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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55D67B it is the complementary color #AA2984. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55D67B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55D67B shade: #5AD676, #6BE889, #7CFA9C, #8DFFAF and #9EFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55D67B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55D67B shade: #55D67B, #44C468, #33B255, #22A042 and #118E2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55D67B shade: #56D67C, #56D659, #75D656, #98D656 and #BAD656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55D67B shade: #56D67C, #56D69E, #56D6C1, #56C9D6 and #56A6D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55D67B shade matches the following richer shades: #56D67C, #45E775 and #34F86E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55D67B shade: #56D67C, #67C583, #78B48A, #89A391 and #9A9298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55D67B shade: #76D656, #56D658, #56D67A, #56D69C and #56D6BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55D67B shade: #2AAF51, #35CE62, #56D67C, #77DE96 and #99E6AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55D67B shade: #55D67B, #5698D6 and #D65665

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55D67B shade: #55D67B, #7A56D6 and #D67A56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55D67B shade: #55D67B, #5698D6, #D656B2 and #D69456

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55D67B shade: #55D67B, #5672D6, #D656B2 and #D6BA56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 43 / 16

HEX #55D67B

RGB 85 214 123

HSL 137.67, 0.61%, 0.59%

LAB 76.95, -55.13, 34.59

 

Complementary color

CMYK 0 / 76 / 22 / 33

HEX #AA2984

RGB 170 41 132

HSL 317.67, 0.61%, 0.41%

LAB 40.89, 59.59, -20.97

 

CMYK 58 / 0 / 45 / 16

HEX #5AD676

RGB 90 214 118

HSL 133.55, 0.6%, 0.6%

LAB 77.03, -54.84, 37.22

 

CMYK 54 / 0 / 41 / 9

HEX #6BE889

RGB 107 232 137

HSL 134.4, 0.73%, 0.66%

LAB 83.26, -54.9, 35.87

 

CMYK 50 / 0 / 38 / 2

HEX #7CFA9C

RGB 124 250 156

HSL 135.24, 0.93%, 0.73%

LAB 89.42, -54.85, 34.59

 

CMYK 45 / 0 / 31 / 0

HEX #8DFFAF

RGB 141 255 175

HSL 137.89, 1%, 0.78%

LAB 91.81, -49.35, 28.37

 

CMYK 38 / 0 / 24 / 0

HEX #9EFFC2

RGB 158 255 194

HSL 142.27, 1%, 0.81%

LAB 92.88, -41.33, 20.31

 

CMYK 60 / 0 / 43 / 16

HEX #55D67B

RGB 85 214 123

HSL 137.67, 0.61%, 0.59%

LAB 76.95, -55.13, 34.59

 

CMYK 65 / 0 / 47 / 23

HEX #44C468

RGB 68 196 104

HSL 136.88, 0.52%, 0.52%

LAB 70.67, -54.84, 36.03

 

CMYK 71 / 0 / 52 / 30

HEX #33B255

RGB 51 178 85

HSL 136.06, 0.55%, 0.45%

LAB 64.32, -54.25, 37.53

 

CMYK 79 / 0 / 59 / 37

HEX #22A042

RGB 34 160 66

HSL 135.24, 0.65%, 0.38%

LAB 57.92, -53.22, 39.05

 

CMYK 88 / 0 / 67 / 44

HEX #118E2F

RGB 17 142 47

HSL 134.4, 0.79%, 0.31%

LAB 51.46, -51.51, 40.47

 

CMYK 60 / 0 / 42 / 16

HEX #56D67C

RGB 86 214 124

HSL 137.81, 0.61%, 0.59%

LAB 77, -54.75, 34.14

 

CMYK 60 / 0 / 58 / 16

HEX #56D659

RGB 86 214 89

HSL 121.41, 0.61%, 0.59%

LAB 76.55, -59.69, 50.44

 

CMYK 45 / 0 / 60 / 16

HEX #75D656

RGB 117 214 86

HSL 105.47, 0.61%, 0.59%

LAB 77.61, -51.83, 53.27

 

CMYK 29 / 0 / 60 / 16

HEX #98D656

RGB 152 214 86

HSL 89.06, 0.61%, 0.59%

LAB 79.29, -40.24, 55.63

 

CMYK 13 / 0 / 60 / 16

HEX #BAD656

RGB 186 214 86

HSL 73.13, 0.61%, 0.59%

LAB 81.4, -27.35, 58.56

 

CMYK 60 / 0 / 42 / 16

HEX #56D67C

RGB 86 214 124

HSL 137.81, 0.61%, 0.59%

LAB 77, -54.75, 34.14

 

CMYK 60 / 0 / 26 / 16

HEX #56D69E

RGB 86 214 158

HSL 153.75, 0.61%, 0.59%

LAB 77.6, -48.33, 17.32

 

CMYK 60 / 0 / 10 / 16

HEX #56D6C1

RGB 86 214 193

HSL 170.16, 0.61%, 0.59%

LAB 78.42, -40.21, -0.16

 

CMYK 60 / 6 / 0 / 16

HEX #56C9D6

RGB 86 201 214

HSL 186.09, 0.61%, 0.59%

LAB 75.21, -28.5, -16.23

 

CMYK 60 / 22 / 0 / 16

HEX #56A6D6

RGB 86 166 214

HSL 202.5, 0.61%, 0.59%

LAB 65.05, -10.38, -31.75

 

CMYK 60 / 0 / 42 / 16

HEX #56D67C

RGB 86 214 124

HSL 137.81, 0.61%, 0.59%

LAB 77, -54.75, 34.14

 

CMYK 70 / 0 / 49 / 9

HEX #45E775

RGB 69 231 117

HSL 137.78, 0.77%, 0.59%

LAB 81.68, -65.24, 43.46

 

CMYK 79 / 0 / 56 / 3

HEX #34F86E

RGB 52 248 110

HSL 137.76, 0.93%, 0.59%

LAB 86.5, -74.12, 52.52

 

CMYK 60 / 0 / 42 / 16

HEX #56D67C

RGB 86 214 124

HSL 137.81, 0.61%, 0.59%

LAB 77, -54.75, 34.14

 

CMYK 48 / 0 / 34 / 23

HEX #67C583

RGB 103 197 131

HSL 137.87, 0.45%, 0.59%

LAB 72.53, -42.47, 24.72

 

CMYK 33 / 0 / 23 / 29

HEX #78B48A

RGB 120 180 138

HSL 138, 0.29%, 0.59%

LAB 68.37, -28.38, 15.37

 

CMYK 16 / 0 / 11 / 36

HEX #89A391

RGB 137 163 145

HSL 138.46, 0.12%, 0.59%

LAB 64.61, -12.7, 6.34

 

CMYK 0 / 5 / 1 / 40

HEX #9A9298

RGB 154 146 152

HSL 315, 0.04%, 0.59%

LAB 61.39, 4.08, -2.12

 

CMYK 45 / 0 / 60 / 16

HEX #76D656

RGB 118 214 86

HSL 105, 0.61%, 0.59%

LAB 77.65, -51.53, 53.33

 

CMYK 60 / 0 / 59 / 16

HEX #56D658

RGB 86 214 88

HSL 120.94, 0.61%, 0.59%

LAB 76.54, -59.81, 50.88

 

CMYK 60 / 0 / 43 / 16

HEX #56D67A

RGB 86 214 122

HSL 136.88, 0.61%, 0.59%

LAB 76.97, -55.08, 35.11

 

CMYK 60 / 0 / 27 / 16

HEX #56D69C

RGB 86 214 156

HSL 152.81, 0.61%, 0.59%

LAB 77.56, -48.75, 18.32

 

CMYK 60 / 0 / 11 / 16

HEX #56D6BE

RGB 86 214 190

HSL 168.75, 0.61%, 0.59%

LAB 78.34, -40.96, 1.33

 

CMYK 76 / 0 / 54 / 31

HEX #2AAF51

RGB 42 175 81

HSL 137.59, 0.61%, 0.43%

LAB 63.13, -55.19, 38.01

 

CMYK 74 / 0 / 52 / 19

HEX #35CE62

RGB 53 206 98

HSL 137.65, 0.61%, 0.51%

LAB 73.4, -61.85, 42.31

 

CMYK 60 / 0 / 42 / 16

HEX #56D67C

RGB 86 214 124

HSL 137.81, 0.61%, 0.59%

LAB 77, -54.75, 34.14

 

CMYK 46 / 0 / 32 / 13

HEX #77DE96

RGB 119 222 150

HSL 138.06, 0.61%, 0.67%

LAB 80.94, -45.57, 26.27

 

CMYK 33 / 0 / 24 / 10

HEX #99E6AF

RGB 153 230 175

HSL 137.14, 0.61%, 0.75%

LAB 85.23, -34.96, 19.42

 

CMYK 60 / 0 / 43 / 16

HEX #55D67B

RGB 85 214 123

HSL 137.67, 0.61%, 0.59%

LAB 76.95, -55.13, 34.59

 

CMYK 60 / 29 / 0 / 16

HEX #5698D6

RGB 86 152 214

HSL 209.06, 0.61%, 0.59%

LAB 61.04, -2.55, -38

 

CMYK 0 / 60 / 53 / 16

HEX #D65665

RGB 214 86 101

HSL 352.97, 0.61%, 0.59%

LAB 53.91, 51.52, 17.76

 

CMYK 60 / 0 / 43 / 16

HEX #55D67B

RGB 85 214 123

HSL 137.67, 0.61%, 0.59%

LAB 76.95, -55.13, 34.59

 

CMYK 43 / 60 / 0 / 16

HEX #7A56D6

RGB 122 86 214

HSL 256.88, 0.61%, 0.59%

LAB 46.51, 44.34, -60.97

 

CMYK 0 / 43 / 60 / 16

HEX #D67A56

RGB 214 122 86

HSL 16.88, 0.61%, 0.59%

LAB 60.68, 32.48, 35.1

 

CMYK 60 / 0 / 43 / 16

HEX #55D67B

RGB 85 214 123

HSL 137.67, 0.61%, 0.59%

LAB 76.95, -55.13, 34.59

 

CMYK 60 / 29 / 0 / 16

HEX #5698D6

RGB 86 152 214

HSL 209.06, 0.61%, 0.59%

LAB 61.04, -2.55, -38

 

CMYK 0 / 60 / 17 / 16

HEX #D656B2

RGB 214 86 178

HSL 316.88, 0.61%, 0.59%

LAB 56.25, 60.41, -24.09

 

CMYK 0 / 31 / 60 / 16

HEX #D69456

RGB 214 148 86

HSL 29.06, 0.61%, 0.59%

LAB 66.63, 18.52, 42.32

 

CMYK 60 / 0 / 43 / 16

HEX #55D67B

RGB 85 214 123

HSL 137.67, 0.61%, 0.59%

LAB 76.95, -55.13, 34.59

 

CMYK 60 / 47 / 0 / 16

HEX #5672D6

RGB 86 114 214

HSL 226.88, 0.61%, 0.59%

LAB 50.53, 20.18, -54.64

 

CMYK 0 / 60 / 17 / 16

HEX #D656B2

RGB 214 86 178

HSL 316.88, 0.61%, 0.59%

LAB 56.25, 60.41, -24.09

 

CMYK 0 / 13 / 60 / 16

HEX #D6BA56

RGB 214 186 86

HSL 46.88, 0.61%, 0.59%

LAB 76.12, -1.77, 53.3

 

Description

Color code: HEX #55D67B | qconv.com Color code: HEX #55D67B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 214 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 214 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 43 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 43% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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