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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55AB78 it is the complementary color #AA5487. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55AB78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55AB78 shade: #5AAB73, #6BBD86, #7CCF99, #8DE1AC and #9EF3BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55AB78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55AB78 shade: #55AB78, #449965, #338752, #22753F and #11632C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55AB78 shade: #54AA77, #54AA60, #5FAA54, #77AA54 and #8EAA54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55AB78 shade: #54AA77, #54AA8E, #54AAA6, #5498AA and #5480AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55AB78 shade matches the following richer shades: #54AA77, #3FBF73, #2AD46F, #16E86B and #01FD68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55AB78 shade: #54AA77, #68967B, #7D817F, #926C82 and #A65886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55AB78 shade: #5FAA54, #54AA5F, #54AA76, #54AA8D and #54AAA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55AB78 shade: #387350, #468F64, #54AA77, #6FB88D and #8BC6A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55AB78 shade: #55AB78, #5476AA and #AA5454

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55AB78 shade: #55AB78, #7654AA and #AA7654

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55AB78 shade: #55AB78, #5476AA, #AA5488 and #AA8854

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55AB78 shade: #55AB78, #545CAA, #AA5488 and #AAA254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 30 / 33

HEX #55AB78

RGB 85 171 120

HSL 144.42, 0.34%, 0.5%

LAB 63.68, -37.87, 18.48

 

Complementary color

CMYK 0 / 51 / 21 / 33

HEX #AA5487

RGB 170 84 135

HSL 324.42, 0.34%, 0.5%

LAB 47.8, 41.57, -12.24

 

CMYK 47 / 0 / 33 / 33

HEX #5AAB73

RGB 90 171 115

HSL 138.52, 0.33%, 0.51%

LAB 63.78, -37.49, 21.37

 

CMYK 43 / 0 / 29 / 26

HEX #6BBD86

RGB 107 189 134

HSL 139.76, 0.38%, 0.58%

LAB 70.35, -37.27, 20.18

 

CMYK 40 / 0 / 26 / 19

HEX #7CCF99

RGB 124 207 153

HSL 140.96, 0.46%, 0.65%

LAB 76.81, -37.01, 19.07

 

CMYK 37 / 0 / 24 / 12

HEX #8DE1AC

RGB 141 225 172

HSL 142.14, 0.58%, 0.72%

LAB 83.17, -36.75, 18.04

 

CMYK 35 / 0 / 21 / 5

HEX #9EF3BF

RGB 158 243 191

HSL 143.29, 0.78%, 0.79%

LAB 89.45, -36.49, 17.07

 

CMYK 50 / 0 / 30 / 33

HEX #55AB78

RGB 85 171 120

HSL 144.42, 0.34%, 0.5%

LAB 63.68, -37.87, 18.48

 

CMYK 56 / 0 / 34 / 40

HEX #449965

RGB 68 153 101

HSL 143.29, 0.38%, 0.43%

LAB 57.03, -37.99, 19.76

 

CMYK 62 / 0 / 39 / 47

HEX #338752

RGB 51 135 82

HSL 142.14, 0.45%, 0.36%

LAB 50.26, -37.95, 21.18

 

CMYK 71 / 0 / 46 / 54

HEX #22753F

RGB 34 117 63

HSL 140.96, 0.55%, 0.3%

LAB 43.39, -37.63, 22.76

 

CMYK 83 / 0 / 56 / 61

HEX #11632C

RGB 17 99 44

HSL 139.76, 0.71%, 0.23%

LAB 36.41, -36.75, 24.49

 

CMYK 51 / 0 / 30 / 33

HEX #54AA77

RGB 84 170 119

HSL 144.42, 0.34%, 0.5%

LAB 63.31, -37.88, 18.51

 

CMYK 51 / 0 / 44 / 33

HEX #54AA60

RGB 84 170 96

HSL 128.37, 0.34%, 0.5%

LAB 62.91, -42.03, 30.33

 

CMYK 44 / 0 / 51 / 33

HEX #5FAA54

RGB 95 170 84

HSL 112.33, 0.34%, 0.5%

LAB 63.2, -40.56, 36.97

 

CMYK 30 / 0 / 51 / 33

HEX #77AA54

RGB 119 170 84

HSL 95.58, 0.34%, 0.5%

LAB 64.41, -32.42, 38.73

 

CMYK 16 / 0 / 51 / 33

HEX #8EAA54

RGB 142 170 84

HSL 79.53, 0.34%, 0.5%

LAB 65.86, -23.62, 40.82

 

CMYK 51 / 0 / 30 / 33

HEX #54AA77

RGB 84 170 119

HSL 144.42, 0.34%, 0.5%

LAB 63.31, -37.88, 18.51

 

CMYK 51 / 0 / 16 / 33

HEX #54AA8E

RGB 84 170 142

HSL 160.47, 0.34%, 0.5%

LAB 63.83, -32.89, 6.52

 

CMYK 51 / 0 / 2 / 33

HEX #54AAA6

RGB 84 170 166

HSL 177.21, 0.34%, 0.5%

LAB 64.47, -26.88, -5.92

 

CMYK 51 / 11 / 0 / 33

HEX #5498AA

RGB 84 152 170

HSL 192.56, 0.34%, 0.5%

LAB 59.2, -16.49, -16.08

 

CMYK 51 / 25 / 0 / 33

HEX #5480AA

RGB 84 128 170

HSL 209.3, 0.34%, 0.5%

LAB 52.09, -3.05, -26.97

 

CMYK 51 / 0 / 30 / 33

HEX #54AA77

RGB 84 170 119

HSL 144.42, 0.34%, 0.5%

LAB 63.31, -37.88, 18.51

 

CMYK 67 / 0 / 40 / 25

HEX #3FBF73

RGB 63 191 115

HSL 144.38, 0.5%, 0.5%

LAB 69.15, -52, 28.39

 

CMYK 80 / 0 / 48 / 17

HEX #2AD46F

RGB 42 212 111

HSL 144.35, 0.67%, 0.5%

LAB 75.28, -63.28, 38.27

 

CMYK 91 / 0 / 54 / 9

HEX #16E86B

RGB 22 232 107

HSL 144.29, 0.83%, 0.5%

LAB 81.26, -71.97, 47.54

 

CMYK 100 / 0 / 59 / 1

HEX #01FD68

RGB 1 253 104

HSL 144.52, 0.99%, 0.5%

LAB 87.61, -79.43, 56.39

 

CMYK 51 / 0 / 30 / 33

HEX #54AA77

RGB 84 170 119

HSL 144.42, 0.34%, 0.5%

LAB 63.31, -37.88, 18.51

 

CMYK 31 / 0 / 18 / 41

HEX #68967B

RGB 104 150 123

HSL 144.78, 0.18%, 0.5%

LAB 58.21, -21.55, 9.31

 

CMYK 3 / 0 / 2 / 49

HEX #7D817F

RGB 125 129 127

HSL 150, 0.02%, 0.5%

LAB 53.59, -1.89, 0.56

 

CMYK 0 / 26 / 11 / 43

HEX #926C82

RGB 146 108 130

HSL 325.26, 0.15%, 0.5%

LAB 50.03, 18.81, -6.22

 

CMYK 0 / 47 / 19 / 35

HEX #A65886

RGB 166 88 134

HSL 324.62, 0.31%, 0.5%

LAB 48.02, 37.97, -11.37

 

CMYK 44 / 0 / 51 / 33

HEX #5FAA54

RGB 95 170 84

HSL 112.33, 0.34%, 0.5%

LAB 63.2, -40.56, 36.97

 

CMYK 51 / 0 / 44 / 33

HEX #54AA5F

RGB 84 170 95

HSL 127.67, 0.34%, 0.5%

LAB 62.89, -42.19, 30.84

 

CMYK 51 / 0 / 31 / 33

HEX #54AA76

RGB 84 170 118

HSL 143.72, 0.34%, 0.5%

LAB 63.3, -38.08, 19.03

 

CMYK 51 / 0 / 17 / 33

HEX #54AA8D

RGB 84 170 141

HSL 159.77, 0.34%, 0.5%

LAB 63.8, -33.12, 7.04

 

CMYK 51 / 0 / 3 / 33

HEX #54AAA5

RGB 84 170 165

HSL 176.51, 0.34%, 0.5%

LAB 64.44, -27.14, -5.4

 

CMYK 51 / 0 / 30 / 55

HEX #387350

RGB 56 115 80

HSL 144.41, 0.35%, 0.34%

LAB 43.77, -27.99, 13.59

 

CMYK 51 / 0 / 30 / 44

HEX #468F64

RGB 70 143 100

HSL 144.66, 0.34%, 0.42%

LAB 53.89, -33.16, 16.05

 

CMYK 51 / 0 / 30 / 33

HEX #54AA77

RGB 84 170 119

HSL 144.42, 0.34%, 0.5%

LAB 63.31, -37.88, 18.51

 

CMYK 40 / 0 / 23 / 28

HEX #6FB88D

RGB 111 184 141

HSL 144.66, 0.34%, 0.58%

LAB 69.17, -32.44, 14.8

 

CMYK 30 / 0 / 18 / 22

HEX #8BC6A3

RGB 139 198 163

HSL 144.41, 0.34%, 0.66%

LAB 75.15, -26.33, 11.52

 

CMYK 50 / 0 / 30 / 33

HEX #55AB78

RGB 85 171 120

HSL 144.42, 0.34%, 0.5%

LAB 63.68, -37.87, 18.48

 

CMYK 51 / 31 / 0 / 33

HEX #5476AA

RGB 84 118 170

HSL 216.28, 0.34%, 0.5%

LAB 49.18, 2.89, -31.49

 

CMYK 0 / 51 / 51 / 33

HEX #AA5454

RGB 170 84 84

HSL 0, 0.34%, 0.5%

LAB 46.35, 35.19, 16.49

 

CMYK 50 / 0 / 30 / 33

HEX #55AB78

RGB 85 171 120

HSL 144.42, 0.34%, 0.5%

LAB 63.68, -37.87, 18.48

 

CMYK 31 / 51 / 0 / 33

HEX #7654AA

RGB 118 84 170

HSL 263.72, 0.34%, 0.5%

LAB 42.91, 32.68, -41.22

 

CMYK 0 / 31 / 51 / 33

HEX #AA7654

RGB 170 118 84

HSL 23.72, 0.34%, 0.5%

LAB 54.18, 16.39, 26.84

 

CMYK 50 / 0 / 30 / 33

HEX #55AB78

RGB 85 171 120

HSL 144.42, 0.34%, 0.5%

LAB 63.68, -37.87, 18.48

 

CMYK 51 / 31 / 0 / 33

HEX #5476AA

RGB 84 118 170

HSL 216.28, 0.34%, 0.5%

LAB 49.18, 2.89, -31.49

 

CMYK 0 / 51 / 20 / 33

HEX #AA5488

RGB 170 84 136

HSL 323.72, 0.34%, 0.5%

LAB 47.83, 41.72, -12.79

 

CMYK 0 / 20 / 51 / 33

HEX #AA8854

RGB 170 136 84

HSL 36.28, 0.34%, 0.5%

LAB 58.78, 6.27, 32.68

 

CMYK 50 / 0 / 30 / 33

HEX #55AB78

RGB 85 171 120

HSL 144.42, 0.34%, 0.5%

LAB 63.68, -37.87, 18.48

 

CMYK 51 / 46 / 0 / 33

HEX #545CAA

RGB 84 92 170

HSL 234.42, 0.34%, 0.5%

LAB 41.91, 19.02, -42.98

 

CMYK 0 / 51 / 20 / 33

HEX #AA5488

RGB 170 84 136

HSL 323.72, 0.34%, 0.5%

LAB 47.83, 41.72, -12.79

 

CMYK 0 / 5 / 51 / 33

HEX #AAA254

RGB 170 162 84

HSL 54.42, 0.34%, 0.5%

LAB 65.77, -7.92, 41.23

 

Description

Color code: HEX #55AB78 | qconv.com Color code: HEX #55AB78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 171 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 171 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 30 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 30% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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