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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #554D34 it is the complementary color #AAB2CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #554D34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #554D34 shade: #5A4D2F, #6B5F42, #7C7155, #8D8368 and #9E957B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #554D34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #554D34 shade: #554D34, #443B21, #33290E, #221700 and #110500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #554D34 shade: #554D34, #554434, #553B34 and #553434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #554D34 shade: #554D34, #545534, #4B5534, #425534 and #395534

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #554D34 shade matches the following richer shades: #554D34, #605329, #6B581E, #765E12 and #816407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #554D34 shade: #554D34, #4A473F, #3F414A, #333C55 and #283660

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #554D34 shade: #553B34, #554434, #554D34, #545534 and #4C5534

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #554D34 shade: #221F14, #3B3624, #554D34, #6E6444 and #887B53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #554D34 shade: #554D34, #355534 and #3F3455

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #554D34 shade: #554D34, #34554D and #4D3455

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #554D34 shade: #554D34, #355534, #343C55 and #533455

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #554D34 shade: #554D34, #34553C, #343C55 and #55344D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 39 / 67

HEX #554D34

RGB 85 77 52

HSL 45.45, 0.24%, 0.27%

LAB 32.89, -0.95, 16.06

 

Complementary color

CMYK 16 / 12 / 0 / 20

HEX #AAB2CB

RGB 170 178 203

HSL 225.45, 0.24%, 0.73%

LAB 72.69, 2.36, -13.6

 

CMYK 0 / 14 / 48 / 65

HEX #5A4D2F

RGB 90 77 47

HSL 41.86, 0.31%, 0.27%

LAB 33.32, 0.75, 19.77

 

CMYK 0 / 11 / 38 / 58

HEX #6B5F42

RGB 107 95 66

HSL 42.44, 0.24%, 0.34%

LAB 40.74, 0.11, 18.38

 

CMYK 0 / 9 / 31 / 51

HEX #7C7155

RGB 124 113 85

HSL 43.08, 0.19%, 0.41%

LAB 47.95, -0.37, 17.12

 

CMYK 0 / 7 / 26 / 45

HEX #8D8368

RGB 141 131 104

HSL 43.78, 0.15%, 0.48%

LAB 54.96, -0.76, 15.99

 

CMYK 0 / 6 / 22 / 38

HEX #9E957B

RGB 158 149 123

HSL 44.57, 0.15%, 0.55%

LAB 61.82, -1.08, 14.94

 

CMYK 0 / 9 / 39 / 67

HEX #554D34

RGB 85 77 52

HSL 45.45, 0.24%, 0.27%

LAB 32.89, -0.95, 16.06

 

CMYK 0 / 13 / 51 / 73

HEX #443B21

RGB 68 59 33

HSL 44.57, 0.35%, 0.2%

LAB 25.16, -0.32, 17.51

 

CMYK 0 / 20 / 73 / 80

HEX #33290E

RGB 51 41 14

HSL 43.78, 0.57%, 0.13%

LAB 17.09, 0.67, 18.8

 

CMYK 0 / 32 / 100 / 87

HEX #221700

RGB 34 23 0

HSL 40.59, 1%, 0.07%

LAB 8.59, 2.31, 12.91

 

CMYK 0 / 71 / 100 / 93

HEX #110500

RGB 17 5 0

HSL 17.65, 1%, 0.03%

LAB 2.06, 2.83, 3.13

 

CMYK 0 / 9 / 39 / 67

HEX #554D34

RGB 85 77 52

HSL 45.45, 0.24%, 0.27%

LAB 32.89, -0.95, 16.06

 

CMYK 0 / 20 / 39 / 67

HEX #554434

RGB 85 68 52

HSL 29.09, 0.24%, 0.27%

LAB 30.19, 4.67, 12.45

 

CMYK 0 / 31 / 39 / 67

HEX #553B34

RGB 85 59 52

HSL 12.73, 0.24%, 0.27%

LAB 27.59, 10.41, 8.89

 

CMYK 0 / 39 / 39 / 67

HEX #553434

RGB 85 52 52

HSL 0, 0.24%, 0.27%

LAB 25.67, 14.88, 6.21

 

CMYK 0 / 9 / 39 / 67

HEX #554D34

RGB 85 77 52

HSL 45.45, 0.24%, 0.27%

LAB 32.89, -0.95, 16.06

 

CMYK 1 / 0 / 39 / 67

HEX #545534

RGB 84 85 52

HSL 61.82, 0.24%, 0.27%

LAB 35.26, -6.26, 19.14

 

CMYK 12 / 0 / 39 / 67

HEX #4B5534

RGB 75 85 52

HSL 78.18, 0.24%, 0.27%

LAB 34.48, -10.32, 17.97

 

CMYK 22 / 0 / 39 / 67

HEX #425534

RGB 66 85 52

HSL 94.55, 0.24%, 0.27%

LAB 33.78, -14.22, 16.93

 

CMYK 33 / 0 / 39 / 67

HEX #395534

RGB 57 85 52

HSL 110.91, 0.24%, 0.27%

LAB 33.17, -17.88, 16.01

 

CMYK 0 / 9 / 39 / 67

HEX #554D34

RGB 85 77 52

HSL 45.45, 0.24%, 0.27%

LAB 32.89, -0.95, 16.06

 

CMYK 0 / 14 / 57 / 62

HEX #605329

RGB 96 83 41

HSL 45.82, 0.4%, 0.27%

LAB 35.66, -0.7, 26.31

 

CMYK 0 / 18 / 72 / 58

HEX #6B581E

RGB 107 88 30

HSL 45.19, 0.56%, 0.27%

LAB 38.2, 0.75, 35.26

 

CMYK 0 / 20 / 85 / 54

HEX #765E12

RGB 118 94 18

HSL 45.6, 0.74%, 0.27%

LAB 41.06, 1.96, 43.42

 

CMYK 0 / 22 / 95 / 49

HEX #816407

RGB 129 100 7

HSL 45.74, 0.9%, 0.27%

LAB 43.94, 3.47, 49.33

 

CMYK 0 / 9 / 39 / 67

HEX #554D34

RGB 85 77 52

HSL 45.45, 0.24%, 0.27%

LAB 32.89, -0.95, 16.06

 

CMYK 0 / 4 / 15 / 71

HEX #4A473F

RGB 74 71 63

HSL 43.64, 0.08%, 0.27%

LAB 30.21, -0.37, 5.26

 

CMYK 15 / 12 / 0 / 71

HEX #3F414A

RGB 63 65 74

HSL 229.09, 0.08%, 0.27%

LAB 27.66, 1.33, -5.73

 

CMYK 40 / 29 / 0 / 67

HEX #333C55

RGB 51 60 85

HSL 224.12, 0.25%, 0.27%

LAB 25.54, 3.45, -16.26

 

CMYK 58 / 44 / 0 / 62

HEX #283660

RGB 40 54 96

HSL 225, 0.41%, 0.27%

LAB 23.45, 8.19, -26.79

 

CMYK 0 / 31 / 39 / 67

HEX #553B34

RGB 85 59 52

HSL 12.73, 0.24%, 0.27%

LAB 27.59, 10.41, 8.89

 

CMYK 0 / 20 / 39 / 67

HEX #554434

RGB 85 68 52

HSL 29.09, 0.24%, 0.27%

LAB 30.19, 4.67, 12.45

 

CMYK 0 / 9 / 39 / 67

HEX #554D34

RGB 85 77 52

HSL 45.45, 0.24%, 0.27%

LAB 32.89, -0.95, 16.06

 

CMYK 1 / 0 / 39 / 67

HEX #545534

RGB 84 85 52

HSL 61.82, 0.24%, 0.27%

LAB 35.26, -6.26, 19.14

 

CMYK 11 / 0 / 39 / 67

HEX #4C5534

RGB 76 85 52

HSL 76.36, 0.24%, 0.27%

LAB 34.56, -9.88, 18.1

 

CMYK 0 / 9 / 41 / 87

HEX #221F14

RGB 34 31 20

HSL 47.14, 0.26%, 0.11%

LAB 11.76, -0.82, 7.99

 

CMYK 0 / 8 / 39 / 77

HEX #3B3624

RGB 59 54 36

HSL 46.96, 0.24%, 0.19%

LAB 22.64, -1.13, 12.14

 

CMYK 0 / 9 / 39 / 67

HEX #554D34

RGB 85 77 52

HSL 45.45, 0.24%, 0.27%

LAB 32.89, -0.95, 16.06

 

CMYK 0 / 9 / 38 / 57

HEX #6E6444

RGB 110 100 68

HSL 45.71, 0.24%, 0.35%

LAB 42.53, -1.24, 19.61

 

CMYK 0 / 10 / 39 / 47

HEX #887B53

RGB 136 123 83

HSL 45.28, 0.24%, 0.43%

LAB 51.87, -1.21, 23.7

 

CMYK 0 / 9 / 39 / 67

HEX #554D34

RGB 85 77 52

HSL 45.45, 0.24%, 0.27%

LAB 32.89, -0.95, 16.06

 

CMYK 38 / 0 / 39 / 67

HEX #355534

RGB 53 85 52

HSL 118.18, 0.24%, 0.27%

LAB 32.92, -19.42, 15.64

 

CMYK 26 / 39 / 0 / 67

HEX #3F3455

RGB 63 52 85

HSL 260, 0.24%, 0.27%

LAB 24.22, 12.94, -18.22

 

CMYK 0 / 9 / 39 / 67

HEX #554D34

RGB 85 77 52

HSL 45.45, 0.24%, 0.27%

LAB 32.89, -0.95, 16.06

 

CMYK 39 / 0 / 9 / 67

HEX #34554D

RGB 52 85 77

HSL 165.45, 0.24%, 0.27%

LAB 33.48, -14.16, 0.85

 

CMYK 9 / 39 / 0 / 67

HEX #4D3455

RGB 77 52 85

HSL 285.45, 0.24%, 0.27%

LAB 25.83, 17.98, -15.6

 

CMYK 0 / 9 / 39 / 67

HEX #554D34

RGB 85 77 52

HSL 45.45, 0.24%, 0.27%

LAB 32.89, -0.95, 16.06

 

CMYK 38 / 0 / 39 / 67

HEX #355534

RGB 53 85 52

HSL 118.18, 0.24%, 0.27%

LAB 32.92, -19.42, 15.64

 

CMYK 39 / 29 / 0 / 67

HEX #343C55

RGB 52 60 85

HSL 225.45, 0.24%, 0.27%

LAB 25.62, 3.77, -16.13

 

CMYK 2 / 39 / 0 / 67

HEX #533455

RGB 83 52 85

HSL 296.36, 0.24%, 0.27%

LAB 26.59, 20.19, -14.36

 

CMYK 0 / 9 / 39 / 67

HEX #554D34

RGB 85 77 52

HSL 45.45, 0.24%, 0.27%

LAB 32.89, -0.95, 16.06

 

CMYK 39 / 0 / 29 / 67

HEX #34553C

RGB 52 85 60

HSL 134.55, 0.24%, 0.27%

LAB 33.03, -18.19, 10.86

 

CMYK 39 / 29 / 0 / 67

HEX #343C55

RGB 52 60 85

HSL 225.45, 0.24%, 0.27%

LAB 25.62, 3.77, -16.13

 

CMYK 0 / 39 / 9 / 67

HEX #55344D

RGB 85 52 77

HSL 314.55, 0.24%, 0.27%

LAB 26.51, 19.25, -9.19

 

Description

Color code: HEX #554D34 | qconv.com Color code: HEX #554D34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 77 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 77 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 39 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 39% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

55% - The Macallan 1824 Se...
Link: http://www.thewhiskyexchange.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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