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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56D4E1 it is the complementary color #A92B1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56D4E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56D4E1 shade: #5BD4DC, #6CE6EF, #7DF8FF, #8EFFFF and #9FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56D4E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56D4E1 shade: #56D4E1, #45C2CE, #34B0BB, #239EA8 and #128C95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56D4E1 shade: #55D4E1, #55AEE1, #5589E1, #5563E1 and #6D55E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56D4E1 shade: #55D4E1, #55AEE1, #5589E1, #5563E1 and #5555E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56D4E1 shade matches the following richer shades: #55D4E1 and #45E1F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56D4E1 shade: #55D4E1, #66C7D1, #76B9C0, #86ACB0 and #969FA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56D4E1 shade: #55E1A2, #55E1C7, #55D5E1, #55B0E1 and #558BE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56D4E1 shade: #22B3C2, #32CBDA, #55D4E1, #79DDE7 and #9CE5ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56D4E1 shade: #56D4E1, #7D55E1 and #E1B555

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56D4E1 shade: #56D4E1, #E155D5 and #D5E155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56D4E1 shade: #56D4E1, #7D55E1, #E16155 and #B9E155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56D4E1 shade: #56D4E1, #A755E1, #E16155 and #8FE155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 6 / 0 / 12

HEX #56D4E1

RGB 86 212 225

HSL 185.61, 0.7%, 0.61%

LAB 78.75, -30.71, -16.8

 

Complementary color

CMYK 0 / 75 / 82 / 34

HEX #A92B1E

RGB 169 43 30

HSL 5.61, 0.7%, 0.39%

LAB 38.3, 50.19, 38.43

 

CMYK 59 / 4 / 0 / 14

HEX #5BD4DC

RGB 91 212 220

HSL 183.72, 0.65%, 0.61%

LAB 78.74, -31.26, -14.13

 

CMYK 55 / 4 / 0 / 6

HEX #6CE6EF

RGB 108 230 239

HSL 184.12, 0.8%, 0.68%

LAB 85, -31.57, -14.77

 

CMYK 51 / 3 / 0 / 0

HEX #7DF8FF

RGB 125 248 255

HSL 183.23, 1%, 0.75%

LAB 91.11, -32.56, -13.95

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 38 / 0 / 0 / 0

HEX #9FFFFF

RGB 159 255 255

HSL 180, 1%, 0.81%

LAB 94.36, -28.26, -8.96

 

CMYK 62 / 6 / 0 / 12

HEX #56D4E1

RGB 86 212 225

HSL 185.61, 0.7%, 0.61%

LAB 78.75, -30.71, -16.8

 

CMYK 67 / 6 / 0 / 19

HEX #45C2CE

RGB 69 194 206

HSL 185.26, 0.58%, 0.54%

LAB 72.43, -30.15, -16.12

 

CMYK 72 / 6 / 0 / 27

HEX #34B0BB

RGB 52 176 187

HSL 184.89, 0.56%, 0.47%

LAB 66.03, -29.39, -15.37

 

CMYK 79 / 6 / 0 / 34

HEX #239EA8

RGB 35 158 168

HSL 184.51, 0.66%, 0.4%

LAB 59.56, -28.36, -14.53

 

CMYK 88 / 6 / 0 / 42

HEX #128C95

RGB 18 140 149

HSL 184.12, 0.78%, 0.33%

LAB 53.01, -26.94, -13.58

 

CMYK 62 / 6 / 0 / 12

HEX #55D4E1

RGB 85 212 225

HSL 185.57, 0.7%, 0.61%

LAB 78.73, -30.88, -16.84

 

CMYK 62 / 23 / 0 / 12

HEX #55AEE1

RGB 85 174 225

HSL 201.86, 0.7%, 0.61%

LAB 67.75, -11.47, -33.62

 

CMYK 62 / 39 / 0 / 12

HEX #5589E1

RGB 85 137 225

HSL 217.71, 0.7%, 0.61%

LAB 57.33, 9.68, -49.99

 

CMYK 62 / 56 / 0 / 12

HEX #5563E1

RGB 85 99 225

HSL 234, 0.7%, 0.61%

LAB 47.35, 32.98, -66

 

CMYK 52 / 62 / 0 / 12

HEX #6D55E1

RGB 109 85 225

HSL 250.29, 0.7%, 0.61%

LAB 45.89, 45.49, -68.3

 

CMYK 62 / 6 / 0 / 12

HEX #55D4E1

RGB 85 212 225

HSL 185.57, 0.7%, 0.61%

LAB 78.73, -30.88, -16.84

 

CMYK 62 / 23 / 0 / 12

HEX #55AEE1

RGB 85 174 225

HSL 201.86, 0.7%, 0.61%

LAB 67.75, -11.47, -33.62

 

CMYK 62 / 39 / 0 / 12

HEX #5589E1

RGB 85 137 225

HSL 217.71, 0.7%, 0.61%

LAB 57.33, 9.68, -49.99

 

CMYK 62 / 56 / 0 / 12

HEX #5563E1

RGB 85 99 225

HSL 234, 0.7%, 0.61%

LAB 47.35, 32.98, -66

 

CMYK 62 / 62 / 0 / 12

HEX #5555E1

RGB 85 85 225

HSL 240, 0.7%, 0.61%

LAB 44.04, 41.48, -71.39

 

CMYK 62 / 6 / 0 / 12

HEX #55D4E1

RGB 85 212 225

HSL 185.57, 0.7%, 0.61%

LAB 78.73, -30.88, -16.84

 

CMYK 71 / 7 / 0 / 5

HEX #45E1F1

RGB 69 225 241

HSL 185.58, 0.86%, 0.61%

LAB 82.63, -34.69, -19.5

 

CMYK 62 / 6 / 0 / 12

HEX #55D4E1

RGB 85 212 225

HSL 185.57, 0.7%, 0.61%

LAB 78.73, -30.88, -16.84

 

CMYK 51 / 5 / 0 / 18

HEX #66C7D1

RGB 102 199 209

HSL 185.61, 0.54%, 0.61%

LAB 75, -25.8, -13.78

 

CMYK 39 / 4 / 0 / 25

HEX #76B9C0

RGB 118 185 192

HSL 185.68, 0.37%, 0.61%

LAB 71.12, -19.4, -10.27

 

CMYK 24 / 2 / 0 / 31

HEX #86ACB0

RGB 134 172 176

HSL 185.71, 0.21%, 0.61%

LAB 67.8, -11.88, -6.28

 

CMYK 6 / 1 / 0 / 37

HEX #969FA0

RGB 150 159 160

HSL 186, 0.05%, 0.61%

LAB 64.82, -3, -1.64

 

CMYK 62 / 0 / 28 / 12

HEX #55E1A2

RGB 85 225 162

HSL 153, 0.7%, 0.61%

LAB 80.96, -52.19, 19.87

 

CMYK 62 / 0 / 12 / 12

HEX #55E1C7

RGB 85 225 199

HSL 168.86, 0.7%, 0.61%

LAB 81.79, -43.76, 1.56

 

CMYK 62 / 5 / 0 / 12

HEX #55D5E1

RGB 85 213 225

HSL 185.14, 0.7%, 0.61%

LAB 79.02, -31.36, -16.4

 

CMYK 62 / 22 / 0 / 12

HEX #55B0E1

RGB 85 176 225

HSL 201, 0.7%, 0.61%

LAB 68.33, -12.55, -32.73

 

CMYK 62 / 38 / 0 / 12

HEX #558BE1

RGB 85 139 225

HSL 216.86, 0.7%, 0.61%

LAB 57.88, 8.49, -49.11

 

CMYK 82 / 8 / 0 / 24

HEX #22B3C2

RGB 34 179 194

HSL 185.63, 0.7%, 0.45%

LAB 66.88, -30.53, -17.99

 

CMYK 77 / 7 / 0 / 15

HEX #32CBDA

RGB 50 203 218

HSL 185.36, 0.69%, 0.53%

LAB 75.11, -33.22, -18.61

 

CMYK 62 / 6 / 0 / 12

HEX #55D4E1

RGB 85 212 225

HSL 185.57, 0.7%, 0.61%

LAB 78.73, -30.88, -16.84

 

CMYK 48 / 4 / 0 / 9

HEX #79DDE7

RGB 121 221 231

HSL 185.45, 0.7%, 0.69%

LAB 82.67, -26.68, -13.99

 

CMYK 34 / 3 / 0 / 7

HEX #9CE5ED

RGB 156 229 237

HSL 185.93, 0.69%, 0.77%

LAB 86.61, -20.61, -11.11

 

CMYK 62 / 6 / 0 / 12

HEX #56D4E1

RGB 86 212 225

HSL 185.61, 0.7%, 0.61%

LAB 78.75, -30.71, -16.8

 

CMYK 44 / 62 / 0 / 12

HEX #7D55E1

RGB 125 85 225

HSL 257.14, 0.7%, 0.61%

LAB 47.36, 48.53, -65.85

 

CMYK 0 / 20 / 62 / 12

HEX #E1B555

RGB 225 181 85

HSL 41.14, 0.7%, 0.61%

LAB 75.89, 5.42, 53.79

 

CMYK 62 / 6 / 0 / 12

HEX #56D4E1

RGB 86 212 225

HSL 185.61, 0.7%, 0.61%

LAB 78.75, -30.71, -16.8

 

CMYK 0 / 62 / 5 / 12

HEX #E155D5

RGB 225 85 213

HSL 305.14, 0.7%, 0.61%

LAB 59.26, 69.05, -39.32

 

CMYK 5 / 0 / 62 / 12

HEX #D5E155

RGB 213 225 85

HSL 65.14, 0.7%, 0.61%

LAB 86.33, -21.9, 64.88

 

CMYK 62 / 6 / 0 / 12

HEX #56D4E1

RGB 86 212 225

HSL 185.61, 0.7%, 0.61%

LAB 78.75, -30.71, -16.8

 

CMYK 44 / 62 / 0 / 12

HEX #7D55E1

RGB 125 85 225

HSL 257.14, 0.7%, 0.61%

LAB 47.36, 48.53, -65.85

 

CMYK 0 / 57 / 62 / 12

HEX #E16155

RGB 225 97 85

HSL 5.14, 0.7%, 0.61%

LAB 57.28, 49.1, 31.78

 

CMYK 18 / 0 / 62 / 12

HEX #B9E155

RGB 185 225 85

HSL 77.14, 0.7%, 0.61%

LAB 84.39, -32.97, 62.22

 

CMYK 62 / 6 / 0 / 12

HEX #56D4E1

RGB 86 212 225

HSL 185.61, 0.7%, 0.61%

LAB 78.75, -30.71, -16.8

 

CMYK 26 / 62 / 0 / 12

HEX #A755E1

RGB 167 85 225

HSL 275.14, 0.7%, 0.61%

LAB 52, 57.5, -58.11

 

CMYK 0 / 57 / 62 / 12

HEX #E16155

RGB 225 97 85

HSL 5.14, 0.7%, 0.61%

LAB 57.28, 49.1, 31.78

 

CMYK 36 / 0 / 62 / 12

HEX #8FE155

RGB 143 225 85

HSL 95.14, 0.7%, 0.61%

LAB 82.03, -48.17, 58.96

 

Description

Color code: HEX #56D4E1 | qconv.com Color code: HEX #56D4E1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 212 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 212 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 6 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 6% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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