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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #569CD0 it is the complementary color #A9632F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #569CD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #569CD0 shade: #5B9CCB, #6CAEDE, #7DC0F1, #8ED2FF and #9FE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #569CD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #569CD0 shade: #569CD0, #458ABD, #3478AA, #236697 and #125484

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #569CD0 shade: #579CCF, #577CCF, #575CCF, #7457CF and #9457CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #569CD0 shade: #579CCF, #577CCF, #575CCF and #5757CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #569CD0 shade matches the following richer shades: #579CCF, #469FE1 and #35A1F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #569CD0 shade: #579CCF, #699ABE, #7A97AD, #8B959B and #9D928A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #569CD0 shade: #57CFC1, #57BDCF, #579DCF, #577DCF and #575DCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #569CD0 shade: #2E73A6, #3789C6, #579CCF, #78AFD8 and #98C2E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #569CD0 shade: #569CD0, #A157CF and #CDCF57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #569CD0 shade: #569CD0, #CF579D and #9DCF57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #569CD0 shade: #569CD0, #A157CF, #CF8957 and #85CF57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #569CD0 shade: #569CD0, #C557CF, #CF8957 and #61CF57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 25 / 0 / 18

HEX #569CD0

RGB 86 156 208

HSL 205.57, 0.56%, 0.58%

LAB 61.92, -6.73, -33.27

 

Complementary color

CMYK 0 / 41 / 72 / 34

HEX #A9632F

RGB 169 99 47

HSL 25.57, 0.56%, 0.42%

LAB 48.96, 23.87, 40.6

 

CMYK 55 / 23 / 0 / 20

HEX #5B9CCB

RGB 91 156 203

HSL 205.18, 0.52%, 0.58%

LAB 61.92, -7.26, -30.46

 

CMYK 51 / 22 / 0 / 13

HEX #6CAEDE

RGB 108 174 222

HSL 205.26, 0.63%, 0.65%

LAB 68.56, -7.79, -30.65

 

CMYK 48 / 20 / 0 / 5

HEX #7DC0F1

RGB 125 192 241

HSL 205.34, 0.81%, 0.72%

LAB 75.08, -8.21, -30.86

 

CMYK 44 / 18 / 0 / 0

HEX #8ED2FF

RGB 142 210 255

HSL 203.89, 1%, 0.78%

LAB 81.33, -9.91, -28.69

 

CMYK 38 / 11 / 0 / 0

HEX #9FE4FF

RGB 159 228 255

HSL 196.88, 1%, 0.81%

LAB 87.03, -14.98, -19.93

 

CMYK 59 / 25 / 0 / 18

HEX #569CD0

RGB 86 156 208

HSL 205.57, 0.56%, 0.58%

LAB 61.92, -6.73, -33.27

 

CMYK 63 / 27 / 0 / 26

HEX #458ABD

RGB 69 138 189

HSL 205.5, 0.48%, 0.51%

LAB 55.19, -5.9, -33.1

 

CMYK 69 / 29 / 0 / 33

HEX #3478AA

RGB 52 120 170

HSL 205.42, 0.53%, 0.44%

LAB 48.34, -4.82, -32.91

 

CMYK 77 / 32 / 0 / 41

HEX #236697

RGB 35 102 151

HSL 205.34, 0.62%, 0.36%

LAB 41.37, -3.38, -32.71

 

CMYK 86 / 36 / 0 / 48

HEX #125484

RGB 18 84 132

HSL 205.26, 0.76%, 0.29%

LAB 34.26, -1.39, -32.45

 

CMYK 58 / 25 / 0 / 19

HEX #579CCF

RGB 87 156 207

HSL 205.5, 0.56%, 0.58%

LAB 61.92, -6.84, -32.71

 

CMYK 58 / 40 / 0 / 19

HEX #577CCF

RGB 87 124 207

HSL 221.5, 0.56%, 0.58%

LAB 52.89, 11.9, -46.9

 

CMYK 58 / 56 / 0 / 19

HEX #575CCF

RGB 87 92 207

HSL 237.5, 0.56%, 0.58%

LAB 44.5, 31.69, -60.36

 

CMYK 44 / 58 / 0 / 19

HEX #7457CF

RGB 116 87 207

HSL 254.5, 0.56%, 0.58%

LAB 45.68, 40.54, -58.33

 

CMYK 29 / 58 / 0 / 19

HEX #9457CF

RGB 148 87 207

HSL 270.5, 0.56%, 0.58%

LAB 49.03, 47.91, -52.77

 

CMYK 58 / 25 / 0 / 19

HEX #579CCF

RGB 87 156 207

HSL 205.5, 0.56%, 0.58%

LAB 61.92, -6.84, -32.71

 

CMYK 58 / 40 / 0 / 19

HEX #577CCF

RGB 87 124 207

HSL 221.5, 0.56%, 0.58%

LAB 52.89, 11.9, -46.9

 

CMYK 58 / 56 / 0 / 19

HEX #575CCF

RGB 87 92 207

HSL 237.5, 0.56%, 0.58%

LAB 44.5, 31.69, -60.36

 

CMYK 58 / 58 / 0 / 19

HEX #5757CF

RGB 87 87 207

HSL 240, 0.56%, 0.58%

LAB 43.28, 34.77, -62.33

 

CMYK 58 / 25 / 0 / 19

HEX #579CCF

RGB 87 156 207

HSL 205.5, 0.56%, 0.58%

LAB 61.92, -6.84, -32.71

 

CMYK 69 / 29 / 0 / 12

HEX #469FE1

RGB 70 159 225

HSL 205.55, 0.72%, 0.58%

LAB 62.96, -5.61, -41.14

 

CMYK 78 / 33 / 0 / 5

HEX #35A1F2

RGB 53 161 242

HSL 205.71, 0.88%, 0.58%

LAB 63.88, -2.98, -49.07

 

CMYK 58 / 25 / 0 / 19

HEX #579CCF

RGB 87 156 207

HSL 205.5, 0.56%, 0.58%

LAB 61.92, -6.84, -32.71

 

CMYK 45 / 19 / 0 / 25

HEX #699ABE

RGB 105 154 190

HSL 205.41, 0.4%, 0.58%

LAB 61.51, -6.73, -23.76

 

CMYK 29 / 13 / 0 / 32

HEX #7A97AD

RGB 122 151 173

HSL 205.88, 0.24%, 0.58%

LAB 61.03, -4.85, -14.8

 

CMYK 10 / 4 / 0 / 39

HEX #8B959B

RGB 139 149 155

HSL 202.5, 0.07%, 0.58%

LAB 61.09, -2.34, -4.4

 

CMYK 0 / 7 / 12 / 38

HEX #9D928A

RGB 157 146 138

HSL 25.26, 0.09%, 0.58%

LAB 61.27, 2.64, 5.69

 

CMYK 58 / 0 / 7 / 19

HEX #57CFC1

RGB 87 207 193

HSL 173, 0.56%, 0.58%

LAB 76.38, -36.85, -3.14

 

CMYK 58 / 9 / 0 / 19

HEX #57BDCF

RGB 87 189 207

HSL 189, 0.56%, 0.58%

LAB 71.51, -24.37, -18.01

 

CMYK 58 / 24 / 0 / 19

HEX #579DCF

RGB 87 157 207

HSL 205, 0.56%, 0.58%

LAB 62.21, -7.4, -32.27

 

CMYK 58 / 40 / 0 / 19

HEX #577DCF

RGB 87 125 207

HSL 221, 0.56%, 0.58%

LAB 53.17, 11.3, -46.46

 

CMYK 58 / 55 / 0 / 19

HEX #575DCF

RGB 87 93 207

HSL 237, 0.56%, 0.58%

LAB 44.74, 31.07, -59.96

 

CMYK 72 / 31 / 0 / 35

HEX #2E73A6

RGB 46 115 166

HSL 205.5, 0.57%, 0.42%

LAB 46.44, -4.2, -33.58

 

CMYK 72 / 31 / 0 / 22

HEX #3789C6

RGB 55 137 198

HSL 205.59, 0.57%, 0.5%

LAB 54.85, -4.48, -38.79

 

CMYK 58 / 25 / 0 / 19

HEX #579CCF

RGB 87 156 207

HSL 205.5, 0.56%, 0.58%

LAB 61.92, -6.84, -32.71

 

CMYK 44 / 19 / 0 / 15

HEX #78AFD8

RGB 120 175 216

HSL 205.63, 0.55%, 0.66%

LAB 69.19, -7.22, -26.34

 

CMYK 33 / 14 / 0 / 11

HEX #98C2E2

RGB 152 194 226

HSL 205.95, 0.56%, 0.74%

LAB 76.53, -6.35, -20.43

 

CMYK 59 / 25 / 0 / 18

HEX #569CD0

RGB 86 156 208

HSL 205.57, 0.56%, 0.58%

LAB 61.92, -6.73, -33.27

 

CMYK 22 / 58 / 0 / 19

HEX #A157CF

RGB 161 87 207

HSL 277, 0.56%, 0.58%

LAB 50.57, 51.1, -50.22

 

CMYK 1 / 0 / 58 / 19

HEX #CDCF57

RGB 205 207 87

HSL 61, 0.56%, 0.58%

LAB 80.9, -16.19, 57.97

 

CMYK 59 / 25 / 0 / 18

HEX #569CD0

RGB 86 156 208

HSL 205.57, 0.56%, 0.58%

LAB 61.92, -6.73, -33.27

 

CMYK 0 / 58 / 24 / 19

HEX #CF579D

RGB 207 87 157

HSL 325, 0.56%, 0.58%

LAB 54.57, 54.97, -14.53

 

CMYK 24 / 0 / 58 / 19

HEX #9DCF57

RGB 157 207 87

HSL 85, 0.56%, 0.58%

LAB 77.57, -35.17, 53.32

 

CMYK 59 / 25 / 0 / 18

HEX #569CD0

RGB 86 156 208

HSL 205.57, 0.56%, 0.58%

LAB 61.92, -6.73, -33.27

 

CMYK 22 / 58 / 0 / 19

HEX #A157CF

RGB 161 87 207

HSL 277, 0.56%, 0.58%

LAB 50.57, 51.1, -50.22

 

CMYK 0 / 34 / 58 / 19

HEX #CF8957

RGB 207 137 87

HSL 25, 0.56%, 0.58%

LAB 63.21, 21.65, 37.48

 

CMYK 36 / 0 / 58 / 19

HEX #85CF57

RGB 133 207 87

HSL 97, 0.56%, 0.58%

LAB 76.25, -43.73, 51.47

 

CMYK 59 / 25 / 0 / 18

HEX #569CD0

RGB 86 156 208

HSL 205.57, 0.56%, 0.58%

LAB 61.92, -6.73, -33.27

 

CMYK 5 / 58 / 0 / 19

HEX #C557CF

RGB 197 87 207

HSL 295, 0.56%, 0.58%

LAB 55.27, 60.16, -42.46

 

CMYK 0 / 34 / 58 / 19

HEX #CF8957

RGB 207 137 87

HSL 25, 0.56%, 0.58%

LAB 63.21, 21.65, 37.48

 

CMYK 53 / 0 / 58 / 19

HEX #61CF57

RGB 97 207 87

HSL 115, 0.56%, 0.58%

LAB 74.73, -54.63, 49.32

 

Description

Color code: HEX #569CD0 | qconv.com Color code: HEX #569CD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 156 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 156 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 25 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 25% 0% 18% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

46% - InoReader • Light an...
Link: http://inoreader.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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