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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #565DC3 it is the complementary color #A9A23C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #565DC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #565DC3 shade: #5B5DBE, #6C6FD1, #7D81E4, #8E93F7 and #9FA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #565DC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #565DC3 shade: #565DC3, #454BB0, #34399D, #23278A and #121577

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #565DC3 shade: #555CC3, #6B55C3, #8955C3, #A755C3 and #C355C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #565DC3 shade: #555CC3 and #5555C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #565DC3 shade matches the following richer shades: #555CC3, #424CD5, #303BE8 and #1D2BFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #565DC3 shade: #555CC3, #676CB0, #7A7C9E, #8C8C8B and #9F9C79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #565DC3 shade: #5597C3, #5579C3, #555CC3, #6B55C3 and #8855C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #565DC3 shade: #333992, #3E45B1, #555CC3, #7379CE and #9296D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #565DC3 shade: #565DC3, #C355B4 and #88C355

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #565DC3 shade: #565DC3, #C3555C and #5CC355

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #565DC3 shade: #565DC3, #C355B4, #C3BB55 and #55C363

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #565DC3 shade: #565DC3, #C35593, #C3BB55 and #55C384

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 52 / 0 / 24

HEX #565DC3

RGB 86 93 195

HSL 236.15, 0.48%, 0.55%

LAB 43.87, 26.95, -54.46

 

Complementary color

CMYK 0 / 4 / 64 / 34

HEX #A9A23C

RGB 169 162 60

HSL 56.15, 0.48%, 0.45%

LAB 65.44, -10.22, 52.12

 

CMYK 52 / 51 / 0 / 25

HEX #5B5DBE

RGB 91 93 190

HSL 238.79, 0.43%, 0.55%

LAB 43.9, 26.37, -51.48

 

CMYK 48 / 47 / 0 / 18

HEX #6C6FD1

RGB 108 111 209

HSL 238.22, 0.52%, 0.62%

LAB 50.87, 25.02, -51.17

 

CMYK 45 / 43 / 0 / 11

HEX #7D81E4

RGB 125 129 228

HSL 237.67, 0.66%, 0.69%

LAB 57.71, 23.87, -50.9

 

CMYK 43 / 40 / 0 / 3

HEX #8E93F7

RGB 142 147 247

HSL 237.14, 0.87%, 0.76%

LAB 64.43, 22.88, -50.68

 

CMYK 38 / 35 / 0 / 0

HEX #9FA5FF

RGB 159 165 255

HSL 236.25, 1%, 0.81%

LAB 70.53, 19.05, -45.36

 

CMYK 56 / 52 / 0 / 24

HEX #565DC3

RGB 86 93 195

HSL 236.15, 0.48%, 0.55%

LAB 43.87, 26.95, -54.46

 

CMYK 61 / 57 / 0 / 31

HEX #454BB0

RGB 69 75 176

HSL 236.64, 0.44%, 0.48%

LAB 36.8, 28.73, -54.8

 

CMYK 67 / 64 / 0 / 38

HEX #34399D

RGB 52 57 157

HSL 237.14, 0.5%, 0.41%

LAB 29.64, 30.88, -55.11

 

CMYK 75 / 72 / 0 / 46

HEX #23278A

RGB 35 39 138

HSL 237.67, 0.6%, 0.34%

LAB 22.46, 33.4, -55.23

 

CMYK 85 / 82 / 0 / 53

HEX #121577

RGB 18 21 119

HSL 238.22, 0.74%, 0.27%

LAB 15.47, 36.03, -54.76

 

CMYK 56 / 53 / 0 / 24

HEX #555CC3

RGB 85 92 195

HSL 236.18, 0.48%, 0.55%

LAB 43.54, 27.38, -54.98

 

CMYK 45 / 56 / 0 / 24

HEX #6B55C3

RGB 107 85 195

HSL 252, 0.48%, 0.55%

LAB 43.6, 36.29, -54.8

 

CMYK 30 / 56 / 0 / 24

HEX #8955C3

RGB 137 85 195

HSL 268.36, 0.48%, 0.55%

LAB 46.65, 43.39, -49.74

 

CMYK 14 / 56 / 0 / 24

HEX #A755C3

RGB 167 85 195

HSL 284.73, 0.48%, 0.55%

LAB 50.28, 51.06, -43.74

 

CMYK 0 / 56 / 1 / 24

HEX #C355C1

RGB 195 85 193

HSL 301.09, 0.48%, 0.55%

LAB 53.97, 58.07, -36.51

 

CMYK 56 / 53 / 0 / 24

HEX #555CC3

RGB 85 92 195

HSL 236.18, 0.48%, 0.55%

LAB 43.54, 27.38, -54.98

 

CMYK 56 / 56 / 0 / 24

HEX #5555C3

RGB 85 85 195

HSL 240, 0.48%, 0.55%

LAB 41.8, 31.74, -57.81

 

CMYK 56 / 53 / 0 / 24

HEX #555CC3

RGB 85 92 195

HSL 236.18, 0.48%, 0.55%

LAB 43.54, 27.38, -54.98

 

CMYK 69 / 64 / 0 / 16

HEX #424CD5

RGB 66 76 213

HSL 235.92, 0.64%, 0.55%

LAB 39.8, 40.31, -71.51

 

CMYK 79 / 75 / 0 / 9

HEX #303BE8

RGB 48 59 232

HSL 236.41, 0.8%, 0.55%

LAB 37.08, 54.82, -86.88

 

CMYK 88 / 83 / 0 / 2

HEX #1D2BFB

RGB 29 43 251

HSL 236.22, 0.97%, 0.55%

LAB 35.9, 67.55, -99.61

 

CMYK 56 / 53 / 0 / 24

HEX #555CC3

RGB 85 92 195

HSL 236.18, 0.48%, 0.55%

LAB 43.54, 27.38, -54.98

 

CMYK 41 / 39 / 0 / 31

HEX #676CB0

RGB 103 108 176

HSL 235.89, 0.32%, 0.55%

LAB 47.93, 15.7, -36.86

 

CMYK 23 / 22 / 0 / 38

HEX #7A7C9E

RGB 122 124 158

HSL 236.67, 0.16%, 0.55%

LAB 52.97, 6.91, -18.45

 

CMYK 0 / 0 / 1 / 45

HEX #8C8C8B

RGB 140 140 139

HSL 60, 0%, 0.55%

LAB 58.22, -0.19, 0.53

 

CMYK 0 / 2 / 24 / 38

HEX #9F9C79

RGB 159 156 121

HSL 55.26, 0.17%, 0.55%

LAB 63.78, -4.81, 18.77

 

CMYK 56 / 23 / 0 / 24

HEX #5597C3

RGB 85 151 195

HSL 204, 0.48%, 0.55%

LAB 59.89, -8.21, -29.14

 

CMYK 56 / 38 / 0 / 24

HEX #5579C3

RGB 85 121 195

HSL 220.36, 0.48%, 0.55%

LAB 51.32, 9.36, -42.56

 

CMYK 56 / 53 / 0 / 24

HEX #555CC3

RGB 85 92 195

HSL 236.18, 0.48%, 0.55%

LAB 43.54, 27.38, -54.98

 

CMYK 45 / 56 / 0 / 24

HEX #6B55C3

RGB 107 85 195

HSL 252, 0.48%, 0.55%

LAB 43.6, 36.29, -54.8

 

CMYK 30 / 56 / 0 / 24

HEX #8855C3

RGB 136 85 195

HSL 267.82, 0.48%, 0.55%

LAB 46.54, 43.14, -49.92

 

CMYK 65 / 61 / 0 / 43

HEX #333992

RGB 51 57 146

HSL 236.21, 0.48%, 0.39%

LAB 28.66, 26.79, -50

 

CMYK 65 / 61 / 0 / 31

HEX #3E45B1

RGB 62 69 177

HSL 236.35, 0.48%, 0.47%

LAB 34.91, 31.73, -58.49

 

CMYK 56 / 53 / 0 / 24

HEX #555CC3

RGB 85 92 195

HSL 236.18, 0.48%, 0.55%

LAB 43.54, 27.38, -54.98

 

CMYK 44 / 41 / 0 / 19

HEX #7379CE

RGB 115 121 206

HSL 236.04, 0.48%, 0.63%

LAB 53.79, 19.75, -44.8

 

CMYK 32 / 31 / 0 / 15

HEX #9296D8

RGB 146 150 216

HSL 236.57, 0.47%, 0.71%

LAB 64.06, 13.8, -34.13

 

CMYK 56 / 52 / 0 / 24

HEX #565DC3

RGB 86 93 195

HSL 236.15, 0.48%, 0.55%

LAB 43.87, 26.95, -54.46

 

CMYK 0 / 56 / 8 / 24

HEX #C355B4

RGB 195 85 180

HSL 308.18, 0.48%, 0.55%

LAB 53.38, 55.86, -29.93

 

CMYK 30 / 0 / 56 / 24

HEX #88C355

RGB 136 195 85

HSL 92.18, 0.48%, 0.55%

LAB 72.84, -37.62, 48.49

 

CMYK 56 / 52 / 0 / 24

HEX #565DC3

RGB 86 93 195

HSL 236.15, 0.48%, 0.55%

LAB 43.87, 26.95, -54.46

 

CMYK 0 / 56 / 53 / 24

HEX #C3555C

RGB 195 85 92

HSL 356.18, 0.48%, 0.55%

LAB 50.54, 44.65, 18.01

 

CMYK 53 / 0 / 56 / 24

HEX #5CC355

RGB 92 195 85

HSL 116.18, 0.48%, 0.55%

LAB 70.84, -51.56, 45.65

 

CMYK 56 / 52 / 0 / 24

HEX #565DC3

RGB 86 93 195

HSL 236.15, 0.48%, 0.55%

LAB 43.87, 26.95, -54.46

 

CMYK 0 / 56 / 8 / 24

HEX #C355B4

RGB 195 85 180

HSL 308.18, 0.48%, 0.55%

LAB 53.38, 55.86, -29.93

 

CMYK 0 / 4 / 56 / 24

HEX #C3BB55

RGB 195 187 85

HSL 55.64, 0.48%, 0.55%

LAB 74.7, -10.36, 51.7

 

CMYK 56 / 0 / 49 / 24

HEX #55C363

RGB 85 195 99

HSL 127.64, 0.48%, 0.55%

LAB 70.78, -51.5, 38.76

 

CMYK 56 / 52 / 0 / 24

HEX #565DC3

RGB 86 93 195

HSL 236.15, 0.48%, 0.55%

LAB 43.87, 26.95, -54.46

 

CMYK 0 / 56 / 25 / 24

HEX #C35593

RGB 195 85 147

HSL 326.18, 0.48%, 0.55%

LAB 52.07, 50.85, -12.59

 

CMYK 0 / 4 / 56 / 24

HEX #C3BB55

RGB 195 187 85

HSL 55.64, 0.48%, 0.55%

LAB 74.7, -10.36, 51.7

 

CMYK 56 / 0 / 32 / 24

HEX #55C384

RGB 85 195 132

HSL 145.64, 0.48%, 0.55%

LAB 71.3, -45.89, 22.42

 

Description

Color code: HEX #565DC3 | qconv.com Color code: HEX #565DC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 93 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 93 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 52 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 52% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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