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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #554E3C it is the complementary color #AAB1C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #554E3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #554E3C shade: #5A4E37, #6B604A, #7C725D, #8D8470 and #9E9683

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #554E3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #554E3C shade: #554E3C, #443C29, #332A16, #221803 and #110600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #554E3C shade: #534C3B, #53463B, #533F3B and #533B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #554E3C shade: #534C3B, #53533B, #4D533B, #46533B and #40533B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #554E3C shade matches the following richer shades: #534C3B, #5F512F, #6A5624, #765B18 and #81610D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #554E3C shade: #534C3B, #474746, #3C4252, #303D5D and #253869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #554E3C shade: #533F3B, #53463B, #534C3B, #53533B and #4D533B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #554E3C shade: #232019, #3B362A, #534C3B, #6B624C and #83795D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #554E3C shade: #554E3C, #3D533B and #423B53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #554E3C shade: #554E3C, #3B534C and #4C3B53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #554E3C shade: #554E3C, #3D533B, #3B4253 and #513B53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #554E3C shade: #554E3C, #3B5340, #3B4253 and #533B4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 29 / 67

HEX #554E3C

RGB 85 78 60

HSL 43.2, 0.17%, 0.28%

LAB 33.36, -0.37, 11.73

 

Complementary color

CMYK 13 / 9 / 0 / 24

HEX #AAB1C3

RGB 170 177 195

HSL 223.2, 0.17%, 0.72%

LAB 72.18, 1.2, -9.98

 

CMYK 0 / 13 / 39 / 65

HEX #5A4E37

RGB 90 78 55

HSL 39.43, 0.24%, 0.28%

LAB 33.77, 1.17, 15.47

 

CMYK 0 / 10 / 31 / 58

HEX #6B604A

RGB 107 96 74

HSL 40, 0.18%, 0.35%

LAB 41.19, 0.65, 14.2

 

CMYK 0 / 8 / 25 / 51

HEX #7C725D

RGB 124 114 93

HSL 40.65, 0.14%, 0.43%

LAB 48.4, 0.24, 13.06

 

CMYK 0 / 6 / 21 / 45

HEX #8D8470

RGB 141 132 112

HSL 41.38, 0.11%, 0.5%

LAB 55.42, -0.09, 12.03

 

CMYK 0 / 5 / 17 / 38

HEX #9E9683

RGB 158 150 131

HSL 42.22, 0.12%, 0.57%

LAB 62.27, -0.37, 11.08

 

CMYK 0 / 8 / 29 / 67

HEX #554E3C

RGB 85 78 60

HSL 43.2, 0.17%, 0.28%

LAB 33.36, -0.37, 11.73

 

CMYK 0 / 12 / 40 / 73

HEX #443C29

RGB 68 60 41

HSL 42.22, 0.25%, 0.21%

LAB 25.63, 0.11, 13.03

 

CMYK 0 / 18 / 57 / 80

HEX #332A16

RGB 51 42 22

HSL 41.38, 0.4%, 0.14%

LAB 17.54, 0.84, 14.56

 

CMYK 0 / 29 / 91 / 87

HEX #221803

RGB 34 24 3

HSL 40.65, 0.84%, 0.07%

LAB 8.99, 1.94, 12.26

 

CMYK 0 / 65 / 100 / 93

HEX #110600

RGB 17 6 0

HSL 21.18, 1%, 0.03%

LAB 2.25, 2.43, 3.42

 

CMYK 0 / 8 / 29 / 67

HEX #534C3B

RGB 83 76 59

HSL 42.5, 0.17%, 0.28%

LAB 32.53, -0.2, 11.18

 

CMYK 0 / 16 / 29 / 67

HEX #53463B

RGB 83 70 59

HSL 27.5, 0.17%, 0.28%

LAB 30.72, 3.56, 8.68

 

CMYK 0 / 24 / 29 / 67

HEX #533F3B

RGB 83 63 59

HSL 10, 0.17%, 0.28%

LAB 28.67, 8.02, 5.8

 

CMYK 0 / 29 / 29 / 67

HEX #533B3B

RGB 83 59 59

HSL 0, 0.17%, 0.28%

LAB 27.53, 10.6, 4.17

 

CMYK 0 / 8 / 29 / 67

HEX #534C3B

RGB 83 76 59

HSL 42.5, 0.17%, 0.28%

LAB 32.53, -0.2, 11.18

 

CMYK 0 / 0 / 29 / 67

HEX #53533B

RGB 83 83 59

HSL 60, 0.17%, 0.28%

LAB 34.68, -4.48, 14.11

 

CMYK 7 / 0 / 29 / 67

HEX #4D533B

RGB 77 83 59

HSL 75, 0.17%, 0.28%

LAB 34.15, -7.14, 13.3

 

CMYK 16 / 0 / 29 / 67

HEX #46533B

RGB 70 83 59

HSL 92.5, 0.17%, 0.28%

LAB 33.57, -10.17, 12.42

 

CMYK 23 / 0 / 29 / 67

HEX #40533B

RGB 64 83 59

HSL 107.5, 0.17%, 0.28%

LAB 33.12, -12.67, 11.72

 

CMYK 0 / 8 / 29 / 67

HEX #534C3B

RGB 83 76 59

HSL 42.5, 0.17%, 0.28%

LAB 32.53, -0.2, 11.18

 

CMYK 0 / 15 / 51 / 63

HEX #5F512F

RGB 95 81 47

HSL 42.5, 0.34%, 0.28%

LAB 35.05, 0.67, 22.07

 

CMYK 0 / 19 / 66 / 58

HEX #6A5624

RGB 106 86 36

HSL 42.86, 0.49%, 0.28%

LAB 37.57, 1.88, 31.52

 

CMYK 0 / 23 / 80 / 54

HEX #765B18

RGB 118 91 24

HSL 42.77, 0.66%, 0.28%

LAB 40.25, 3.98, 40.4

 

CMYK 0 / 25 / 90 / 49

HEX #81610D

RGB 129 97 13

HSL 43.45, 0.82%, 0.28%

LAB 43.13, 5.36, 47.22

 

CMYK 0 / 8 / 29 / 67

HEX #534C3B

RGB 83 76 59

HSL 42.5, 0.17%, 0.28%

LAB 32.53, -0.2, 11.18

 

CMYK 0 / 0 / 1 / 72

HEX #474746

RGB 71 71 70

HSL 60, 0.01%, 0.28%

LAB 30.13, -0.22, 0.6

 

CMYK 27 / 20 / 0 / 68

HEX #3C4252

RGB 60 66 82

HSL 223.64, 0.15%, 0.28%

LAB 28.02, 1.68, -10.43

 

CMYK 48 / 34 / 0 / 64

HEX #303D5D

RGB 48 61 93

HSL 222.67, 0.32%, 0.28%

LAB 26.03, 4.47, -20.73

 

CMYK 65 / 47 / 0 / 59

HEX #253869

RGB 37 56 105

HSL 223.24, 0.48%, 0.28%

LAB 24.45, 9.5, -31.04

 

CMYK 0 / 24 / 29 / 67

HEX #533F3B

RGB 83 63 59

HSL 10, 0.17%, 0.28%

LAB 28.67, 8.02, 5.8

 

CMYK 0 / 16 / 29 / 67

HEX #53463B

RGB 83 70 59

HSL 27.5, 0.17%, 0.28%

LAB 30.72, 3.56, 8.68

 

CMYK 0 / 8 / 29 / 67

HEX #534C3B

RGB 83 76 59

HSL 42.5, 0.17%, 0.28%

LAB 32.53, -0.2, 11.18

 

CMYK 0 / 0 / 29 / 67

HEX #53533B

RGB 83 83 59

HSL 60, 0.17%, 0.28%

LAB 34.68, -4.48, 14.11

 

CMYK 7 / 0 / 29 / 67

HEX #4D533B

RGB 77 83 59

HSL 75, 0.17%, 0.28%

LAB 34.15, -7.14, 13.3

 

CMYK 0 / 9 / 29 / 86

HEX #232019

RGB 35 32 25

HSL 42, 0.17%, 0.12%

LAB 12.35, -0.09, 5.28

 

CMYK 0 / 8 / 29 / 77

HEX #3B362A

RGB 59 54 42

HSL 42.35, 0.17%, 0.2%

LAB 22.78, -0.15, 8.36

 

CMYK 0 / 8 / 29 / 67

HEX #534C3B

RGB 83 76 59

HSL 42.5, 0.17%, 0.28%

LAB 32.53, -0.2, 11.18

 

CMYK 0 / 8 / 29 / 58

HEX #6B624C

RGB 107 98 76

HSL 42.58, 0.17%, 0.36%

LAB 41.82, -0.24, 13.85

 

CMYK 0 / 8 / 29 / 49

HEX #83795D

RGB 131 121 93

HSL 44.21, 0.17%, 0.44%

LAB 51.03, -0.85, 16.77

 

CMYK 0 / 8 / 29 / 67

HEX #554E3C

RGB 85 78 60

HSL 43.2, 0.17%, 0.28%

LAB 33.36, -0.37, 11.73

 

CMYK 27 / 0 / 29 / 67

HEX #3D533B

RGB 61 83 59

HSL 115, 0.17%, 0.28%

LAB 32.91, -13.88, 11.4

 

CMYK 20 / 29 / 0 / 67

HEX #423B53

RGB 66 59 83

HSL 257.5, 0.17%, 0.28%

LAB 26.48, 8.78, -13.39

 

CMYK 0 / 8 / 29 / 67

HEX #554E3C

RGB 85 78 60

HSL 43.2, 0.17%, 0.28%

LAB 33.36, -0.37, 11.73

 

CMYK 29 / 0 / 8 / 67

HEX #3B534C

RGB 59 83 76

HSL 162.5, 0.17%, 0.28%

LAB 33.22, -10.86, 1.14

 

CMYK 8 / 29 / 0 / 67

HEX #4C3B53

RGB 76 59 83

HSL 282.5, 0.17%, 0.28%

LAB 27.54, 12.57, -11.67

 

CMYK 0 / 8 / 29 / 67

HEX #554E3C

RGB 85 78 60

HSL 43.2, 0.17%, 0.28%

LAB 33.36, -0.37, 11.73

 

CMYK 27 / 0 / 29 / 67

HEX #3D533B

RGB 61 83 59

HSL 115, 0.17%, 0.28%

LAB 32.91, -13.88, 11.4

 

CMYK 29 / 20 / 0 / 67

HEX #3B4253

RGB 59 66 83

HSL 222.5, 0.17%, 0.28%

LAB 27.98, 1.6, -11.15

 

CMYK 2 / 29 / 0 / 67

HEX #513B53

RGB 81 59 83

HSL 295, 0.17%, 0.28%

LAB 28.12, 14.5, -10.74

 

CMYK 0 / 8 / 29 / 67

HEX #554E3C

RGB 85 78 60

HSL 43.2, 0.17%, 0.28%

LAB 33.36, -0.37, 11.73

 

CMYK 29 / 0 / 23 / 67

HEX #3B5340

RGB 59 83 64

HSL 132.5, 0.17%, 0.28%

LAB 32.89, -13.63, 8.23

 

CMYK 29 / 20 / 0 / 67

HEX #3B4253

RGB 59 66 83

HSL 222.5, 0.17%, 0.28%

LAB 27.98, 1.6, -11.15

 

CMYK 0 / 29 / 6 / 67

HEX #533B4E

RGB 83 59 78

HSL 312.5, 0.17%, 0.28%

LAB 28.16, 14.19, -7.38

 

Description

Color code: HEX #554E3C | qconv.com Color code: HEX #554E3C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 78 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 78 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 29 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 29% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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