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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56CCF0 it is the complementary color #A9330F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56CCF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56CCF0 shade: #5BCCEB, #6CDEFE, #7DF0FF, #8EFFFF and #9FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56CCF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56CCF0 shade: #56CCF0, #45BADD, #34A8CA, #2396B7 and #1284A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56CCF0 shade: #56CCF0, #56A2F0, #5679F0, #5C56F0 and #8656F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56CCF0 shade: #56CCF0, #56A2F0, #5679F0 and #5656F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56CCF0 shade matches the following richer shades: #56CCF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56CCF0 shade: #56CCF0, #64C4E1, #73BCD2, #82B4C3 and #91ACB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56CCF0 shade: #56F0C2, #56F0EB, #56CCF0, #56A3F0 and #567AF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56CCF0 shade: #13B0E0, #30C0ED, #56CCF0, #7CD7F3 and #A2E3F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56CCF0 shade: #56CCF0, #9856F0 and #F0D656

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56CCF0 shade: #56CCF0, #F056CC and #CCF056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56CCF0 shade: #56CCF0, #9856F0, #F07A56 and #ADF056

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56CCF0 shade: #56CCF0, #C756F0, #F07A56 and #7FF056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 15 / 0 / 6

HEX #56CCF0

RGB 86 204 240

HSL 194.03, 0.84%, 0.64%

LAB 76.95, -22.39, -27.57

 

Complementary color

CMYK 0 / 70 / 91 / 34

HEX #A9330F

RGB 169 51 15

HSL 14.03, 0.84%, 0.36%

LAB 39.3, 46.78, 46.22

 

CMYK 61 / 13 / 0 / 8

HEX #5BCCEB

RGB 91 204 235

HSL 192.92, 0.78%, 0.64%

LAB 76.93, -23.05, -24.92

 

CMYK 57 / 13 / 0 / 0

HEX #6CDEFE

RGB 108 222 254

HSL 193.15, 0.99%, 0.71%

LAB 83.22, -23.54, -25.38

 

CMYK 51 / 6 / 0 / 0

HEX #7DF0FF

RGB 125 240 255

HSL 186.92, 1%, 0.75%

LAB 88.88, -28.76, -17.3

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 38 / 0 / 0 / 0

HEX #9FFFFF

RGB 159 255 255

HSL 180, 1%, 0.81%

LAB 94.36, -28.26, -8.96

 

CMYK 64 / 15 / 0 / 6

HEX #56CCF0

RGB 86 204 240

HSL 194.03, 0.84%, 0.64%

LAB 76.95, -22.39, -27.57

 

CMYK 69 / 16 / 0 / 13

HEX #45BADD

RGB 69 186 221

HSL 193.82, 0.69%, 0.57%

LAB 70.6, -21.61, -27.08

 

CMYK 74 / 17 / 0 / 21

HEX #34A8CA

RGB 52 168 202

HSL 193.6, 0.59%, 0.5%

LAB 64.16, -20.61, -26.55

 

CMYK 81 / 18 / 0 / 28

HEX #2396B7

RGB 35 150 183

HSL 193.38, 0.68%, 0.43%

LAB 57.64, -19.31, -25.95

 

CMYK 89 / 20 / 0 / 36

HEX #1284A4

RGB 18 132 164

HSL 193.15, 0.8%, 0.36%

LAB 51.05, -17.6, -25.27

 

CMYK 64 / 15 / 0 / 6

HEX #56CCF0

RGB 86 204 240

HSL 194.03, 0.84%, 0.64%

LAB 76.95, -22.39, -27.57

 

CMYK 64 / 33 / 0 / 6

HEX #56A2F0

RGB 86 162 240

HSL 210.39, 0.84%, 0.64%

LAB 65.05, 0.23, -46.07

 

CMYK 64 / 50 / 0 / 6

HEX #5679F0

RGB 86 121 240

HSL 226.36, 0.84%, 0.64%

LAB 53.97, 24.66, -63.72

 

CMYK 62 / 64 / 0 / 6

HEX #5C56F0

RGB 92 86 240

HSL 242.34, 0.84%, 0.64%

LAB 45.94, 46.71, -76.74

 

CMYK 44 / 64 / 0 / 6

HEX #8656F0

RGB 134 86 240

HSL 258.7, 0.84%, 0.64%

LAB 49.51, 53.78, -70.76

 

CMYK 64 / 15 / 0 / 6

HEX #56CCF0

RGB 86 204 240

HSL 194.03, 0.84%, 0.64%

LAB 76.95, -22.39, -27.57

 

CMYK 64 / 33 / 0 / 6

HEX #56A2F0

RGB 86 162 240

HSL 210.39, 0.84%, 0.64%

LAB 65.05, 0.23, -46.07

 

CMYK 64 / 50 / 0 / 6

HEX #5679F0

RGB 86 121 240

HSL 226.36, 0.84%, 0.64%

LAB 53.97, 24.66, -63.72

 

CMYK 64 / 64 / 0 / 6

HEX #5656F0

RGB 86 86 240

HSL 240, 0.84%, 0.64%

LAB 45.53, 45.87, -77.42

 

CMYK 64 / 15 / 0 / 6

HEX #56CCF0

RGB 86 204 240

HSL 194.03, 0.84%, 0.64%

LAB 76.95, -22.39, -27.57

 

CMYK 64 / 15 / 0 / 6

HEX #56CCF0

RGB 86 204 240

HSL 194.03, 0.84%, 0.64%

LAB 76.95, -22.39, -27.57

 

CMYK 56 / 13 / 0 / 12

HEX #64C4E1

RGB 100 196 225

HSL 193.92, 0.68%, 0.64%

LAB 74.59, -20.24, -23.07

 

CMYK 45 / 10 / 0 / 18

HEX #73BCD2

RGB 115 188 210

HSL 193.89, 0.51%, 0.64%

LAB 72.4, -17.01, -18.18

 

CMYK 33 / 8 / 0 / 24

HEX #82B4C3

RGB 130 180 195

HSL 193.85, 0.35%, 0.64%

LAB 70.41, -12.77, -12.91

 

CMYK 19 / 4 / 0 / 29

HEX #91ACB4

RGB 145 172 180

HSL 193.71, 0.19%, 0.64%

LAB 68.62, -7.5, -7.21

 

CMYK 64 / 0 / 19 / 6

HEX #56F0C2

RGB 86 240 194

HSL 162.08, 0.84%, 0.64%

LAB 86.1, -51.17, 10.41

 

CMYK 64 / 0 / 2 / 6

HEX #56F0EB

RGB 86 240 235

HSL 178.05, 0.84%, 0.64%

LAB 87.14, -40.97, -9.54

 

CMYK 64 / 15 / 0 / 6

HEX #56CCF0

RGB 86 204 240

HSL 194.03, 0.84%, 0.64%

LAB 76.95, -22.39, -27.57

 

CMYK 64 / 32 / 0 / 6

HEX #56A3F0

RGB 86 163 240

HSL 210, 0.84%, 0.64%

LAB 65.33, -0.34, -45.63

 

CMYK 64 / 49 / 0 / 6

HEX #567AF0

RGB 86 122 240

HSL 225.97, 0.84%, 0.64%

LAB 54.23, 24.05, -63.31

 

CMYK 92 / 21 / 0 / 12

HEX #13B0E0

RGB 19 176 224

HSL 194.05, 0.84%, 0.48%

LAB 66.95, -19.99, -34.42

 

CMYK 80 / 19 / 0 / 7

HEX #30C0ED

RGB 48 192 237

HSL 194.29, 0.84%, 0.56%

LAB 72.52, -21.98, -32.85

 

CMYK 64 / 15 / 0 / 6

HEX #56CCF0

RGB 86 204 240

HSL 194.03, 0.84%, 0.64%

LAB 76.95, -22.39, -27.57

 

CMYK 49 / 12 / 0 / 5

HEX #7CD7F3

RGB 124 215 243

HSL 194.12, 0.83%, 0.72%

LAB 81.49, -19.86, -22.14

 

CMYK 34 / 8 / 0 / 4

HEX #A2E3F6

RGB 162 227 246

HSL 193.57, 0.82%, 0.8%

LAB 86.64, -15.88, -15.78

 

CMYK 64 / 15 / 0 / 6

HEX #56CCF0

RGB 86 204 240

HSL 194.03, 0.84%, 0.64%

LAB 76.95, -22.39, -27.57

 

CMYK 37 / 64 / 0 / 6

HEX #9856F0

RGB 152 86 240

HSL 265.71, 0.84%, 0.64%

LAB 51.41, 57.3, -67.6

 

CMYK 0 / 11 / 64 / 6

HEX #F0D656

RGB 240 214 86

HSL 49.87, 0.84%, 0.64%

LAB 85.65, -5.31, 64.4

 

CMYK 64 / 15 / 0 / 6

HEX #56CCF0

RGB 86 204 240

HSL 194.03, 0.84%, 0.64%

LAB 76.95, -22.39, -27.57

 

CMYK 0 / 64 / 15 / 6

HEX #F056CC

RGB 240 86 204

HSL 314.03, 0.84%, 0.64%

LAB 61.26, 71.06, -30.94

 

CMYK 15 / 0 / 64 / 6

HEX #CCF056

RGB 204 240 86

HSL 74.03, 0.84%, 0.64%

LAB 89.78, -32.48, 67.94

 

CMYK 64 / 15 / 0 / 6

HEX #56CCF0

RGB 86 204 240

HSL 194.03, 0.84%, 0.64%

LAB 76.95, -22.39, -27.57

 

CMYK 37 / 64 / 0 / 6

HEX #9856F0

RGB 152 86 240

HSL 265.71, 0.84%, 0.64%

LAB 51.41, 57.3, -67.6

 

CMYK 0 / 49 / 64 / 6

HEX #F07A56

RGB 240 122 86

HSL 14.03, 0.84%, 0.64%

LAB 64.25, 42.54, 40.28

 

CMYK 28 / 0 / 64 / 6

HEX #ADF056

RGB 173 240 86

HSL 86.1, 0.84%, 0.64%

LAB 87.91, -44.06, 65.39

 

CMYK 64 / 15 / 0 / 6

HEX #56CCF0

RGB 86 204 240

HSL 194.03, 0.84%, 0.64%

LAB 76.95, -22.39, -27.57

 

CMYK 17 / 64 / 0 / 6

HEX #C756F0

RGB 199 86 240

HSL 284.03, 0.84%, 0.64%

LAB 57.16, 67.32, -58.04

 

CMYK 0 / 49 / 64 / 6

HEX #F07A56

RGB 240 122 86

HSL 14.03, 0.84%, 0.64%

LAB 64.25, 42.54, 40.28

 

CMYK 47 / 0 / 64 / 6

HEX #7FF056

RGB 127 240 86

HSL 104.03, 0.84%, 0.64%

LAB 85.76, -59.01, 62.44

 

Description

Color code: HEX #56CCF0 | qconv.com Color code: HEX #56CCF0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 204 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 204 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 15 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 15% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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