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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5621C4 it is the complementary color #A9DE3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5621C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5621C4 shade: #5B21BF, #6C33D2, #7D45E5, #8E57F8 and #9F69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5621C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5621C4 shade: #5621C4, #450FB1, #34009E, #23008B and #120078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5621C4 shade: #5621C4, #8221C4, #AE21C4, #C421AE and #C42182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5621C4 shade: #5621C4, #2A21C4 and #2121C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5621C4 shade matches the following richer shades: #5621C4 and #4F0ED6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5621C4 shade: #5621C4, #5C33B1, #63469F, #69588C and #706B79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5621C4 shade: #2144C4, #2921C4, #5421C4, #8021C4 and #AB21C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5621C4 shade: #37157D, #461BA0, #5621C4, #6932DC and #8355E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5621C4 shade: #5621C4, #C42170 and #2EC421

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5621C4 shade: #5621C4, #C45421 and #21C454

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5621C4 shade: #5621C4, #C42170, #90C421 and #21C475

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5621C4 shade: #5621C4, #C4213F, #90C421 and #21C4A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 83 / 0 / 23

HEX #5621C4

RGB 86 33 196

HSL 259.51, 0.71%, 0.45%

LAB 31.92, 59.64, -74.53

 

Complementary color

CMYK 24 / 0 / 73 / 13

HEX #A9DE3B

RGB 169 222 59

HSL 79.51, 0.71%, 0.55%

LAB 82.38, -39.38, 69.56

 

CMYK 52 / 83 / 0 / 25

HEX #5B21BF

RGB 91 33 191

HSL 262.03, 0.71%, 0.44%

LAB 31.97, 58.91, -71.49

 

CMYK 49 / 76 / 0 / 18

HEX #6C33D2

RGB 108 51 210

HSL 261.51, 0.64%, 0.51%

LAB 38.21, 58.67, -72.24

 

CMYK 45 / 70 / 0 / 10

HEX #7D45E5

RGB 125 69 229

HSL 261, 0.75%, 0.58%

LAB 44.62, 57.89, -72.56

 

CMYK 43 / 65 / 0 / 3

HEX #8E57F8

RGB 142 87 248

HSL 260.5, 0.92%, 0.66%

LAB 51.09, 56.87, -72.64

 

CMYK 38 / 59 / 0 / 0

HEX #9F69FF

RGB 159 105 255

HSL 261.6, 1%, 0.71%

LAB 56.78, 52.7, -67.23

 

CMYK 56 / 83 / 0 / 23

HEX #5621C4

RGB 86 33 196

HSL 259.51, 0.71%, 0.45%

LAB 31.92, 59.64, -74.53

 

CMYK 61 / 92 / 0 / 31

HEX #450FB1

RGB 69 15 177

HSL 260, 0.84%, 0.38%

LAB 26.1, 58.9, -72.95

 

CMYK 67 / 100 / 0 / 38

HEX #34009E

RGB 52 0 158

HSL 259.75, 1%, 0.31%

LAB 20.82, 56.57, -70.26

 

CMYK 75 / 100 / 0 / 45

HEX #23008B

RGB 35 0 139

HSL 255.11, 1%, 0.27%

LAB 16.61, 51.11, -65.54

 

CMYK 85 / 100 / 0 / 53

HEX #120078

RGB 18 0 120

HSL 249, 1%, 0.24%

LAB 12.51, 45.64, -60.33

 

CMYK 56 / 83 / 0 / 23

HEX #5621C4

RGB 86 33 196

HSL 259.51, 0.71%, 0.45%

LAB 31.92, 59.64, -74.53

 

CMYK 34 / 83 / 0 / 23

HEX #8221C4

RGB 130 33 196

HSL 275.71, 0.71%, 0.45%

LAB 37.52, 65.3, -65.14

 

CMYK 11 / 83 / 0 / 23

HEX #AE21C4

RGB 174 33 196

HSL 291.9, 0.71%, 0.45%

LAB 44.34, 72.48, -53.76

 

CMYK 0 / 83 / 11 / 23

HEX #C421AE

RGB 196 33 174

HSL 308.1, 0.71%, 0.45%

LAB 46.82, 73.23, -36.68

 

CMYK 0 / 83 / 34 / 23

HEX #C42182

RGB 196 33 130

HSL 324.29, 0.71%, 0.45%

LAB 44.85, 67.76, -13.26

 

CMYK 56 / 83 / 0 / 23

HEX #5621C4

RGB 86 33 196

HSL 259.51, 0.71%, 0.45%

LAB 31.92, 59.64, -74.53

 

CMYK 79 / 83 / 0 / 23

HEX #2A21C4

RGB 42 33 196

HSL 243.31, 0.71%, 0.45%

LAB 28.29, 56.13, -80.66

 

CMYK 83 / 83 / 0 / 23

HEX #2121C4

RGB 33 33 196

HSL 240, 0.71%, 0.45%

LAB 27.84, 55.71, -81.43

 

CMYK 56 / 83 / 0 / 23

HEX #5621C4

RGB 86 33 196

HSL 259.51, 0.71%, 0.45%

LAB 31.92, 59.64, -74.53

 

CMYK 63 / 93 / 0 / 16

HEX #4F0ED6

RGB 79 14 214

HSL 259.5, 0.88%, 0.45%

LAB 31.42, 68.89, -85.88

 

CMYK 56 / 83 / 0 / 23

HEX #5621C4

RGB 86 33 196

HSL 259.51, 0.71%, 0.45%

LAB 31.92, 59.64, -74.53

 

CMYK 48 / 71 / 0 / 31

HEX #5C33B1

RGB 92 51 177

HSL 259.52, 0.55%, 0.45%

LAB 33.6, 47.3, -60.52

 

CMYK 38 / 56 / 0 / 38

HEX #63469F

RGB 99 70 159

HSL 259.55, 0.39%, 0.45%

LAB 37, 33.04, -44.21

 

CMYK 25 / 37 / 0 / 45

HEX #69588C

RGB 105 88 140

HSL 259.62, 0.23%, 0.45%

LAB 41.02, 18.6, -26.35

 

CMYK 7 / 12 / 0 / 53

HEX #706B79

RGB 112 107 121

HSL 261.43, 0.06%, 0.45%

LAB 46.1, 4.87, -7.08

 

CMYK 83 / 65 / 0 / 23

HEX #2144C4

RGB 33 68 196

HSL 227.12, 0.71%, 0.45%

LAB 34.89, 35.99, -69.77

 

CMYK 79 / 83 / 0 / 23

HEX #2921C4

RGB 41 33 196

HSL 242.94, 0.71%, 0.45%

LAB 28.23, 56.08, -80.76

 

CMYK 57 / 83 / 0 / 23

HEX #5421C4

RGB 84 33 196

HSL 258.77, 0.71%, 0.45%

LAB 31.71, 59.43, -74.89

 

CMYK 35 / 83 / 0 / 23

HEX #8021C4

RGB 128 33 196

HSL 274.97, 0.71%, 0.45%

LAB 37.23, 65, -65.62

 

CMYK 13 / 83 / 0 / 23

HEX #AB21C4

RGB 171 33 196

HSL 290.8, 0.71%, 0.45%

LAB 43.84, 71.95, -54.58

 

CMYK 56 / 83 / 0 / 51

HEX #37157D

RGB 55 21 125

HSL 259.62, 0.71%, 0.29%

LAB 19.35, 41.57, -52.09

 

CMYK 56 / 83 / 0 / 37

HEX #461BA0

RGB 70 27 160

HSL 259.4, 0.71%, 0.37%

LAB 25.64, 50.63, -63.45

 

CMYK 56 / 83 / 0 / 23

HEX #5621C4

RGB 86 33 196

HSL 259.51, 0.71%, 0.45%

LAB 31.92, 59.64, -74.53

 

CMYK 52 / 77 / 0 / 14

HEX #6932DC

RGB 105 50 220

HSL 259.41, 0.71%, 0.53%

LAB 38.64, 61.3, -77.31

 

CMYK 42 / 62 / 0 / 11

HEX #8355E2

RGB 131 85 226

HSL 259.57, 0.71%, 0.61%

LAB 48.02, 50, -65.3

 

CMYK 56 / 83 / 0 / 23

HEX #5621C4

RGB 86 33 196

HSL 259.51, 0.71%, 0.45%

LAB 31.92, 59.64, -74.53

 

CMYK 0 / 83 / 43 / 23

HEX #C42170

RGB 196 33 112

HSL 330.92, 0.71%, 0.45%

LAB 44.22, 65.96, -3.11

 

CMYK 77 / 0 / 83 / 23

HEX #2EC421

RGB 46 196 33

HSL 115.21, 0.71%, 0.45%

LAB 69.59, -65.98, 63.53

 

CMYK 56 / 83 / 0 / 23

HEX #5621C4

RGB 86 33 196

HSL 259.51, 0.71%, 0.45%

LAB 31.92, 59.64, -74.53

 

CMYK 0 / 57 / 83 / 23

HEX #C45421

RGB 196 84 33

HSL 18.77, 0.71%, 0.45%

LAB 49.72, 42.16, 49.31

 

CMYK 83 / 0 / 57 / 23

HEX #21C454

RGB 33 196 84

HSL 138.77, 0.71%, 0.45%

LAB 69.78, -62.92, 44.53

 

CMYK 56 / 83 / 0 / 23

HEX #5621C4

RGB 86 33 196

HSL 259.51, 0.71%, 0.45%

LAB 31.92, 59.64, -74.53

 

CMYK 0 / 83 / 43 / 23

HEX #C42170

RGB 196 33 112

HSL 330.92, 0.71%, 0.45%

LAB 44.22, 65.96, -3.11

 

CMYK 27 / 0 / 83 / 23

HEX #90C421

RGB 144 196 33

HSL 79.14, 0.71%, 0.45%

LAB 73.23, -38.55, 68.16

 

CMYK 83 / 0 / 40 / 23

HEX #21C475

RGB 33 196 117

HSL 150.92, 0.71%, 0.45%

LAB 70.24, -57.55, 28.69

 

CMYK 56 / 83 / 0 / 23

HEX #5621C4

RGB 86 33 196

HSL 259.51, 0.71%, 0.45%

LAB 31.92, 59.64, -74.53

 

CMYK 0 / 83 / 68 / 23

HEX #C4213F

RGB 196 33 63

HSL 348.96, 0.71%, 0.45%

LAB 43.04, 62.46, 25.8

 

CMYK 27 / 0 / 83 / 23

HEX #90C421

RGB 144 196 33

HSL 79.14, 0.71%, 0.45%

LAB 73.23, -38.55, 68.16

 

CMYK 83 / 0 / 15 / 23

HEX #21C4A6

RGB 33 196 166

HSL 168.96, 0.71%, 0.45%

LAB 71.25, -46.39, 3.87

 

Description

Color code: HEX #5621C4 | qconv.com Color code: HEX #5621C4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 33 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 33 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 83 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 83% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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