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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55AFA6 it is the complementary color #AA5059. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55AFA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55AFA6 shade: #5AAFA1, #6BC1B4, #7CD3C7, #8DE5DA and #9EF7ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55AFA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55AFA6 shade: #55AFA6, #449D93, #338B80, #22796D and #11675A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55AFA6 shade: #55AFA6, #55AF8D, #55AF75, #55AF5D and #65AF55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55AFA6 shade: #55AFA6, #559FAF, #5587AF, #556FAF and #5556AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55AFA6 shade matches the following richer shades: #55AFA6, #40C3B6, #2CD7C6 and #18EBD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55AFA6 shade: #55AFA6, #699A95, #7D8685, #917275 and #A55E65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55AFA6 shade: #55AF76, #55AF8E, #55AFA6, #55A0AF and #5588AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55AFA6 shade: #387872, #46948C, #55AFA6, #71BCB4 and #8DC9C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55AFA6 shade: #55AFA6, #5E55AF and #AF8255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55AFA6 shade: #55AFA6, #A655AF and #AFA655

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55AFA6 shade: #55AFA6, #5E55AF, #AF555E and #A6AF55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55AFA6 shade: #55AFA6, #7955AF, #AF555E and #8BAF55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 5 / 31

HEX #55AFA6

RGB 85 175 166

HSL 174, 0.36%, 0.51%

LAB 66.02, -29.11, -3.64

 

Complementary color

CMYK 0 / 53 / 48 / 33

HEX #AA5059

RGB 170 80 89

HSL 354, 0.36%, 0.49%

LAB 45.64, 37.77, 12.49

 

CMYK 49 / 0 / 8 / 31

HEX #5AAFA1

RGB 90 175 161

HSL 170.12, 0.35%, 0.52%

LAB 66.06, -29.24, -0.77

 

CMYK 45 / 0 / 7 / 24

HEX #6BC1B4

RGB 107 193 180

HSL 170.93, 0.41%, 0.59%

LAB 72.6, -29.17, -1.56

 

CMYK 41 / 0 / 6 / 17

HEX #7CD3C7

RGB 124 211 199

HSL 171.72, 0.5%, 0.66%

LAB 79.04, -29.07, -2.3

 

CMYK 38 / 0 / 5 / 10

HEX #8DE5DA

RGB 141 229 218

HSL 172.5, 0.63%, 0.73%

LAB 85.38, -28.96, -2.99

 

CMYK 36 / 0 / 4 / 3

HEX #9EF7ED

RGB 158 247 237

HSL 173.26, 0.85%, 0.79%

LAB 91.64, -28.84, -3.65

 

CMYK 51 / 0 / 5 / 31

HEX #55AFA6

RGB 85 175 166

HSL 174, 0.36%, 0.51%

LAB 66.02, -29.11, -3.64

 

CMYK 57 / 0 / 6 / 38

HEX #449D93

RGB 68 157 147

HSL 173.26, 0.4%, 0.44%

LAB 59.39, -29.01, -2.8

 

CMYK 63 / 0 / 8 / 45

HEX #338B80

RGB 51 139 128

HSL 172.5, 0.46%, 0.37%

LAB 52.65, -28.78, -1.88

 

CMYK 72 / 0 / 10 / 53

HEX #22796D

RGB 34 121 109

HSL 171.72, 0.56%, 0.3%

LAB 45.8, -28.31, -0.82

 

CMYK 83 / 0 / 13 / 60

HEX #11675A

RGB 17 103 90

HSL 170.93, 0.72%, 0.24%

LAB 38.83, -27.47, 0.41

 

CMYK 51 / 0 / 5 / 31

HEX #55AFA6

RGB 85 175 166

HSL 174, 0.36%, 0.51%

LAB 66.02, -29.11, -3.64

 

CMYK 51 / 0 / 19 / 31

HEX #55AF8D

RGB 85 175 141

HSL 157.33, 0.36%, 0.51%

LAB 65.37, -35.21, 9.28

 

CMYK 51 / 0 / 33 / 31

HEX #55AF75

RGB 85 175 117

HSL 141.33, 0.36%, 0.51%

LAB 64.86, -40.23, 21.72

 

CMYK 51 / 0 / 47 / 31

HEX #55AF5D

RGB 85 175 93

HSL 125.33, 0.36%, 0.51%

LAB 64.47, -44.33, 33.89

 

CMYK 42 / 0 / 51 / 31

HEX #65AF55

RGB 101 175 85

HSL 109.33, 0.36%, 0.51%

LAB 65.03, -40.71, 38.77

 

CMYK 51 / 0 / 5 / 31

HEX #55AFA6

RGB 85 175 166

HSL 174, 0.36%, 0.51%

LAB 66.02, -29.11, -3.64

 

CMYK 51 / 9 / 0 / 31

HEX #559FAF

RGB 85 159 175

HSL 190.67, 0.36%, 0.51%

LAB 61.5, -18.54, -15.41

 

CMYK 51 / 23 / 0 / 31

HEX #5587AF

RGB 85 135 175

HSL 206.67, 0.36%, 0.51%

LAB 54.4, -5.32, -26.27

 

CMYK 51 / 37 / 0 / 31

HEX #556FAF

RGB 85 111 175

HSL 222.67, 0.36%, 0.51%

LAB 47.49, 8.98, -37.06

 

CMYK 51 / 51 / 0 / 31

HEX #5556AF

RGB 85 86 175

HSL 239.33, 0.36%, 0.51%

LAB 40.71, 24.64, -47.86

 

CMYK 51 / 0 / 5 / 31

HEX #55AFA6

RGB 85 175 166

HSL 174, 0.36%, 0.51%

LAB 66.02, -29.11, -3.64

 

CMYK 67 / 0 / 7 / 24

HEX #40C3B6

RGB 64 195 182

HSL 174.05, 0.52%, 0.51%

LAB 71.89, -38.13, -3.85

 

CMYK 80 / 0 / 8 / 16

HEX #2CD7C6

RGB 44 215 198

HSL 174.04, 0.68%, 0.51%

LAB 78, -44.99, -3.54

 

CMYK 90 / 0 / 9 / 8

HEX #18EBD6

RGB 24 235 214

HSL 174.03, 0.84%, 0.51%

LAB 84.21, -50.42, -2.94

 

CMYK 51 / 0 / 5 / 31

HEX #55AFA6

RGB 85 175 166

HSL 174, 0.36%, 0.51%

LAB 66.02, -29.11, -3.64

 

CMYK 32 / 0 / 3 / 40

HEX #699A95

RGB 105 154 149

HSL 173.88, 0.2%, 0.51%

LAB 60.14, -17.51, -2.64

 

CMYK 7 / 0 / 1 / 47

HEX #7D8685

RGB 125 134 133

HSL 173.33, 0.04%, 0.51%

LAB 55.18, -3.5, -0.61

 

CMYK 0 / 21 / 19 / 43

HEX #917275

RGB 145 114 117

HSL 354.19, 0.12%, 0.51%

LAB 51.08, 12.67, 3

 

CMYK 0 / 43 / 39 / 35

HEX #A55E65

RGB 165 94 101

HSL 354.08, 0.28%, 0.51%

LAB 48.19, 29.7, 8.7

 

CMYK 51 / 0 / 33 / 31

HEX #55AF76

RGB 85 175 118

HSL 142, 0.36%, 0.51%

LAB 64.88, -40.03, 21.2

 

CMYK 51 / 0 / 19 / 31

HEX #55AF8E

RGB 85 175 142

HSL 158, 0.36%, 0.51%

LAB 65.39, -34.98, 8.76

 

CMYK 51 / 0 / 5 / 31

HEX #55AFA6

RGB 85 175 166

HSL 174, 0.36%, 0.51%

LAB 66.02, -29.11, -3.64

 

CMYK 51 / 9 / 0 / 31

HEX #55A0AF

RGB 85 160 175

HSL 190, 0.36%, 0.51%

LAB 61.8, -19.07, -14.96

 

CMYK 51 / 22 / 0 / 31

HEX #5588AF

RGB 85 136 175

HSL 206, 0.36%, 0.51%

LAB 54.69, -5.9, -25.82

 

CMYK 53 / 0 / 5 / 53

HEX #387872

RGB 56 120 114

HSL 174.38, 0.36%, 0.35%

LAB 46.3, -22.05, -2.98

 

CMYK 53 / 0 / 5 / 42

HEX #46948C

RGB 70 148 140

HSL 173.85, 0.36%, 0.43%

LAB 56.46, -26.01, -3.11

 

CMYK 51 / 0 / 5 / 31

HEX #55AFA6

RGB 85 175 166

HSL 174, 0.36%, 0.51%

LAB 66.02, -29.11, -3.64

 

CMYK 40 / 0 / 4 / 26

HEX #71BCB4

RGB 113 188 180

HSL 173.6, 0.36%, 0.59%

LAB 71.4, -25.19, -3.3

 

CMYK 30 / 0 / 3 / 21

HEX #8DC9C3

RGB 141 201 195

HSL 174, 0.36%, 0.67%

LAB 76.91, -20.46, -3.19

 

CMYK 51 / 0 / 5 / 31

HEX #55AFA6

RGB 85 175 166

HSL 174, 0.36%, 0.51%

LAB 66.02, -29.11, -3.64

 

CMYK 46 / 51 / 0 / 31

HEX #5E55AF

RGB 94 85 175

HSL 246, 0.36%, 0.51%

LAB 41.17, 27.34, -47.07

 

CMYK 0 / 26 / 51 / 31

HEX #AF8255

RGB 175 130 85

HSL 30, 0.36%, 0.51%

LAB 57.78, 11.87, 31

 

CMYK 51 / 0 / 5 / 31

HEX #55AFA6

RGB 85 175 166

HSL 174, 0.36%, 0.51%

LAB 66.02, -29.11, -3.64

 

CMYK 5 / 51 / 0 / 31

HEX #A655AF

RGB 166 85 175

HSL 294, 0.36%, 0.51%

LAB 49.13, 46.78, -33.95

 

CMYK 0 / 5 / 51 / 31

HEX #AFA655

RGB 175 166 85

HSL 54, 0.36%, 0.51%

LAB 67.31, -7.83, 42.67

 

CMYK 51 / 0 / 5 / 31

HEX #55AFA6

RGB 85 175 166

HSL 174, 0.36%, 0.51%

LAB 66.02, -29.11, -3.64

 

CMYK 46 / 51 / 0 / 31

HEX #5E55AF

RGB 94 85 175

HSL 246, 0.36%, 0.51%

LAB 41.17, 27.34, -47.07

 

CMYK 0 / 51 / 46 / 31

HEX #AF555E

RGB 175 85 94

HSL 354, 0.36%, 0.51%

LAB 47.52, 37.55, 12.19

 

CMYK 5 / 0 / 51 / 31

HEX #A6AF55

RGB 166 175 85

HSL 66, 0.36%, 0.51%

LAB 69.06, -16.28, 44.56

 

CMYK 51 / 0 / 5 / 31

HEX #55AFA6

RGB 85 175 166

HSL 174, 0.36%, 0.51%

LAB 66.02, -29.11, -3.64

 

CMYK 31 / 51 / 0 / 31

HEX #7955AF

RGB 121 85 175

HSL 264, 0.36%, 0.51%

LAB 43.74, 34.21, -42.82

 

CMYK 0 / 51 / 46 / 31

HEX #AF555E

RGB 175 85 94

HSL 354, 0.36%, 0.51%

LAB 47.52, 37.55, 12.19

 

CMYK 21 / 0 / 51 / 31

HEX #8BAF55

RGB 139 175 85

HSL 84, 0.36%, 0.51%

LAB 67.13, -27.15, 41.8

 

Description

Color code: HEX #55AFA6 | qconv.com Color code: HEX #55AFA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 175 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 175 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 5 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 5% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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