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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #565879 it is the complementary color #A9A786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #565879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #565879 shade: #5B5874, #6C6A87, #7D7C9A, #8E8EAD and #9FA0C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #565879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #565879 shade: #565879, #454666, #343453, #232240 and #12102D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #565879 shade: #56587A, #5E567A, #67567A, #71567A and #7A5679

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #565879 shade: #56587A and #56567A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #565879 shade matches the following richer shades: #56587A, #45498B, #343A9C, #242BAD and #131CBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #565879 shade: #56587A, #676769, #787658, #898547 and #9A9436

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #565879 shade: #566C7A, #56627A, #56597A, #5D567A and #67567A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #565879 shade: #34354A, #454762, #56587A, #676A92 and #7F81A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #565879 shade: #565879, #7A5675 and #677A56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #565879 shade: #565879, #7A5659 and #597A56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #565879 shade: #565879, #7A5675, #7A7756 and #567A5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #565879 shade: #565879, #7A566A, #7A7756 and #567A66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 27 / 0 / 53

HEX #565879

RGB 86 88 121

HSL 236.57, 0.17%, 0.41%

LAB 38.44, 7.35, -18.9

 

Complementary color

CMYK 0 / 1 / 21 / 34

HEX #A9A786

RGB 169 167 134

HSL 56.57, 0.17%, 0.59%

LAB 67.87, -4.89, 17.37

 

CMYK 22 / 24 / 0 / 55

HEX #5B5874

RGB 91 88 116

HSL 246.43, 0.14%, 0.4%

LAB 38.66, 7.72, -15.45

 

CMYK 20 / 21 / 0 / 47

HEX #6C6A87

RGB 108 106 135

HSL 244.14, 0.12%, 0.47%

LAB 45.97, 7.3, -15.68

 

CMYK 19 / 19 / 0 / 40

HEX #7D7C9A

RGB 125 124 154

HSL 242, 0.13%, 0.55%

LAB 53.07, 6.93, -15.95

 

CMYK 18 / 18 / 0 / 32

HEX #8E8EAD

RGB 142 142 173

HSL 240, 0.16%, 0.62%

LAB 59.99, 6.61, -16.24

 

CMYK 17 / 17 / 0 / 25

HEX #9FA0C0

RGB 159 160 192

HSL 238.18, 0.21%, 0.69%

LAB 66.76, 6.31, -16.55

 

CMYK 29 / 27 / 0 / 53

HEX #565879

RGB 86 88 121

HSL 236.57, 0.17%, 0.41%

LAB 38.44, 7.35, -18.9

 

CMYK 32 / 31 / 0 / 60

HEX #454666

RGB 69 70 102

HSL 238.18, 0.19%, 0.34%

LAB 30.89, 7.9, -18.82

 

CMYK 37 / 37 / 0 / 67

HEX #343453

RGB 52 52 83

HSL 240, 0.23%, 0.26%

LAB 23.04, 8.59, -18.83

 

CMYK 45 / 47 / 0 / 75

HEX #232240

RGB 35 34 64

HSL 242, 0.31%, 0.19%

LAB 14.8, 9.54, -18.98

 

CMYK 60 / 64 / 0 / 82

HEX #12102D

RGB 18 16 45

HSL 244.14, 0.48%, 0.12%

LAB 6.22, 10.33, -19.04

 

CMYK 30 / 28 / 0 / 52

HEX #56587A

RGB 86 88 122

HSL 236.67, 0.17%, 0.41%

LAB 38.49, 7.62, -19.45

 

CMYK 23 / 30 / 0 / 52

HEX #5E567A

RGB 94 86 122

HSL 253.33, 0.17%, 0.41%

LAB 38.62, 11.55, -19.18

 

CMYK 16 / 30 / 0 / 52

HEX #67567A

RGB 103 86 122

HSL 268.33, 0.17%, 0.41%

LAB 39.49, 14.66, -17.78

 

CMYK 7 / 30 / 0 / 52

HEX #71567A

RGB 113 86 122

HSL 285, 0.17%, 0.41%

LAB 40.53, 18.19, -16.09

 

CMYK 0 / 30 / 1 / 52

HEX #7A5679

RGB 122 86 121

HSL 301.67, 0.17%, 0.41%

LAB 41.49, 21.22, -13.92

 

CMYK 30 / 28 / 0 / 52

HEX #56587A

RGB 86 88 122

HSL 236.67, 0.17%, 0.41%

LAB 38.49, 7.62, -19.45

 

CMYK 30 / 30 / 0 / 52

HEX #56567A

RGB 86 86 122

HSL 240, 0.17%, 0.41%

LAB 37.91, 8.88, -20.33

 

CMYK 30 / 28 / 0 / 52

HEX #56587A

RGB 86 88 122

HSL 236.67, 0.17%, 0.41%

LAB 38.49, 7.62, -19.45

 

CMYK 50 / 47 / 0 / 45

HEX #45498B

RGB 69 73 139

HSL 236.57, 0.34%, 0.41%

LAB 33.76, 17.53, -37.4

 

CMYK 67 / 63 / 0 / 39

HEX #343A9C

RGB 52 58 156

HSL 236.54, 0.5%, 0.41%

LAB 29.8, 29.87, -54.24

 

CMYK 79 / 75 / 0 / 32

HEX #242BAD

RGB 36 43 173

HSL 236.93, 0.66%, 0.41%

LAB 27.07, 43.36, -69.02

 

CMYK 90 / 85 / 0 / 26

HEX #131CBD

RGB 19 28 189

HSL 236.82, 0.82%, 0.41%

LAB 25.69, 55.3, -80.88

 

CMYK 30 / 28 / 0 / 52

HEX #56587A

RGB 86 88 122

HSL 236.67, 0.17%, 0.41%

LAB 38.49, 7.62, -19.45

 

CMYK 2 / 2 / 0 / 59

HEX #676769

RGB 103 103 105

HSL 240, 0.01%, 0.41%

LAB 43.66, 0.42, -1.13

 

CMYK 0 / 2 / 27 / 53

HEX #787658

RGB 120 118 88

HSL 56.25, 0.15%, 0.41%

LAB 49.07, -4.5, 16.85

 

CMYK 0 / 3 / 48 / 46

HEX #898547

RGB 137 133 71

HSL 56.36, 0.32%, 0.41%

LAB 54.6, -7.72, 33.75

 

CMYK 0 / 4 / 65 / 40

HEX #9A9436

RGB 154 148 54

HSL 56.4, 0.48%, 0.41%

LAB 60.17, -9.77, 48.77

 

CMYK 30 / 11 / 0 / 52

HEX #566C7A

RGB 86 108 122

HSL 203.33, 0.17%, 0.41%

LAB 44.39, -4.59, -10.45

 

CMYK 30 / 20 / 0 / 52

HEX #56627A

RGB 86 98 122

HSL 220, 0.17%, 0.41%

LAB 41.4, 1.42, -14.97

 

CMYK 30 / 27 / 0 / 52

HEX #56597A

RGB 86 89 122

HSL 235, 0.17%, 0.41%

LAB 38.77, 7, -19

 

CMYK 24 / 30 / 0 / 52

HEX #5D567A

RGB 93 86 122

HSL 251.67, 0.17%, 0.41%

LAB 38.53, 11.21, -19.33

 

CMYK 16 / 30 / 0 / 52

HEX #67567A

RGB 103 86 122

HSL 268.33, 0.17%, 0.41%

LAB 39.49, 14.66, -17.78

 

CMYK 30 / 28 / 0 / 71

HEX #34354A

RGB 52 53 74

HSL 237.27, 0.17%, 0.25%

LAB 22.9, 5.16, -13.05

 

CMYK 30 / 28 / 0 / 62

HEX #454762

RGB 69 71 98

HSL 235.86, 0.17%, 0.33%

LAB 31, 6.1, -16.1

 

CMYK 30 / 28 / 0 / 52

HEX #56587A

RGB 86 88 122

HSL 236.67, 0.17%, 0.41%

LAB 38.49, 7.62, -19.45

 

CMYK 29 / 27 / 0 / 43

HEX #676A92

RGB 103 106 146

HSL 235.81, 0.17%, 0.49%

LAB 46, 8.48, -22.23

 

CMYK 23 / 21 / 0 / 36

HEX #7F81A4

RGB 127 129 164

HSL 236.76, 0.17%, 0.57%

LAB 54.96, 7.07, -18.85

 

CMYK 29 / 27 / 0 / 53

HEX #565879

RGB 86 88 121

HSL 236.57, 0.17%, 0.41%

LAB 38.44, 7.35, -18.9

 

CMYK 0 / 30 / 4 / 52

HEX #7A5675

RGB 122 86 117

HSL 308.33, 0.17%, 0.41%

LAB 41.34, 20.41, -11.7

 

CMYK 16 / 0 / 30 / 52

HEX #677A56

RGB 103 122 86

HSL 91.67, 0.17%, 0.41%

LAB 48.85, -14.02, 17.48

 

CMYK 29 / 27 / 0 / 53

HEX #565879

RGB 86 88 121

HSL 236.57, 0.17%, 0.41%

LAB 38.44, 7.35, -18.9

 

CMYK 0 / 30 / 27 / 52

HEX #7A5659

RGB 122 86 89

HSL 355, 0.17%, 0.41%

LAB 40.43, 15.4, 4.21

 

CMYK 27 / 0 / 30 / 52

HEX #597A56

RGB 89 122 86

HSL 115, 0.17%, 0.41%

LAB 47.9, -19.41, 16.02

 

CMYK 29 / 27 / 0 / 53

HEX #565879

RGB 86 88 121

HSL 236.57, 0.17%, 0.41%

LAB 38.44, 7.35, -18.9

 

CMYK 0 / 30 / 4 / 52

HEX #7A5675

RGB 122 86 117

HSL 308.33, 0.17%, 0.41%

LAB 41.34, 20.41, -11.7

 

CMYK 0 / 2 / 30 / 52

HEX #7A7756

RGB 122 119 86

HSL 55, 0.17%, 0.41%

LAB 49.5, -4.52, 18.61

 

CMYK 30 / 0 / 25 / 52

HEX #567A5B

RGB 86 122 91

HSL 128.33, 0.17%, 0.41%

LAB 47.82, -19.56, 12.98

 

CMYK 29 / 27 / 0 / 53

HEX #565879

RGB 86 88 121

HSL 236.57, 0.17%, 0.41%

LAB 38.44, 7.35, -18.9

 

CMYK 0 / 30 / 13 / 52

HEX #7A566A

RGB 122 86 106

HSL 326.67, 0.17%, 0.41%

LAB 40.95, 18.3, -5.52

 

CMYK 0 / 2 / 30 / 52

HEX #7A7756

RGB 122 119 86

HSL 55, 0.17%, 0.41%

LAB 49.5, -4.52, 18.61

 

CMYK 30 / 0 / 16 / 52

HEX #567A66

RGB 86 122 102

HSL 146.67, 0.17%, 0.41%

LAB 48.08, -17.3, 6.89

 

Description

Color code: HEX #565879 | qconv.com Color code: HEX #565879 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 88 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 88 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 27 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 27% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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