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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #568720 it is the complementary color #A978DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #568720. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #568720 shade: #5B871B, #6C992E, #7DAB41, #8EBD54 and #9FCF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #568720. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #568720 shade: #568720, #45750D, #346300, #235100 and #123F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #568720 shade: #56881F, #72881F, #88811F, #88651F and #88491F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #568720 shade: #56881F, #3A881F, #1F8821, #1F883D and #1F8859

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #568720 shade matches the following richer shades: #56881F, #579512 and #58A304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #568720 shade: #56881F, #567A2D, #556D3B, #545F48 and #545156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #568720 shade: #88811F, #73881F, #57881F, #3B881F and #1F881F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #568720 shade: #2C4510, #416618, #56881F, #6BA927 and #81CB2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #568720 shade: #568720, #1F8865 and #881F81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #568720 shade: #568720, #1F5788 and #881F57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #568720 shade: #568720, #1F8865, #501F88 and #881F42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #568720 shade: #568720, #1F8884, #501F88 and #881F23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 76 / 47

HEX #568720

RGB 86 135 32

HSL 88.54, 0.62%, 0.33%

LAB 51.16, -33.46, 46.96

 

Complementary color

CMYK 24 / 46 / 0 / 13

HEX #A978DF

RGB 169 120 223

HSL 268.54, 0.62%, 0.67%

LAB 59.16, 39.15, -45.58

 

CMYK 33 / 0 / 80 / 47

HEX #5B871B

RGB 91 135 27

HSL 84.44, 0.67%, 0.32%

LAB 51.42, -31.82, 49.03

 

CMYK 29 / 0 / 70 / 40

HEX #6C992E

RGB 108 153 46

HSL 85.23, 0.54%, 0.39%

LAB 58.2, -32.31, 49.03

 

CMYK 27 / 0 / 62 / 33

HEX #7DAB41

RGB 125 171 65

HSL 86.04, 0.45%, 0.46%

LAB 64.86, -32.61, 48.36

 

CMYK 25 / 0 / 56 / 26

HEX #8EBD54

RGB 142 189 84

HSL 86.86, 0.44%, 0.54%

LAB 71.41, -32.76, 47.38

 

CMYK 23 / 0 / 50 / 19

HEX #9FCF67

RGB 159 207 103

HSL 87.69, 0.52%, 0.61%

LAB 77.86, -32.84, 46.28

 

CMYK 36 / 0 / 76 / 47

HEX #568720

RGB 86 135 32

HSL 88.54, 0.62%, 0.33%

LAB 51.16, -33.46, 46.96

 

CMYK 41 / 0 / 89 / 54

HEX #45750D

RGB 69 117 13

HSL 87.69, 0.8%, 0.25%

LAB 44.26, -32.78, 46.17

 

CMYK 47 / 0 / 100 / 61

HEX #346300

RGB 52 99 0

HSL 88.48, 1%, 0.19%

LAB 37.21, -31.64, 43.24

 

CMYK 57 / 0 / 100 / 68

HEX #235100

RGB 35 81 0

HSL 94.07, 1%, 0.16%

LAB 30.02, -29.88, 37.27

 

CMYK 71 / 0 / 100 / 75

HEX #123F00

RGB 18 63 0

HSL 102.86, 1%, 0.12%

LAB 22.6, -27.71, 30.32

 

CMYK 37 / 0 / 77 / 47

HEX #56881F

RGB 86 136 31

HSL 88.57, 0.63%, 0.33%

LAB 51.48, -33.98, 47.63

 

CMYK 16 / 0 / 77 / 47

HEX #72881F

RGB 114 136 31

HSL 72.57, 0.63%, 0.33%

LAB 53.26, -22.51, 49.95

 

CMYK 0 / 5 / 77 / 47

HEX #88811F

RGB 136 129 31

HSL 56, 0.63%, 0.33%

LAB 52.99, -8.89, 50.34

 

CMYK 0 / 26 / 77 / 47

HEX #88651F

RGB 136 101 31

HSL 40, 0.63%, 0.33%

LAB 45.14, 7, 42.87

 

CMYK 0 / 46 / 77 / 47

HEX #88491F

RGB 136 73 31

HSL 24, 0.63%, 0.33%

LAB 38.02, 23.34, 35.75

 

CMYK 37 / 0 / 77 / 47

HEX #56881F

RGB 86 136 31

HSL 88.57, 0.63%, 0.33%

LAB 51.48, -33.98, 47.63

 

CMYK 57 / 0 / 77 / 47

HEX #3A881F

RGB 58 136 31

HSL 104.57, 0.63%, 0.33%

LAB 50.22, -43.3, 45.97

 

CMYK 77 / 0 / 76 / 47

HEX #1F8821

RGB 31 136 33

HSL 121.14, 0.63%, 0.33%

LAB 49.51, -49.15, 44.28

 

CMYK 77 / 0 / 55 / 47

HEX #1F883D

RGB 31 136 61

HSL 137.14, 0.63%, 0.33%

LAB 49.78, -45.85, 31.81

 

CMYK 77 / 0 / 35 / 47

HEX #1F8859

RGB 31 136 89

HSL 153.14, 0.63%, 0.33%

LAB 50.24, -40.59, 17.12

 

CMYK 37 / 0 / 77 / 47

HEX #56881F

RGB 86 136 31

HSL 88.57, 0.63%, 0.33%

LAB 51.48, -33.98, 47.63

 

CMYK 42 / 0 / 88 / 42

HEX #579512

RGB 87 149 18

HSL 88.4, 0.78%, 0.33%

LAB 55.65, -39.92, 55.21

 

CMYK 46 / 0 / 98 / 36

HEX #58A304

RGB 88 163 4

HSL 88.3, 0.95%, 0.33%

LAB 60.14, -45.68, 61.27

 

CMYK 37 / 0 / 77 / 47

HEX #56881F

RGB 86 136 31

HSL 88.57, 0.63%, 0.33%

LAB 51.48, -33.98, 47.63

 

CMYK 30 / 0 / 63 / 52

HEX #567A2D

RGB 86 122 45

HSL 88.05, 0.46%, 0.33%

LAB 47.09, -26.29, 37.18

 

CMYK 22 / 0 / 46 / 57

HEX #556D3B

RGB 85 109 59

HSL 88.8, 0.3%, 0.33%

LAB 43.04, -18.4, 25.03

 

CMYK 12 / 0 / 24 / 63

HEX #545F48

RGB 84 95 72

HSL 88.7, 0.14%, 0.33%

LAB 38.79, -8.96, 11.78

 

CMYK 2 / 6 / 0 / 66

HEX #545156

RGB 84 81 86

HSL 276, 0.03%, 0.33%

LAB 34.89, 2.3, -2.49

 

CMYK 0 / 5 / 77 / 47

HEX #88811F

RGB 136 129 31

HSL 56, 0.63%, 0.33%

LAB 52.99, -8.89, 50.34

 

CMYK 15 / 0 / 77 / 47

HEX #73881F

RGB 115 136 31

HSL 72, 0.63%, 0.33%

LAB 53.33, -22.07, 50.04

 

CMYK 36 / 0 / 77 / 47

HEX #57881F

RGB 87 136 31

HSL 88, 0.63%, 0.33%

LAB 51.53, -33.6, 47.7

 

CMYK 57 / 0 / 77 / 47

HEX #3B881F

RGB 59 136 31

HSL 104, 0.63%, 0.33%

LAB 50.26, -43.02, 46.02

 

CMYK 77 / 0 / 77 / 47

HEX #1F881F

RGB 31 136 31

HSL 120, 0.63%, 0.33%

LAB 49.49, -49.32, 45.01

 

CMYK 36 / 0 / 77 / 73

HEX #2C4510

RGB 44 69 16

HSL 88.3, 0.62%, 0.17%

LAB 26.24, -19.62, 27.71

 

CMYK 36 / 0 / 76 / 60

HEX #416618

RGB 65 102 24

HSL 88.46, 0.62%, 0.25%

LAB 39.06, -26.78, 37.68

 

CMYK 37 / 0 / 77 / 47

HEX #56881F

RGB 86 136 31

HSL 88.57, 0.63%, 0.33%

LAB 51.48, -33.98, 47.63

 

CMYK 37 / 0 / 77 / 34

HEX #6BA927

RGB 107 169 39

HSL 88.62, 0.63%, 0.41%

LAB 63.05, -40.31, 56.4

 

CMYK 36 / 0 / 77 / 20

HEX #81CB2F

RGB 129 203 47

HSL 88.46, 0.62%, 0.49%

LAB 74.56, -46.47, 65.18

 

CMYK 36 / 0 / 76 / 47

HEX #568720

RGB 86 135 32

HSL 88.54, 0.62%, 0.33%

LAB 51.16, -33.46, 46.96

 

CMYK 77 / 0 / 26 / 47

HEX #1F8865

RGB 31 136 101

HSL 160, 0.63%, 0.33%

LAB 50.5, -37.78, 10.61

 

CMYK 0 / 77 / 5 / 47

HEX #881F81

RGB 136 31 129

HSL 304, 0.63%, 0.33%

LAB 33.56, 54.19, -31.02

 

CMYK 36 / 0 / 76 / 47

HEX #568720

RGB 86 135 32

HSL 88.54, 0.62%, 0.33%

LAB 51.16, -33.46, 46.96

 

CMYK 77 / 36 / 0 / 47

HEX #1F5788

RGB 31 87 136

HSL 208, 0.63%, 0.33%

LAB 35.76, -0.25, -32.51

 

CMYK 0 / 77 / 36 / 47

HEX #881F57

RGB 136 31 87

HSL 328, 0.63%, 0.33%

LAB 31.58, 48.24, -7.28

 

CMYK 36 / 0 / 76 / 47

HEX #568720

RGB 86 135 32

HSL 88.54, 0.62%, 0.33%

LAB 51.16, -33.46, 46.96

 

CMYK 77 / 0 / 26 / 47

HEX #1F8865

RGB 31 136 101

HSL 160, 0.63%, 0.33%

LAB 50.5, -37.78, 10.61

 

CMYK 41 / 77 / 0 / 47

HEX #501F88

RGB 80 31 136

HSL 268, 0.63%, 0.33%

LAB 25.15, 43.96, -49.4

 

CMYK 0 / 77 / 51 / 47

HEX #881F42

RGB 136 31 66

HSL 340, 0.63%, 0.33%

LAB 30.9, 46.07, 5.53

 

CMYK 36 / 0 / 76 / 47

HEX #568720

RGB 86 135 32

HSL 88.54, 0.62%, 0.33%

LAB 51.16, -33.46, 46.96

 

CMYK 77 / 0 / 3 / 47

HEX #1F8884

RGB 31 136 132

HSL 177.71, 0.63%, 0.33%

LAB 51.34, -29.17, -6.19

 

CMYK 41 / 77 / 0 / 47

HEX #501F88

RGB 80 31 136

HSL 268, 0.63%, 0.33%

LAB 25.15, 43.96, -49.4

 

CMYK 0 / 77 / 74 / 47

HEX #881F23

RGB 136 31 35

HSL 357.71, 0.63%, 0.33%

LAB 30.24, 43.94, 24.96

 

Description

Color code: HEX #568720 | qconv.com Color code: HEX #568720 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 135 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 135 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 76 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 76% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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