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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #559F04 it is the complementary color #AA60FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #559F04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #559F04 shade: #5A9F00, #6BB112, #7CC325, #8DD538 and #9EE74B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #559F04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #559F04 shade: #559F04, #448D00, #337B00, #226900 and #115700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #559F04 shade: #559F04, #7E9F04, #9F9504, #9F6B04 and #9F4104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #559F04 shade: #559F04, #2B9F04, #049F06, #049F30 and #049F5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #559F04 shade matches the following richer shades: #559F04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #559F04 shade: #559F04, #549111, #53841E, #53772B and #526A38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #559F04 shade: #9F9404, #809F04, #569F04, #2D9F04 and #049F04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #559F04 shade: #2A4E02, #3F7603, #559F04, #6AC705 and #80EF06

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #559F04 shade: #559F04, #049F6B and #9F0494

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #559F04 shade: #559F04, #04569F and #9F0456

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #559F04 shade: #559F04, #049F6B, #4C049F and #9F0437

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #559F04 shade: #559F04, #049F99, #4C049F and #9F0409

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 97 / 38

HEX #559F04

RGB 85 159 4

HSL 88.65, 0.95%, 0.32%

LAB 58.73, -45.08, 60.09

 

Complementary color

CMYK 32 / 62 / 0 / 2

HEX #AA60FB

RGB 170 96 251

HSL 268.65, 0.95%, 0.68%

LAB 55.96, 58.71, -66.27

 

CMYK 43 / 0 / 100 / 38

HEX #5A9F00

RGB 90 159 0

HSL 86.04, 1%, 0.31%

LAB 58.95, -43.48, 60.95

 

CMYK 40 / 0 / 90 / 31

HEX #6BB112

RGB 107 177 18

HSL 86.42, 0.82%, 0.38%

LAB 65.45, -44.56, 63.9

 

CMYK 36 / 0 / 81 / 24

HEX #7CC325

RGB 124 195 37

HSL 86.96, 0.68%, 0.45%

LAB 71.86, -45.37, 65.5

 

CMYK 34 / 0 / 74 / 16

HEX #8DD538

RGB 141 213 56

HSL 87.52, 0.65%, 0.53%

LAB 78.19, -45.94, 65.97

 

CMYK 32 / 0 / 68 / 9

HEX #9EE74B

RGB 158 231 75

HSL 88.08, 0.76%, 0.6%

LAB 84.45, -46.33, 65.76

 

CMYK 47 / 0 / 97 / 38

HEX #559F04

RGB 85 159 4

HSL 88.65, 0.95%, 0.32%

LAB 58.73, -45.08, 60.09

 

CMYK 52 / 0 / 100 / 45

HEX #448D00

RGB 68 141 0

HSL 91.06, 1%, 0.28%

LAB 52.15, -43.56, 55.23

 

CMYK 59 / 0 / 100 / 52

HEX #337B00

RGB 51 123 0

HSL 95.12, 1%, 0.24%

LAB 45.46, -41.75, 49.69

 

CMYK 68 / 0 / 100 / 59

HEX #226900

RGB 34 105 0

HSL 100.57, 1%, 0.21%

LAB 38.63, -39.62, 44.05

 

CMYK 80 / 0 / 100 / 66

HEX #115700

RGB 17 87 0

HSL 108.28, 1%, 0.17%

LAB 31.66, -36.9, 38.33

 

CMYK 47 / 0 / 97 / 38

HEX #559F04

RGB 85 159 4

HSL 88.65, 0.95%, 0.32%

LAB 58.73, -45.08, 60.09

 

CMYK 21 / 0 / 97 / 38

HEX #7E9F04

RGB 126 159 4

HSL 72.77, 0.95%, 0.32%

LAB 60.99, -29.48, 62.84

 

CMYK 0 / 6 / 97 / 38

HEX #9F9504

RGB 159 149 4

HSL 56.13, 0.95%, 0.32%

LAB 60.67, -9.83, 63.73

 

CMYK 0 / 33 / 97 / 38

HEX #9F6B04

RGB 159 107 4

HSL 39.87, 0.95%, 0.32%

LAB 49.37, 13.53, 55.58

 

CMYK 0 / 59 / 97 / 38

HEX #9F4104

RGB 159 65 4

HSL 23.61, 0.95%, 0.32%

LAB 39.85, 36.55, 49.27

 

CMYK 47 / 0 / 97 / 38

HEX #559F04

RGB 85 159 4

HSL 88.65, 0.95%, 0.32%

LAB 58.73, -45.08, 60.09

 

CMYK 73 / 0 / 97 / 38

HEX #2B9F04

RGB 43 159 4

HSL 104.9, 0.95%, 0.32%

LAB 57.38, -55.98, 58.44

 

CMYK 97 / 0 / 96 / 38

HEX #049F06

RGB 4 159 6

HSL 120.77, 0.95%, 0.32%

LAB 56.91, -60.15, 57.56

 

CMYK 97 / 0 / 70 / 38

HEX #049F30

RGB 4 159 48

HSL 137.03, 0.95%, 0.32%

LAB 57.11, -57.63, 46.14

 

CMYK 97 / 0 / 43 / 38

HEX #049F5A

RGB 4 159 90

HSL 153.29, 0.95%, 0.32%

LAB 57.62, -51.42, 26.34

 

CMYK 47 / 0 / 97 / 38

HEX #559F04

RGB 85 159 4

HSL 88.65, 0.95%, 0.32%

LAB 58.73, -45.08, 60.09

 

CMYK 47 / 0 / 97 / 38

HEX #559F04

RGB 85 159 4

HSL 88.65, 0.95%, 0.32%

LAB 58.73, -45.08, 60.09

 

CMYK 42 / 0 / 88 / 43

HEX #549111

RGB 84 145 17

HSL 88.59, 0.79%, 0.32%

LAB 54.21, -39.32, 54.14

 

CMYK 37 / 0 / 77 / 48

HEX #53841E

RGB 83 132 30

HSL 88.82, 0.63%, 0.32%

LAB 50.02, -33.37, 46.51

 

CMYK 30 / 0 / 64 / 53

HEX #53772B

RGB 83 119 43

HSL 88.42, 0.47%, 0.32%

LAB 45.92, -26.21, 36.78

 

CMYK 23 / 0 / 47 / 58

HEX #526A38

RGB 82 106 56

HSL 88.8, 0.31%, 0.32%

LAB 41.83, -18.45, 25.15

 

CMYK 0 / 7 / 97 / 38

HEX #9F9404

RGB 159 148 4

HSL 55.74, 0.95%, 0.32%

LAB 60.39, -9.3, 63.52

 

CMYK 19 / 0 / 97 / 38

HEX #809F04

RGB 128 159 4

HSL 72, 0.95%, 0.32%

LAB 61.13, -28.64, 63

 

CMYK 46 / 0 / 97 / 38

HEX #569F04

RGB 86 159 4

HSL 88.26, 0.95%, 0.32%

LAB 58.77, -44.75, 60.14

 

CMYK 72 / 0 / 97 / 38

HEX #2D9F04

RGB 45 159 4

HSL 104.13, 0.95%, 0.32%

LAB 57.43, -55.61, 58.5

 

CMYK 97 / 0 / 97 / 38

HEX #049F04

RGB 4 159 4

HSL 120, 0.95%, 0.32%

LAB 56.91, -60.2, 57.86

 

CMYK 46 / 0 / 97 / 69

HEX #2A4E02

RGB 42 78 2

HSL 88.42, 0.95%, 0.16%

LAB 29.27, -25.84, 36.03

 

CMYK 47 / 0 / 97 / 54

HEX #3F7603

RGB 63 118 3

HSL 88.7, 0.95%, 0.24%

LAB 44.26, -35.76, 48.28

 

CMYK 47 / 0 / 97 / 38

HEX #559F04

RGB 85 159 4

HSL 88.65, 0.95%, 0.32%

LAB 58.73, -45.08, 60.09

 

CMYK 47 / 0 / 97 / 22

HEX #6AC705

RGB 106 199 5

HSL 88.76, 0.95%, 0.4%

LAB 72.18, -53.86, 71.04

 

CMYK 46 / 0 / 97 / 6

HEX #80EF06

RGB 128 239 6

HSL 88.58, 0.95%, 0.48%

LAB 85.17, -61.99, 81.62

 

CMYK 47 / 0 / 97 / 38

HEX #559F04

RGB 85 159 4

HSL 88.65, 0.95%, 0.32%

LAB 58.73, -45.08, 60.09

 

CMYK 97 / 0 / 33 / 38

HEX #049F6B

RGB 4 159 107

HSL 159.87, 0.95%, 0.32%

LAB 57.93, -47.84, 17.47

 

CMYK 0 / 97 / 7 / 38

HEX #9F0494

RGB 159 4 148

HSL 304.26, 0.95%, 0.32%

LAB 37.11, 66.92, -36.87

 

CMYK 47 / 0 / 97 / 38

HEX #559F04

RGB 85 159 4

HSL 88.65, 0.95%, 0.32%

LAB 58.73, -45.08, 60.09

 

CMYK 97 / 46 / 0 / 38

HEX #04569F

RGB 4 86 159

HSL 208.26, 0.95%, 0.32%

LAB 36.34, 7.55, -45.54

 

CMYK 0 / 97 / 46 / 38

HEX #9F0456

RGB 159 4 86

HSL 328.26, 0.95%, 0.32%

LAB 34.25, 59.6, -2.15

 

CMYK 47 / 0 / 97 / 38

HEX #559F04

RGB 85 159 4

HSL 88.65, 0.95%, 0.32%

LAB 58.73, -45.08, 60.09

 

CMYK 97 / 0 / 33 / 38

HEX #049F6B

RGB 4 159 107

HSL 159.87, 0.95%, 0.32%

LAB 57.93, -47.84, 17.47

 

CMYK 52 / 97 / 0 / 38

HEX #4C049F

RGB 76 4 159

HSL 267.87, 0.95%, 0.32%

LAB 24.09, 57.47, -65.38

 

CMYK 0 / 97 / 65 / 38

HEX #9F0437

RGB 159 4 55

HSL 340.26, 0.95%, 0.32%

LAB 33.42, 57.36, 17.02

 

CMYK 47 / 0 / 97 / 38

HEX #559F04

RGB 85 159 4

HSL 88.65, 0.95%, 0.32%

LAB 58.73, -45.08, 60.09

 

CMYK 97 / 0 / 4 / 38

HEX #049F99

RGB 4 159 153

HSL 177.68, 0.95%, 0.32%

LAB 59.09, -35.47, -6.77

 

CMYK 52 / 97 / 0 / 38

HEX #4C049F

RGB 76 4 159

HSL 267.87, 0.95%, 0.32%

LAB 24.09, 57.47, -65.38

 

CMYK 0 / 97 / 94 / 38

HEX #9F0409

RGB 159 4 9

HSL 358.06, 0.95%, 0.32%

LAB 32.87, 55.85, 43.18

 

Description

Color code: HEX #559F04 | qconv.com Color code: HEX #559F04 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 159 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 159 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 97 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 97% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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