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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5681E5 it is the complementary color #A97E1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5681E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5681E5 shade: #5B81E0, #6C93F3, #7DA5FF, #8EB7FF and #9FC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5681E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5681E5 shade: #5681E5, #456FD2, #345DBF, #234BAC and #123999

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5681E5 shade: #5781E4, #575BE4, #7957E4, #9F57E4 and #C557E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5681E5 shade: #5781E4, #575BE4 and #5757E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5681E5 shade matches the following richer shades: #5781E4 and #477BF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5681E5 shade: #5781E4, #6788D5, #768EC5, #8694B5 and #969AA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5681E5 shade: #57CFE4, #57A9E4, #5784E4, #575EE4 and #7657E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5681E5 shade: #1F52CA, #3367DF, #5781E4, #7B9CEA and #9EB7EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5681E5 shade: #5681E5, #D457E4 and #BCE457

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5681E5 shade: #5681E5, #E45784 and #84E457

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5681E5 shade: #5681E5, #D457E4, #E4B857 and #67E457

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5681E5 shade: #5681E5, #E457CA, #E4B857 and #57E471

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 44 / 0 / 10

HEX #5681E5

RGB 86 129 229

HSL 221.96, 0.73%, 0.62%

LAB 55.42, 16.04, -55.26

 

Complementary color

CMYK 0 / 25 / 85 / 34

HEX #A97E1A

RGB 169 126 26

HSL 41.96, 0.73%, 0.38%

LAB 55.51, 7.82, 55.54

 

CMYK 59 / 42 / 0 / 12

HEX #5B81E0

RGB 91 129 224

HSL 222.86, 0.68%, 0.62%

LAB 55.39, 15.28, -52.5

 

CMYK 56 / 40 / 0 / 5

HEX #6C93F3

RGB 108 147 243

HSL 222.67, 0.85%, 0.69%

LAB 62.11, 14.03, -52.3

 

CMYK 51 / 35 / 0 / 0

HEX #7DA5FF

RGB 125 165 255

HSL 221.54, 1%, 0.75%

LAB 68.38, 10.87, -48.88

 

CMYK 44 / 28 / 0 / 0

HEX #8EB7FF

RGB 142 183 255

HSL 218.23, 1%, 0.78%

LAB 74.09, 4.66, -39.87

 

CMYK 38 / 21 / 0 / 0

HEX #9FC9FF

RGB 159 201 255

HSL 213.75, 1%, 0.81%

LAB 79.82, -0.87, -30.92

 

CMYK 62 / 44 / 0 / 10

HEX #5681E5

RGB 86 129 229

HSL 221.96, 0.73%, 0.62%

LAB 55.42, 16.04, -55.26

 

CMYK 67 / 47 / 0 / 18

HEX #456FD2

RGB 69 111 210

HSL 222.13, 0.61%, 0.55%

LAB 48.62, 17.72, -55.48

 

CMYK 73 / 51 / 0 / 25

HEX #345DBF

RGB 52 93 191

HSL 222.3, 0.57%, 0.48%

LAB 41.72, 19.8, -55.69

 

CMYK 80 / 56 / 0 / 33

HEX #234BAC

RGB 35 75 172

HSL 222.48, 0.66%, 0.41%

LAB 34.74, 22.39, -55.86

 

CMYK 88 / 63 / 0 / 40

HEX #123999

RGB 18 57 153

HSL 222.67, 0.79%, 0.34%

LAB 27.72, 25.64, -55.87

 

CMYK 62 / 43 / 0 / 11

HEX #5781E4

RGB 87 129 228

HSL 222.13, 0.72%, 0.62%

LAB 55.41, 15.88, -54.71

 

CMYK 62 / 60 / 0 / 11

HEX #575BE4

RGB 87 91 228

HSL 238.3, 0.72%, 0.62%

LAB 45.78, 39.17, -70.24

 

CMYK 47 / 62 / 0 / 11

HEX #7957E4

RGB 121 87 228

HSL 254.47, 0.72%, 0.62%

LAB 47.6, 47.48, -67.17

 

CMYK 30 / 62 / 0 / 11

HEX #9F57E4

RGB 159 87 228

HSL 270.64, 0.72%, 0.62%

LAB 51.6, 55.41, -60.51

 

CMYK 14 / 62 / 0 / 11

HEX #C557E4

RGB 197 87 228

HSL 286.81, 0.72%, 0.62%

LAB 56.38, 64.09, -52.59

 

CMYK 62 / 43 / 0 / 11

HEX #5781E4

RGB 87 129 228

HSL 222.13, 0.72%, 0.62%

LAB 55.41, 15.88, -54.71

 

CMYK 62 / 60 / 0 / 11

HEX #575BE4

RGB 87 91 228

HSL 238.3, 0.72%, 0.62%

LAB 45.78, 39.17, -70.24

 

CMYK 62 / 62 / 0 / 11

HEX #5757E4

RGB 87 87 228

HSL 240, 0.72%, 0.62%

LAB 44.86, 41.56, -71.74

 

CMYK 62 / 43 / 0 / 11

HEX #5781E4

RGB 87 129 228

HSL 222.13, 0.72%, 0.62%

LAB 55.41, 15.88, -54.71

 

CMYK 71 / 50 / 0 / 4

HEX #477BF4

RGB 71 123 244

HSL 221.97, 0.89%, 0.62%

LAB 54.07, 22.61, -65.82

 

CMYK 62 / 43 / 0 / 11

HEX #5781E4

RGB 87 129 228

HSL 222.13, 0.72%, 0.62%

LAB 55.41, 15.88, -54.71

 

CMYK 52 / 36 / 0 / 16

HEX #6788D5

RGB 103 136 213

HSL 222, 0.57%, 0.62%

LAB 57.36, 10.05, -43.15

 

CMYK 40 / 28 / 0 / 23

HEX #768EC5

RGB 118 142 197

HSL 221.77, 0.41%, 0.62%

LAB 59.19, 5.51, -31.22

 

CMYK 26 / 18 / 0 / 29

HEX #8694B5

RGB 134 148 181

HSL 222.13, 0.24%, 0.62%

LAB 61.29, 2.52, -18.85

 

CMYK 10 / 7 / 0 / 35

HEX #969AA6

RGB 150 154 166

HSL 225, 0.08%, 0.62%

LAB 63.63, 1, -6.76

 

CMYK 62 / 9 / 0 / 11

HEX #57CFE4

RGB 87 207 228

HSL 188.94, 0.72%, 0.62%

LAB 77.43, -27.26, -20.4

 

CMYK 62 / 26 / 0 / 11

HEX #57A9E4

RGB 87 169 228

HSL 205.11, 0.72%, 0.62%

LAB 66.52, -7.42, -37.17

 

CMYK 62 / 42 / 0 / 11

HEX #5784E4

RGB 87 132 228

HSL 220.85, 0.72%, 0.62%

LAB 56.22, 14.06, -53.42

 

CMYK 62 / 59 / 0 / 11

HEX #575EE4

RGB 87 94 228

HSL 237.02, 0.72%, 0.62%

LAB 46.49, 37.35, -69.09

 

CMYK 48 / 62 / 0 / 11

HEX #7657E4

RGB 118 87 228

HSL 253.19, 0.72%, 0.62%

LAB 47.33, 46.9, -67.63

 

CMYK 85 / 59 / 0 / 21

HEX #1F52CA

RGB 31 82 202

HSL 222.11, 0.73%, 0.46%

LAB 38.88, 29.02, -66.73

 

CMYK 77 / 54 / 0 / 13

HEX #3367DF

RGB 51 103 223

HSL 221.86, 0.73%, 0.54%

LAB 46.62, 25.15, -66.13

 

CMYK 62 / 43 / 0 / 11

HEX #5781E4

RGB 87 129 228

HSL 222.13, 0.72%, 0.62%

LAB 55.41, 15.88, -54.71

 

CMYK 47 / 33 / 0 / 8

HEX #7B9CEA

RGB 123 156 234

HSL 222.16, 0.73%, 0.7%

LAB 64.91, 9.34, -42.88

 

CMYK 34 / 23 / 0 / 6

HEX #9EB7EF

RGB 158 183 239

HSL 221.48, 0.72%, 0.78%

LAB 74.42, 4.54, -30.64

 

CMYK 62 / 44 / 0 / 10

HEX #5681E5

RGB 86 129 229

HSL 221.96, 0.73%, 0.62%

LAB 55.42, 16.04, -55.26

 

CMYK 7 / 62 / 0 / 11

HEX #D457E4

RGB 212 87 228

HSL 293.19, 0.72%, 0.62%

LAB 58.43, 67.62, -49.2

 

CMYK 18 / 0 / 62 / 11

HEX #BCE457

RGB 188 228 87

HSL 77.02, 0.72%, 0.62%

LAB 85.44, -33.05, 62.59

 

CMYK 62 / 44 / 0 / 10

HEX #5681E5

RGB 86 129 229

HSL 221.96, 0.73%, 0.62%

LAB 55.42, 16.04, -55.26

 

CMYK 0 / 62 / 42 / 11

HEX #E45784

RGB 228 87 132

HSL 340.85, 0.72%, 0.62%

LAB 57.05, 58.46, 4.2

 

CMYK 42 / 0 / 62 / 11

HEX #84E457

RGB 132 228 87

HSL 100.85, 0.72%, 0.62%

LAB 82.42, -52.75, 58.42

 

CMYK 62 / 44 / 0 / 10

HEX #5681E5

RGB 86 129 229

HSL 221.96, 0.73%, 0.62%

LAB 55.42, 16.04, -55.26

 

CMYK 7 / 62 / 0 / 11

HEX #D457E4

RGB 212 87 228

HSL 293.19, 0.72%, 0.62%

LAB 58.43, 67.62, -49.2

 

CMYK 0 / 19 / 62 / 11

HEX #E4B857

RGB 228 184 87

HSL 41.28, 0.72%, 0.62%

LAB 76.96, 5.23, 54.14

 

CMYK 55 / 0 / 62 / 11

HEX #67E457

RGB 103 228 87

HSL 113.19, 0.72%, 0.62%

LAB 81.32, -60.92, 56.89

 

CMYK 62 / 44 / 0 / 10

HEX #5681E5

RGB 86 129 229

HSL 221.96, 0.73%, 0.62%

LAB 55.42, 16.04, -55.26

 

CMYK 0 / 62 / 11 / 11

HEX #E457CA

RGB 228 87 202

HSL 311.06, 0.72%, 0.62%

LAB 59.5, 67.3, -32.67

 

CMYK 0 / 19 / 62 / 11

HEX #E4B857

RGB 228 184 87

HSL 41.28, 0.72%, 0.62%

LAB 76.96, 5.23, 54.14

 

CMYK 62 / 0 / 50 / 11

HEX #57E471

RGB 87 228 113

HSL 131.06, 0.72%, 0.62%

LAB 81.13, -61.46, 44.79

 

Description

Color code: HEX #5681E5 | qconv.com Color code: HEX #5681E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 129 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 129 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 44 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 44% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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