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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #566547 it is the complementary color #A99AB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #566547. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #566547 shade: #5B6542, #6C7755, #7D8968, #8E9B7B and #9FAD8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #566547. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #566547 shade: #566547, #455334, #344121, #232F0E and #121D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #566547 shade: #566547, #5E6547, #656447, #655C47 and #655447

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #566547 shade: #566547, #4E6547, #476549, #476551 and #476559

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #566547 shade matches the following richer shades: #566547, #567339, #56812B, #568F1D and #569D0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #566547 shade: #566547, #565755, #564964, #563B72 and #562D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #566547 shade: #656447, #5E6547, #566547, #4E6547 and #476548

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #566547 shade: #2D3525, #424D36, #566547, #6B7D59 and #7F956A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #566547 shade: #566547, #47655C and #654762

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #566547 shade: #566547, #475665 and #654756

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #566547 shade: #566547, #47655C, #564765 and #654750

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #566547 shade: #566547, #476565, #564765 and #654747

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 30 / 60

HEX #566547

RGB 86 101 71

HSL 90, 0.17%, 0.34%

LAB 40.8, -11.75, 15.15

 

Complementary color

CMYK 8 / 16 / 0 / 28

HEX #A99AB8

RGB 169 154 184

HSL 270, 0.17%, 0.66%

LAB 65.75, 11.27, -13.53

 

CMYK 10 / 0 / 35 / 60

HEX #5B6542

RGB 91 101 66

HSL 77.14, 0.21%, 0.33%

LAB 41.1, -10.45, 18.58

 

CMYK 9 / 0 / 29 / 53

HEX #6C7755

RGB 108 119 85

HSL 79.41, 0.17%, 0.4%

LAB 48.31, -10.51, 17.38

 

CMYK 9 / 0 / 24 / 46

HEX #7D8968

RGB 125 137 104

HSL 81.82, 0.14%, 0.47%

LAB 55.33, -10.55, 16.28

 

CMYK 8 / 0 / 21 / 39

HEX #8E9B7B

RGB 142 155 123

HSL 84.38, 0.14%, 0.55%

LAB 62.19, -10.58, 15.26

 

CMYK 8 / 0 / 18 / 32

HEX #9FAD8E

RGB 159 173 142

HSL 87.1, 0.16%, 0.62%

LAB 68.9, -10.6, 14.3

 

CMYK 15 / 0 / 30 / 60

HEX #566547

RGB 86 101 71

HSL 90, 0.17%, 0.34%

LAB 40.8, -11.75, 15.15

 

CMYK 17 / 0 / 37 / 67

HEX #455334

RGB 69 83 52

HSL 87.1, 0.23%, 0.26%

LAB 33.35, -11.79, 16.4

 

CMYK 20 / 0 / 49 / 75

HEX #344121

RGB 52 65 33

HSL 84.38, 0.33%, 0.19%

LAB 25.62, -11.8, 17.78

 

CMYK 26 / 0 / 70 / 82

HEX #232F0E

RGB 35 47 14

HSL 81.82, 0.54%, 0.12%

LAB 17.56, -11.66, 19

 

CMYK 38 / 0 / 100 / 89

HEX #121D00

RGB 18 29 0

HSL 82.76, 1%, 0.06%

LAB 9.05, -10.8, 13.35

 

CMYK 15 / 0 / 30 / 60

HEX #566547

RGB 86 101 71

HSL 90, 0.17%, 0.34%

LAB 40.8, -11.75, 15.15

 

CMYK 7 / 0 / 30 / 60

HEX #5E6547

RGB 94 101 71

HSL 74, 0.17%, 0.34%

LAB 41.44, -8.39, 16.13

 

CMYK 0 / 1 / 30 / 60

HEX #656447

RGB 101 100 71

HSL 58, 0.17%, 0.34%

LAB 41.75, -4.79, 16.64

 

CMYK 0 / 9 / 30 / 60

HEX #655C47

RGB 101 92 71

HSL 42, 0.17%, 0.34%

LAB 39.37, -0.05, 13.42

 

CMYK 0 / 17 / 30 / 60

HEX #655447

RGB 101 84 71

HSL 26, 0.17%, 0.34%

LAB 37.05, 4.81, 10.22

 

CMYK 15 / 0 / 30 / 60

HEX #566547

RGB 86 101 71

HSL 90, 0.17%, 0.34%

LAB 40.8, -11.75, 15.15

 

CMYK 23 / 0 / 30 / 60

HEX #4E6547

RGB 78 101 71

HSL 106, 0.17%, 0.34%

LAB 40.22, -14.98, 14.26

 

CMYK 30 / 0 / 28 / 60

HEX #476549

RGB 71 101 73

HSL 124, 0.17%, 0.34%

LAB 39.8, -17.3, 12.41

 

CMYK 30 / 0 / 20 / 60

HEX #476551

RGB 71 101 81

HSL 140, 0.17%, 0.34%

LAB 39.98, -15.65, 7.84

 

CMYK 30 / 0 / 12 / 60

HEX #476559

RGB 71 101 89

HSL 156, 0.17%, 0.34%

LAB 40.19, -13.85, 3.27

 

CMYK 15 / 0 / 30 / 60

HEX #566547

RGB 86 101 71

HSL 90, 0.17%, 0.34%

LAB 40.8, -11.75, 15.15

 

CMYK 25 / 0 / 50 / 55

HEX #567339

RGB 86 115 57

HSL 90, 0.34%, 0.34%

LAB 44.99, -21.41, 28.58

 

CMYK 33 / 0 / 67 / 49

HEX #56812B

RGB 86 129 43

HSL 90, 0.5%, 0.34%

LAB 49.32, -29.85, 40.56

 

CMYK 40 / 0 / 80 / 44

HEX #568F1D

RGB 86 143 29

HSL 90, 0.66%, 0.34%

LAB 53.72, -37.2, 50.44

 

CMYK 45 / 0 / 90 / 38

HEX #569D0F

RGB 86 157 15

HSL 90, 0.83%, 0.34%

LAB 58.16, -43.68, 57.94

 

CMYK 15 / 0 / 30 / 60

HEX #566547

RGB 86 101 71

HSL 90, 0.17%, 0.34%

LAB 40.8, -11.75, 15.15

 

CMYK 1 / 0 / 2 / 66

HEX #565755

RGB 86 87 85

HSL 90, 0.01%, 0.34%

LAB 36.84, -0.82, 1.01

 

CMYK 14 / 27 / 0 / 61

HEX #564964

RGB 86 73 100

HSL 268.89, 0.16%, 0.34%

LAB 33.27, 11.4, -13.75

 

CMYK 25 / 48 / 0 / 55

HEX #563B72

RGB 86 59 114

HSL 269.45, 0.32%, 0.34%

LAB 30.21, 23.88, -27.38

 

CMYK 33 / 65 / 0 / 50

HEX #562D80

RGB 86 45 128

HSL 269.64, 0.48%, 0.34%

LAB 27.88, 35.95, -39.91

 

CMYK 0 / 1 / 30 / 60

HEX #656447

RGB 101 100 71

HSL 58, 0.17%, 0.34%

LAB 41.75, -4.79, 16.64

 

CMYK 7 / 0 / 30 / 60

HEX #5E6547

RGB 94 101 71

HSL 74, 0.17%, 0.34%

LAB 41.44, -8.39, 16.13

 

CMYK 15 / 0 / 30 / 60

HEX #566547

RGB 86 101 71

HSL 90, 0.17%, 0.34%

LAB 40.8, -11.75, 15.15

 

CMYK 23 / 0 / 30 / 60

HEX #4E6547

RGB 78 101 71

HSL 106, 0.17%, 0.34%

LAB 40.22, -14.98, 14.26

 

CMYK 30 / 0 / 29 / 60

HEX #476548

RGB 71 101 72

HSL 122, 0.17%, 0.34%

LAB 39.77, -17.49, 12.98

 

CMYK 15 / 0 / 30 / 79

HEX #2D3525

RGB 45 53 37

HSL 90, 0.18%, 0.18%

LAB 20.97, -7, 9

 

CMYK 14 / 0 / 30 / 70

HEX #424D36

RGB 66 77 54

HSL 88.7, 0.18%, 0.26%

LAB 31.19, -9.23, 12.23

 

CMYK 15 / 0 / 30 / 60

HEX #566547

RGB 86 101 71

HSL 90, 0.17%, 0.34%

LAB 40.8, -11.75, 15.15

 

CMYK 14 / 0 / 29 / 51

HEX #6B7D59

RGB 107 125 89

HSL 90, 0.17%, 0.42%

LAB 50.11, -13.58, 17.51

 

CMYK 15 / 0 / 29 / 42

HEX #7F956A

RGB 127 149 106

HSL 90.7, 0.17%, 0.5%

LAB 59.02, -15.89, 20.21

 

CMYK 15 / 0 / 30 / 60

HEX #566547

RGB 86 101 71

HSL 90, 0.17%, 0.34%

LAB 40.8, -11.75, 15.15

 

CMYK 30 / 0 / 9 / 60

HEX #47655C

RGB 71 101 92

HSL 162, 0.17%, 0.34%

LAB 40.28, -13.14, 1.56

 

CMYK 0 / 30 / 3 / 60

HEX #654762

RGB 101 71 98

HSL 306, 0.17%, 0.34%

LAB 34.3, 17.83, -10.76

 

CMYK 15 / 0 / 30 / 60

HEX #566547

RGB 86 101 71

HSL 90, 0.17%, 0.34%

LAB 40.8, -11.75, 15.15

 

CMYK 30 / 15 / 0 / 60

HEX #475665

RGB 71 86 101

HSL 210, 0.17%, 0.34%

LAB 35.86, -1.92, -10.56

 

CMYK 0 / 30 / 15 / 60

HEX #654756

RGB 101 71 86

HSL 330, 0.17%, 0.34%

LAB 33.87, 15.45, -3.79

 

CMYK 15 / 0 / 30 / 60

HEX #566547

RGB 86 101 71

HSL 90, 0.17%, 0.34%

LAB 40.8, -11.75, 15.15

 

CMYK 30 / 0 / 9 / 60

HEX #47655C

RGB 71 101 92

HSL 162, 0.17%, 0.34%

LAB 40.28, -13.14, 1.56

 

CMYK 15 / 30 / 0 / 60

HEX #564765

RGB 86 71 101

HSL 270, 0.17%, 0.34%

LAB 32.75, 12.92, -15.18

 

CMYK 0 / 30 / 21 / 60

HEX #654750

RGB 101 71 80

HSL 342, 0.17%, 0.34%

LAB 33.67, 14.36, -0.26

 

CMYK 15 / 0 / 30 / 60

HEX #566547

RGB 86 101 71

HSL 90, 0.17%, 0.34%

LAB 40.8, -11.75, 15.15

 

CMYK 30 / 0 / 0 / 60

HEX #476565

RGB 71 101 101

HSL 180, 0.17%, 0.34%

LAB 40.55, -10.89, -3.54

 

CMYK 15 / 30 / 0 / 60

HEX #564765

RGB 86 71 101

HSL 270, 0.17%, 0.34%

LAB 32.75, 12.92, -15.18

 

CMYK 0 / 30 / 30 / 60

HEX #654747

RGB 101 71 71

HSL 0, 0.17%, 0.34%

LAB 33.41, 12.86, 5.1

 

Description

Color code: HEX #566547 | qconv.com Color code: HEX #566547 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 101 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 101 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 30 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 30% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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