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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55C8EB it is the complementary color #AA3714. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55C8EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55C8EB shade: #5AC8E6, #6BDAF9, #7CECFF, #8DFEFF and #9EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55C8EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55C8EB shade: #55C8EB, #44B6D8, #33A4C5, #2292B2 and #11809F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55C8EB shade: #56C8EB, #56A0EB, #5678EB, #5C56EB and #8456EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55C8EB shade: #56C8EB, #56A0EB, #5678EB and #5656EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55C8EB shade matches the following richer shades: #56C8EB and #46D0FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55C8EB shade: #56C8EB, #65C0DB, #74B8CC, #83AFBD and #93A7AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55C8EB shade: #56EBBE, #56EBE6, #56C8EB, #56A0EB and #5678EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55C8EB shade: #19A9D5, #31BCE6, #56C8EB, #7BD4EF and #9FE0F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55C8EB shade: #55C8EB, #9656EB and #EBD256

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55C8EB shade: #55C8EB, #EB56C8 and #C8EB56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55C8EB shade: #55C8EB, #9656EB, #EB7856 and #AAEB56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55C8EB shade: #55C8EB, #C356EB, #EB7856 and #7DEB56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 15 / 0 / 8

HEX #55C8EB

RGB 85 200 235

HSL 194, 0.79%, 0.63%

LAB 75.6, -22.03, -26.96

 

Complementary color

CMYK 0 / 68 / 88 / 33

HEX #AA3714

RGB 170 55 20

HSL 14, 0.79%, 0.37%

LAB 40.13, 45.57, 44.93

 

CMYK 61 / 13 / 0 / 10

HEX #5AC8E6

RGB 90 200 230

HSL 192.86, 0.74%, 0.63%

LAB 75.57, -22.68, -24.3

 

CMYK 57 / 12 / 0 / 2

HEX #6BDAF9

RGB 107 218 249

HSL 193.1, 0.92%, 0.7%

LAB 81.9, -23.15, -24.76

 

CMYK 51 / 7 / 0 / 0

HEX #7CECFF

RGB 124 236 255

HSL 188.7, 1%, 0.74%

LAB 87.73, -27.04, -19.03

 

CMYK 45 / 0 / 0 / 0

HEX #8DFEFF

RGB 141 254 255

HSL 180.53, 1%, 0.78%

LAB 93.35, -32, -10.54

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158 255 255

HSL 180, 1%, 0.81%

LAB 94.32, -28.51, -9.03

 

CMYK 64 / 15 / 0 / 8

HEX #55C8EB

RGB 85 200 235

HSL 194, 0.79%, 0.63%

LAB 75.6, -22.03, -26.96

 

CMYK 69 / 16 / 0 / 15

HEX #44B6D8

RGB 68 182 216

HSL 193.78, 0.65%, 0.56%

LAB 69.21, -21.26, -26.48

 

CMYK 74 / 17 / 0 / 23

HEX #33A4C5

RGB 51 164 197

HSL 193.56, 0.59%, 0.49%

LAB 62.75, -20.28, -25.94

 

CMYK 81 / 18 / 0 / 30

HEX #2292B2

RGB 34 146 178

HSL 193.33, 0.68%, 0.42%

LAB 56.2, -18.98, -25.34

 

CMYK 89 / 19 / 0 / 38

HEX #11809F

RGB 17 128 159

HSL 193.1, 0.81%, 0.35%

LAB 49.57, -17.27, -24.65

 

CMYK 63 / 15 / 0 / 8

HEX #56C8EB

RGB 86 200 235

HSL 194.09, 0.79%, 0.63%

LAB 75.63, -21.86, -26.91

 

CMYK 63 / 32 / 0 / 8

HEX #56A0EB

RGB 86 160 235

HSL 210.2, 0.79%, 0.63%

LAB 64.26, -0.27, -44.57

 

CMYK 63 / 49 / 0 / 8

HEX #5678EB

RGB 86 120 235

HSL 226.31, 0.79%, 0.63%

LAB 53.39, 23.57, -61.86

 

CMYK 61 / 63 / 0 / 8

HEX #5C56EB

RGB 92 86 235

HSL 242.42, 0.79%, 0.63%

LAB 45.54, 45.14, -74.58

 

CMYK 44 / 63 / 0 / 8

HEX #8456EB

RGB 132 86 235

HSL 258.52, 0.79%, 0.63%

LAB 48.96, 52.07, -68.87

 

CMYK 63 / 15 / 0 / 8

HEX #56C8EB

RGB 86 200 235

HSL 194.09, 0.79%, 0.63%

LAB 75.63, -21.86, -26.91

 

CMYK 63 / 32 / 0 / 8

HEX #56A0EB

RGB 86 160 235

HSL 210.2, 0.79%, 0.63%

LAB 64.26, -0.27, -44.57

 

CMYK 63 / 49 / 0 / 8

HEX #5678EB

RGB 86 120 235

HSL 226.31, 0.79%, 0.63%

LAB 53.39, 23.57, -61.86

 

CMYK 63 / 63 / 0 / 8

HEX #5656EB

RGB 86 86 235

HSL 240, 0.79%, 0.63%

LAB 45.13, 44.27, -75.27

 

CMYK 63 / 15 / 0 / 8

HEX #56C8EB

RGB 86 200 235

HSL 194.09, 0.79%, 0.63%

LAB 75.63, -21.86, -26.91

 

CMYK 72 / 17 / 0 / 2

HEX #46D0FA

RGB 70 208 250

HSL 194, 0.95%, 0.63%

LAB 78.06, -23.58, -31.26

 

CMYK 63 / 15 / 0 / 8

HEX #56C8EB

RGB 86 200 235

HSL 194.09, 0.79%, 0.63%

LAB 75.63, -21.86, -26.91

 

CMYK 54 / 12 / 0 / 14

HEX #65C0DB

RGB 101 192 219

HSL 193.73, 0.62%, 0.63%

LAB 73.27, -19.7, -21.82

 

CMYK 43 / 10 / 0 / 20

HEX #74B8CC

RGB 116 184 204

HSL 193.64, 0.46%, 0.63%

LAB 71.11, -16.29, -16.85

 

CMYK 31 / 7 / 0 / 26

HEX #83AFBD

RGB 131 175 189

HSL 194.48, 0.31%, 0.63%

LAB 68.87, -11.3, -11.91

 

CMYK 16 / 4 / 0 / 32

HEX #93A7AE

RGB 147 167 174

HSL 195.56, 0.14%, 0.63%

LAB 67.2, -5.46, -5.97

 

CMYK 63 / 0 / 19 / 8

HEX #56EBBE

RGB 86 235 190

HSL 161.88, 0.79%, 0.63%

LAB 84.54, -50.01, 10.27

 

CMYK 63 / 0 / 2 / 8

HEX #56EBE6

RGB 86 235 230

HSL 177.99, 0.79%, 0.63%

LAB 85.56, -40.05, -9.27

 

CMYK 63 / 15 / 0 / 8

HEX #56C8EB

RGB 86 200 235

HSL 194.09, 0.79%, 0.63%

LAB 75.63, -21.86, -26.91

 

CMYK 63 / 32 / 0 / 8

HEX #56A0EB

RGB 86 160 235

HSL 210.2, 0.79%, 0.63%

LAB 64.26, -0.27, -44.57

 

CMYK 63 / 49 / 0 / 8

HEX #5678EB

RGB 86 120 235

HSL 226.31, 0.79%, 0.63%

LAB 53.39, 23.57, -61.86

 

CMYK 88 / 21 / 0 / 16

HEX #19A9D5

RGB 25 169 213

HSL 194.04, 0.79%, 0.47%

LAB 64.47, -19.82, -32.2

 

CMYK 79 / 18 / 0 / 10

HEX #31BCE6

RGB 49 188 230

HSL 193.92, 0.78%, 0.55%

LAB 71.1, -22.13, -31.25

 

CMYK 63 / 15 / 0 / 8

HEX #56C8EB

RGB 86 200 235

HSL 194.09, 0.79%, 0.63%

LAB 75.63, -21.86, -26.91

 

CMYK 49 / 11 / 0 / 6

HEX #7BD4EF

RGB 123 212 239

HSL 193.97, 0.78%, 0.71%

LAB 80.48, -19.64, -21.55

 

CMYK 35 / 8 / 0 / 5

HEX #9FE0F3

RGB 159 224 243

HSL 193.57, 0.78%, 0.79%

LAB 85.58, -15.88, -15.8

 

CMYK 64 / 15 / 0 / 8

HEX #55C8EB

RGB 85 200 235

HSL 194, 0.79%, 0.63%

LAB 75.6, -22.03, -26.96

 

CMYK 36 / 63 / 0 / 8

HEX #9656EB

RGB 150 86 235

HSL 265.77, 0.79%, 0.63%

LAB 50.85, 55.67, -65.71

 

CMYK 0 / 11 / 63 / 8

HEX #EBD256

RGB 235 210 86

HSL 49.93, 0.79%, 0.63%

LAB 84.19, -5.35, 62.71

 

CMYK 64 / 15 / 0 / 8

HEX #55C8EB

RGB 85 200 235

HSL 194, 0.79%, 0.63%

LAB 75.6, -22.03, -26.96

 

CMYK 0 / 63 / 15 / 8

HEX #EB56C8

RGB 235 86 200

HSL 314.09, 0.79%, 0.63%

LAB 60.33, 69.22, -30.17

 

CMYK 15 / 0 / 63 / 8

HEX #C8EB56

RGB 200 235 86

HSL 74.09, 0.79%, 0.63%

LAB 88.15, -31.72, 66.13

 

CMYK 64 / 15 / 0 / 8

HEX #55C8EB

RGB 85 200 235

HSL 194, 0.79%, 0.63%

LAB 75.6, -22.03, -26.96

 

CMYK 36 / 63 / 0 / 8

HEX #9656EB

RGB 150 86 235

HSL 265.77, 0.79%, 0.63%

LAB 50.85, 55.67, -65.71

 

CMYK 0 / 49 / 63 / 8

HEX #EB7856

RGB 235 120 86

HSL 13.69, 0.79%, 0.63%

LAB 63.15, 41.65, 38.78

 

CMYK 28 / 0 / 63 / 8

HEX #AAEB56

RGB 170 235 86

HSL 86.17, 0.79%, 0.63%

LAB 86.32, -42.97, 63.64

 

CMYK 64 / 15 / 0 / 8

HEX #55C8EB

RGB 85 200 235

HSL 194, 0.79%, 0.63%

LAB 75.6, -22.03, -26.96

 

CMYK 17 / 63 / 0 / 8

HEX #C356EB

RGB 195 86 235

HSL 283.89, 0.79%, 0.63%

LAB 56.34, 65.44, -56.58

 

CMYK 0 / 49 / 63 / 8

HEX #EB7856

RGB 235 120 86

HSL 13.69, 0.79%, 0.63%

LAB 63.15, 41.65, 38.78

 

CMYK 47 / 0 / 63 / 8

HEX #7DEB56

RGB 125 235 86

HSL 104.3, 0.79%, 0.63%

LAB 84.2, -57.68, 60.71

 

Description

Color code: HEX #55C8EB | qconv.com Color code: HEX #55C8EB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 200 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 200 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 15 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 15% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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