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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55DD4A it is the complementary color #AA22B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55DD4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55DD4A shade: #5ADD45, #6BEF58, #7CFF6B, #8DFF7E and #9EFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55DD4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55DD4A shade: #55DD4A, #44CB37, #33B924, #22A711 and #119500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55DD4A shade: #55DC4B, #7DDC4B, #A4DC4B, #CBDC4B and #DCC64B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55DD4A shade: #55DC4B, #4BDC67, #4BDC8E, #4BDCB6 and #4BDCDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55DD4A shade matches the following richer shades: #55DC4B and #47EE39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55DD4A shade: #55DC4B, #64CB5C, #73BA6D, #82A87F and #909790

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55DD4A shade: #A4DC4B, #7EDC4B, #57DC4B, #4BDC65 and #4BDC8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55DD4A shade: #2CB322, #35D528, #55DC4B, #76E36D and #97E990

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55DD4A shade: #55DD4A, #4BCBDC and #DC4B91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55DD4A shade: #55DD4A, #4B57DC and #DC4B57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55DD4A shade: #55DD4A, #4BCBDC, #D04BDC and #DC5C4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55DD4A shade: #55DD4A, #4BA0DC, #D04BDC and #DC874B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 67 / 13

HEX #55DD4A

RGB 85 221 74

HSL 115.51, 0.68%, 0.58%

LAB 78.54, -63.93, 59.02

 

Complementary color

CMYK 6 / 81 / 0 / 29

HEX #AA22B5

RGB 170 34 181

HSL 295.51, 0.68%, 0.42%

LAB 42.8, 68.98, -47.47

 

CMYK 59 / 0 / 69 / 13

HEX #5ADD45

RGB 90 221 69

HSL 111.71, 0.69%, 0.57%

LAB 78.65, -63.24, 61.11

 

CMYK 55 / 0 / 63 / 6

HEX #6BEF58

RGB 107 239 88

HSL 112.45, 0.83%, 0.64%

LAB 84.77, -63.8, 60.35

 

CMYK 51 / 0 / 58 / 0

HEX #7CFF6B

RGB 124 255 107

HSL 113.11, 1%, 0.71%

LAB 90.26, -63.4, 58.68

 

CMYK 45 / 0 / 51 / 0

HEX #8DFF7E

RGB 141 255 126

HSL 113.02, 1%, 0.75%

LAB 91.09, -56.61, 51.31

 

CMYK 38 / 0 / 43 / 0

HEX #9EFF91

RGB 158 255 145

HSL 112.91, 1%, 0.78%

LAB 92.06, -49.18, 43.67

 

CMYK 62 / 0 / 67 / 13

HEX #55DD4A

RGB 85 221 74

HSL 115.51, 0.68%, 0.58%

LAB 78.54, -63.93, 59.02

 

CMYK 67 / 0 / 73 / 20

HEX #44CB37

RGB 68 203 55

HSL 114.73, 0.59%, 0.51%

LAB 72.37, -63.02, 59.61

 

CMYK 72 / 0 / 81 / 27

HEX #33B924

RGB 51 185 36

HSL 113.96, 0.67%, 0.43%

LAB 66.16, -61.61, 59.58

 

CMYK 80 / 0 / 90 / 35

HEX #22A711

RGB 34 167 17

HSL 113.2, 0.82%, 0.36%

LAB 59.9, -59.52, 58.45

 

CMYK 89 / 0 / 100 / 42

HEX #119500

RGB 17 149 0

HSL 113.15, 1%, 0.29%

LAB 53.62, -56.56, 55.87

 

CMYK 61 / 0 / 66 / 14

HEX #55DC4B

RGB 85 220 75

HSL 115.86, 0.67%, 0.58%

LAB 78.24, -63.5, 58.3

 

CMYK 43 / 0 / 66 / 14

HEX #7DDC4B

RGB 125 220 75

HSL 99.31, 0.67%, 0.58%

LAB 79.64, -52.79, 60.22

 

CMYK 25 / 0 / 66 / 14

HEX #A4DC4B

RGB 164 220 75

HSL 83.17, 0.67%, 0.58%

LAB 81.61, -39.39, 62.9

 

CMYK 8 / 0 / 66 / 14

HEX #CBDC4B

RGB 203 220 75

HSL 67.03, 0.67%, 0.58%

LAB 84.17, -24.16, 66.35

 

CMYK 0 / 10 / 66 / 14

HEX #DCC64B

RGB 220 198 75

HSL 50.9, 0.67%, 0.58%

LAB 79.68, -6.16, 62.13

 

CMYK 61 / 0 / 66 / 14

HEX #55DC4B

RGB 85 220 75

HSL 115.86, 0.67%, 0.58%

LAB 78.24, -63.5, 58.3

 

CMYK 66 / 0 / 53 / 14

HEX #4BDC67

RGB 75 220 103

HSL 131.59, 0.67%, 0.58%

LAB 78.26, -62.35, 45.95

 

CMYK 66 / 0 / 35 / 14

HEX #4BDC8E

RGB 75 220 142

HSL 147.72, 0.67%, 0.58%

LAB 78.83, -56, 27.31

 

CMYK 66 / 0 / 17 / 14

HEX #4BDCB6

RGB 75 220 182

HSL 164.28, 0.67%, 0.58%

LAB 79.65, -47.4, 7.46

 

CMYK 66 / 0 / 0 / 14

HEX #4BDCDC

RGB 75 220 220

HSL 180, 0.67%, 0.58%

LAB 80.66, -37.56, -11.3

 

CMYK 61 / 0 / 66 / 14

HEX #55DC4B

RGB 85 220 75

HSL 115.86, 0.67%, 0.58%

LAB 78.24, -63.5, 58.3

 

CMYK 70 / 0 / 76 / 7

HEX #47EE39

RGB 71 238 57

HSL 115.36, 0.84%, 0.58%

LAB 83.33, -73.51, 69.83

 

CMYK 61 / 0 / 66 / 14

HEX #55DC4B

RGB 85 220 75

HSL 115.86, 0.67%, 0.58%

LAB 78.24, -63.5, 58.3

 

CMYK 51 / 0 / 55 / 20

HEX #64CB5C

RGB 100 203 92

HSL 115.68, 0.52%, 0.58%

LAB 73.67, -51.68, 45.79

 

CMYK 38 / 0 / 41 / 27

HEX #73BA6D

RGB 115 186 109

HSL 115.32, 0.36%, 0.58%

LAB 69.37, -37.74, 32.16

 

CMYK 23 / 0 / 24 / 34

HEX #82A87F

RGB 130 168 127

HSL 115.61, 0.19%, 0.58%

LAB 65.19, -21.1, 17.07

 

CMYK 5 / 0 / 5 / 41

HEX #909790

RGB 144 151 144

HSL 120, 0.03%, 0.58%

LAB 61.72, -3.89, 2.8

 

CMYK 25 / 0 / 66 / 14

HEX #A4DC4B

RGB 164 220 75

HSL 83.17, 0.67%, 0.58%

LAB 81.61, -39.39, 62.9

 

CMYK 43 / 0 / 66 / 14

HEX #7EDC4B

RGB 126 220 75

HSL 98.9, 0.67%, 0.58%

LAB 79.69, -52.48, 60.28

 

CMYK 60 / 0 / 66 / 14

HEX #57DC4B

RGB 87 220 75

HSL 115.03, 0.67%, 0.58%

LAB 78.3, -63.05, 58.37

 

CMYK 66 / 0 / 54 / 14

HEX #4BDC65

RGB 75 220 101

HSL 130.76, 0.67%, 0.58%

LAB 78.24, -62.62, 46.86

 

CMYK 66 / 0 / 36 / 14

HEX #4BDC8C

RGB 75 220 140

HSL 146.9, 0.67%, 0.58%

LAB 78.8, -56.37, 28.3

 

CMYK 75 / 0 / 81 / 30

HEX #2CB322

RGB 44 179 34

HSL 115.86, 0.68%, 0.42%

LAB 64.07, -60.98, 58.16

 

CMYK 75 / 0 / 81 / 16

HEX #35D528

RGB 53 213 40

HSL 115.49, 0.68%, 0.5%

LAB 75.14, -69.74, 66.85

 

CMYK 61 / 0 / 66 / 14

HEX #55DC4B

RGB 85 220 75

HSL 115.86, 0.67%, 0.58%

LAB 78.24, -63.5, 58.3

 

CMYK 48 / 0 / 52 / 11

HEX #76E36D

RGB 118 227 109

HSL 115.42, 0.68%, 0.66%

LAB 81.78, -54.09, 47.7

 

CMYK 35 / 0 / 38 / 9

HEX #97E990

RGB 151 233 144

HSL 115.28, 0.67%, 0.74%

LAB 85.44, -42.03, 35.56

 

CMYK 62 / 0 / 67 / 13

HEX #55DD4A

RGB 85 221 74

HSL 115.51, 0.68%, 0.58%

LAB 78.54, -63.93, 59.02

 

CMYK 66 / 8 / 0 / 14

HEX #4BCBDC

RGB 75 203 220

HSL 187.03, 0.67%, 0.58%

LAB 75.68, -29.53, -18.77

 

CMYK 0 / 66 / 34 / 14

HEX #DC4B91

RGB 220 75 145

HSL 331.03, 0.67%, 0.58%

LAB 54.34, 62.38, -7.61

 

CMYK 62 / 0 / 67 / 13

HEX #55DD4A

RGB 85 221 74

HSL 115.51, 0.68%, 0.58%

LAB 78.54, -63.93, 59.02

 

CMYK 66 / 60 / 0 / 14

HEX #4B57DC

RGB 75 87 220

HSL 235.03, 0.67%, 0.58%

LAB 43.48, 37.15, -69.49

 

CMYK 0 / 66 / 60 / 14

HEX #DC4B57

RGB 220 75 87

HSL 355.03, 0.67%, 0.58%

LAB 52.88, 57.18, 24.83

 

CMYK 62 / 0 / 67 / 13

HEX #55DD4A

RGB 85 221 74

HSL 115.51, 0.68%, 0.58%

LAB 78.54, -63.93, 59.02

 

CMYK 66 / 8 / 0 / 14

HEX #4BCBDC

RGB 75 203 220

HSL 187.03, 0.67%, 0.58%

LAB 75.68, -29.53, -18.77

 

CMYK 5 / 66 / 0 / 14

HEX #D04BDC

RGB 208 75 220

HSL 295.03, 0.67%, 0.58%

LAB 55.69, 70.13, -49.07

 

CMYK 0 / 58 / 66 / 14

HEX #DC5C4B

RGB 220 92 75

HSL 7.03, 0.67%, 0.58%

LAB 55.46, 49.04, 34.99

 

CMYK 62 / 0 / 67 / 13

HEX #55DD4A

RGB 85 221 74

HSL 115.51, 0.68%, 0.58%

LAB 78.54, -63.93, 59.02

 

CMYK 66 / 27 / 0 / 14

HEX #4BA0DC

RGB 75 160 220

HSL 204.83, 0.67%, 0.58%

LAB 63.18, -7.07, -38.01

 

CMYK 5 / 66 / 0 / 14

HEX #D04BDC

RGB 208 75 220

HSL 295.03, 0.67%, 0.58%

LAB 55.69, 70.13, -49.07

 

CMYK 0 / 39 / 66 / 14

HEX #DC874B

RGB 220 135 75

HSL 24.83, 0.67%, 0.58%

LAB 64.2, 27.27, 45.25

 

Description

Color code: HEX #55DD4A | qconv.com Color code: HEX #55DD4A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 221 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 221 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 67 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 67% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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