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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55E5BB it is the complementary color #AA1A44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55E5BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55E5BB shade: #5AE5B6, #6BF7C9, #7CFFDC, #8DFFEF and #9EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55E5BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55E5BB shade: #55E5BB, #44D3A8, #33C195, #22AF82 and #119D6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55E5BB shade: #57E4BB, #57E495, #57E46F, #65E457 and #8BE457

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55E5BB shade: #57E4BB, #57E4E1, #57C1E4, #579BE4 and #5775E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55E5BB shade matches the following richer shades: #57E4BB and #47F4C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55E5BB shade: #57E4BB, #67D5B5, #76C5AE, #86B5A7 and #96A6A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55E5BB shade: #57E46E, #57E494, #57E4BA, #57E4E0 and #57C3E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55E5BB shade: #1FCA98, #33DFAD, #57E4BB, #7BEAC9 and #9EEFD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55E5BB shade: #55E5BB, #5765E4 and #E48157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55E5BB shade: #55E5BB, #BA57E4 and #E4BA57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55E5BB shade: #55E5BB, #5765E4, #E45781 and #E4D657

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55E5BB shade: #55E5BB, #7357E4, #E45781 and #C8E457

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 18 / 10

HEX #55E5BB

RGB 85 229 187

HSL 162.5, 0.73%, 0.62%

LAB 82.68, -48.36, 9.18

 

Complementary color

CMYK 0 / 85 / 60 / 33

HEX #AA1A44

RGB 170 26 68

HSL 342.5, 0.73%, 0.38%

LAB 37.3, 57.33, 14.17

 

CMYK 61 / 0 / 21 / 10

HEX #5AE5B6

RGB 90 229 182

HSL 159.71, 0.73%, 0.63%

LAB 82.69, -48.6, 11.85

 

CMYK 57 / 0 / 19 / 3

HEX #6BF7C9

RGB 107 247 201

HSL 160.29, 0.9%, 0.69%

LAB 88.86, -48.71, 10.77

 

CMYK 51 / 0 / 14 / 0

HEX #7CFFDC

RGB 124 255 220

HSL 163.97, 1%, 0.74%

LAB 92.12, -44.41, 5.69

 

CMYK 45 / 0 / 6 / 0

HEX #8DFFEF

RGB 141 255 239

HSL 171.58, 1%, 0.78%

LAB 93.2, -36.28, -2.49

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158 255 255

HSL 180, 1%, 0.81%

LAB 94.32, -28.51, -9.03

 

CMYK 63 / 0 / 18 / 10

HEX #55E5BB

RGB 85 229 187

HSL 162.5, 0.73%, 0.62%

LAB 82.68, -48.36, 9.18

 

CMYK 68 / 0 / 20 / 17

HEX #44D3A8

RGB 68 211 168

HSL 161.96, 0.62%, 0.55%

LAB 76.46, -48.03, 10.34

 

CMYK 74 / 0 / 23 / 24

HEX #33C195

RGB 51 193 149

HSL 161.41, 0.58%, 0.48%

LAB 70.19, -47.5, 11.61

 

CMYK 81 / 0 / 26 / 31

HEX #22AF82

RGB 34 175 130

HSL 160.85, 0.67%, 0.41%

LAB 63.85, -46.67, 13.02

 

CMYK 89 / 0 / 29 / 38

HEX #119D6F

RGB 17 157 111

HSL 160.29, 0.8%, 0.34%

LAB 57.44, -45.43, 14.59

 

CMYK 62 / 0 / 18 / 11

HEX #57E4BB

RGB 87 228 187

HSL 162.55, 0.72%, 0.62%

LAB 82.43, -47.59, 8.84

 

CMYK 62 / 0 / 35 / 11

HEX #57E495

RGB 87 228 149

HSL 146.38, 0.72%, 0.62%

LAB 81.67, -55.57, 27.58

 

CMYK 62 / 0 / 51 / 11

HEX #57E46F

RGB 87 228 111

HSL 130.21, 0.72%, 0.62%

LAB 81.1, -61.74, 45.71

 

CMYK 56 / 0 / 62 / 11

HEX #65E457

RGB 101 228 87

HSL 114.04, 0.72%, 0.62%

LAB 81.26, -61.42, 56.8

 

CMYK 39 / 0 / 62 / 11

HEX #8BE457

RGB 139 228 87

HSL 97.87, 0.72%, 0.62%

LAB 82.73, -50.54, 58.85

 

CMYK 62 / 0 / 18 / 11

HEX #57E4BB

RGB 87 228 187

HSL 162.55, 0.72%, 0.62%

LAB 82.43, -47.59, 8.84

 

CMYK 62 / 0 / 1 / 11

HEX #57E4E1

RGB 87 228 225

HSL 178.72, 0.72%, 0.62%

LAB 83.42, -38.06, -9.81

 

CMYK 62 / 15 / 0 / 11

HEX #57C1E4

RGB 87 193 228

HSL 194.89, 0.72%, 0.62%

LAB 73.39, -20.23, -26.55

 

CMYK 62 / 32 / 0 / 11

HEX #579BE4

RGB 87 155 228

HSL 211.06, 0.72%, 0.62%

LAB 62.57, 0.47, -43.37

 

CMYK 62 / 49 / 0 / 11

HEX #5775E4

RGB 87 117 228

HSL 227.23, 0.72%, 0.62%

LAB 52.23, 23.22, -59.81

 

CMYK 62 / 0 / 18 / 11

HEX #57E4BB

RGB 87 228 187

HSL 162.55, 0.72%, 0.62%

LAB 82.43, -47.59, 8.84

 

CMYK 71 / 0 / 20 / 4

HEX #47F4C2

RGB 71 244 194

HSL 162.66, 0.89%, 0.62%

LAB 86.97, -55.02, 11.59

 

CMYK 62 / 0 / 18 / 11

HEX #57E4BB

RGB 87 228 187

HSL 162.55, 0.72%, 0.62%

LAB 82.43, -47.59, 8.84

 

CMYK 52 / 0 / 15 / 16

HEX #67D5B5

RGB 103 213 181

HSL 162.55, 0.57%, 0.62%

LAB 78.35, -39.22, 6.23

 

CMYK 40 / 0 / 12 / 23

HEX #76C5AE

RGB 118 197 174

HSL 162.53, 0.41%, 0.62%

LAB 74.09, -29.66, 3.92

 

CMYK 26 / 0 / 8 / 29

HEX #86B5A7

RGB 134 181 167

HSL 162.13, 0.24%, 0.62%

LAB 70.11, -18.57, 2.08

 

CMYK 10 / 0 / 3 / 35

HEX #96A6A1

RGB 150 166 161

HSL 161.25, 0.08%, 0.62%

LAB 66.77, -6.61, 0.66

 

CMYK 62 / 0 / 52 / 11

HEX #57E46E

RGB 87 228 110

HSL 129.79, 0.72%, 0.62%

LAB 81.09, -61.88, 46.17

 

CMYK 62 / 0 / 35 / 11

HEX #57E494

RGB 87 228 148

HSL 145.96, 0.72%, 0.62%

LAB 81.65, -55.75, 28.07

 

CMYK 62 / 0 / 18 / 11

HEX #57E4BA

RGB 87 228 186

HSL 162.13, 0.72%, 0.62%

LAB 82.41, -47.82, 9.33

 

CMYK 62 / 0 / 2 / 11

HEX #57E4E0

RGB 87 228 224

HSL 178.3, 0.72%, 0.62%

LAB 83.39, -38.32, -9.33

 

CMYK 62 / 14 / 0 / 11

HEX #57C3E4

RGB 87 195 228

HSL 194.04, 0.72%, 0.62%

LAB 73.97, -21.25, -25.67

 

CMYK 85 / 0 / 25 / 21

HEX #1FCA98

RGB 31 202 152

HSL 162.46, 0.73%, 0.46%

LAB 72.76, -52.47, 13.58

 

CMYK 77 / 0 / 22 / 13

HEX #33DFAD

RGB 51 223 173

HSL 162.56, 0.73%, 0.54%

LAB 79.9, -53.95, 12.51

 

CMYK 62 / 0 / 18 / 11

HEX #57E4BB

RGB 87 228 187

HSL 162.55, 0.72%, 0.62%

LAB 82.43, -47.59, 8.84

 

CMYK 47 / 0 / 14 / 8

HEX #7BEAC9

RGB 123 234 201

HSL 162.16, 0.73%, 0.7%

LAB 85.64, -39.57, 6.23

 

CMYK 34 / 0 / 10 / 6

HEX #9EEFD8

RGB 158 239 216

HSL 162.96, 0.72%, 0.78%

LAB 88.9, -29.63, 3.29

 

CMYK 63 / 0 / 18 / 10

HEX #55E5BB

RGB 85 229 187

HSL 162.5, 0.73%, 0.62%

LAB 82.68, -48.36, 9.18

 

CMYK 62 / 56 / 0 / 11

HEX #5765E4

RGB 87 101 228

HSL 234.04, 0.72%, 0.62%

LAB 48.18, 33.08, -66.35

 

CMYK 0 / 43 / 62 / 11

HEX #E48157

RGB 228 129 87

HSL 17.87, 0.72%, 0.62%

LAB 64.07, 34.41, 39.13

 

CMYK 63 / 0 / 18 / 10

HEX #55E5BB

RGB 85 229 187

HSL 162.5, 0.73%, 0.62%

LAB 82.68, -48.36, 9.18

 

CMYK 18 / 62 / 0 / 11

HEX #BA57E4

RGB 186 87 228

HSL 282.13, 0.72%, 0.62%

LAB 54.92, 61.54, -54.99

 

CMYK 0 / 18 / 62 / 11

HEX #E4BA57

RGB 228 186 87

HSL 42.13, 0.72%, 0.62%

LAB 77.46, 4.18, 54.71

 

CMYK 63 / 0 / 18 / 10

HEX #55E5BB

RGB 85 229 187

HSL 162.5, 0.73%, 0.62%

LAB 82.68, -48.36, 9.18

 

CMYK 62 / 56 / 0 / 11

HEX #5765E4

RGB 87 101 228

HSL 234.04, 0.72%, 0.62%

LAB 48.18, 33.08, -66.35

 

CMYK 0 / 62 / 43 / 11

HEX #E45781

RGB 228 87 129

HSL 342.13, 0.72%, 0.62%

LAB 56.97, 58.16, 5.85

 

CMYK 0 / 6 / 62 / 11

HEX #E4D657

RGB 228 214 87

HSL 54.04, 0.72%, 0.62%

LAB 84.63, -10.21, 62.58

 

CMYK 63 / 0 / 18 / 10

HEX #55E5BB

RGB 85 229 187

HSL 162.5, 0.73%, 0.62%

LAB 82.68, -48.36, 9.18

 

CMYK 50 / 62 / 0 / 11

HEX #7357E4

RGB 115 87 228

HSL 251.91, 0.72%, 0.62%

LAB 47.06, 46.34, -68.08

 

CMYK 0 / 62 / 43 / 11

HEX #E45781

RGB 228 87 129

HSL 342.13, 0.72%, 0.62%

LAB 56.97, 58.16, 5.85

 

CMYK 12 / 0 / 62 / 11

HEX #C8E457

RGB 200 228 87

HSL 71.91, 0.72%, 0.62%

LAB 86.23, -28.38, 63.68

 

Description

Color code: HEX #55E5BB | qconv.com Color code: HEX #55E5BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 229 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 229 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 18 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 18% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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