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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #568B2F it is the complementary color #A974D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #568B2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #568B2F shade: #5B8B2A, #6C9D3D, #7DAF50, #8EC163 and #9FD376

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #568B2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #568B2F shade: #568B2F, #45791C, #346709, #235500 and #124300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #568B2F shade: #54882E, #6D882E, #85882E, #88732E and #885B2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #568B2F shade: #54882E, #3C882E, #2E8839, #2E8851 and #2E8869

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #568B2F shade matches the following richer shades: #54882E, #52971F, #50A611 and #4EB502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #568B2F shade: #54882E, #57793D, #596B4C, #5B5C5B and #5D4D6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #568B2F shade: #85882E, #6D882E, #55882E, #3D882E and #2E8837

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #568B2F shade: #2E4B19, #416A24, #54882E, #68A739 and #7BC049

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #568B2F shade: #568B2F, #2E8873 and #882E79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #568B2F shade: #568B2F, #2E5588 and #882E55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #568B2F shade: #568B2F, #2E8873, #612E88 and #882E43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #568B2F shade: #568B2F, #2E8288, #612E88 and #88342E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 66 / 45

HEX #568B2F

RGB 86 139 47

HSL 94.57, 0.49%, 0.36%

LAB 52.56, -34.12, 42.28

 

Complementary color

CMYK 19 / 44 / 0 / 18

HEX #A974D0

RGB 169 116 208

HSL 274.57, 0.49%, 0.64%

LAB 57.54, 37.93, -39.69

 

CMYK 35 / 0 / 70 / 45

HEX #5B8B2A

RGB 91 139 42

HSL 89.69, 0.54%, 0.35%

LAB 52.79, -32.68, 44.76

 

CMYK 31 / 0 / 61 / 38

HEX #6C9D3D

RGB 108 157 61

HSL 90.63, 0.44%, 0.43%

LAB 59.56, -32.91, 43.99

 

CMYK 29 / 0 / 54 / 31

HEX #7DAF50

RGB 125 175 80

HSL 91.58, 0.37%, 0.5%

LAB 66.21, -33, 42.93

 

CMYK 26 / 0 / 49 / 24

HEX #8EC163

RGB 142 193 99

HSL 92.55, 0.43%, 0.57%

LAB 72.75, -33.01, 41.78

 

CMYK 25 / 0 / 44 / 17

HEX #9FD376

RGB 159 211 118

HSL 93.55, 0.51%, 0.65%

LAB 79.2, -32.96, 40.6

 

CMYK 38 / 0 / 66 / 45

HEX #568B2F

RGB 86 139 47

HSL 94.57, 0.49%, 0.36%

LAB 52.56, -34.12, 42.28

 

CMYK 43 / 0 / 77 / 53

HEX #45791C

RGB 69 121 28

HSL 93.55, 0.62%, 0.29%

LAB 45.67, -33.75, 42.74

 

CMYK 50 / 0 / 91 / 60

HEX #346709

RGB 52 103 9

HSL 92.55, 0.84%, 0.22%

LAB 38.64, -32.99, 41.94

 

CMYK 59 / 0 / 100 / 67

HEX #235500

RGB 35 85 0

HSL 95.29, 1%, 0.17%

LAB 31.47, -31.56, 38.42

 

CMYK 73 / 0 / 100 / 74

HEX #124300

RGB 18 67 0

HSL 103.88, 1%, 0.13%

LAB 24.14, -29.3, 31.88

 

CMYK 38 / 0 / 66 / 47

HEX #54882E

RGB 84 136 46

HSL 94.67, 0.49%, 0.36%

LAB 51.49, -33.58, 41.53

 

CMYK 20 / 0 / 66 / 47

HEX #6D882E

RGB 109 136 46

HSL 78, 0.49%, 0.36%

LAB 53.01, -23.68, 43.62

 

CMYK 2 / 0 / 66 / 47

HEX #85882E

RGB 133 136 46

HSL 62, 0.49%, 0.36%

LAB 54.86, -13.22, 46.13

 

CMYK 0 / 15 / 66 / 47

HEX #88732E

RGB 136 115 46

HSL 46, 0.49%, 0.36%

LAB 49.12, -0.22, 40.11

 

CMYK 0 / 33 / 66 / 47

HEX #885B2E

RGB 136 91 46

HSL 30, 0.49%, 0.36%

LAB 42.63, 13.74, 32.88

 

CMYK 38 / 0 / 66 / 47

HEX #54882E

RGB 84 136 46

HSL 94.67, 0.49%, 0.36%

LAB 51.49, -33.58, 41.53

 

CMYK 56 / 0 / 66 / 47

HEX #3C882E

RGB 60 136 46

HSL 110.67, 0.49%, 0.36%

LAB 50.41, -41.42, 40.04

 

CMYK 66 / 0 / 58 / 47

HEX #2E8839

RGB 46 136 57

HSL 127.33, 0.49%, 0.36%

LAB 50.08, -43.63, 34.28

 

CMYK 66 / 0 / 40 / 47

HEX #2E8851

RGB 46 136 81

HSL 143.33, 0.49%, 0.36%

LAB 50.43, -39.65, 21.93

 

CMYK 66 / 0 / 23 / 47

HEX #2E8869

RGB 46 136 105

HSL 159.33, 0.49%, 0.36%

LAB 50.93, -34.36, 8.95

 

CMYK 38 / 0 / 66 / 47

HEX #54882E

RGB 84 136 46

HSL 94.67, 0.49%, 0.36%

LAB 51.49, -33.58, 41.53

 

CMYK 46 / 0 / 79 / 41

HEX #52971F

RGB 82 151 31

HSL 94.5, 0.66%, 0.36%

LAB 56.11, -41.88, 51.99

 

CMYK 52 / 0 / 90 / 35

HEX #50A611

RGB 80 166 17

HSL 94.63, 0.81%, 0.36%

LAB 60.8, -49.06, 59.69

 

CMYK 57 / 0 / 99 / 29

HEX #4EB502

RGB 78 181 2

HSL 94.53, 0.98%, 0.36%

LAB 65.49, -55.48, 65.63

 

CMYK 38 / 0 / 66 / 47

HEX #54882E

RGB 84 136 46

HSL 94.67, 0.49%, 0.36%

LAB 51.49, -33.58, 41.53

 

CMYK 28 / 0 / 50 / 53

HEX #57793D

RGB 87 121 61

HSL 94, 0.33%, 0.36%

LAB 47.02, -23.57, 28.93

 

CMYK 17 / 0 / 29 / 58

HEX #596B4C

RGB 89 107 76

HSL 94.84, 0.17%, 0.36%

LAB 43, -13.04, 15.21

 

CMYK 1 / 0 / 1 / 64

HEX #5B5C5B

RGB 91 92 91

HSL 120, 0.01%, 0.36%

LAB 38.96, -0.6, 0.43

 

CMYK 12 / 27 / 0 / 58

HEX #5D4D6A

RGB 93 77 106

HSL 273.1, 0.16%, 0.36%

LAB 35.35, 12.87, -14.28

 

CMYK 2 / 0 / 66 / 47

HEX #85882E

RGB 133 136 46

HSL 62, 0.49%, 0.36%

LAB 54.86, -13.22, 46.13

 

CMYK 20 / 0 / 66 / 47

HEX #6D882E

RGB 109 136 46

HSL 78, 0.49%, 0.36%

LAB 53.01, -23.68, 43.62

 

CMYK 38 / 0 / 66 / 47

HEX #55882E

RGB 85 136 46

HSL 94, 0.49%, 0.36%

LAB 51.54, -33.21, 41.6

 

CMYK 55 / 0 / 66 / 47

HEX #3D882E

RGB 61 136 46

HSL 110, 0.49%, 0.36%

LAB 50.45, -41.13, 40.1

 

CMYK 66 / 0 / 60 / 47

HEX #2E8837

RGB 46 136 55

HSL 126, 0.49%, 0.36%

LAB 50.06, -43.89, 35.25

 

CMYK 39 / 0 / 67 / 71

HEX #2E4B19

RGB 46 75 25

HSL 94.8, 0.5%, 0.2%

LAB 28.6, -20.99, 25.8

 

CMYK 39 / 0 / 66 / 58

HEX #416A24

RGB 65 106 36

HSL 95.14, 0.49%, 0.28%

LAB 40.51, -27.66, 33.85

 

CMYK 38 / 0 / 66 / 47

HEX #54882E

RGB 84 136 46

HSL 94.67, 0.49%, 0.36%

LAB 51.49, -33.58, 41.53

 

CMYK 38 / 0 / 66 / 35

HEX #68A739

RGB 104 167 57

HSL 94.36, 0.49%, 0.44%

LAB 62.4, -39.23, 48.83

 

CMYK 36 / 0 / 62 / 25

HEX #7BC049

RGB 123 192 73

HSL 94.79, 0.49%, 0.52%

LAB 71.14, -42.04, 51.76

 

CMYK 38 / 0 / 66 / 45

HEX #568B2F

RGB 86 139 47

HSL 94.57, 0.49%, 0.36%

LAB 52.56, -34.12, 42.28

 

CMYK 66 / 0 / 15 / 47

HEX #2E8873

RGB 46 136 115

HSL 166, 0.49%, 0.36%

LAB 51.18, -31.8, 3.52

 

CMYK 0 / 66 / 11 / 47

HEX #882E79

RGB 136 46 121

HSL 310, 0.49%, 0.36%

LAB 35.14, 47.23, -23.54

 

CMYK 38 / 0 / 66 / 45

HEX #568B2F

RGB 86 139 47

HSL 94.57, 0.49%, 0.36%

LAB 52.56, -34.12, 42.28

 

CMYK 66 / 38 / 0 / 47

HEX #2E5588

RGB 46 85 136

HSL 214, 0.49%, 0.36%

LAB 35.7, 3.5, -32.56

 

CMYK 0 / 66 / 38 / 47

HEX #882E55

RGB 136 46 85

HSL 334, 0.49%, 0.36%

LAB 33.66, 42.05, -2.89

 

CMYK 38 / 0 / 66 / 45

HEX #568B2F

RGB 86 139 47

HSL 94.57, 0.49%, 0.36%

LAB 52.56, -34.12, 42.28

 

CMYK 66 / 0 / 15 / 47

HEX #2E8873

RGB 46 136 115

HSL 166, 0.49%, 0.36%

LAB 51.18, -31.8, 3.52

 

CMYK 29 / 66 / 0 / 47

HEX #612E88

RGB 97 46 136

HSL 274, 0.49%, 0.36%

LAB 30.09, 40.1, -41.28

 

CMYK 0 / 66 / 51 / 47

HEX #882E43

RGB 136 46 67

HSL 346, 0.49%, 0.36%

LAB 33.12, 40.1, 8.01

 

CMYK 38 / 0 / 66 / 45

HEX #568B2F

RGB 86 139 47

HSL 94.57, 0.49%, 0.36%

LAB 52.56, -34.12, 42.28

 

CMYK 66 / 4 / 0 / 47

HEX #2E8288

RGB 46 130 136

HSL 184, 0.49%, 0.36%

LAB 49.89, -22.77, -10.67

 

CMYK 29 / 66 / 0 / 47

HEX #612E88

RGB 97 46 136

HSL 274, 0.49%, 0.36%

LAB 30.09, 40.1, -41.28

 

CMYK 0 / 62 / 66 / 47

HEX #88342E

RGB 136 52 46

HSL 4, 0.49%, 0.36%

LAB 33.75, 35.53, 22.29

 

Description

Color code: HEX #568B2F | qconv.com Color code: HEX #568B2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 139 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 139 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 66 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 66% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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