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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #554F1E it is the complementary color #AAB0E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #554F1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #554F1E shade: #5A4F19, #6B612C, #7C733F, #8D8552 and #9E9765

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #554F1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #554F1E shade: #554F1E, #443D0B, #332B00, #221900 and #110700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #554F1E shade: #56501E, #56411E, #56321E, #56231E and #561E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #554F1E shade: #56501E, #4D561E, #3E561E, #2F561E and #20561E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #554F1E shade matches the following richer shades: #56501E, #605815, #695F0B and #736602

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #554F1E shade: #56501E, #4D4927, #434131, #3A3A3A and #303244

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #554F1E shade: #56321E, #56411E, #56501E, #4E561E and #3F561E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #554F1E shade: #191709, #383413, #56501E, #756D29 and #938933

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #554F1E shade: #554F1E, #1E5623 and #391E56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #554F1E shade: #554F1E, #1E5650 and #501E56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #554F1E shade: #554F1E, #1E5623, #1E2556 and #561E52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #554F1E shade: #554F1E, #1E5634, #1E2556 and #561E41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 65 / 67

HEX #554F1E

RGB 85 79 30

HSL 53.45, 0.48%, 0.23%

LAB 33.17, -4.62, 29.16

 

Complementary color

CMYK 24 / 22 / 0 / 12

HEX #AAB0E1

RGB 170 176 225

HSL 233.45, 0.48%, 0.77%

LAB 72.91, 8.44, -25.29

 

CMYK 0 / 12 / 72 / 65

HEX #5A4F19

RGB 90 79 25

HSL 49.85, 0.57%, 0.23%

LAB 33.64, -2.52, 32.35

 

CMYK 0 / 9 / 59 / 58

HEX #6B612C

RGB 107 97 44

HSL 50.48, 0.42%, 0.3%

LAB 40.99, -3.52, 31.21

 

CMYK 0 / 7 / 49 / 51

HEX #7C733F

RGB 124 115 63

HSL 51.15, 0.33%, 0.37%

LAB 48.14, -4.24, 29.87

 

CMYK 0 / 6 / 42 / 45

HEX #8D8552

RGB 141 133 82

HSL 51.86, 0.26%, 0.44%

LAB 55.12, -4.79, 28.55

 

CMYK 0 / 4 / 36 / 38

HEX #9E9765

RGB 158 151 101

HSL 52.63, 0.23%, 0.51%

LAB 61.95, -5.22, 27.3

 

CMYK 0 / 7 / 65 / 67

HEX #554F1E

RGB 85 79 30

HSL 53.45, 0.48%, 0.23%

LAB 33.17, -4.62, 29.16

 

CMYK 0 / 10 / 84 / 73

HEX #443D0B

RGB 68 61 11

HSL 52.63, 0.72%, 0.15%

LAB 25.54, -3.49, 29.93

 

CMYK 0 / 16 / 100 / 80

HEX #332B00

RGB 51 43 0

HSL 50.59, 1%, 0.1%

LAB 17.61, -1.73, 25.32

 

CMYK 0 / 26 / 100 / 87

HEX #221900

RGB 34 25 0

HSL 44.12, 1%, 0.07%

LAB 9.28, 0.85, 13.91

 

CMYK 0 / 59 / 100 / 93

HEX #110700

RGB 17 7 0

HSL 24.71, 1%, 0.03%

LAB 2.45, 2.03, 3.71

 

CMYK 0 / 7 / 65 / 66

HEX #56501E

RGB 86 80 30

HSL 53.57, 0.48%, 0.23%

LAB 33.58, -4.73, 29.65

 

CMYK 0 / 24 / 65 / 66

HEX #56411E

RGB 86 65 30

HSL 37.5, 0.48%, 0.23%

LAB 29.04, 4.54, 24.5

 

CMYK 0 / 42 / 65 / 66

HEX #56321E

RGB 86 50 30

HSL 21.43, 0.48%, 0.23%

LAB 24.81, 14.08, 19.47

 

CMYK 0 / 59 / 65 / 66

HEX #56231E

RGB 86 35 30

HSL 5.36, 0.48%, 0.23%

LAB 21.11, 23.21, 14.85

 

CMYK 0 / 65 / 65 / 66

HEX #561E1E

RGB 86 30 30

HSL 0, 0.48%, 0.23%

LAB 20.05, 25.99, 13.49

 

CMYK 0 / 7 / 65 / 66

HEX #56501E

RGB 86 80 30

HSL 53.57, 0.48%, 0.23%

LAB 33.58, -4.73, 29.65

 

CMYK 10 / 0 / 65 / 66

HEX #4D561E

RGB 77 86 30

HSL 69.64, 0.48%, 0.23%

LAB 34.66, -12.59, 30.59

 

CMYK 28 / 0 / 65 / 66

HEX #3E561E

RGB 62 86 30

HSL 85.71, 0.48%, 0.23%

LAB 33.51, -19.43, 29

 

CMYK 45 / 0 / 65 / 66

HEX #2F561E

RGB 47 86 30

HSL 101.79, 0.48%, 0.23%

LAB 32.6, -25.51, 27.73

 

CMYK 63 / 0 / 65 / 66

HEX #20561E

RGB 32 86 30

HSL 117.86, 0.48%, 0.23%

LAB 31.93, -30.44, 26.8

 

CMYK 0 / 7 / 65 / 66

HEX #56501E

RGB 86 80 30

HSL 53.57, 0.48%, 0.23%

LAB 33.58, -4.73, 29.65

 

CMYK 0 / 8 / 78 / 62

HEX #605815

RGB 96 88 21

HSL 53.6, 0.64%, 0.23%

LAB 36.97, -5.16, 37.67

 

CMYK 0 / 10 / 90 / 59

HEX #695F0B

RGB 105 95 11

HSL 53.62, 0.81%, 0.23%

LAB 39.93, -5.23, 44.07

 

CMYK 0 / 11 / 98 / 55

HEX #736602

RGB 115 102 2

HSL 53.1, 0.97%, 0.23%

LAB 42.99, -4.61, 49.18

 

CMYK 0 / 7 / 65 / 66

HEX #56501E

RGB 86 80 30

HSL 53.57, 0.48%, 0.23%

LAB 33.58, -4.73, 29.65

 

CMYK 0 / 5 / 49 / 70

HEX #4D4927

RGB 77 73 39

HSL 53.68, 0.33%, 0.23%

LAB 30.61, -3.97, 20.88

 

CMYK 0 / 3 / 27 / 74

HEX #434131

RGB 67 65 49

HSL 53.33, 0.16%, 0.23%

LAB 27.29, -2.28, 10.1

 

CMYK 0 / 0 / 0 / 77

HEX #3A3A3A

RGB 58 58 58

HSL 0, 0%, 0.23%

LAB 24.42, 0, -0

 

CMYK 29 / 26 / 0 / 73

HEX #303244

RGB 48 50 68

HSL 234, 0.17%, 0.23%

LAB 21.31, 3.98, -11.49

 

CMYK 0 / 42 / 65 / 66

HEX #56321E

RGB 86 50 30

HSL 21.43, 0.48%, 0.23%

LAB 24.81, 14.08, 19.47

 

CMYK 0 / 24 / 65 / 66

HEX #56411E

RGB 86 65 30

HSL 37.5, 0.48%, 0.23%

LAB 29.04, 4.54, 24.5

 

CMYK 0 / 7 / 65 / 66

HEX #56501E

RGB 86 80 30

HSL 53.57, 0.48%, 0.23%

LAB 33.58, -4.73, 29.65

 

CMYK 9 / 0 / 65 / 66

HEX #4E561E

RGB 78 86 30

HSL 68.57, 0.48%, 0.23%

LAB 34.74, -12.12, 30.71

 

CMYK 27 / 0 / 65 / 66

HEX #3F561E

RGB 63 86 30

HSL 84.64, 0.48%, 0.23%

LAB 33.58, -18.99, 29.1

 

CMYK 0 / 8 / 64 / 90

HEX #191709

RGB 25 23 9

HSL 52.5, 0.47%, 0.07%

LAB 7.58, -1.68, 7.63

 

CMYK 0 / 7 / 66 / 78

HEX #383413

RGB 56 52 19

HSL 53.51, 0.49%, 0.15%

LAB 21.37, -3.48, 21.14

 

CMYK 0 / 7 / 65 / 66

HEX #56501E

RGB 86 80 30

HSL 53.57, 0.48%, 0.23%

LAB 33.58, -4.73, 29.65

 

CMYK 0 / 7 / 65 / 54

HEX #756D29

RGB 117 109 41

HSL 53.68, 0.48%, 0.31%

LAB 45.47, -5.99, 38.01

 

CMYK 0 / 7 / 65 / 42

HEX #938933

RGB 147 137 51

HSL 53.75, 0.48%, 0.39%

LAB 56.42, -7.15, 45.94

 

CMYK 0 / 7 / 65 / 67

HEX #554F1E

RGB 85 79 30

HSL 53.45, 0.48%, 0.23%

LAB 33.17, -4.62, 29.16

 

CMYK 65 / 0 / 59 / 66

HEX #1E5623

RGB 30 86 35

HSL 125.36, 0.48%, 0.23%

LAB 31.93, -30.28, 24.08

 

CMYK 34 / 65 / 0 / 66

HEX #391E56

RGB 57 30 86

HSL 268.93, 0.48%, 0.23%

LAB 17.78, 25.82, -29.13

 

CMYK 0 / 7 / 65 / 67

HEX #554F1E

RGB 85 79 30

HSL 53.45, 0.48%, 0.23%

LAB 33.17, -4.62, 29.16

 

CMYK 65 / 0 / 7 / 66

HEX #1E5650

RGB 30 86 80

HSL 173.57, 0.48%, 0.23%

LAB 32.94, -19.8, -1.95

 

CMYK 7 / 65 / 0 / 66

HEX #501E56

RGB 80 30 86

HSL 293.57, 0.48%, 0.23%

LAB 21.23, 32.36, -23.43

 

CMYK 0 / 7 / 65 / 67

HEX #554F1E

RGB 85 79 30

HSL 53.45, 0.48%, 0.23%

LAB 33.17, -4.62, 29.16

 

CMYK 65 / 0 / 59 / 66

HEX #1E5623

RGB 30 86 35

HSL 125.36, 0.48%, 0.23%

LAB 31.93, -30.28, 24.08

 

CMYK 65 / 57 / 0 / 66

HEX #1E2556

RGB 30 37 86

HSL 232.5, 0.48%, 0.23%

LAB 16.85, 14.23, -30.78

 

CMYK 0 / 65 / 5 / 66

HEX #561E52

RGB 86 30 82

HSL 304.29, 0.48%, 0.23%

LAB 22, 33.33, -19.46

 

CMYK 0 / 7 / 65 / 67

HEX #554F1E

RGB 85 79 30

HSL 53.45, 0.48%, 0.23%

LAB 33.17, -4.62, 29.16

 

CMYK 65 / 0 / 40 / 66

HEX #1E5634

RGB 30 86 52

HSL 143.57, 0.48%, 0.23%

LAB 32.21, -27.16, 14.5

 

CMYK 65 / 57 / 0 / 66

HEX #1E2556

RGB 30 37 86

HSL 232.5, 0.48%, 0.23%

LAB 16.85, 14.23, -30.78

 

CMYK 0 / 65 / 24 / 66

HEX #561E41

RGB 86 30 65

HSL 322.5, 0.48%, 0.23%

LAB 21.16, 30.3, -9.22

 

Description

Color code: HEX #554F1E | qconv.com Color code: HEX #554F1E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 79 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 79 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 65 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 65% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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