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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56D343 it is the complementary color #A92CBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56D343. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56D343 shade: #5BD33E, #6CE551, #7DF764, #8EFF77 and #9FFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56D343. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56D343 shade: #56D343, #45C130, #34AF1D, #239D0A and #128B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56D343 shade: #57D345, #7ED345, #A4D345, #CAD345 and #D3B545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56D343 shade: #57D345, #45D358, #45D37F, #45D3A5 and #45D3CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56D343 shade matches the following richer shades: #57D345, #4AE532 and #3CF81F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56D343 shade: #57D345, #65C057, #73AE6A, #809B7C and #8E898F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56D343 shade: #A3D345, #7ED345, #58D345, #45D358 and #45D37E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56D343 shade: #35A025, #41C12D, #57D345, #75DB66 and #93E387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56D343 shade: #56D343, #45C9D3 and #D34590

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56D343 shade: #56D343, #4558D3 and #D34558

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56D343 shade: #56D343, #45C9D3, #C045D3 and #D34E45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56D343 shade: #56D343, #459FD3, #C045D3 and #D37945

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 68 / 17

HEX #56D343

RGB 86 211 67

HSL 112.08, 0.62%, 0.55%

LAB 75.43, -60.85, 58.46

 

Complementary color

CMYK 10 / 77 / 0 / 26

HEX #A92CBC

RGB 169 44 188

HSL 292.08, 0.62%, 0.45%

LAB 44.04, 67.18, -49.6

 

CMYK 57 / 0 / 71 / 17

HEX #5BD33E

RGB 91 211 62

HSL 108.32, 0.63%, 0.54%

LAB 75.55, -60.04, 60.53

 

CMYK 53 / 0 / 65 / 10

HEX #6CE551

RGB 108 229 81

HSL 109.05, 0.74%, 0.61%

LAB 81.74, -60.58, 59.88

 

CMYK 49 / 0 / 60 / 3

HEX #7DF764

RGB 125 247 100

HSL 109.8, 0.9%, 0.68%

LAB 87.87, -60.88, 58.96

 

CMYK 44 / 0 / 53 / 0

HEX #8EFF77

RGB 142 255 119

HSL 109.85, 1%, 0.73%

LAB 91.05, -57.15, 54.47

 

CMYK 38 / 0 / 46 / 0

HEX #9FFF8A

RGB 159 255 138

HSL 109.23, 1%, 0.77%

LAB 92.01, -49.8, 46.98

 

CMYK 59 / 0 / 68 / 17

HEX #56D343

RGB 86 211 67

HSL 112.08, 0.62%, 0.55%

LAB 75.43, -60.85, 58.46

 

CMYK 64 / 0 / 75 / 24

HEX #45C130

RGB 69 193 48

HSL 111.31, 0.6%, 0.47%

LAB 69.2, -59.97, 58.87

 

CMYK 70 / 0 / 83 / 31

HEX #34AF1D

RGB 52 175 29

HSL 110.55, 0.72%, 0.4%

LAB 62.91, -58.59, 58.52

 

CMYK 78 / 0 / 94 / 38

HEX #239D0A

RGB 35 157 10

HSL 109.8, 0.88%, 0.33%

LAB 56.58, -56.52, 56.82

 

CMYK 87 / 0 / 100 / 45

HEX #128B00

RGB 18 139 0

HSL 112.23, 1%, 0.27%

LAB 50.21, -53.49, 53.15

 

CMYK 59 / 0 / 67 / 17

HEX #57D345

RGB 87 211 69

HSL 112.39, 0.62%, 0.55%

LAB 75.48, -60.43, 57.73

 

CMYK 40 / 0 / 67 / 17

HEX #7ED345

RGB 126 211 69

HSL 95.92, 0.62%, 0.55%

LAB 76.95, -49.34, 59.74

 

CMYK 22 / 0 / 67 / 17

HEX #A4D345

RGB 164 211 69

HSL 79.86, 0.62%, 0.55%

LAB 78.99, -35.75, 62.5

 

CMYK 4 / 0 / 67 / 17

HEX #CAD345

RGB 202 211 69

HSL 63.8, 0.62%, 0.55%

LAB 81.61, -20.55, 66.01

 

CMYK 0 / 14 / 67 / 17

HEX #D3B545

RGB 211 181 69

HSL 47.32, 0.62%, 0.55%

LAB 74.4, -1.51, 58.86

 

CMYK 59 / 0 / 67 / 17

HEX #57D345

RGB 87 211 69

HSL 112.39, 0.62%, 0.55%

LAB 75.48, -60.43, 57.73

 

CMYK 67 / 0 / 58 / 17

HEX #45D358

RGB 69 211 88

HSL 128.03, 0.62%, 0.55%

LAB 75.18, -62.26, 49.18

 

CMYK 67 / 0 / 40 / 17

HEX #45D37F

RGB 69 211 127

HSL 144.51, 0.62%, 0.55%

LAB 75.69, -56.39, 30.83

 

CMYK 67 / 0 / 22 / 17

HEX #45D3A5

RGB 69 211 165

HSL 160.56, 0.62%, 0.55%

LAB 76.42, -48.57, 11.88

 

CMYK 67 / 0 / 4 / 17

HEX #45D3CB

RGB 69 211 203

HSL 176.62, 0.62%, 0.55%

LAB 77.38, -38.98, -7.09

 

CMYK 59 / 0 / 67 / 17

HEX #57D345

RGB 87 211 69

HSL 112.39, 0.62%, 0.55%

LAB 75.48, -60.43, 57.73

 

CMYK 68 / 0 / 78 / 10

HEX #4AE532

RGB 74 229 50

HSL 111.96, 0.77%, 0.55%

LAB 80.59, -70.6, 69.31

 

CMYK 76 / 0 / 88 / 3

HEX #3CF81F

RGB 60 248 31

HSL 111.98, 0.94%, 0.55%

LAB 86.1, -79.42, 78.63

 

CMYK 59 / 0 / 67 / 17

HEX #57D345

RGB 87 211 69

HSL 112.39, 0.62%, 0.55%

LAB 75.48, -60.43, 57.73

 

CMYK 47 / 0 / 55 / 25

HEX #65C057

RGB 101 192 87

HSL 112, 0.45%, 0.55%

LAB 70.28, -47.6, 44.13

 

CMYK 34 / 0 / 39 / 32

HEX #73AE6A

RGB 115 174 106

HSL 112.06, 0.3%, 0.55%

LAB 65.72, -32.69, 28.98

 

CMYK 17 / 0 / 20 / 39

HEX #809B7C

RGB 128 155 124

HSL 112.26, 0.13%, 0.55%

LAB 61.21, -15.62, 13.18

 

CMYK 1 / 4 / 0 / 44

HEX #8E898F

RGB 142 137 143

HSL 290, 0.03%, 0.55%

LAB 57.68, 3.03, -2.54

 

CMYK 23 / 0 / 67 / 17

HEX #A3D345

RGB 163 211 69

HSL 80.28, 0.62%, 0.55%

LAB 78.93, -36.13, 62.42

 

CMYK 40 / 0 / 67 / 17

HEX #7ED345

RGB 126 211 69

HSL 95.92, 0.62%, 0.55%

LAB 76.95, -49.34, 59.74

 

CMYK 58 / 0 / 67 / 17

HEX #58D345

RGB 88 211 69

HSL 111.97, 0.62%, 0.55%

LAB 75.51, -60.19, 57.78

 

CMYK 67 / 0 / 58 / 17

HEX #45D358

RGB 69 211 88

HSL 128.03, 0.62%, 0.55%

LAB 75.18, -62.26, 49.18

 

CMYK 67 / 0 / 40 / 17

HEX #45D37E

RGB 69 211 126

HSL 144.08, 0.62%, 0.55%

LAB 75.67, -56.56, 31.32

 

CMYK 67 / 0 / 77 / 37

HEX #35A025

RGB 53 160 37

HSL 112.2, 0.62%, 0.39%

LAB 58.07, -52.87, 51.52

 

CMYK 66 / 0 / 77 / 24

HEX #41C12D

RGB 65 193 45

HSL 111.89, 0.62%, 0.47%

LAB 69.08, -61.01, 59.72

 

CMYK 59 / 0 / 67 / 17

HEX #57D345

RGB 87 211 69

HSL 112.39, 0.62%, 0.55%

LAB 75.48, -60.43, 57.73

 

CMYK 47 / 0 / 53 / 14

HEX #75DB66

RGB 117 219 102

HSL 112.31, 0.62%, 0.63%

LAB 79.27, -52.05, 47.95

 

CMYK 35 / 0 / 41 / 11

HEX #93E387

RGB 147 227 135

HSL 112.17, 0.62%, 0.71%

LAB 83.38, -41.96, 37.35

 

CMYK 59 / 0 / 68 / 17

HEX #56D343

RGB 86 211 67

HSL 112.08, 0.62%, 0.55%

LAB 75.43, -60.85, 58.46

 

CMYK 67 / 5 / 0 / 17

HEX #45C9D3

RGB 69 201 211

HSL 184.23, 0.62%, 0.55%

LAB 74.66, -32.06, -15.47

 

CMYK 0 / 67 / 32 / 17

HEX #D34590

RGB 211 69 144

HSL 328.31, 0.62%, 0.55%

LAB 51.97, 62.05, -10.71

 

CMYK 59 / 0 / 68 / 17

HEX #56D343

RGB 86 211 67

HSL 112.08, 0.62%, 0.55%

LAB 75.43, -60.85, 58.46

 

CMYK 67 / 58 / 0 / 17

HEX #4558D3

RGB 69 88 211

HSL 231.97, 0.62%, 0.55%

LAB 42.68, 32.59, -65.65

 

CMYK 0 / 67 / 58 / 17

HEX #D34558

RGB 211 69 88

HSL 351.97, 0.62%, 0.55%

LAB 50.46, 56.78, 20.77

 

CMYK 59 / 0 / 68 / 17

HEX #56D343

RGB 86 211 67

HSL 112.08, 0.62%, 0.55%

LAB 75.43, -60.85, 58.46

 

CMYK 67 / 5 / 0 / 17

HEX #45C9D3

RGB 69 201 211

HSL 184.23, 0.62%, 0.55%

LAB 74.66, -32.06, -15.47

 

CMYK 9 / 67 / 0 / 17

HEX #C045D3

RGB 192 69 211

HSL 291.97, 0.62%, 0.55%

LAB 52.02, 67.29, -49.94

 

CMYK 0 / 63 / 67 / 17

HEX #D34E45

RGB 211 78 69

HSL 3.8, 0.62%, 0.55%

LAB 51.53, 51.85, 33.29

 

CMYK 59 / 0 / 68 / 17

HEX #56D343

RGB 86 211 67

HSL 112.08, 0.62%, 0.55%

LAB 75.43, -60.85, 58.46

 

CMYK 67 / 25 / 0 / 17

HEX #459FD3

RGB 69 159 211

HSL 201.97, 0.62%, 0.55%

LAB 62.31, -10.44, -34.39

 

CMYK 9 / 67 / 0 / 17

HEX #C045D3

RGB 192 69 211

HSL 291.97, 0.62%, 0.55%

LAB 52.02, 67.29, -49.94

 

CMYK 0 / 43 / 67 / 17

HEX #D37945

RGB 211 121 69

HSL 21.97, 0.62%, 0.55%

LAB 59.85, 30.69, 43.03

 

Description

Color code: HEX #56D343 | qconv.com Color code: HEX #56D343 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 211 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 211 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 68 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 68% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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