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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56E816 it is the complementary color #A917E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56E816. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56E816 shade: #5BE811, #6CFA24, #7DFF37, #8EFF4A and #9FFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56E816. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56E816 shade: #56E816, #45D603, #34C400, #23B200 and #12A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56E816 shade: #56E915, #8FE915, #C8E915, #E9D115 and #E99815

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56E816 shade: #56E915, #1DE915, #15E947, #15E980 and #15E9B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56E816 shade matches the following richer shades: #56E915 and #4EFD01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56E816 shade: #56E915, #5ED42A, #66C03E, #6EAB53 and #769668

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56E816 shade: #C9E915, #91E915, #58E915, #20E915 and #15E943

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56E816 shade: #3A9D0E, #48C312, #56E915, #71EC3B and #8CF061

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56E816 shade: #56E816, #15E9D0 and #E915AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56E816 shade: #56E816, #1558E9 and #E91558

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56E816 shade: #56E816, #15E9D0, #A615E9 and #E9152E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56E816 shade: #56E816, #15C2E9, #A615E9 and #E93C15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 91 / 9

HEX #56E816

RGB 86 232 22

HSL 101.71, 0.83%, 0.5%

LAB 81.7, -70.28, 76.56

 

Complementary color

CMYK 27 / 90 / 0 / 9

HEX #A917E9

RGB 169 23 233

HSL 281.71, 0.83%, 0.5%

LAB 45.54, 80.31, -73.1

 

CMYK 61 / 0 / 93 / 9

HEX #5BE811

RGB 91 232 17

HSL 99.35, 0.86%, 0.49%

LAB 81.83, -69.28, 77.38

 

CMYK 57 / 0 / 86 / 2

HEX #6CFA24

RGB 108 250 36

HSL 99.81, 0.96%, 0.56%

LAB 87.82, -70.66, 79.61

 

CMYK 51 / 0 / 78 / 0

HEX #7DFF37

RGB 125 255 55

HSL 99, 1%, 0.61%

LAB 89.93, -67.17, 77.22

 

CMYK 44 / 0 / 71 / 0

HEX #8EFF4A

RGB 142 255 74

HSL 97.46, 1%, 0.65%

LAB 90.67, -61.21, 72.25

 

CMYK 38 / 0 / 64 / 0

HEX #9FFF5D

RGB 159 255 93

HSL 95.56, 1%, 0.68%

LAB 91.54, -54.51, 66.32

 

CMYK 63 / 0 / 91 / 9

HEX #56E816

RGB 86 232 22

HSL 101.71, 0.83%, 0.5%

LAB 81.7, -70.28, 76.56

 

CMYK 68 / 0 / 99 / 16

HEX #45D603

RGB 69 214 3

HSL 101.23, 0.97%, 0.43%

LAB 75.68, -68.45, 73.55

 

CMYK 73 / 0 / 100 / 23

HEX #34C400

RGB 52 196 0

HSL 104.08, 1%, 0.38%

LAB 69.62, -66.03, 68.87

 

CMYK 80 / 0 / 100 / 30

HEX #23B200

RGB 35 178 0

HSL 108.2, 1%, 0.35%

LAB 63.51, -63.14, 63.88

 

CMYK 89 / 0 / 100 / 37

HEX #12A000

RGB 18 160 0

HSL 113.25, 1%, 0.31%

LAB 57.34, -59.69, 58.86

 

CMYK 63 / 0 / 91 / 9

HEX #56E915

RGB 86 233 21

HSL 101.6, 0.83%, 0.5%

LAB 82.01, -70.62, 76.96

 

CMYK 39 / 0 / 91 / 9

HEX #8FE915

RGB 143 233 21

HSL 85.47, 0.83%, 0.5%

LAB 84.06, -54.71, 79.49

 

CMYK 14 / 0 / 91 / 9

HEX #C8E915

RGB 200 233 21

HSL 69.34, 0.83%, 0.5%

LAB 87.3, -33.45, 83.45

 

CMYK 0 / 10 / 91 / 9

HEX #E9D115

RGB 233 209 21

HSL 53.21, 0.83%, 0.5%

LAB 83.43, -8.07, 81.54

 

CMYK 0 / 35 / 91 / 9

HEX #E99815

RGB 233 152 21

HSL 37.08, 0.83%, 0.5%

LAB 69.35, 21.71, 70.93

 

CMYK 63 / 0 / 91 / 9

HEX #56E915

RGB 86 233 21

HSL 101.6, 0.83%, 0.5%

LAB 82.01, -70.62, 76.96

 

CMYK 88 / 0 / 91 / 9

HEX #1DE915

RGB 29 233 21

HSL 117.74, 0.83%, 0.5%

LAB 81.07, -78.79, 75.79

 

CMYK 91 / 0 / 70 / 9

HEX #15E947

RGB 21 233 71

HSL 134.15, 0.83%, 0.5%

LAB 81.23, -76.47, 62.73

 

CMYK 91 / 0 / 45 / 9

HEX #15E980

RGB 21 233 128

HSL 150.28, 0.83%, 0.5%

LAB 81.84, -69.07, 38.19

 

CMYK 91 / 0 / 21 / 9

HEX #15E9B9

RGB 21 233 185

HSL 166.42, 0.83%, 0.5%

LAB 82.88, -57.21, 10.4

 

CMYK 63 / 0 / 91 / 9

HEX #56E915

RGB 86 233 21

HSL 101.6, 0.83%, 0.5%

LAB 82.01, -70.62, 76.96

 

CMYK 69 / 0 / 100 / 1

HEX #4EFD01

RGB 78 253 1

HSL 101.67, 0.99%, 0.5%

LAB 87.91, -78.65, 83.57

 

CMYK 63 / 0 / 91 / 9

HEX #56E915

RGB 86 233 21

HSL 101.6, 0.83%, 0.5%

LAB 82.01, -70.62, 76.96

 

CMYK 56 / 0 / 80 / 17

HEX #5ED42A

RGB 94 212 42

HSL 101.65, 0.67%, 0.5%

LAB 75.84, -60.91, 67.33

 

CMYK 47 / 0 / 68 / 25

HEX #66C03E

RGB 102 192 62

HSL 101.54, 0.51%, 0.5%

LAB 70.09, -49.86, 54.94

 

CMYK 36 / 0 / 51 / 33

HEX #6EAB53

RGB 110 171 83

HSL 101.59, 0.35%, 0.5%

LAB 64.21, -36.2, 38.87

 

CMYK 21 / 0 / 31 / 41

HEX #769668

RGB 118 150 104

HSL 101.74, 0.18%, 0.5%

LAB 58.66, -20.14, 20.73

 

CMYK 14 / 0 / 91 / 9

HEX #C9E915

RGB 201 233 21

HSL 69.06, 0.83%, 0.5%

LAB 87.36, -33.05, 83.53

 

CMYK 38 / 0 / 91 / 9

HEX #91E915

RGB 145 233 21

HSL 84.91, 0.83%, 0.5%

LAB 84.15, -54.03, 79.6

 

CMYK 62 / 0 / 91 / 9

HEX #58E915

RGB 88 233 21

HSL 101.04, 0.83%, 0.5%

LAB 82.06, -70.19, 77.02

 

CMYK 86 / 0 / 91 / 9

HEX #20E915

RGB 32 233 21

HSL 116.89, 0.83%, 0.5%

LAB 81.09, -78.56, 75.82

 

CMYK 91 / 0 / 71 / 9

HEX #15E943

RGB 21 233 67

HSL 133.02, 0.83%, 0.5%

LAB 81.2, -76.82, 64.16

 

CMYK 63 / 0 / 91 / 38

HEX #3A9D0E

RGB 58 157 14

HSL 101.54, 0.84%, 0.34%

LAB 57.12, -51.86, 56.83

 

CMYK 63 / 0 / 91 / 24

HEX #48C312

RGB 72 195 18

HSL 101.69, 0.83%, 0.42%

LAB 69.79, -61.42, 67.02

 

CMYK 63 / 0 / 91 / 9

HEX #56E915

RGB 86 233 21

HSL 101.6, 0.83%, 0.5%

LAB 82.01, -70.62, 76.96

 

CMYK 52 / 0 / 75 / 7

HEX #71EC3B

RGB 113 236 59

HSL 101.69, 0.82%, 0.58%

LAB 83.87, -63.45, 70.12

 

CMYK 42 / 0 / 60 / 6

HEX #8CF061

RGB 140 240 97

HSL 101.96, 0.83%, 0.66%

LAB 86.38, -54.13, 58.71

 

CMYK 63 / 0 / 91 / 9

HEX #56E816

RGB 86 232 22

HSL 101.71, 0.83%, 0.5%

LAB 81.7, -70.28, 76.56

 

CMYK 91 / 0 / 11 / 9

HEX #15E9D0

RGB 21 233 208

HSL 172.92, 0.83%, 0.5%

LAB 83.44, -51.33, -0.91

 

CMYK 0 / 91 / 26 / 9

HEX #E915AD

RGB 233 21 173

HSL 316.98, 0.83%, 0.5%

LAB 52.81, 82.45, -26.22

 

CMYK 63 / 0 / 91 / 9

HEX #56E816

RGB 86 232 22

HSL 101.71, 0.83%, 0.5%

LAB 81.7, -70.28, 76.56

 

CMYK 91 / 62 / 0 / 9

HEX #1558E9

RGB 21 88 233

HSL 221.04, 0.83%, 0.5%

LAB 42.8, 36.37, -78.06

 

CMYK 0 / 91 / 62 / 9

HEX #E91558

RGB 233 21 88

HSL 341.04, 0.83%, 0.5%

LAB 50.17, 75.3, 21.12

 

CMYK 63 / 0 / 91 / 9

HEX #56E816

RGB 86 232 22

HSL 101.71, 0.83%, 0.5%

LAB 81.7, -70.28, 76.56

 

CMYK 91 / 0 / 11 / 9

HEX #15E9D0

RGB 21 233 208

HSL 172.92, 0.83%, 0.5%

LAB 83.44, -51.33, -0.91

 

CMYK 29 / 91 / 0 / 9

HEX #A615E9

RGB 166 21 233

HSL 281.04, 0.83%, 0.5%

LAB 44.98, 80.23, -74.03

 

CMYK 0 / 91 / 80 / 9

HEX #E9152E

RGB 233 21 46

HSL 352.92, 0.83%, 0.5%

LAB 49.57, 73.59, 45.15

 

CMYK 63 / 0 / 91 / 9

HEX #56E816

RGB 86 232 22

HSL 101.71, 0.83%, 0.5%

LAB 81.7, -70.28, 76.56

 

CMYK 91 / 17 / 0 / 9

HEX #15C2E9

RGB 21 194 233

HSL 191.04, 0.83%, 0.5%

LAB 72.65, -26.08, -30.52

 

CMYK 29 / 91 / 0 / 9

HEX #A615E9

RGB 166 21 233

HSL 281.04, 0.83%, 0.5%

LAB 44.98, 80.23, -74.03

 

CMYK 0 / 74 / 91 / 9

HEX #E93C15

RGB 233 60 21

HSL 11.04, 0.83%, 0.5%

LAB 52.52, 64.25, 58.94

 

Description

Color code: HEX #56E816 | qconv.com Color code: HEX #56E816 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 232 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 232 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 91 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 91% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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