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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55CC7C it is the complementary color #AA3383. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55CC7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55CC7C shade: #5ACC77, #6BDE8A, #7CF09D, #8DFFB0 and #9EFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55CC7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55CC7C shade: #55CC7C, #44BA69, #33A856, #229643 and #118430

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55CC7C shade: #56CC7C, #56CC5D, #6FCC56, #8FCC56 and #AFCC56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55CC7C shade: #56CC7C, #56CC9C, #56CCBC, #56BCCC and #569CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55CC7C shade matches the following richer shades: #56CC7C, #44DE76 and #32F070

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55CC7C shade: #56CC7C, #67BA83, #79A989, #8B978F and #9D8595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55CC7C shade: #6FCC56, #56CC5C, #56CC7B, #56CC9B and #56CCBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55CC7C shade: #2FA054, #39C065, #56CC7C, #75D695 and #95DFAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55CC7C shade: #55CC7C, #568FCC and #CC5660

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55CC7C shade: #55CC7C, #7B56CC and #CC7B56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55CC7C shade: #55CC7C, #568FCC, #CC56A7 and #CC9356

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55CC7C shade: #55CC7C, #566BCC, #CC56A7 and #CCB656

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 39 / 20

HEX #55CC7C

RGB 85 204 124

HSL 139.66, 0.54%, 0.57%

LAB 73.92, -51.05, 30.11

 

Complementary color

CMYK 0 / 70 / 23 / 33

HEX #AA3383

RGB 170 51 131

HSL 319.66, 0.54%, 0.43%

LAB 42.08, 55.98, -18.53

 

CMYK 56 / 0 / 42 / 20

HEX #5ACC77

RGB 90 204 119

HSL 135.26, 0.53%, 0.58%

LAB 73.99, -50.75, 32.81

 

CMYK 52 / 0 / 38 / 13

HEX #6BDE8A

RGB 107 222 138

HSL 136.17, 0.64%, 0.65%

LAB 80.29, -50.73, 31.48

 

CMYK 48 / 0 / 35 / 6

HEX #7CF09D

RGB 124 240 157

HSL 137.07, 0.79%, 0.71%

LAB 86.52, -50.61, 30.23

 

CMYK 45 / 0 / 31 / 0

HEX #8DFFB0

RGB 141 255 176

HSL 138.42, 1%, 0.78%

LAB 91.83, -49.18, 27.89

 

CMYK 38 / 0 / 24 / 0

HEX #9EFFC3

RGB 158 255 195

HSL 142.89, 1%, 0.81%

LAB 92.9, -41.15, 19.82

 

CMYK 58 / 0 / 39 / 20

HEX #55CC7C

RGB 85 204 124

HSL 139.66, 0.54%, 0.57%

LAB 73.92, -51.05, 30.11

 

CMYK 63 / 0 / 44 / 27

HEX #44BA69

RGB 68 186 105

HSL 138.81, 0.46%, 0.5%

LAB 67.55, -50.87, 31.53

 

CMYK 70 / 0 / 49 / 34

HEX #33A856

RGB 51 168 86

HSL 137.95, 0.53%, 0.43%

LAB 61.12, -50.42, 33.04

 

CMYK 77 / 0 / 55 / 41

HEX #229643

RGB 34 150 67

HSL 137.07, 0.63%, 0.36%

LAB 54.61, -49.57, 34.62

 

CMYK 87 / 0 / 64 / 48

HEX #118430

RGB 17 132 48

HSL 136.17, 0.77%, 0.29%

LAB 48.05, -48.05, 36.19

 

CMYK 58 / 0 / 39 / 20

HEX #56CC7C

RGB 86 204 124

HSL 139.32, 0.54%, 0.57%

LAB 73.95, -50.82, 30.15

 

CMYK 58 / 0 / 54 / 20

HEX #56CC5D

RGB 86 204 93

HSL 123.56, 0.54%, 0.57%

LAB 73.52, -55.52, 45.02

 

CMYK 46 / 0 / 58 / 20

HEX #6FCC56

RGB 111 204 86

HSL 107.29, 0.54%, 0.57%

LAB 74.34, -49.62, 49.46

 

CMYK 30 / 0 / 58 / 20

HEX #8FCC56

RGB 143 204 86

HSL 91.02, 0.54%, 0.57%

LAB 75.88, -39.03, 51.63

 

CMYK 14 / 0 / 58 / 20

HEX #AFCC56

RGB 175 204 86

HSL 74.75, 0.54%, 0.57%

LAB 77.86, -26.92, 54.4

 

CMYK 58 / 0 / 39 / 20

HEX #56CC7C

RGB 86 204 124

HSL 139.32, 0.54%, 0.57%

LAB 73.95, -50.82, 30.15

 

CMYK 58 / 0 / 24 / 20

HEX #56CC9C

RGB 86 204 156

HSL 155.59, 0.54%, 0.57%

LAB 74.55, -44.54, 14.11

 

CMYK 58 / 0 / 8 / 20

HEX #56CCBC

RGB 86 204 188

HSL 171.86, 0.54%, 0.57%

LAB 75.32, -36.94, -2

 

CMYK 58 / 8 / 0 / 20

HEX #56BCCC

RGB 86 188 204

HSL 188.14, 0.54%, 0.57%

LAB 71.08, -24.92, -17.02

 

CMYK 58 / 24 / 0 / 20

HEX #569CCC

RGB 86 156 204

HSL 204.41, 0.54%, 0.57%

LAB 61.75, -7.99, -31.3

 

CMYK 58 / 0 / 39 / 20

HEX #56CC7C

RGB 86 204 124

HSL 139.32, 0.54%, 0.57%

LAB 73.95, -50.82, 30.15

 

CMYK 69 / 0 / 47 / 13

HEX #44DE76

RGB 68 222 118

HSL 139.48, 0.7%, 0.57%

LAB 78.91, -62.09, 39.5

 

CMYK 79 / 0 / 53 / 6

HEX #32F070

RGB 50 240 112

HSL 139.58, 0.86%, 0.57%

LAB 84.05, -71.52, 48.67

 

CMYK 58 / 0 / 39 / 20

HEX #56CC7C

RGB 86 204 124

HSL 139.32, 0.54%, 0.57%

LAB 73.95, -50.82, 30.15

 

CMYK 45 / 0 / 30 / 27

HEX #67BA83

RGB 103 186 131

HSL 140.24, 0.38%, 0.57%

LAB 69.21, -37.6, 20.21

 

CMYK 28 / 0 / 19 / 34

HEX #79A989

RGB 121 169 137

HSL 140, 0.22%, 0.57%

LAB 65.16, -22.81, 11.43

 

CMYK 8 / 0 / 5 / 41

HEX #8B978F

RGB 139 151 143

HSL 140, 0.05%, 0.57%

LAB 61.31, -5.89, 2.73

 

CMYK 0 / 15 / 5 / 38

HEX #9D8595

RGB 157 133 149

HSL 320, 0.11%, 0.57%

LAB 58.14, 11.98, -5.16

 

CMYK 46 / 0 / 58 / 20

HEX #6FCC56

RGB 111 204 86

HSL 107.29, 0.54%, 0.57%

LAB 74.34, -49.62, 49.46

 

CMYK 58 / 0 / 55 / 20

HEX #56CC5C

RGB 86 204 92

HSL 123.05, 0.54%, 0.57%

LAB 73.5, -55.65, 45.48

 

CMYK 58 / 0 / 40 / 20

HEX #56CC7B

RGB 86 204 123

HSL 138.81, 0.54%, 0.57%

LAB 73.93, -51, 30.65

 

CMYK 58 / 0 / 24 / 20

HEX #56CC9B

RGB 86 204 155

HSL 155.08, 0.54%, 0.57%

LAB 74.53, -44.75, 14.62

 

CMYK 58 / 0 / 9 / 20

HEX #56CCBA

RGB 86 204 186

HSL 170.85, 0.54%, 0.57%

LAB 75.27, -37.45, -1

 

CMYK 71 / 0 / 48 / 37

HEX #2FA054

RGB 47 160 84

HSL 139.65, 0.55%, 0.41%

LAB 58.4, -48.45, 30.63

 

CMYK 70 / 0 / 47 / 25

HEX #39C065

RGB 57 192 101

HSL 139.56, 0.54%, 0.49%

LAB 69.12, -55.83, 35.52

 

CMYK 58 / 0 / 39 / 20

HEX #56CC7C

RGB 86 204 124

HSL 139.32, 0.54%, 0.57%

LAB 73.95, -50.82, 30.15

 

CMYK 45 / 0 / 30 / 16

HEX #75D695

RGB 117 214 149

HSL 139.79, 0.54%, 0.65%

LAB 78.49, -42.83, 23.44

 

CMYK 33 / 0 / 22 / 13

HEX #95DFAD

RGB 149 223 173

HSL 139.46, 0.54%, 0.73%

LAB 83.01, -33.28, 17.34

 

CMYK 58 / 0 / 39 / 20

HEX #55CC7C

RGB 85 204 124

HSL 139.66, 0.54%, 0.57%

LAB 73.92, -51.05, 30.11

 

CMYK 58 / 30 / 0 / 20

HEX #568FCC

RGB 86 143 204

HSL 211.02, 0.54%, 0.57%

LAB 58.02, -0.59, -37.11

 

CMYK 0 / 58 / 53 / 20

HEX #CC5660

RGB 204 86 96

HSL 354.92, 0.54%, 0.57%

LAB 52.22, 47.68, 18.15

 

CMYK 58 / 0 / 39 / 20

HEX #55CC7C

RGB 85 204 124

HSL 139.66, 0.54%, 0.57%

LAB 73.92, -51.05, 30.11

 

CMYK 40 / 58 / 0 / 20

HEX #7B56CC

RGB 123 86 204

HSL 258.81, 0.54%, 0.57%

LAB 45.94, 41.83, -56.15

 

CMYK 0 / 40 / 58 / 20

HEX #CC7B56

RGB 204 123 86

HSL 18.81, 0.54%, 0.57%

LAB 59.59, 27.93, 33.47

 

CMYK 58 / 0 / 39 / 20

HEX #55CC7C

RGB 85 204 124

HSL 139.66, 0.54%, 0.57%

LAB 73.92, -51.05, 30.11

 

CMYK 58 / 30 / 0 / 20

HEX #568FCC

RGB 86 143 204

HSL 211.02, 0.54%, 0.57%

LAB 58.02, -0.59, -37.11

 

CMYK 0 / 58 / 18 / 20

HEX #CC56A7

RGB 204 86 167

HSL 318.81, 0.54%, 0.57%

LAB 54.33, 55.95, -20.79

 

CMYK 0 / 28 / 58 / 20

HEX #CC9356

RGB 204 147 86

HSL 31.02, 0.54%, 0.57%

LAB 65.26, 14.87, 40.4

 

CMYK 58 / 0 / 39 / 20

HEX #55CC7C

RGB 85 204 124

HSL 139.66, 0.54%, 0.57%

LAB 73.92, -51.05, 30.11

 

CMYK 58 / 48 / 0 / 20

HEX #566BCC

RGB 86 107 204

HSL 229.32, 0.54%, 0.57%

LAB 48.07, 21.18, -52.88

 

CMYK 0 / 58 / 18 / 20

HEX #CC56A7

RGB 204 86 167

HSL 318.81, 0.54%, 0.57%

LAB 54.33, 55.95, -20.79

 

CMYK 0 / 11 / 58 / 20

HEX #CCB656

RGB 204 182 86

HSL 48.81, 0.54%, 0.57%

LAB 74.17, -3.9, 50.84

 

Description

Color code: HEX #55CC7C | qconv.com Color code: HEX #55CC7C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 204 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 204 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 39 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 39% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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