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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5609C8 it is the complementary color #A9F637. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5609C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5609C8 shade: #5B09C3, #6C1BD6, #7D2DE9, #8E3FFC and #9F51FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5609C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5609C8 shade: #5609C8, #4500B5, #3400A2, #23008F and #12007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5609C8 shade: #5609C7, #8909C7, #BC09C7, #C7099F and #C7096C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5609C8 shade: #5609C7, #2209C7 and #0909C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5609C8 shade matches the following richer shades: #5609C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5609C8 shade: #5609C7, #591AB6, #5C2BA5, #5F3C94 and #634D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5609C8 shade: #0922C7, #2209C7, #5509C7, #8809C7 and #BB09C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5609C8 shade: #340578, #4507A0, #5609C7, #670BEF and #7E2EF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5609C8 shade: #5609C8, #C70955 and #09C709

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5609C8 shade: #5609C8, #C75509 and #09C755

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5609C8 shade: #5609C8, #C70955, #7BC709 and #09C77B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5609C8 shade: #5609C8, #C7091C, #7BC709 and #09C7B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 96 / 0 / 22

HEX #5609C8

RGB 86 9 200

HSL 264.19, 0.91%, 0.41%

LAB 30.26, 66.89, -79.62

 

Complementary color

CMYK 31 / 0 / 78 / 4

HEX #A9F637

RGB 169 246 55

HSL 84.19, 0.91%, 0.59%

LAB 89.22, -49.87, 77.24

 

CMYK 53 / 95 / 0 / 24

HEX #5B09C3

RGB 91 9 195

HSL 266.45, 0.91%, 0.4%

LAB 30.3, 66.12, -76.6

 

CMYK 50 / 87 / 0 / 16

HEX #6C1BD6

RGB 108 27 214

HSL 265.99, 0.78%, 0.47%

LAB 35.65, 68.25, -78.78

 

CMYK 46 / 81 / 0 / 9

HEX #7D2DE9

RGB 125 45 233

HSL 265.53, 0.81%, 0.55%

LAB 41.41, 69.04, -80.1

 

CMYK 44 / 75 / 0 / 1

HEX #8E3FFC

RGB 142 63 252

HSL 265.08, 0.97%, 0.62%

LAB 47.41, 69.01, -80.87

 

CMYK 38 / 68 / 0 / 0

HEX #9F51FF

RGB 159 81 255

HSL 266.9, 1%, 0.66%

LAB 52.37, 64.67, -74.36

 

CMYK 57 / 96 / 0 / 22

HEX #5609C8

RGB 86 9 200

HSL 264.19, 0.91%, 0.41%

LAB 30.26, 66.89, -79.62

 

CMYK 62 / 100 / 0 / 29

HEX #4500B5

RGB 69 0 181

HSL 262.87, 1%, 0.35%

LAB 25.57, 62.97, -76.23

 

CMYK 68 / 100 / 0 / 36

HEX #3400A2

RGB 52 0 162

HSL 259.26, 1%, 0.32%

LAB 21.35, 57.55, -71.83

 

CMYK 76 / 100 / 0 / 44

HEX #23008F

RGB 35 0 143

HSL 254.69, 1%, 0.28%

LAB 17.18, 52.13, -67.09

 

CMYK 85 / 100 / 0 / 51

HEX #12007C

RGB 18 0 124

HSL 248.71, 1%, 0.24%

LAB 13.13, 46.71, -61.87

 

CMYK 57 / 95 / 0 / 22

HEX #5609C7

RGB 86 9 199

HSL 264.32, 0.91%, 0.41%

LAB 30.15, 66.66, -79.22

 

CMYK 31 / 95 / 0 / 22

HEX #8909C7

RGB 137 9 199

HSL 280.42, 0.91%, 0.41%

LAB 37.18, 71.7, -67.39

 

CMYK 6 / 95 / 0 / 22

HEX #BC09C7

RGB 188 9 199

HSL 296.53, 0.91%, 0.41%

LAB 45.65, 78.99, -53.27

 

CMYK 0 / 95 / 20 / 22

HEX #C7099F

RGB 199 9 159

HSL 312.63, 0.91%, 0.41%

LAB 45.42, 75.37, -29.92

 

CMYK 0 / 95 / 46 / 22

HEX #C7096C

RGB 199 9 108

HSL 328.74, 0.91%, 0.41%

LAB 43.39, 70.07, -1.78

 

CMYK 57 / 95 / 0 / 22

HEX #5609C7

RGB 86 9 199

HSL 264.32, 0.91%, 0.41%

LAB 30.15, 66.66, -79.22

 

CMYK 83 / 95 / 0 / 22

HEX #2209C7

RGB 34 9 199

HSL 247.89, 0.91%, 0.41%

LAB 25.74, 64.24, -86.68

 

CMYK 95 / 95 / 0 / 22

HEX #0909C7

RGB 9 9 199

HSL 240, 0.91%, 0.41%

LAB 24.88, 63.85, -88.14

 

CMYK 57 / 95 / 0 / 22

HEX #5609C7

RGB 86 9 199

HSL 264.32, 0.91%, 0.41%

LAB 30.15, 66.66, -79.22

 

CMYK 57 / 95 / 0 / 22

HEX #5609C7

RGB 86 9 199

HSL 264.32, 0.91%, 0.41%

LAB 30.15, 66.66, -79.22

 

CMYK 51 / 86 / 0 / 29

HEX #591AB6

RGB 89 26 182

HSL 264.23, 0.75%, 0.41%

LAB 30.01, 58.85, -69.4

 

CMYK 44 / 74 / 0 / 35

HEX #5C2BA5

RGB 92 43 165

HSL 264.1, 0.59%, 0.41%

LAB 31.16, 48.04, -57.32

 

CMYK 36 / 59 / 0 / 42

HEX #5F3C94

RGB 95 60 148

HSL 263.86, 0.42%, 0.41%

LAB 33.57, 34.93, -43.08

 

CMYK 25 / 42 / 0 / 48

HEX #634D84

RGB 99 77 132

HSL 264, 0.26%, 0.41%

LAB 37.16, 21.43, -27.55

 

CMYK 95 / 83 / 0 / 22

HEX #0922C7

RGB 9 34 199

HSL 232.11, 0.91%, 0.41%

LAB 27.64, 55.5, -83.53

 

CMYK 83 / 95 / 0 / 22

HEX #2209C7

RGB 34 9 199

HSL 247.89, 0.91%, 0.41%

LAB 25.74, 64.24, -86.68

 

CMYK 57 / 95 / 0 / 22

HEX #5509C7

RGB 85 9 199

HSL 264, 0.91%, 0.41%

LAB 30.04, 66.59, -79.42

 

CMYK 32 / 95 / 0 / 22

HEX #8809C7

RGB 136 9 199

HSL 280.11, 0.91%, 0.41%

LAB 37.03, 71.57, -67.65

 

CMYK 6 / 95 / 0 / 22

HEX #BB09C7

RGB 187 9 199

HSL 296.21, 0.91%, 0.41%

LAB 45.47, 78.83, -53.56

 

CMYK 57 / 96 / 0 / 53

HEX #340578

RGB 52 5 120

HSL 264.52, 0.92%, 0.25%

LAB 16.48, 45.6, -53.64

 

CMYK 57 / 96 / 0 / 37

HEX #4507A0

RGB 69 7 160

HSL 264.31, 0.92%, 0.33%

LAB 23.52, 56.48, -66.95

 

CMYK 57 / 95 / 0 / 22

HEX #5609C7

RGB 86 9 199

HSL 264.32, 0.91%, 0.41%

LAB 30.15, 66.66, -79.22

 

CMYK 57 / 95 / 0 / 6

HEX #670BEF

RGB 103 11 239

HSL 264.21, 0.91%, 0.49%

LAB 36.66, 76.69, -91.43

 

CMYK 49 / 81 / 0 / 4

HEX #7E2EF5

RGB 126 46 245

HSL 264.12, 0.91%, 0.57%

LAB 42.74, 71.66, -84.69

 

CMYK 57 / 96 / 0 / 22

HEX #5609C8

RGB 86 9 200

HSL 264.19, 0.91%, 0.41%

LAB 30.26, 66.89, -79.62

 

CMYK 0 / 95 / 57 / 22

HEX #C70955

RGB 199 9 85

HSL 336, 0.91%, 0.41%

LAB 42.75, 68.35, 11.76

 

CMYK 95 / 0 / 95 / 22

HEX #09C709

RGB 9 199 9

HSL 120, 0.91%, 0.41%

LAB 70.12, -70.95, 68.09

 

CMYK 57 / 96 / 0 / 22

HEX #5609C8

RGB 86 9 200

HSL 264.19, 0.91%, 0.41%

LAB 30.26, 66.89, -79.62

 

CMYK 0 / 57 / 95 / 22

HEX #C75509

RGB 199 85 9

HSL 24, 0.91%, 0.41%

LAB 50.29, 42.36, 57.86

 

CMYK 95 / 0 / 57 / 22

HEX #09C755

RGB 9 199 85

HSL 144, 0.91%, 0.41%

LAB 70.57, -65.32, 44.94

 

CMYK 57 / 96 / 0 / 22

HEX #5609C8

RGB 86 9 200

HSL 264.19, 0.91%, 0.41%

LAB 30.26, 66.89, -79.62

 

CMYK 0 / 95 / 57 / 22

HEX #C70955

RGB 199 9 85

HSL 336, 0.91%, 0.41%

LAB 42.75, 68.35, 11.76

 

CMYK 38 / 0 / 95 / 22

HEX #7BC709

RGB 123 199 9

HSL 84, 0.91%, 0.41%

LAB 72.94, -48.16, 71.55

 

CMYK 95 / 0 / 38 / 22

HEX #09C77B

RGB 9 199 123

HSL 156, 0.91%, 0.41%

LAB 71.1, -58.92, 26.67

 

CMYK 57 / 96 / 0 / 22

HEX #5609C8

RGB 86 9 200

HSL 264.19, 0.91%, 0.41%

LAB 30.26, 66.89, -79.62

 

CMYK 0 / 95 / 86 / 22

HEX #C7091C

RGB 199 9 28

HSL 354, 0.91%, 0.41%

LAB 41.88, 65.94, 45

 

CMYK 38 / 0 / 95 / 22

HEX #7BC709

RGB 123 199 9

HSL 84, 0.91%, 0.41%

LAB 72.94, -48.16, 71.55

 

CMYK 95 / 0 / 10 / 22

HEX #09C7B4

RGB 9 199 180

HSL 174, 0.91%, 0.41%

LAB 72.36, -45.14, -2.15

 

Description

Color code: HEX #5609C8 | qconv.com Color code: HEX #5609C8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 9 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 9 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 96 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 96% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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