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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #556DE1 it is the complementary color #AA921E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #556DE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #556DE1 shade: #5A6DDC, #6B7FEF, #7C91FF, #8DA3FF and #9EB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #556DE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #556DE1 shade: #556DE1, #445BCE, #3349BB, #2237A8 and #112595

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #556DE1 shade: #556DE1, #6355E1, #8955E1, #AE55E1 and #D455E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #556DE1 shade: #556DE1 and #5555E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #556DE1 shade matches the following richer shades: #556DE1 and #4563F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #556DE1 shade: #556DE1, #6678D1, #7682C0, #868DB0 and #9698A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #556DE1 shade: #55B9E1, #5594E1, #556FE1, #6155E1 and #8655E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #556DE1 shade: #223DC2, #324FDA, #556DE1, #798BE7 and #9CAAED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #556DE1 shade: #556DE1, #E155DE and #A7E155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #556DE1 shade: #556DE1, #E1556F and #6FE155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #556DE1 shade: #556DE1, #E155DE, #E1C755 and #55E158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #556DE1 shade: #556DE1, #E155B5, #E1C755 and #55E182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 52 / 0 / 12

HEX #556DE1

RGB 85 109 225

HSL 229.71, 0.7%, 0.61%

LAB 49.86, 26.8, -61.94

 

Complementary color

CMYK 0 / 14 / 82 / 33

HEX #AA921E

RGB 170 146 30

HSL 49.71, 0.7%, 0.39%

LAB 60.96, -2.65, 59.04

 

CMYK 59 / 50 / 0 / 14

HEX #5A6DDC

RGB 90 109 220

HSL 231.23, 0.65%, 0.61%

LAB 49.83, 26.02, -59.15

 

CMYK 55 / 47 / 0 / 6

HEX #6B7FEF

RGB 107 127 239

HSL 230.91, 0.8%, 0.68%

LAB 56.62, 24.48, -58.84

 

CMYK 51 / 43 / 0 / 0

HEX #7C91FF

RGB 124 145 255

HSL 230.38, 1%, 0.74%

LAB 63.14, 22.27, -57.19

 

CMYK 45 / 36 / 0 / 0

HEX #8DA3FF

RGB 141 163 255

HSL 228.42, 1%, 0.78%

LAB 68.81, 15.69, -48.14

 

CMYK 38 / 29 / 0 / 0

HEX #9EB5FF

RGB 158 181 255

HSL 225.77, 1%, 0.81%

LAB 74.53, 9.8, -39.1

 

CMYK 62 / 52 / 0 / 12

HEX #556DE1

RGB 85 109 225

HSL 229.71, 0.7%, 0.61%

LAB 49.86, 26.8, -61.94

 

CMYK 67 / 56 / 0 / 19

HEX #445BCE

RGB 68 91 206

HSL 230, 0.58%, 0.54%

LAB 43.01, 28.8, -62.24

 

CMYK 73 / 61 / 0 / 27

HEX #3349BB

RGB 51 73 187

HSL 230.29, 0.57%, 0.47%

LAB 36.09, 31.19, -62.5

 

CMYK 80 / 67 / 0 / 34

HEX #2237A8

RGB 34 55 168

HSL 230.6, 0.66%, 0.4%

LAB 29.16, 34.04, -62.59

 

CMYK 89 / 75 / 0 / 42

HEX #112595

RGB 17 37 149

HSL 230.91, 0.8%, 0.33%

LAB 22.35, 37.25, -62.27

 

CMYK 62 / 52 / 0 / 12

HEX #556DE1

RGB 85 109 225

HSL 229.71, 0.7%, 0.61%

LAB 49.86, 26.8, -61.94

 

CMYK 56 / 62 / 0 / 12

HEX #6355E1

RGB 99 85 225

HSL 246, 0.7%, 0.61%

LAB 45.06, 43.73, -69.68

 

CMYK 39 / 62 / 0 / 12

HEX #8955E1

RGB 137 85 225

HSL 262.29, 0.7%, 0.61%

LAB 48.58, 50.97, -63.81

 

CMYK 23 / 62 / 0 / 12

HEX #AE55E1

RGB 174 85 225

HSL 278.14, 0.7%, 0.61%

LAB 52.87, 59.08, -56.67

 

CMYK 6 / 62 / 0 / 12

HEX #D455E1

RGB 212 85 225

HSL 294.43, 0.7%, 0.61%

LAB 57.97, 67.92, -48.24

 

CMYK 62 / 52 / 0 / 12

HEX #556DE1

RGB 85 109 225

HSL 229.71, 0.7%, 0.61%

LAB 49.86, 26.8, -61.94

 

CMYK 62 / 62 / 0 / 12

HEX #5555E1

RGB 85 85 225

HSL 240, 0.7%, 0.61%

LAB 44.04, 41.48, -71.39

 

CMYK 62 / 52 / 0 / 12

HEX #556DE1

RGB 85 109 225

HSL 229.71, 0.7%, 0.61%

LAB 49.86, 26.8, -61.94

 

CMYK 71 / 59 / 0 / 5

HEX #4563F1

RGB 69 99 241

HSL 229.53, 0.86%, 0.61%

LAB 47.67, 36.18, -74.52

 

CMYK 62 / 52 / 0 / 12

HEX #556DE1

RGB 85 109 225

HSL 229.71, 0.7%, 0.61%

LAB 49.86, 26.8, -61.94

 

CMYK 51 / 43 / 0 / 18

HEX #6678D1

RGB 102 120 209

HSL 229.91, 0.54%, 0.61%

LAB 52.8, 18.19, -48.13

 

CMYK 39 / 32 / 0 / 25

HEX #7682C0

RGB 118 130 192

HSL 230.27, 0.37%, 0.61%

LAB 55.71, 11.14, -33.8

 

CMYK 24 / 20 / 0 / 31

HEX #868DB0

RGB 134 141 176

HSL 230, 0.21%, 0.61%

LAB 59.21, 5.29, -19.2

 

CMYK 6 / 5 / 0 / 37

HEX #9698A0

RGB 150 152 160

HSL 228, 0.05%, 0.61%

LAB 62.91, 0.88, -4.44

 

CMYK 62 / 18 / 0 / 12

HEX #55B9E1

RGB 85 185 225

HSL 197.14, 0.7%, 0.61%

LAB 70.92, -17.33, -28.74

 

CMYK 62 / 34 / 0 / 12

HEX #5594E1

RGB 85 148 225

HSL 213, 0.7%, 0.61%

LAB 60.38, 3.18, -45.15

 

CMYK 62 / 51 / 0 / 12

HEX #556FE1

RGB 85 111 225

HSL 228.86, 0.7%, 0.61%

LAB 50.38, 25.56, -61.11

 

CMYK 57 / 62 / 0 / 12

HEX #6155E1

RGB 97 85 225

HSL 245.14, 0.7%, 0.61%

LAB 44.91, 43.39, -69.94

 

CMYK 40 / 62 / 0 / 12

HEX #8655E1

RGB 134 85 225

HSL 261, 0.7%, 0.61%

LAB 48.26, 50.35, -64.34

 

CMYK 82 / 69 / 0 / 24

HEX #223DC2

RGB 34 61 194

HSL 229.88, 0.7%, 0.45%

LAB 33.08, 39.76, -71.58

 

CMYK 77 / 64 / 0 / 15

HEX #324FDA

RGB 50 79 218

HSL 229.64, 0.69%, 0.53%

LAB 40.13, 38.46, -73.86

 

CMYK 62 / 52 / 0 / 12

HEX #556DE1

RGB 85 109 225

HSL 229.71, 0.7%, 0.61%

LAB 49.86, 26.8, -61.94

 

CMYK 48 / 40 / 0 / 9

HEX #798BE7

RGB 121 139 231

HSL 230.18, 0.7%, 0.69%

LAB 60.16, 17.9, -48.71

 

CMYK 34 / 28 / 0 / 7

HEX #9CAAED

RGB 156 170 237

HSL 229.63, 0.69%, 0.77%

LAB 70.82, 10.7, -35.13

 

CMYK 62 / 52 / 0 / 12

HEX #556DE1

RGB 85 109 225

HSL 229.71, 0.7%, 0.61%

LAB 49.86, 26.8, -61.94

 

CMYK 0 / 62 / 1 / 12

HEX #E155DE

RGB 225 85 222

HSL 301.29, 0.7%, 0.61%

LAB 59.69, 70.5, -43.72

 

CMYK 26 / 0 / 62 / 12

HEX #A7E155

RGB 167 225 85

HSL 84.86, 0.7%, 0.61%

LAB 83.3, -39.75, 60.72

 

CMYK 62 / 52 / 0 / 12

HEX #556DE1

RGB 85 109 225

HSL 229.71, 0.7%, 0.61%

LAB 49.86, 26.8, -61.94

 

CMYK 0 / 62 / 51 / 12

HEX #E1556F

RGB 225 85 111

HSL 348.86, 0.7%, 0.61%

LAB 55.74, 56.42, 14.65

 

CMYK 51 / 0 / 62 / 12

HEX #6FE155

RGB 111 225 85

HSL 108.86, 0.7%, 0.61%

LAB 80.68, -57.91, 57.09

 

CMYK 62 / 52 / 0 / 12

HEX #556DE1

RGB 85 109 225

HSL 229.71, 0.7%, 0.61%

LAB 49.86, 26.8, -61.94

 

CMYK 0 / 62 / 1 / 12

HEX #E155DE

RGB 225 85 222

HSL 301.29, 0.7%, 0.61%

LAB 59.69, 70.5, -43.72

 

CMYK 0 / 12 / 62 / 12

HEX #E1C755

RGB 225 199 85

HSL 48.86, 0.7%, 0.61%

LAB 80.47, -3.96, 58.85

 

CMYK 62 / 0 / 61 / 12

HEX #55E158

RGB 85 225 88

HSL 121.29, 0.7%, 0.61%

LAB 79.89, -63.92, 54.7

 

CMYK 62 / 52 / 0 / 12

HEX #556DE1

RGB 85 109 225

HSL 229.71, 0.7%, 0.61%

LAB 49.86, 26.8, -61.94

 

CMYK 0 / 62 / 20 / 12

HEX #E155B5

RGB 225 85 181

HSL 318.86, 0.7%, 0.61%

LAB 57.89, 64.29, -23.18

 

CMYK 0 / 12 / 62 / 12

HEX #E1C755

RGB 225 199 85

HSL 48.86, 0.7%, 0.61%

LAB 80.47, -3.96, 58.85

 

CMYK 62 / 0 / 42 / 12

HEX #55E182

RGB 85 225 130

HSL 139.29, 0.7%, 0.61%

LAB 80.4, -58.16, 35.54

 

Description

Color code: HEX #556DE1 | qconv.com Color code: HEX #556DE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 109 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 109 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 52 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 52% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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