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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56EEEB it is the complementary color #A91114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56EEEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56EEEB shade: #5BEEE6, #6CFFF9, #7DFFFF, #8EFFFF and #9FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56EEEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56EEEB shade: #56EEEB, #45DCD8, #34CAC5, #23B8B2 and #12A69F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56EEEB shade: #57EEEB, #57EEC2, #57EE9A, #57EE71 and #66EE57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56EEEB shade: #57EEEB, #57C8EE, #57A0EE, #5777EE and #5757EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56EEEB shade matches the following richer shades: #57EEEB and #49FDF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56EEEB shade: #57EEEB, #66DFDD, #75D0CE, #84C1C0 and #93B3B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56EEEB shade: #57EE99, #57EEC1, #57EEE9, #57CBEE and #57A3EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56EEEB shade: #15DDD9, #32EAE7, #57EEEB, #7DF2EF and #A3F5F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56EEEB shade: #56EEEB, #7157EE and #EEAD57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56EEEB shade: #56EEEB, #E957EE and #EEE957

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56EEEB shade: #56EEEB, #7157EE, #EE575C and #D5EE57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56EEEB shade: #56EEEB, #9E57EE, #EE575C and #A8EE57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 1 / 7

HEX #56EEEB

RGB 86 238 235

HSL 178.82, 0.82%, 0.64%

LAB 86.57, -40.07, -10.4

 

Complementary color

CMYK 0 / 90 / 88 / 34

HEX #A91114

RGB 169 17 20

HSL 358.82, 0.82%, 0.36%

LAB 35.76, 56.86, 41.33

 

CMYK 62 / 0 / 3 / 7

HEX #5BEEE6

RGB 91 238 230

HSL 176.73, 0.81%, 0.65%

LAB 86.55, -40.63, -7.79

 

CMYK 58 / 0 / 2 / 0

HEX #6CFFF9

RGB 108 255 249

HSL 177.55, 1%, 0.71%

LAB 92.37, -40.51, -9

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 38 / 0 / 0 / 0

HEX #9FFFFF

RGB 159 255 255

HSL 180, 1%, 0.81%

LAB 94.36, -28.26, -8.96

 

CMYK 64 / 0 / 1 / 7

HEX #56EEEB

RGB 86 238 235

HSL 178.82, 0.82%, 0.64%

LAB 86.57, -40.07, -10.4

 

CMYK 69 / 0 / 2 / 14

HEX #45DCD8

RGB 69 220 216

HSL 178.41, 0.68%, 0.57%

LAB 80.41, -39.49, -9.55

 

CMYK 74 / 0 / 2 / 21

HEX #34CAC5

RGB 52 202 197

HSL 178, 0.59%, 0.5%

LAB 74.19, -38.71, -8.63

 

CMYK 81 / 0 / 3 / 28

HEX #23B8B2

RGB 35 184 178

HSL 177.58, 0.68%, 0.43%

LAB 67.91, -37.66, -7.61

 

CMYK 89 / 0 / 4 / 35

HEX #12A69F

RGB 18 166 159

HSL 177.16, 0.8%, 0.36%

LAB 61.57, -36.25, -6.46

 

CMYK 63 / 0 / 1 / 7

HEX #57EEEB

RGB 87 238 235

HSL 178.81, 0.82%, 0.64%

LAB 86.59, -39.92, -10.36

 

CMYK 63 / 0 / 18 / 7

HEX #57EEC2

RGB 87 238 194

HSL 162.52, 0.82%, 0.64%

LAB 85.54, -50.17, 9.61

 

CMYK 63 / 0 / 35 / 7

HEX #57EE9A

RGB 87 238 154

HSL 146.62, 0.82%, 0.64%

LAB 84.75, -58.5, 29.17

 

CMYK 63 / 0 / 53 / 7

HEX #57EE71

RGB 87 238 113

HSL 130.33, 0.82%, 0.64%

LAB 84.16, -65.04, 48.49

 

CMYK 57 / 0 / 63 / 7

HEX #66EE57

RGB 102 238 87

HSL 114.04, 0.82%, 0.64%

LAB 84.31, -64.76, 60.2

 

CMYK 63 / 0 / 1 / 7

HEX #57EEEB

RGB 87 238 235

HSL 178.81, 0.82%, 0.64%

LAB 86.59, -39.92, -10.36

 

CMYK 63 / 16 / 0 / 7

HEX #57C8EE

RGB 87 200 238

HSL 195.1, 0.82%, 0.64%

LAB 75.77, -20.8, -28.32

 

CMYK 63 / 33 / 0 / 7

HEX #57A0EE

RGB 87 160 238

HSL 210.99, 0.82%, 0.64%

LAB 64.44, 0.89, -45.93

 

CMYK 63 / 50 / 0 / 7

HEX #5777EE

RGB 87 119 238

HSL 227.28, 0.82%, 0.64%

LAB 53.38, 25.37, -63.56

 

CMYK 63 / 63 / 0 / 7

HEX #5757EE

RGB 87 87 238

HSL 240, 0.82%, 0.64%

LAB 45.66, 44.78, -76.09

 

CMYK 63 / 0 / 1 / 7

HEX #57EEEB

RGB 87 238 235

HSL 178.81, 0.82%, 0.64%

LAB 86.59, -39.92, -10.36

 

CMYK 71 / 0 / 2 / 1

HEX #49FDF9

RGB 73 253 249

HSL 178.67, 0.98%, 0.64%

LAB 91.01, -44.67, -11.11

 

CMYK 63 / 0 / 1 / 7

HEX #57EEEB

RGB 87 238 235

HSL 178.81, 0.82%, 0.64%

LAB 86.59, -39.92, -10.36

 

CMYK 54 / 0 / 1 / 13

HEX #66DFDD

RGB 102 223 221

HSL 179.01, 0.65%, 0.64%

LAB 82.28, -34.17, -9.33

 

CMYK 44 / 0 / 1 / 18

HEX #75D0CE

RGB 117 208 206

HSL 178.68, 0.49%, 0.64%

LAB 78.08, -27.63, -7.5

 

CMYK 32 / 0 / 1 / 24

HEX #84C1C0

RGB 132 193 192

HSL 179.02, 0.33%, 0.64%

LAB 74.09, -19.67, -5.76

 

CMYK 18 / 0 / 1 / 30

HEX #93B3B2

RGB 147 179 178

HSL 178.13, 0.17%, 0.64%

LAB 70.63, -11.03, -3.11

 

CMYK 63 / 0 / 36 / 7

HEX #57EE99

RGB 87 238 153

HSL 146.23, 0.82%, 0.64%

LAB 84.73, -58.68, 29.65

 

CMYK 63 / 0 / 19 / 7

HEX #57EEC1

RGB 87 238 193

HSL 162.12, 0.82%, 0.64%

LAB 85.52, -50.4, 10.1

 

CMYK 63 / 0 / 2 / 7

HEX #57EEE9

RGB 87 238 233

HSL 178.01, 0.82%, 0.64%

LAB 86.53, -40.45, -9.39

 

CMYK 63 / 15 / 0 / 7

HEX #57CBEE

RGB 87 203 238

HSL 193.91, 0.82%, 0.64%

LAB 76.63, -22.32, -27

 

CMYK 63 / 32 / 0 / 7

HEX #57A3EE

RGB 87 163 238

HSL 209.8, 0.82%, 0.64%

LAB 65.27, -0.82, -44.62

 

CMYK 90 / 0 / 2 / 13

HEX #15DDD9

RGB 21 221 217

HSL 178.8, 0.83%, 0.47%

LAB 80.11, -43.72, -10.59

 

CMYK 79 / 0 / 1 / 8

HEX #32EAE7

RGB 50 234 231

HSL 179.02, 0.81%, 0.56%

LAB 84.63, -43.6, -11.24

 

CMYK 63 / 0 / 1 / 7

HEX #57EEEB

RGB 87 238 235

HSL 178.81, 0.82%, 0.64%

LAB 86.59, -39.92, -10.36

 

CMYK 48 / 0 / 1 / 5

HEX #7DF2EF

RGB 125 242 239

HSL 178.46, 0.82%, 0.72%

LAB 88.97, -33.81, -8.8

 

CMYK 33 / 0 / 0 / 4

HEX #A3F5F4

RGB 163 245 244

HSL 179.27, 0.8%, 0.8%

LAB 91.52, -24.99, -7.45

 

CMYK 64 / 0 / 1 / 7

HEX #56EEEB

RGB 86 238 235

HSL 178.82, 0.82%, 0.64%

LAB 86.57, -40.07, -10.4

 

CMYK 53 / 63 / 0 / 7

HEX #7157EE

RGB 113 87 238

HSL 250.33, 0.82%, 0.64%

LAB 47.62, 48.87, -72.8

 

CMYK 0 / 27 / 63 / 7

HEX #EEAD57

RGB 238 173 87

HSL 34.17, 0.82%, 0.64%

LAB 75.3, 15.22, 52.55

 

CMYK 64 / 0 / 1 / 7

HEX #56EEEB

RGB 86 238 235

HSL 178.82, 0.82%, 0.64%

LAB 86.57, -40.07, -10.4

 

CMYK 2 / 63 / 0 / 7

HEX #E957EE

RGB 233 87 238

HSL 298.01, 0.82%, 0.64%

LAB 61.92, 74.23, -49.06

 

CMYK 0 / 2 / 63 / 7

HEX #EEE957

RGB 238 233 87

HSL 58.01, 0.82%, 0.64%

LAB 90.39, -15.54, 68.94

 

CMYK 64 / 0 / 1 / 7

HEX #56EEEB

RGB 86 238 235

HSL 178.82, 0.82%, 0.64%

LAB 86.57, -40.07, -10.4

 

CMYK 53 / 63 / 0 / 7

HEX #7157EE

RGB 113 87 238

HSL 250.33, 0.82%, 0.64%

LAB 47.62, 48.87, -72.8

 

CMYK 0 / 63 / 61 / 7

HEX #EE575C

RGB 238 87 92

HSL 358.01, 0.82%, 0.64%

LAB 57.81, 58.39, 28.89

 

CMYK 11 / 0 / 63 / 7

HEX #D5EE57

RGB 213 238 87

HSL 69.93, 0.82%, 0.64%

LAB 89.85, -27.97, 67.81

 

CMYK 64 / 0 / 1 / 7

HEX #56EEEB

RGB 86 238 235

HSL 178.82, 0.82%, 0.64%

LAB 86.57, -40.07, -10.4

 

CMYK 34 / 63 / 0 / 7

HEX #9E57EE

RGB 158 87 238

HSL 268.21, 0.82%, 0.64%

LAB 52.13, 57.56, -65.28

 

CMYK 0 / 63 / 61 / 7

HEX #EE575C

RGB 238 87 92

HSL 358.01, 0.82%, 0.64%

LAB 57.81, 58.39, 28.89

 

CMYK 29 / 0 / 63 / 7

HEX #A8EE57

RGB 168 238 87

HSL 87.81, 0.82%, 0.64%

LAB 87.08, -44.9, 64.02

 

Description

Color code: HEX #56EEEB | qconv.com Color code: HEX #56EEEB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 238 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 238 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 1 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 1% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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