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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #555818 it is the complementary color #AAA7E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #555818. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #555818 shade: #5A5813, #6B6A26, #7C7C39, #8D8E4C and #9EA05F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #555818. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #555818 shade: #555818, #444605, #333400, #222200 and #111000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #555818 shade: #555818, #584918, #583818, #582718 and #581818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #555818 shade: #555818, #435818, #325818, #215818 and #185820

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #555818 shade matches the following richer shades: #555818, #5D610F and #656A05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #555818 shade: #555818, #4C4F21, #44452A, #3C3C33 and #34333C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #555818 shade: #583818, #584918, #555818, #445818 and #335818

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #555818 shade: #161706, #35370F, #555818, #747820 and #939829

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #555818 shade: #555818, #185827 and #401858

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #555818 shade: #555818, #185558 and #581855

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #555818 shade: #555818, #185827, #1A1858 and #581849

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #555818 shade: #555818, #18583A, #1A1858 and #581835

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 73 / 65

HEX #555818

RGB 85 88 24

HSL 62.81, 0.57%, 0.22%

LAB 35.94, -10.37, 35.02

 

Complementary color

CMYK 26 / 28 / 0 / 9

HEX #AAA7E7

RGB 170 167 231

HSL 242.81, 0.57%, 0.78%

LAB 70.84, 14.87, -31.75

 

CMYK 0 / 2 / 79 / 65

HEX #5A5813

RGB 90 88 19

HSL 58.31, 0.65%, 0.21%

LAB 36.37, -8.22, 37.7

 

CMYK 0 / 1 / 64 / 58

HEX #6B6A26

RGB 107 106 38

HSL 59.13, 0.48%, 0.28%

LAB 43.62, -9.18, 37.17

 

CMYK 0 / 0 / 54 / 51

HEX #7C7C39

RGB 124 124 57

HSL 60, 0.37%, 0.35%

LAB 50.68, -9.87, 36.09

 

CMYK 1 / 0 / 46 / 44

HEX #8D8E4C

RGB 141 142 76

HSL 60.91, 0.3%, 0.43%

LAB 57.59, -10.37, 34.85

 

CMYK 1 / 0 / 41 / 37

HEX #9EA05F

RGB 158 160 95

HSL 61.85, 0.25%, 0.5%

LAB 64.35, -10.76, 33.6

 

CMYK 3 / 0 / 73 / 65

HEX #555818

RGB 85 88 24

HSL 62.81, 0.57%, 0.22%

LAB 35.94, -10.37, 35.02

 

CMYK 3 / 0 / 93 / 73

HEX #444605

RGB 68 70 5

HSL 61.85, 0.87%, 0.15%

LAB 28.43, -9.29, 34.92

 

CMYK 2 / 0 / 100 / 80

HEX #333400

RGB 51 52 0

HSL 61.15, 1%, 0.1%

LAB 20.67, -7.55, 28.87

 

CMYK 0 / 0 / 100 / 87

HEX #222200

RGB 34 34 0

HSL 60, 1%, 0.07%

LAB 12.51, -5.43, 18.39

 

CMYK 0 / 6 / 100 / 93

HEX #111000

RGB 17 16 0

HSL 56.47, 1%, 0.03%

LAB 4.42, -2.01, 6.59

 

CMYK 3 / 0 / 73 / 65

HEX #555818

RGB 85 88 24

HSL 62.81, 0.57%, 0.22%

LAB 35.94, -10.37, 35.02

 

CMYK 0 / 17 / 73 / 65

HEX #584918

RGB 88 73 24

HSL 45.94, 0.57%, 0.22%

LAB 31.59, 0.09, 30.63

 

CMYK 0 / 36 / 73 / 65

HEX #583818

RGB 88 56 24

HSL 30, 0.57%, 0.22%

LAB 26.65, 10.78, 25.29

 

CMYK 0 / 56 / 73 / 65

HEX #582718

RGB 88 39 24

HSL 14.06, 0.57%, 0.22%

LAB 22.27, 21.31, 20.3

 

CMYK 0 / 73 / 73 / 65

HEX #581818

RGB 88 24 24

HSL 0, 0.57%, 0.22%

LAB 19.2, 29.38, 16.61

 

CMYK 3 / 0 / 73 / 65

HEX #555818

RGB 85 88 24

HSL 62.81, 0.57%, 0.22%

LAB 35.94, -10.37, 35.02

 

CMYK 24 / 0 / 73 / 65

HEX #435818

RGB 67 88 24

HSL 79.69, 0.57%, 0.22%

LAB 34.48, -18.82, 33.05

 

CMYK 43 / 0 / 73 / 65

HEX #325818

RGB 50 88 24

HSL 95.63, 0.57%, 0.22%

LAB 33.4, -25.96, 31.6

 

CMYK 63 / 0 / 73 / 65

HEX #215818

RGB 33 88 24

HSL 111.56, 0.57%, 0.22%

LAB 32.63, -31.71, 30.55

 

CMYK 73 / 0 / 64 / 65

HEX #185820

RGB 24 88 32

HSL 127.5, 0.57%, 0.22%

LAB 32.43, -33.02, 26.25

 

CMYK 3 / 0 / 73 / 65

HEX #555818

RGB 85 88 24

HSL 62.81, 0.57%, 0.22%

LAB 35.94, -10.37, 35.02

 

CMYK 4 / 0 / 85 / 62

HEX #5D610F

RGB 93 97 15

HSL 62.93, 0.73%, 0.22%

LAB 39.43, -12.09, 42.02

 

CMYK 5 / 0 / 95 / 58

HEX #656A05

RGB 101 106 5

HSL 62.97, 0.91%, 0.22%

LAB 42.89, -13.57, 47.79

 

CMYK 3 / 0 / 73 / 65

HEX #555818

RGB 85 88 24

HSL 62.81, 0.57%, 0.22%

LAB 35.94, -10.37, 35.02

 

CMYK 4 / 0 / 58 / 69

HEX #4C4F21

RGB 76 79 33

HSL 63.91, 0.41%, 0.22%

LAB 32.34, -8.73, 26.38

 

CMYK 1 / 0 / 39 / 73

HEX #44452A

RGB 68 69 42

HSL 62.22, 0.24%, 0.22%

LAB 28.52, -5.42, 16.2

 

CMYK 0 / 0 / 15 / 76

HEX #3C3C33

RGB 60 60 51

HSL 60, 0.08%, 0.22%

LAB 25.05, -1.91, 5.57

 

CMYK 13 / 15 / 0 / 76

HEX #34333C

RGB 52 51 60

HSL 246.67, 0.08%, 0.22%

LAB 21.67, 2.64, -5.49

 

CMYK 0 / 36 / 73 / 65

HEX #583818

RGB 88 56 24

HSL 30, 0.57%, 0.22%

LAB 26.65, 10.78, 25.29

 

CMYK 0 / 17 / 73 / 65

HEX #584918

RGB 88 73 24

HSL 45.94, 0.57%, 0.22%

LAB 31.59, 0.09, 30.63

 

CMYK 3 / 0 / 73 / 65

HEX #555818

RGB 85 88 24

HSL 62.81, 0.57%, 0.22%

LAB 35.94, -10.37, 35.02

 

CMYK 23 / 0 / 73 / 65

HEX #445818

RGB 68 88 24

HSL 78.75, 0.57%, 0.22%

LAB 34.55, -18.37, 33.15

 

CMYK 42 / 0 / 73 / 65

HEX #335818

RGB 51 88 24

HSL 94.69, 0.57%, 0.22%

LAB 33.46, -25.57, 31.67

 

CMYK 4 / 0 / 74 / 91

HEX #161706

RGB 22 23 6

HSL 63.53, 0.59%, 0.06%

LAB 7.19, -3.56, 8.25

 

CMYK 4 / 0 / 73 / 78

HEX #35370F

RGB 53 55 15

HSL 63, 0.57%, 0.14%

LAB 22.03, -7.31, 23.99

 

CMYK 3 / 0 / 73 / 65

HEX #555818

RGB 85 88 24

HSL 62.81, 0.57%, 0.22%

LAB 35.94, -10.37, 35.02

 

CMYK 3 / 0 / 73 / 53

HEX #747820

RGB 116 120 32

HSL 62.73, 0.58%, 0.3%

LAB 48.57, -13.15, 45.13

 

CMYK 3 / 0 / 73 / 40

HEX #939829

RGB 147 152 41

HSL 62.7, 0.58%, 0.38%

LAB 60.62, -15.73, 54.29

 

CMYK 3 / 0 / 73 / 65

HEX #555818

RGB 85 88 24

HSL 62.81, 0.57%, 0.22%

LAB 35.94, -10.37, 35.02

 

CMYK 73 / 0 / 56 / 65

HEX #185827

RGB 24 88 39

HSL 134.06, 0.57%, 0.22%

LAB 32.52, -31.93, 22.53

 

CMYK 27 / 73 / 0 / 65

HEX #401858

RGB 64 24 88

HSL 277.5, 0.57%, 0.22%

LAB 17.68, 31.63, -30.58

 

CMYK 3 / 0 / 73 / 65

HEX #555818

RGB 85 88 24

HSL 62.81, 0.57%, 0.22%

LAB 35.94, -10.37, 35.02

 

CMYK 73 / 3 / 0 / 65

HEX #185558

RGB 24 85 88

HSL 182.81, 0.57%, 0.22%

LAB 32.69, -17.82, -7.4

 

CMYK 0 / 73 / 3 / 65

HEX #581855

RGB 88 24 85

HSL 302.81, 0.57%, 0.22%

LAB 21.52, 37.26, -22.21

 

CMYK 3 / 0 / 73 / 65

HEX #555818

RGB 85 88 24

HSL 62.81, 0.57%, 0.22%

LAB 35.94, -10.37, 35.02

 

CMYK 73 / 0 / 56 / 65

HEX #185827

RGB 24 88 39

HSL 134.06, 0.57%, 0.22%

LAB 32.52, -31.93, 22.53

 

CMYK 70 / 73 / 0 / 65

HEX #1A1858

RGB 26 24 88

HSL 241.88, 0.57%, 0.22%

LAB 13.09, 23.58, -38.25

 

CMYK 0 / 73 / 17 / 65

HEX #581849

RGB 88 24 73

HSL 314.06, 0.57%, 0.22%

LAB 20.86, 35.13, -15.13

 

CMYK 3 / 0 / 73 / 65

HEX #555818

RGB 85 88 24

HSL 62.81, 0.57%, 0.22%

LAB 35.94, -10.37, 35.02

 

CMYK 73 / 0 / 34 / 65

HEX #18583A

RGB 24 88 58

HSL 151.88, 0.57%, 0.22%

LAB 32.87, -28.05, 11.69

 

CMYK 70 / 73 / 0 / 65

HEX #1A1858

RGB 26 24 88

HSL 241.88, 0.57%, 0.22%

LAB 13.09, 23.58, -38.25

 

CMYK 0 / 73 / 40 / 65

HEX #581835

RGB 88 24 53

HSL 332.81, 0.57%, 0.22%

LAB 19.98, 32.17, -2.63

 

Description

Color code: HEX #555818 | qconv.com Color code: HEX #555818 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 88 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 88 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 73 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 73% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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