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Color name
HEX #55991A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55991A it is the complementary color #AA66E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55991A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55991A shade: #5A9915, #6BAB28, #7CBD3B, #8DCF4E and #9EE161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55991A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55991A shade: #55991A, #448707, #337500, #226300 and #115100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55991A shade: #549819, #769819, #989819, #987519 and #985319

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55991A shade: #549819, #329819, #199823, #199845 and #199867

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55991A shade matches the following richer shades: #549819 and #53A70B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55991A shade: #549819, #558A28, #567B36, #576D45 and #585E53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55991A shade: #989819, #769819, #559819, #339819 and #199822

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55991A shade: #2D520D, #417513, #549819, #68BB1F and #7CDA2A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55991A shade: #55991A, #199876 and #981987

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55991A shade: #55991A, #195598 and #981955

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55991A shade: #55991A, #199876, #5D1998 and #98193B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55991A shade: #55991A, #199498, #5D1998 and #981E19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 83 / 40

HEX #55991A

RGB 85 153 26

HSL 92.13, 0.71%, 0.35%

LAB 56.87, -41.96, 54.23

 

Complementary color

CMYK 26 / 55 / 0 / 10

HEX #AA66E5

RGB 170 102 229

HSL 272.13, 0.71%, 0.65%

LAB 55.79, 50.54, -54.28

 

CMYK 41 / 0 / 86 / 40

HEX #5A9915

RGB 90 153 21

HSL 88.64, 0.76%, 0.34%

LAB 57.09, -40.43, 55.82

 

CMYK 37 / 0 / 77 / 33

HEX #6BAB28

RGB 107 171 40

HSL 89.31, 0.62%, 0.41%

LAB 63.68, -41.12, 56.67

 

CMYK 34 / 0 / 69 / 26

HEX #7CBD3B

RGB 124 189 59

HSL 90, 0.52%, 0.49%

LAB 70.17, -41.54, 56.53

 

CMYK 32 / 0 / 62 / 19

HEX #8DCF4E

RGB 141 207 78

HSL 90.7, 0.57%, 0.56%

LAB 76.58, -41.8, 55.89

 

CMYK 30 / 0 / 57 / 12

HEX #9EE161

RGB 158 225 97

HSL 91.41, 0.68%, 0.63%

LAB 82.9, -41.93, 54.98

 

CMYK 44 / 0 / 83 / 40

HEX #55991A

RGB 85 153 26

HSL 92.13, 0.71%, 0.35%

LAB 56.87, -41.96, 54.23

 

CMYK 50 / 0 / 95 / 47

HEX #448707

RGB 68 135 7

HSL 91.41, 0.9%, 0.28%

LAB 50.18, -40.97, 52.38

 

CMYK 56 / 0 / 100 / 54

HEX #337500

RGB 51 117 0

HSL 93.85, 1%, 0.23%

LAB 43.4, -39.43, 48.07

 

CMYK 66 / 0 / 100 / 61

HEX #226300

RGB 34 99 0

HSL 99.39, 1%, 0.19%

LAB 36.49, -37.39, 42.36

 

CMYK 79 / 0 / 100 / 68

HEX #115100

RGB 17 81 0

HSL 107.41, 1%, 0.16%

LAB 29.42, -34.78, 36.55

 

CMYK 45 / 0 / 84 / 40

HEX #549819

RGB 84 152 25

HSL 92.13, 0.72%, 0.35%

LAB 56.5, -41.93, 54.16

 

CMYK 22 / 0 / 84 / 40

HEX #769819

RGB 118 152 25

HSL 76.06, 0.72%, 0.35%

LAB 58.39, -28.95, 56.57

 

CMYK 0 / 0 / 84 / 40

HEX #989819

RGB 152 152 25

HSL 60, 0.72%, 0.35%

LAB 60.96, -14.15, 59.79

 

CMYK 0 / 23 / 84 / 40

HEX #987519

RGB 152 117 25

HSL 43.46, 0.72%, 0.35%

LAB 51.23, 5.04, 51.42

 

CMYK 0 / 45 / 84 / 40

HEX #985319

RGB 152 83 25

HSL 27.4, 0.72%, 0.35%

LAB 42.66, 24.48, 43.84

 

CMYK 45 / 0 / 84 / 40

HEX #549819

RGB 84 152 25

HSL 92.13, 0.72%, 0.35%

LAB 56.5, -41.93, 54.16

 

CMYK 67 / 0 / 84 / 40

HEX #329819

RGB 50 152 25

HSL 108.19, 0.72%, 0.35%

LAB 55.28, -51.51, 52.6

 

CMYK 84 / 0 / 77 / 40

HEX #199823

RGB 25 152 35

HSL 124.72, 0.72%, 0.35%

LAB 54.85, -55.02, 48.86

 

CMYK 84 / 0 / 55 / 40

HEX #199845

RGB 25 152 69

HSL 140.79, 0.72%, 0.35%

LAB 55.17, -51.12, 34.25

 

CMYK 84 / 0 / 32 / 40

HEX #199867

RGB 25 152 103

HSL 156.85, 0.72%, 0.35%

LAB 55.73, -44.63, 16.71

 

CMYK 45 / 0 / 84 / 40

HEX #549819

RGB 84 152 25

HSL 92.13, 0.72%, 0.35%

LAB 56.5, -41.93, 54.16

 

CMYK 50 / 0 / 93 / 35

HEX #53A70B

RGB 83 167 11

HSL 92.31, 0.88%, 0.35%

LAB 61.22, -48.69, 61.09

 

CMYK 45 / 0 / 84 / 40

HEX #549819

RGB 84 152 25

HSL 92.13, 0.72%, 0.35%

LAB 56.5, -41.93, 54.16

 

CMYK 38 / 0 / 71 / 46

HEX #558A28

RGB 85 138 40

HSL 92.45, 0.55%, 0.35%

LAB 52.13, -34.62, 44.81

 

CMYK 30 / 0 / 56 / 52

HEX #567B36

RGB 86 123 54

HSL 92.17, 0.39%, 0.35%

LAB 47.51, -25.83, 33.19

 

CMYK 20 / 0 / 37 / 57

HEX #576D45

RGB 87 109 69

HSL 93, 0.22%, 0.35%

LAB 43.35, -16.11, 19.75

 

CMYK 6 / 0 / 12 / 63

HEX #585E53

RGB 88 94 83

HSL 92.73, 0.06%, 0.35%

LAB 39.08, -4.65, 5.5

 

CMYK 0 / 0 / 84 / 40

HEX #989819

RGB 152 152 25

HSL 60, 0.72%, 0.35%

LAB 60.96, -14.15, 59.79

 

CMYK 22 / 0 / 84 / 40

HEX #769819

RGB 118 152 25

HSL 76.06, 0.72%, 0.35%

LAB 58.39, -28.95, 56.57

 

CMYK 44 / 0 / 84 / 40

HEX #559819

RGB 85 152 25

HSL 91.65, 0.72%, 0.35%

LAB 56.54, -41.59, 54.22

 

CMYK 66 / 0 / 84 / 40

HEX #339819

RGB 51 152 25

HSL 107.72, 0.72%, 0.35%

LAB 55.31, -51.29, 52.64

 

CMYK 84 / 0 / 78 / 40

HEX #199822

RGB 25 152 34

HSL 124.25, 0.72%, 0.35%

LAB 54.84, -55.1, 49.2

 

CMYK 45 / 0 / 84 / 68

HEX #2D520D

RGB 45 82 13

HSL 92.17, 0.73%, 0.19%

LAB 30.93, -25.9, 33.63

 

CMYK 44 / 0 / 84 / 54

HEX #417513

RGB 65 117 19

HSL 91.84, 0.72%, 0.27%

LAB 44.08, -33.98, 44.26

 

CMYK 45 / 0 / 84 / 40

HEX #549819

RGB 84 152 25

HSL 92.13, 0.72%, 0.35%

LAB 56.5, -41.93, 54.16

 

CMYK 44 / 0 / 83 / 27

HEX #68BB1F

RGB 104 187 31

HSL 91.92, 0.72%, 0.43%

LAB 68.45, -49.17, 63.64

 

CMYK 43 / 0 / 81 / 15

HEX #7CDA2A

RGB 124 218 42

HSL 92.05, 0.7%, 0.51%

LAB 78.81, -54.41, 70.46

 

CMYK 44 / 0 / 83 / 40

HEX #55991A

RGB 85 153 26

HSL 92.13, 0.71%, 0.35%

LAB 56.87, -41.96, 54.23

 

CMYK 84 / 0 / 22 / 40

HEX #199876

RGB 25 152 118

HSL 163.94, 0.72%, 0.35%

LAB 56.06, -41, 8.72

 

CMYK 0 / 84 / 11 / 40

HEX #981987

RGB 152 25 135

HSL 308.03, 0.72%, 0.35%

LAB 36.21, 60.3, -30.37

 

CMYK 44 / 0 / 83 / 40

HEX #55991A

RGB 85 153 26

HSL 92.13, 0.71%, 0.35%

LAB 56.87, -41.96, 54.23

 

CMYK 84 / 44 / 0 / 40

HEX #195598

RGB 25 85 152

HSL 211.65, 0.72%, 0.35%

LAB 35.93, 6.71, -41.97

 

CMYK 0 / 84 / 44 / 40

HEX #981955

RGB 152 25 85

HSL 331.65, 0.72%, 0.35%

LAB 34.04, 54.14, -1.98

 

CMYK 44 / 0 / 83 / 40

HEX #55991A

RGB 85 153 26

HSL 92.13, 0.71%, 0.35%

LAB 56.87, -41.96, 54.23

 

CMYK 84 / 0 / 22 / 40

HEX #199876

RGB 25 152 118

HSL 163.94, 0.72%, 0.35%

LAB 56.06, -41, 8.72

 

CMYK 39 / 84 / 0 / 40

HEX #5D1998

RGB 93 25 152

HSL 272.13, 0.72%, 0.35%

LAB 27.54, 52.45, -55.31

 

CMYK 0 / 84 / 61 / 40

HEX #98193B

RGB 152 25 59

HSL 343.94, 0.72%, 0.35%

LAB 33.32, 52.01, 14

 

CMYK 44 / 0 / 83 / 40

HEX #55991A

RGB 85 153 26

HSL 92.13, 0.71%, 0.35%

LAB 56.87, -41.96, 54.23

 

CMYK 84 / 3 / 0 / 40

HEX #199498

RGB 25 148 152

HSL 181.89, 0.72%, 0.35%

LAB 55.74, -29.41, -11.19

 

CMYK 39 / 84 / 0 / 40

HEX #5D1998

RGB 93 25 152

HSL 272.13, 0.72%, 0.35%

LAB 27.54, 52.45, -55.31

 

CMYK 0 / 80 / 84 / 40

HEX #981E19

RGB 152 30 25

HSL 2.36, 0.72%, 0.35%

LAB 33.29, 48.97, 35.15

 

Description

Color code: HEX #55991A | qconv.com Color code: HEX #55991A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 153 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 153 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 83 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 83% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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