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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56675A it is the complementary color #A998A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56675A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56675A shade: #5B6755, #6C7968, #7D8B7B, #8E9D8E and #9FAFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56675A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56675A shade: #56675A, #455547, #344334, #233121 and #121F0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56675A shade: #556659, #566655, #5B6655, #5F6655 and #646655

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56675A shade: #556659, #55665E, #556663, #556666 and #556166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56675A shade matches the following richer shades: #556659, #467651, #378549, #289441 and #18A339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56675A shade: #556659, #655761, #74486A, #833972 and #92297A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56675A shade: #5A6655, #566655, #556659, #55665E and #556662

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56675A shade: #303932, #435046, #556659, #687D6D and #7C9281

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56675A shade: #56675A, #555F66 and #665558

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56675A shade: #56675A, #595566 and #665955

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56675A shade: #56675A, #555F66, #665562 and #665D55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56675A shade: #56675A, #555A66, #665562 and #666255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 13 / 60

HEX #56675A

RGB 86 103 90

HSL 134.12, 0.09%, 0.37%

LAB 41.87, -9.28, 5.2

 

Complementary color

CMYK 0 / 10 / 2 / 34

HEX #A998A5

RGB 169 152 165

HSL 314.12, 0.09%, 0.63%

LAB 64.65, 8.63, -4.51

 

CMYK 12 / 0 / 17 / 60

HEX #5B6755

RGB 91 103 85

HSL 100, 0.1%, 0.37%

LAB 42.12, -8.33, 8.64

 

CMYK 11 / 0 / 14 / 53

HEX #6C7968

RGB 108 121 104

HSL 105.88, 0.08%, 0.44%

LAB 49.33, -8.3, 7.7

 

CMYK 10 / 0 / 12 / 45

HEX #7D8B7B

RGB 125 139 123

HSL 112.5, 0.06%, 0.51%

LAB 56.34, -8.28, 6.84

 

CMYK 10 / 0 / 10 / 38

HEX #8E9D8E

RGB 142 157 142

HSL 120, 0.07%, 0.59%

LAB 63.19, -8.28, 6.03

 

CMYK 9 / 0 / 8 / 31

HEX #9FAFA1

RGB 159 175 161

HSL 127.5, 0.09%, 0.65%

LAB 69.9, -8.28, 5.27

 

CMYK 17 / 0 / 13 / 60

HEX #56675A

RGB 86 103 90

HSL 134.12, 0.09%, 0.37%

LAB 41.87, -9.28, 5.2

 

CMYK 19 / 0 / 16 / 67

HEX #455547

RGB 69 85 71

HSL 127.5, 0.1%, 0.3%

LAB 34.43, -9.4, 6.12

 

CMYK 22 / 0 / 22 / 74

HEX #344334

RGB 52 67 52

HSL 120, 0.13%, 0.23%

LAB 26.71, -9.57, 7.16

 

CMYK 29 / 0 / 33 / 81

HEX #233121

RGB 35 49 33

HSL 112.5, 0.2%, 0.16%

LAB 18.64, -9.79, 8.37

 

CMYK 42 / 0 / 55 / 88

HEX #121F0E

RGB 18 31 14

HSL 105.88, 0.38%, 0.09%

LAB 10.11, -10.04, 8.96

 

CMYK 17 / 0 / 13 / 60

HEX #556659

RGB 85 102 89

HSL 134.12, 0.09%, 0.37%

LAB 41.46, -9.29, 5.21

 

CMYK 16 / 0 / 17 / 60

HEX #566655

RGB 86 102 85

HSL 116.47, 0.09%, 0.37%

LAB 41.43, -9.73, 7.61

 

CMYK 11 / 0 / 17 / 60

HEX #5B6655

RGB 91 102 85

HSL 98.82, 0.09%, 0.37%

LAB 41.82, -7.75, 8.2

 

CMYK 7 / 0 / 17 / 60

HEX #5F6655

RGB 95 102 85

HSL 84.71, 0.09%, 0.37%

LAB 42.14, -6.13, 8.71

 

CMYK 2 / 0 / 17 / 60

HEX #646655

RGB 100 102 85

HSL 67.06, 0.09%, 0.37%

LAB 42.56, -4.08, 9.36

 

CMYK 17 / 0 / 13 / 60

HEX #556659

RGB 85 102 89

HSL 134.12, 0.09%, 0.37%

LAB 41.46, -9.29, 5.21

 

CMYK 17 / 0 / 8 / 60

HEX #55665E

RGB 85 102 94

HSL 151.76, 0.09%, 0.37%

LAB 41.6, -8.22, 2.37

 

CMYK 17 / 0 / 3 / 60

HEX #556663

RGB 85 102 99

HSL 169.41, 0.09%, 0.37%

LAB 41.74, -7.09, -0.46

 

CMYK 17 / 0 / 0 / 60

HEX #556666

RGB 85 102 102

HSL 180, 0.09%, 0.37%

LAB 41.83, -6.4, -2.16

 

CMYK 17 / 5 / 0 / 60

HEX #556166

RGB 85 97 102

HSL 197.65, 0.09%, 0.37%

LAB 40.31, -3.43, -4.4

 

CMYK 17 / 0 / 13 / 60

HEX #556659

RGB 85 102 89

HSL 134.12, 0.09%, 0.37%

LAB 41.46, -9.29, 5.21

 

CMYK 41 / 0 / 31 / 54

HEX #467651

RGB 70 118 81

HSL 133.75, 0.26%, 0.37%

LAB 45.43, -24.96, 15.39

 

CMYK 59 / 0 / 45 / 48

HEX #378549

RGB 55 133 73

HSL 133.85, 0.41%, 0.37%

LAB 49.58, -37.79, 25.3

 

CMYK 73 / 0 / 56 / 42

HEX #289441

RGB 40 148 65

HSL 133.89, 0.57%, 0.37%

LAB 54.04, -48.18, 34.96

 

CMYK 85 / 0 / 65 / 36

HEX #18A339

RGB 24 163 57

HSL 134.24, 0.74%, 0.37%

LAB 58.68, -56.51, 44.05

 

CMYK 17 / 0 / 13 / 60

HEX #556659

RGB 85 102 89

HSL 134.12, 0.09%, 0.37%

LAB 41.46, -9.29, 5.21

 

CMYK 0 / 14 / 4 / 60

HEX #655761

RGB 101 87 97

HSL 317.14, 0.07%, 0.37%

LAB 38.63, 7.68, -3.65

 

CMYK 0 / 38 / 9 / 55

HEX #74486A

RGB 116 72 106

HSL 313.64, 0.23%, 0.37%

LAB 36.72, 24.43, -11.95

 

CMYK 0 / 56 / 13 / 49

HEX #833972

RGB 131 57 114

HSL 313.78, 0.39%, 0.37%

LAB 35.92, 39.39, -18.01

 

CMYK 0 / 72 / 16 / 43

HEX #92297A

RGB 146 41 122

HSL 313.71, 0.56%, 0.37%

LAB 36.18, 52.08, -22.42

 

CMYK 12 / 0 / 17 / 60

HEX #5A6655

RGB 90 102 85

HSL 102.35, 0.09%, 0.37%

LAB 41.74, -8.15, 8.08

 

CMYK 16 / 0 / 17 / 60

HEX #566655

RGB 86 102 85

HSL 116.47, 0.09%, 0.37%

LAB 41.43, -9.73, 7.61

 

CMYK 17 / 0 / 13 / 60

HEX #556659

RGB 85 102 89

HSL 134.12, 0.09%, 0.37%

LAB 41.46, -9.29, 5.21

 

CMYK 17 / 0 / 8 / 60

HEX #55665E

RGB 85 102 94

HSL 151.76, 0.09%, 0.37%

LAB 41.6, -8.22, 2.37

 

CMYK 17 / 0 / 4 / 60

HEX #556662

RGB 85 102 98

HSL 165.88, 0.09%, 0.37%

LAB 41.71, -7.32, 0.1

 

CMYK 16 / 0 / 12 / 78

HEX #303932

RGB 48 57 50

HSL 133.33, 0.09%, 0.21%

LAB 22.95, -5.46, 3.1

 

CMYK 16 / 0 / 13 / 69

HEX #435046

RGB 67 80 70

HSL 133.85, 0.09%, 0.29%

LAB 32.64, -7.43, 4.18

 

CMYK 17 / 0 / 13 / 60

HEX #556659

RGB 85 102 89

HSL 134.12, 0.09%, 0.37%

LAB 41.46, -9.29, 5.21

 

CMYK 17 / 0 / 13 / 51

HEX #687D6D

RGB 104 125 109

HSL 134.29, 0.09%, 0.45%

LAB 50.35, -11.06, 6.18

 

CMYK 15 / 0 / 12 / 43

HEX #7C9281

RGB 124 146 129

HSL 133.64, 0.09%, 0.53%

LAB 58.44, -11.32, 6.4

 

CMYK 17 / 0 / 13 / 60

HEX #56675A

RGB 86 103 90

HSL 134.12, 0.09%, 0.37%

LAB 41.87, -9.28, 5.2

 

CMYK 17 / 7 / 0 / 60

HEX #555F66

RGB 85 95 102

HSL 204.71, 0.09%, 0.37%

LAB 39.71, -2.22, -5.3

 

CMYK 0 / 17 / 14 / 60

HEX #665558

RGB 102 85 88

HSL 349.41, 0.09%, 0.37%

LAB 37.89, 7.55, 0.86

 

CMYK 17 / 0 / 13 / 60

HEX #56675A

RGB 86 103 90

HSL 134.12, 0.09%, 0.37%

LAB 41.87, -9.28, 5.2

 

CMYK 13 / 17 / 0 / 60

HEX #595566

RGB 89 85 102

HSL 254.12, 0.09%, 0.37%

LAB 37.08, 5.41, -9.2

 

CMYK 0 / 13 / 17 / 60

HEX #665955

RGB 102 89 85

HSL 14.12, 0.09%, 0.37%

LAB 38.94, 4.54, 4.25

 

CMYK 17 / 0 / 13 / 60

HEX #56675A

RGB 86 103 90

HSL 134.12, 0.09%, 0.37%

LAB 41.87, -9.28, 5.2

 

CMYK 17 / 7 / 0 / 60

HEX #555F66

RGB 85 95 102

HSL 204.71, 0.09%, 0.37%

LAB 39.71, -2.22, -5.3

 

CMYK 0 / 17 / 4 / 60

HEX #665562

RGB 102 85 98

HSL 314.12, 0.09%, 0.37%

LAB 38.21, 9.52, -4.89

 

CMYK 0 / 9 / 17 / 60

HEX #665D55

RGB 102 93 85

HSL 28.24, 0.09%, 0.37%

LAB 40.1, 2.11, 5.9

 

CMYK 17 / 0 / 13 / 60

HEX #56675A

RGB 86 103 90

HSL 134.12, 0.09%, 0.37%

LAB 41.87, -9.28, 5.2

 

CMYK 17 / 12 / 0 / 60

HEX #555A66

RGB 85 90 102

HSL 222.35, 0.09%, 0.37%

LAB 38.2, 0.83, -7.55

 

CMYK 0 / 17 / 4 / 60

HEX #665562

RGB 102 85 98

HSL 314.12, 0.09%, 0.37%

LAB 38.21, 9.52, -4.89

 

CMYK 0 / 4 / 17 / 60

HEX #666255

RGB 102 98 85

HSL 45.88, 0.09%, 0.37%

LAB 41.56, -0.89, 7.97

 

Description

Color code: HEX #56675A | qconv.com Color code: HEX #56675A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 103 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 103 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 13 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 13% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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