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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #562E3F it is the complementary color #A9D1C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #562E3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #562E3F shade: #5B2E3A, #6C404D, #7D5260, #8E6473 and #9F7686

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #562E3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #562E3F shade: #562E3F, #451C2C, #340A19, #230006 and #120000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #562E3F shade: #562E3F, #562E34 and #562E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #562E3F shade: #562E3F, #562E4A, #562E54, #4C2E56 and #422E56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #562E3F shade matches the following richer shades: #562E3F, #60233D, #6B183C, #760E3A and #810338

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #562E3F shade: #562E3F, #4B3940, #404342, #364E44 and #2B5945

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #562E3F shade: #562E54, #562E4A, #562E3F, #562E35 and #56322E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #562E3F shade: #201117, #3B1F2B, #562E3F, #713C53 and #8B4B66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #562E3F shade: #562E3F, #564C2E and #2E4F56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #562E3F shade: #562E3F, #3F562E and #2E3F56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #562E3F shade: #562E3F, #564C2E, #2E5644 and #2E3756

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #562E3F shade: #562E3F, #53562E, #2E5644 and #312E56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 27 / 66

HEX #562E3F

RGB 86 46 63

HSL 334.5, 0.3%, 0.26%

LAB 24.61, 20.8, -2.68

 

Complementary color

CMYK 19 / 0 / 8 / 18

HEX #A9D1C0

RGB 169 209 192

HSL 154.5, 0.3%, 0.74%

LAB 80.65, -16.56, 4.08

 

CMYK 0 / 49 / 36 / 64

HEX #5B2E3A

RGB 91 46 58

HSL 344, 0.33%, 0.27%

LAB 25.21, 22.06, 1.65

 

CMYK 0 / 41 / 29 / 58

HEX #6C404D

RGB 108 64 77

HSL 342.27, 0.26%, 0.34%

LAB 32.68, 21.04, 0.32

 

CMYK 0 / 34 / 23 / 51

HEX #7D5260

RGB 125 82 96

HSL 340.47, 0.21%, 0.41%

LAB 39.98, 20.14, -0.74

 

CMYK 0 / 30 / 19 / 44

HEX #8E6473

RGB 142 100 115

HSL 338.57, 0.17%, 0.47%

LAB 47.11, 19.34, -1.64

 

CMYK 0 / 26 / 16 / 38

HEX #9F7686

RGB 159 118 134

HSL 336.59, 0.18%, 0.54%

LAB 54.08, 18.63, -2.43

 

CMYK 0 / 47 / 27 / 66

HEX #562E3F

RGB 86 46 63

HSL 334.5, 0.3%, 0.26%

LAB 24.61, 20.8, -2.68

 

CMYK 0 / 59 / 36 / 73

HEX #451C2C

RGB 69 28 44

HSL 336.59, 0.42%, 0.19%

LAB 16.88, 21.78, -1.25

 

CMYK 0 / 81 / 52 / 80

HEX #340A19

RGB 52 10 25

HSL 338.57, 0.68%, 0.12%

LAB 9.14, 22.42, 1.09

 

CMYK 0 / 100 / 83 / 86

HEX #230006

RGB 35 0 6

HSL 349.71, 1%, 0.07%

LAB 3.35, 15.32, 2.83

 

CMYK 0 / 100 / 100 / 93

HEX #120000

RGB 18 0 0

HSL 0, 1%, 0.04%

LAB 1.16, 5.21, 1.84

 

CMYK 0 / 47 / 27 / 66

HEX #562E3F

RGB 86 46 63

HSL 334.5, 0.3%, 0.26%

LAB 24.61, 20.8, -2.68

 

CMYK 0 / 47 / 40 / 66

HEX #562E34

RGB 86 46 52

HSL 351, 0.3%, 0.26%

LAB 24.26, 19.09, 4.23

 

CMYK 0 / 47 / 47 / 66

HEX #562E2E

RGB 86 46 46

HSL 0, 0.3%, 0.26%

LAB 24.1, 18.29, 8.05

 

CMYK 0 / 47 / 27 / 66

HEX #562E3F

RGB 86 46 63

HSL 334.5, 0.3%, 0.26%

LAB 24.61, 20.8, -2.68

 

CMYK 0 / 47 / 14 / 66

HEX #562E4A

RGB 86 46 74

HSL 318, 0.3%, 0.26%

LAB 25.04, 22.77, -9.42

 

CMYK 0 / 47 / 2 / 66

HEX #562E54

RGB 86 46 84

HSL 303, 0.3%, 0.26%

LAB 25.48, 24.78, -15.38

 

CMYK 12 / 47 / 0 / 66

HEX #4C2E56

RGB 76 46 86

HSL 285, 0.3%, 0.26%

LAB 24.2, 21.71, -18.8

 

CMYK 23 / 47 / 0 / 66

HEX #422E56

RGB 66 46 86

HSL 270, 0.3%, 0.26%

LAB 22.94, 18.27, -20.86

 

CMYK 0 / 47 / 27 / 66

HEX #562E3F

RGB 86 46 63

HSL 334.5, 0.3%, 0.26%

LAB 24.61, 20.8, -2.68

 

CMYK 0 / 64 / 36 / 62

HEX #60233D

RGB 96 35 61

HSL 334.43, 0.47%, 0.26%

LAB 23.76, 30.63, -2.41

 

CMYK 0 / 78 / 44 / 58

HEX #6B183C

RGB 107 24 60

HSL 333.98, 0.63%, 0.26%

LAB 24.02, 39.13, -1.1

 

CMYK 0 / 88 / 51 / 54

HEX #760E3A

RGB 118 14 58

HSL 334.62, 0.79%, 0.26%

LAB 25.17, 45.18, 2.23

 

CMYK 0 / 98 / 57 / 49

HEX #810338

RGB 129 3 56

HSL 334.76, 0.95%, 0.26%

LAB 26.79, 50.04, 6.23

 

CMYK 0 / 47 / 27 / 66

HEX #562E3F

RGB 86 46 63

HSL 334.5, 0.3%, 0.26%

LAB 24.61, 20.8, -2.68

 

CMYK 0 / 24 / 15 / 71

HEX #4B3940

RGB 75 57 64

HSL 336.67, 0.14%, 0.26%

LAB 26.13, 9.29, -1.27

 

CMYK 4 / 0 / 1 / 74

HEX #404342

RGB 64 67 66

HSL 160, 0.02%, 0.26%

LAB 28.11, -1.47, 0.17

 

CMYK 31 / 0 / 13 / 69

HEX #364E44

RGB 54 78 68

HSL 155, 0.18%, 0.26%

LAB 31, -11.68, 2.97

 

CMYK 52 / 0 / 22 / 65

HEX #2B5945

RGB 43 89 69

HSL 153.91, 0.35%, 0.26%

LAB 34.17, -21.18, 6.78

 

CMYK 0 / 47 / 2 / 66

HEX #562E54

RGB 86 46 84

HSL 303, 0.3%, 0.26%

LAB 25.48, 24.78, -15.38

 

CMYK 0 / 47 / 14 / 66

HEX #562E4A

RGB 86 46 74

HSL 318, 0.3%, 0.26%

LAB 25.04, 22.77, -9.42

 

CMYK 0 / 47 / 27 / 66

HEX #562E3F

RGB 86 46 63

HSL 334.5, 0.3%, 0.26%

LAB 24.61, 20.8, -2.68

 

CMYK 0 / 47 / 38 / 66

HEX #562E35

RGB 86 46 53

HSL 349.5, 0.3%, 0.26%

LAB 24.29, 19.24, 3.6

 

CMYK 0 / 42 / 47 / 66

HEX #56322E

RGB 86 50 46

HSL 6, 0.3%, 0.26%

LAB 25.13, 15.79, 9.47

 

CMYK 0 / 47 / 28 / 87

HEX #201117

RGB 32 17 23

HSL 336, 0.31%, 0.1%

LAB 6.95, 8.79, -1.01

 

CMYK 0 / 47 / 27 / 77

HEX #3B1F2B

RGB 59 31 43

HSL 334.29, 0.31%, 0.18%

LAB 15.92, 15.52, -2.14

 

CMYK 0 / 47 / 27 / 66

HEX #562E3F

RGB 86 46 63

HSL 334.5, 0.3%, 0.26%

LAB 24.61, 20.8, -2.68

 

CMYK 0 / 47 / 27 / 56

HEX #713C53

RGB 113 60 83

HSL 333.96, 0.31%, 0.34%

LAB 32.63, 26.34, -3.53

 

CMYK 0 / 46 / 27 / 45

HEX #8B4B66

RGB 139 75 102

HSL 334.69, 0.3%, 0.42%

LAB 40.38, 30.52, -3.66

 

CMYK 0 / 47 / 27 / 66

HEX #562E3F

RGB 86 46 63

HSL 334.5, 0.3%, 0.26%

LAB 24.61, 20.8, -2.68

 

CMYK 0 / 12 / 47 / 66

HEX #564C2E

RGB 86 76 46

HSL 45, 0.3%, 0.26%

LAB 32.58, -0.66, 19.34

 

CMYK 47 / 8 / 0 / 66

HEX #2E4F56

RGB 46 79 86

HSL 190.5, 0.3%, 0.26%

LAB 31.45, -9.94, -7.91

 

CMYK 0 / 47 / 27 / 66

HEX #562E3F

RGB 86 46 63

HSL 334.5, 0.3%, 0.26%

LAB 24.61, 20.8, -2.68

 

CMYK 27 / 0 / 47 / 66

HEX #3F562E

RGB 63 86 46

HSL 94.5, 0.3%, 0.26%

LAB 33.79, -16.98, 20.48

 

CMYK 47 / 27 / 0 / 66

HEX #2E3F56

RGB 46 63 86

HSL 214.5, 0.3%, 0.26%

LAB 26.18, 0.19, -15.95

 

CMYK 0 / 47 / 27 / 66

HEX #562E3F

RGB 86 46 63

HSL 334.5, 0.3%, 0.26%

LAB 24.61, 20.8, -2.68

 

CMYK 0 / 12 / 47 / 66

HEX #564C2E

RGB 86 76 46

HSL 45, 0.3%, 0.26%

LAB 32.58, -0.66, 19.34

 

CMYK 47 / 0 / 21 / 66

HEX #2E5644

RGB 46 86 68

HSL 153, 0.3%, 0.26%

LAB 33.25, -18.92, 6.13

 

CMYK 47 / 36 / 0 / 66

HEX #2E3756

RGB 46 55 86

HSL 226.5, 0.3%, 0.26%

LAB 23.62, 5.6, -19.93

 

CMYK 0 / 47 / 27 / 66

HEX #562E3F

RGB 86 46 63

HSL 334.5, 0.3%, 0.26%

LAB 24.61, 20.8, -2.68

 

CMYK 3 / 0 / 47 / 66

HEX #53562E

RGB 83 86 46

HSL 64.5, 0.3%, 0.26%

LAB 35.38, -8.09, 22.82

 

CMYK 47 / 0 / 21 / 66

HEX #2E5644

RGB 46 86 68

HSL 153, 0.3%, 0.26%

LAB 33.25, -18.92, 6.13

 

CMYK 43 / 47 / 0 / 66

HEX #312E56

RGB 49 46 86

HSL 244.5, 0.3%, 0.26%

LAB 21.13, 12.77, -23.84

 

Description

Color code: HEX #562E3F | qconv.com Color code: HEX #562E3F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 46 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 46 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 27 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 27% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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