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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55E740 it is the complementary color #AA18BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55E740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55E740 shade: #5AE73B, #6BF94E, #7CFF61, #8DFF74 and #9EFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55E740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55E740 shade: #55E740, #44D52D, #33C31A, #22B107 and #119F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55E740 shade: #55E740, #82E740, #AFE740, #DCE740 and #E7C540

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55E740 shade: #55E740, #40E758, #40E785, #40E7B2 and #40E7DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55E740 shade matches the following richer shades: #55E740 and #48F82F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55E740 shade: #55E740, #62D651, #6FC463, #7CB374 and #89A285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55E740 shade: #AFE740, #83E740, #56E740, #40E756 and #40E783

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55E740 shade: #2CBD17, #34E21B, #55E740, #76EB65 and #96F089

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55E740 shade: #55E740, #40DCE7 and #E74099

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55E740 shade: #55E740, #4056E7 and #E74056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55E740 shade: #55E740, #40DCE7, #D140E7 and #E74B40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55E740 shade: #55E740, #40AAE7, #D140E7 and #E77D40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 72 / 9

HEX #55E740

RGB 85 231 64

HSL 112.46, 0.78%, 0.58%

LAB 81.54, -68.13, 65.87

 

Complementary color

CMYK 11 / 87 / 0 / 25

HEX #AA18BF

RGB 170 24 191

HSL 292.46, 0.78%, 0.42%

LAB 42.7, 72.82, -53.5

 

CMYK 61 / 0 / 74 / 9

HEX #5AE73B

RGB 90 231 59

HSL 109.19, 0.78%, 0.57%

LAB 81.64, -67.4, 67.69

 

CMYK 57 / 0 / 69 / 2

HEX #6BF94E

RGB 107 249 78

HSL 109.82, 0.93%, 0.64%

LAB 87.69, -68.2, 67.38

 

CMYK 51 / 0 / 62 / 0

HEX #7CFF61

RGB 124 255 97

HSL 109.75, 1%, 0.69%

LAB 90.17, -64.41, 62.79

 

CMYK 45 / 0 / 55 / 0

HEX #8DFF74

RGB 141 255 116

HSL 109.21, 1%, 0.73%

LAB 90.98, -57.78, 55.72

 

CMYK 38 / 0 / 47 / 0

HEX #9EFF87

RGB 158 255 135

HSL 108.5, 1%, 0.76%

LAB 91.93, -50.49, 48.29

 

CMYK 63 / 0 / 72 / 9

HEX #55E740

RGB 85 231 64

HSL 112.46, 0.78%, 0.58%

LAB 81.54, -68.13, 65.87

 

CMYK 68 / 0 / 79 / 16

HEX #44D52D

RGB 68 213 45

HSL 111.79, 0.67%, 0.51%

LAB 75.46, -66.94, 65.86

 

CMYK 74 / 0 / 87 / 24

HEX #33C31A

RGB 51 195 26

HSL 111.12, 0.76%, 0.43%

LAB 69.33, -65.22, 64.96

 

CMYK 81 / 0 / 96 / 31

HEX #22B107

RGB 34 177 7

HSL 110.47, 0.92%, 0.36%

LAB 63.18, -62.81, 62.7

 

CMYK 89 / 0 / 100 / 38

HEX #119F00

RGB 17 159 0

HSL 113.58, 1%, 0.31%

LAB 56.99, -59.48, 58.58

 

CMYK 63 / 0 / 72 / 9

HEX #55E740

RGB 85 231 64

HSL 112.46, 0.78%, 0.58%

LAB 81.54, -68.13, 65.87

 

CMYK 44 / 0 / 72 / 9

HEX #82E740

RGB 130 231 64

HSL 96.29, 0.78%, 0.58%

LAB 83.06, -56.35, 67.89

 

CMYK 24 / 0 / 72 / 9

HEX #AFE740

RGB 175 231 64

HSL 80.12, 0.78%, 0.58%

LAB 85.32, -40.83, 70.88

 

CMYK 5 / 0 / 72 / 9

HEX #DCE740

RGB 220 231 64

HSL 63.95, 0.78%, 0.58%

LAB 88.32, -23.1, 74.81

 

CMYK 0 / 15 / 72 / 9

HEX #E7C540

RGB 231 197 64

HSL 47.78, 0.78%, 0.58%

LAB 80.34, -1.55, 67.45

 

CMYK 63 / 0 / 72 / 9

HEX #55E740

RGB 85 231 64

HSL 112.46, 0.78%, 0.58%

LAB 81.54, -68.13, 65.87

 

CMYK 72 / 0 / 62 / 9

HEX #40E758

RGB 64 231 88

HSL 128.62, 0.78%, 0.58%

LAB 81.26, -69.77, 56.13

 

CMYK 72 / 0 / 42 / 9

HEX #40E785

RGB 64 231 133

HSL 144.79, 0.78%, 0.58%

LAB 81.8, -63.44, 35.77

 

CMYK 72 / 0 / 23 / 9

HEX #40E7B2

RGB 64 231 178

HSL 160.96, 0.78%, 0.58%

LAB 82.62, -54.43, 13.77

 

CMYK 72 / 0 / 3 / 9

HEX #40E7DF

RGB 64 231 223

HSL 177.13, 0.78%, 0.58%

LAB 83.74, -43.1, -8.32

 

CMYK 63 / 0 / 72 / 9

HEX #55E740

RGB 85 231 64

HSL 112.46, 0.78%, 0.58%

LAB 81.54, -68.13, 65.87

 

CMYK 71 / 0 / 81 / 3

HEX #48F82F

RGB 72 248 47

HSL 112.54, 0.93%, 0.58%

LAB 86.36, -76.96, 75.51

 

CMYK 63 / 0 / 72 / 9

HEX #55E740

RGB 85 231 64

HSL 112.46, 0.78%, 0.58%

LAB 81.54, -68.13, 65.87

 

CMYK 54 / 0 / 62 / 16

HEX #62D651

RGB 98 214 81

HSL 112.33, 0.62%, 0.58%

LAB 76.85, -57.65, 54.39

 

CMYK 43 / 0 / 49 / 23

HEX #6FC463

RGB 111 196 99

HSL 112.58, 0.45%, 0.58%

LAB 72.07, -44.76, 40.58

 

CMYK 31 / 0 / 35 / 30

HEX #7CB374

RGB 124 179 116

HSL 112.38, 0.29%, 0.58%

LAB 67.86, -30.44, 26.59

 

CMYK 15 / 0 / 18 / 36

HEX #89A285

RGB 137 162 133

HSL 111.72, 0.13%, 0.58%

LAB 64.04, -14.42, 12.22

 

CMYK 24 / 0 / 72 / 9

HEX #AFE740

RGB 175 231 64

HSL 80.12, 0.78%, 0.58%

LAB 85.32, -40.83, 70.88

 

CMYK 43 / 0 / 72 / 9

HEX #83E740

RGB 131 231 64

HSL 95.93, 0.78%, 0.58%

LAB 83.1, -56.04, 67.94

 

CMYK 63 / 0 / 72 / 9

HEX #56E740

RGB 86 231 64

HSL 112.1, 0.78%, 0.58%

LAB 81.57, -67.92, 65.9

 

CMYK 72 / 0 / 63 / 9

HEX #40E756

RGB 64 231 86

HSL 127.9, 0.78%, 0.58%

LAB 81.24, -69.98, 56.95

 

CMYK 72 / 0 / 43 / 9

HEX #40E783

RGB 64 231 131

HSL 144.07, 0.78%, 0.58%

LAB 81.77, -63.78, 36.72

 

CMYK 77 / 0 / 88 / 26

HEX #2CBD17

RGB 44 189 23

HSL 112.41, 0.78%, 0.42%

LAB 67.27, -64.58, 63.72

 

CMYK 77 / 0 / 88 / 11

HEX #34E21B

RGB 52 226 27

HSL 112.46, 0.79%, 0.5%

LAB 79.16, -74.29, 73.31

 

CMYK 63 / 0 / 72 / 9

HEX #55E740

RGB 85 231 64

HSL 112.46, 0.78%, 0.58%

LAB 81.54, -68.13, 65.87

 

CMYK 50 / 0 / 57 / 8

HEX #76EB65

RGB 118 235 101

HSL 112.39, 0.77%, 0.66%

LAB 84.07, -58.14, 54.09

 

CMYK 38 / 0 / 43 / 6

HEX #96F089

RGB 150 240 137

HSL 112.43, 0.77%, 0.74%

LAB 87.3, -46.37, 41.41

 

CMYK 63 / 0 / 72 / 9

HEX #55E740

RGB 85 231 64

HSL 112.46, 0.78%, 0.58%

LAB 81.54, -68.13, 65.87

 

CMYK 72 / 5 / 0 / 9

HEX #40DCE7

RGB 64 220 231

HSL 183.95, 0.78%, 0.58%

LAB 80.76, -35.85, -17.02

 

CMYK 0 / 72 / 34 / 9

HEX #E74099

RGB 231 64 153

HSL 328.02, 0.78%, 0.58%

LAB 55.03, 70.22, -11.11

 

CMYK 63 / 0 / 72 / 9

HEX #55E740

RGB 85 231 64

HSL 112.46, 0.78%, 0.58%

LAB 81.54, -68.13, 65.87

 

CMYK 72 / 63 / 0 / 9

HEX #4056E7

RGB 64 86 231

HSL 232.1, 0.78%, 0.58%

LAB 43.53, 40.14, -75.67

 

CMYK 0 / 72 / 63 / 9

HEX #E74056

RGB 231 64 86

HSL 352.1, 0.78%, 0.58%

LAB 53.31, 64.59, 26.35

 

CMYK 63 / 0 / 72 / 9

HEX #55E740

RGB 85 231 64

HSL 112.46, 0.78%, 0.58%

LAB 81.54, -68.13, 65.87

 

CMYK 72 / 5 / 0 / 9

HEX #40DCE7

RGB 64 220 231

HSL 183.95, 0.78%, 0.58%

LAB 80.76, -35.85, -17.02

 

CMYK 10 / 72 / 0 / 9

HEX #D140E7

RGB 209 64 231

HSL 292.1, 0.78%, 0.58%

LAB 55.06, 76.19, -56.27

 

CMYK 0 / 68 / 72 / 9

HEX #E74B40

RGB 231 75 64

HSL 3.95, 0.78%, 0.58%

LAB 54.44, 59.47, 40.37

 

CMYK 63 / 0 / 72 / 9

HEX #55E740

RGB 85 231 64

HSL 112.46, 0.78%, 0.58%

LAB 81.54, -68.13, 65.87

 

CMYK 72 / 26 / 0 / 9

HEX #40AAE7

RGB 64 170 231

HSL 201.92, 0.78%, 0.58%

LAB 66.22, -10.55, -39.35

 

CMYK 10 / 72 / 0 / 9

HEX #D140E7

RGB 209 64 231

HSL 292.1, 0.78%, 0.58%

LAB 55.06, 76.19, -56.27

 

CMYK 0 / 46 / 72 / 9

HEX #E77D40

RGB 231 125 64

HSL 21.92, 0.78%, 0.58%

LAB 63.36, 36.36, 50.17

 

Description

Color code: HEX #55E740 | qconv.com Color code: HEX #55E740 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 231 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 231 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 72 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 72% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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