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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #554D4E it is the complementary color #AAB2B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #554D4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #554D4E shade: #5A4D49, #6B5F5C, #7C716F, #8D8382 and #9E9595

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #554D4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #554D4E shade: #554D4E, #443B3B, #332928, #221715 and #110502

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #554D4E shade: #554D4E and #554D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #554D4E shade: #554D4E, #554D50, #554D52, #554D55 and #544D55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #554D4E shade matches the following richer shades: #554D4E, #624044, #70333A, #7D2530 and #8A1826

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #554D4E shade: #554D4E, #485A58, #3B6762, #2E756C and #208276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #554D4E shade: #554D52, #554D50, #554D4E, #554E4D and #55504D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #554D4E shade: #2A2626, #40393A, #554D4E, #6B6162 and #817476

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #554D4E shade: #554D4E, #55554D and #4D5155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #554D4E shade: #554D4E, #4E554D and #4D4E55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #554D4E shade: #554D4E, #55554D, #4D5554 and #4E4D55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #554D4E shade: #554D4E, #52554D, #4D5554 and #504D55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 8 / 67

HEX #554D4E

RGB 85 77 78

HSL 352.5, 0.05%, 0.32%

LAB 33.54, 3.52, 0.61

 

Complementary color

CMYK 4 / 0 / 1 / 30

HEX #AAB2B1

RGB 170 178 177

HSL 172.5, 0.05%, 0.68%

LAB 71.93, -2.98, -0.47

 

CMYK 0 / 14 / 19 / 65

HEX #5A4D49

RGB 90 77 73

HSL 14.12, 0.1%, 0.32%

LAB 33.9, 4.68, 4.37

 

CMYK 0 / 11 / 14 / 58

HEX #6B5F5C

RGB 107 95 92

HSL 12, 0.08%, 0.39%

LAB 41.35, 4.25, 3.47

 

CMYK 0 / 9 / 10 / 51

HEX #7C716F

RGB 124 113 111

HSL 9.23, 0.06%, 0.46%

LAB 48.56, 3.89, 2.65

 

CMYK 0 / 7 / 8 / 45

HEX #8D8382

RGB 141 131 130

HSL 5.45, 0.05%, 0.53%

LAB 55.59, 3.58, 1.89

 

CMYK 0 / 6 / 6 / 38

HEX #9E9595

RGB 158 149 149

HSL 0, 0.04%, 0.6%

LAB 62.45, 3.31, 1.18

 

CMYK 0 / 9 / 8 / 67

HEX #554D4E

RGB 85 77 78

HSL 352.5, 0.05%, 0.32%

LAB 33.54, 3.52, 0.61

 

CMYK 0 / 13 / 13 / 73

HEX #443B3B

RGB 68 59 59

HSL 0, 0.07%, 0.25%

LAB 25.78, 3.92, 1.43

 

CMYK 0 / 20 / 22 / 80

HEX #332928

RGB 51 41 40

HSL 5.45, 0.12%, 0.18%

LAB 17.66, 4.43, 2.39

 

CMYK 0 / 32 / 38 / 87

HEX #221715

RGB 34 23 21

HSL 9.23, 0.24%, 0.11%

LAB 9.05, 5.17, 3.51

 

CMYK 0 / 71 / 88 / 93

HEX #110502

RGB 17 5 2

HSL 12, 0.79%, 0.04%

LAB 2.1, 3.1, 2.38

 

CMYK 0 / 9 / 8 / 67

HEX #554D4E

RGB 85 77 78

HSL 352.5, 0.05%, 0.32%

LAB 33.54, 3.52, 0.61

 

CMYK 0 / 9 / 9 / 67

HEX #554D4D

RGB 85 77 77

HSL 0, 0.05%, 0.32%

LAB 33.51, 3.32, 1.2

 

CMYK 0 / 9 / 8 / 67

HEX #554D4E

RGB 85 77 78

HSL 352.5, 0.05%, 0.32%

LAB 33.54, 3.52, 0.61

 

CMYK 0 / 9 / 6 / 67

HEX #554D50

RGB 85 77 80

HSL 337.5, 0.05%, 0.32%

LAB 33.6, 3.93, -0.57

 

CMYK 0 / 9 / 4 / 67

HEX #554D52

RGB 85 77 82

HSL 322.5, 0.05%, 0.32%

LAB 33.66, 4.35, -1.75

 

CMYK 0 / 9 / 0 / 67

HEX #554D55

RGB 85 77 85

HSL 300, 0.05%, 0.32%

LAB 33.76, 4.99, -3.51

 

CMYK 1 / 9 / 0 / 67

HEX #544D55

RGB 84 77 85

HSL 292.5, 0.05%, 0.32%

LAB 33.67, 4.59, -3.66

 

CMYK 0 / 9 / 8 / 67

HEX #554D4E

RGB 85 77 78

HSL 352.5, 0.05%, 0.32%

LAB 33.54, 3.52, 0.61

 

CMYK 0 / 35 / 31 / 62

HEX #624044

RGB 98 64 68

HSL 352.94, 0.21%, 0.32%

LAB 31.07, 15.45, 3.63

 

CMYK 0 / 54 / 48 / 56

HEX #70333A

RGB 112 51 58

HSL 353.11, 0.37%, 0.32%

LAB 29.71, 27.71, 8.5

 

CMYK 0 / 70 / 62 / 51

HEX #7D2530

RGB 125 37 48

HSL 352.5, 0.54%, 0.32%

LAB 29.15, 38.66, 14.71

 

CMYK 0 / 83 / 72 / 46

HEX #8A1826

RGB 138 24 38

HSL 352.63, 0.7%, 0.32%

LAB 29.9, 46.96, 22.74

 

CMYK 0 / 9 / 8 / 67

HEX #554D4E

RGB 85 77 78

HSL 352.5, 0.05%, 0.32%

LAB 33.54, 3.52, 0.61

 

CMYK 20 / 0 / 2 / 65

HEX #485A58

RGB 72 90 88

HSL 173.33, 0.11%, 0.32%

LAB 36.73, -7.36, -1.14

 

CMYK 43 / 0 / 5 / 60

HEX #3B6762

RGB 59 103 98

HSL 173.18, 0.27%, 0.32%

LAB 40.43, -16.54, -1.97

 

CMYK 61 / 0 / 8 / 54

HEX #2E756C

RGB 46 117 108

HSL 172.39, 0.44%, 0.32%

LAB 44.78, -24.42, -1.67

 

CMYK 75 / 0 / 9 / 49

HEX #208276

RGB 32 130 118

HSL 172.65, 0.6%, 0.32%

LAB 48.98, -30.33, -1.48

 

CMYK 0 / 9 / 4 / 67

HEX #554D52

RGB 85 77 82

HSL 322.5, 0.05%, 0.32%

LAB 33.66, 4.35, -1.75

 

CMYK 0 / 9 / 6 / 67

HEX #554D50

RGB 85 77 80

HSL 337.5, 0.05%, 0.32%

LAB 33.6, 3.93, -0.57

 

CMYK 0 / 9 / 8 / 67

HEX #554D4E

RGB 85 77 78

HSL 352.5, 0.05%, 0.32%

LAB 33.54, 3.52, 0.61

 

CMYK 0 / 8 / 9 / 67

HEX #554E4D

RGB 85 78 77

HSL 7.5, 0.05%, 0.32%

LAB 33.81, 2.69, 1.63

 

CMYK 0 / 6 / 9 / 67

HEX #55504D

RGB 85 80 77

HSL 22.5, 0.05%, 0.32%

LAB 34.41, 1.44, 2.5

 

CMYK 0 / 10 / 10 / 84

HEX #2A2626

RGB 42 38 38

HSL 0, 0.05%, 0.16%

LAB 15.58, 1.85, 0.67

 

CMYK 0 / 11 / 9 / 75

HEX #40393A

RGB 64 57 58

HSL 351.43, 0.06%, 0.24%

LAB 24.71, 3.26, 0.49

 

CMYK 0 / 9 / 8 / 67

HEX #554D4E

RGB 85 77 78

HSL 352.5, 0.05%, 0.32%

LAB 33.54, 3.52, 0.61

 

CMYK 0 / 9 / 8 / 58

HEX #6B6162

RGB 107 97 98

HSL 354, 0.05%, 0.4%

LAB 42.09, 4.18, 0.87

 

CMYK 0 / 10 / 9 / 49

HEX #817476

RGB 129 116 118

HSL 350.77, 0.05%, 0.48%

LAB 50.06, 5.4, 0.72

 

CMYK 0 / 9 / 8 / 67

HEX #554D4E

RGB 85 77 78

HSL 352.5, 0.05%, 0.32%

LAB 33.54, 3.52, 0.61

 

CMYK 0 / 0 / 9 / 67

HEX #55554D

RGB 85 85 77

HSL 60, 0.05%, 0.32%

LAB 35.92, -1.64, 4.67

 

CMYK 9 / 5 / 0 / 67

HEX #4D5155

RGB 77 81 85

HSL 210, 0.05%, 0.32%

LAB 34.23, -0.69, -2.9

 

CMYK 0 / 9 / 8 / 67

HEX #554D4E

RGB 85 77 78

HSL 352.5, 0.05%, 0.32%

LAB 33.54, 3.52, 0.61

 

CMYK 8 / 0 / 9 / 67

HEX #4E554D

RGB 78 85 77

HSL 112.5, 0.05%, 0.32%

LAB 35.31, -4.52, 3.71

 

CMYK 9 / 8 / 0 / 67

HEX #4D4E55

RGB 77 78 85

HSL 232.5, 0.05%, 0.32%

LAB 33.31, 1.18, -4.26

 

CMYK 0 / 9 / 8 / 67

HEX #554D4E

RGB 85 77 78

HSL 352.5, 0.05%, 0.32%

LAB 33.54, 3.52, 0.61

 

CMYK 0 / 0 / 9 / 67

HEX #55554D

RGB 85 85 77

HSL 60, 0.05%, 0.32%

LAB 35.92, -1.64, 4.67

 

CMYK 9 / 0 / 1 / 67

HEX #4D5554

RGB 77 85 84

HSL 172.5, 0.05%, 0.32%

LAB 35.43, -3.39, -0.51

 

CMYK 8 / 9 / 0 / 67

HEX #4E4D55

RGB 78 77 85

HSL 247.5, 0.05%, 0.32%

LAB 33.1, 2.21, -4.57

 

CMYK 0 / 9 / 8 / 67

HEX #554D4E

RGB 85 77 78

HSL 352.5, 0.05%, 0.32%

LAB 33.54, 3.52, 0.61

 

CMYK 4 / 0 / 9 / 67

HEX #52554D

RGB 82 85 77

HSL 82.5, 0.05%, 0.32%

LAB 35.65, -2.88, 4.25

 

CMYK 9 / 0 / 1 / 67

HEX #4D5554

RGB 77 85 84

HSL 172.5, 0.05%, 0.32%

LAB 35.43, -3.39, -0.51

 

CMYK 6 / 9 / 0 / 67

HEX #504D55

RGB 80 77 85

HSL 262.5, 0.05%, 0.32%

LAB 33.28, 2.99, -4.27

 

Description

Color code: HEX #554D4E | qconv.com Color code: HEX #554D4E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 77 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 77 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 8 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 8% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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