66%, 0.52%

LAB 77.3, -45.48, -0.27

 

CMYK 82 / 0 / 12 / 24

HEX #23C3AB

RGB 35 195 171

HSL 171, 0.7%, 0.45%

LAB 71.1, -44.48, 0.92

 

CMYK 90 / 0 / 14 / 31

HEX #12B198

RGB 18 177 152

HSL 170.57, 0.82%, 0.38%

LAB 64.84, -43.12, 2.24

 

CMYK 65 / 0 / 8 / 3

HEX #57F8E4

RGB 87 248 228

HSL 172.55, 0.92%, 0.66%

LAB 89.28, -46.17, -2.72

 

CMYK 65 / 0 / 26 / 3

HEX #57F8B8

RGB 87 248 184

HSL 156.15, 0.92%, 0.66%

LAB 88.27, -56.44, 18.65

 

CMYK 65 / 0 / 43 / 3

HEX #57F88D

RGB 87 248 141

HSL 140.12, 0.92%, 0.66%

LAB 87.53, -64.47, 39.32

 

CMYK 65 / 0 / 61 / 3

HEX #57F861

RGB 87 248 97

HSL 123.73, 0.92%, 0.66%

LAB 87.01, -70.39, 58.95

 

CMYK 51 / 0 / 65 / 3

HEX #79F857

RGB 121 248 87

HSL 107.33, 0.92%, 0.66%

LAB 87.91, -63.56, 64.32

 

CMYK 65 / 0 / 8 / 3

HEX #57F8E4

RGB 87 248 228

HSL 172.55, 0.92%, 0.66%

LAB 89.28, -46.17, -2.72

 

CMYK 65 / 9 / 0 / 3

HEX #57E2F8

RGB 87 226 248

HSL 188.2, 0.92%, 0.66%

LAB 83.55, -30.71, -21.78

 

CMYK 65 / 27 / 0 / 3

HEX #57B6F8

RGB 87 182 248

HSL 204.6, 0.92%, 0.66%

LAB 71.05, -8.16, -41.01

 

CMYK 65 / 44 / 0 / 3

HEX #578BF8

RGB 87 139 248

HSL 220.62, 0.92%, 0.66%

LAB 59.22, 16.6, -59.71

 

CMYK 65 / 62 / 0 / 3

HEX #575FF8

RGB 87 95 248

HSL 237.02, 0.92%, 0.66%

LAB 48.24, 43.3, -77.46

 

CMYK 65 / 0 / 8 / 3

HEX #57F8E4

RGB 87 248 228

HSL 172.55, 0.92%, 0.66%

LAB 89.28, -46.17, -2.72

 

CMYK 65 / 0 / 8 / 3

HEX #57F8E4

RGB 87 248 228

HSL 172.55, 0.92%, 0.66%

LAB 89.28, -46.17, -2.72

 

CMYK 57 / 0 / 7 / 8

HEX #65EAD9

RGB 101 234 217

HSL 172.33, 0.76%, 0.66%

LAB 85.31, -40.43, -2.74

 

CMYK 48 / 0 / 6 / 14

HEX #73DCCF

RGB 115 220 207

HSL 172.57, 0.6%, 0.66%

LAB 81.48, -33.58, -3.03

 

CMYK 37 / 0 / 5 / 19

HEX #81CEC4

RGB 129 206 196

HSL 172.21, 0.44%, 0.66%

LAB 77.75, -26.05, -2.55

 

CMYK 26 / 0 / 3 / 25

HEX #8FC0BA

RGB 143 192 186

HSL 172.65, 0.28%, 0.66%

LAB 74.24, -17.31, -2.21

 

CMYK 65 / 0 / 43 / 3

HEX #57F88D

RGB 87 248 141

HSL 140.12, 0.92%, 0.66%

LAB 87.53, -64.47, 39.32

 

CMYK 65 / 0 / 26 / 3

HEX #57F8B8

RGB 87 248 184

HSL 156.15, 0.92%, 0.66%

LAB 88.27, -56.44, 18.65

 

CMYK 65 / 0 / 8 / 3

HEX #57F8E3

RGB 87 248 227

HSL 172.17, 0.92%, 0.66%

LAB 89.26, -46.43, -2.23

 

CMYK 65 / 8 / 0 / 3

HEX #57E3F8

RGB 87 227 248

HSL 187.83, 0.92%, 0.66%

LAB 83.83, -31.19, -21.35

 

CMYK 65 / 26 / 0 / 3

HEX #57B8F8

RGB 87 184 248

HSL 203.85, 0.92%, 0.66%

LAB 71.61, -9.25, -40.13

 

CMYK 97 / 0 / 13 / 4

HEX #08F5D6

RGB 8 245 214

HSL 172.15, 0.94%, 0.5%

LAB 87.1, -55.02, 1.28

 

CMYK 81 / 0 / 11 / 3

HEX #2FF7DD

RGB 47 247 221

HSL 172.2, 0.93%, 0.58%

LAB 88.14, -52.12, -0.83

 

CMYK 65 / 0 / 8 / 3

HEX #57F8E4

RGB 87 248 228

HSL 172.55, 0.92%, 0.66%

LAB 89.28, -46.17, -2.72

 

CMYK 49 / 0 / 6 / 2

HEX #7FFAEA

RGB 127 250 234

HSL 172.2, 0.92%, 0.74%

LAB 91.15, -38.29, -2.96

 

CMYK 33 / 0 / 4 / 2

HEX #A7FBF0

RGB 167 251 240

HSL 172.14, 0.91%, 0.82%

LAB 93.23, -27.71, -2.82

 

CMYK 65 / 0 / 8 / 2

HEX #56F9E4

RGB 86 249 228

HSL 172.27, 0.93%, 0.66%

LAB 89.55, -46.75, -2.33

 

CMYK 60 / 65 / 0 / 3

HEX #6257F8

RGB 98 87 248

HSL 244.1, 0.92%, 0.66%

LAB 47.22, 49.5, -79.1

 

CMYK 0 / 35 / 65 / 3

HEX #F8A257

RGB 248 162 87

HSL 27.95, 0.92%, 0.66%

LAB 73.86, 25.13, 51.23

 

CMYK 65 / 0 / 8 / 2

HEX #56F9E4

RGB 86 249 228

HSL 172.27, 0.93%, 0.66%

LAB 89.55, -46.75, -2.33

 

CMYK 8 / 65 / 0 / 3

HEX #E357F8

RGB 227 87 248

HSL 292.17, 0.92%, 0.66%

LAB 61.59, 74.58, -55.19

 

CMYK 0 / 8 / 65 / 3

HEX #F8E357

RGB 248 227 87

HSL 52.17, 0.92%, 0.66%

LAB 89.67, -8.48, 68.44

 

CMYK 65 / 0 / 8 / 2

HEX #56F9E4

RGB 86 249 228

HSL 172.27, 0.93%, 0.66%

LAB 89.55, -46.75, -2.33

 

CMYK 60 / 65 / 0 / 3

HEX #6257F8

RGB 98 87 248

HSL 244.1, 0.92%, 0.66%

LAB 47.22, 49.5, -79.1

 

CMYK 0 / 65 / 56 / 3

HEX #F8576D

RGB 248 87 109

HSL 351.8, 0.92%, 0.66%

LAB 59.78, 62.72, 21.95

 

CMYK 4 / 0 / 65 / 3

HEX #EEF857

RGB 238 248 87

HSL 63.73, 0.92%, 0.66%

LAB 94.31, -22.78, 73.02

 

CMYK 65 / 0 / 8 / 2

HEX #56F9E4

RGB 86 249 228

HSL 172.27, 0.93%, 0.66%

LAB 89.55, -46.75, -2.33

 

CMYK 41 / 65 / 0 / 3

HEX #9257F8

RGB 146 87 248

HSL 261.99, 0.92%, 0.66%

LAB 51.5, 57.62, -71.95

 

CMYK 0 / 65 / 56 / 3

HEX #F8576D

RGB 248 87 109

HSL 351.8, 0.92%, 0.66%

LAB 59.78, 62.72, 21.95

 

CMYK 24 / 0 / 65 / 3

HEX #BDF857

RGB 189 248 87

HSL 81.99, 0.92%, 0.66%

LAB 91.07, -41.67, 68.63

 

Description

Color code: HEX #56F9E4 | qconv.com Color code: HEX #56F9E4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 249 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 249 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 8 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 8% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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