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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #554284 it is the complementary color #AABD7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #554284. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #554284 shade: #5A427F, #6B5492, #7C66A5, #8D78B8 and #9E8ACB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #554284. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #554284 shade: #554284, #443071, #331E5E, #220C4B and #110038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #554284 shade: #554284, #674284, #784284, #84427D and #84426C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #554284 shade: #554284, #434284 and #424284

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #554284 shade matches the following richer shades: #554284, #4E3294, #4722A4, #4112B4 and #3A02C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #554284 shade: #554284, #5C5274, #636264, #6A7253 and #708243

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #554284 shade: #425384, #434284, #554284, #664284 and #784284

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #554284 shade: #32264D, #433468, #554284, #67509F and #7C66B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #554284 shade: #554284, #844264 and #4A8442

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #554284 shade: #554284, #845542 and #428455

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #554284 shade: #554284, #844264, #718442 and #428462

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #554284 shade: #554284, #844250, #718442 and #428476

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 50 / 0 / 48

HEX #554284

RGB 85 66 132

HSL 257.27, 0.33%, 0.39%

LAB 32.91, 24.13, -34.37

 

Complementary color

CMYK 10 / 0 / 35 / 26

HEX #AABD7B

RGB 170 189 123

HSL 77.27, 0.33%, 0.61%

LAB 73.79, -17.54, 31.25

 

CMYK 29 / 48 / 0 / 50

HEX #5A427F

RGB 90 66 127

HSL 263.61, 0.32%, 0.38%

LAB 33.14, 24.19, -30.86

 

CMYK 27 / 42 / 0 / 43

HEX #6B5492

RGB 107 84 146

HSL 262.26, 0.27%, 0.45%

LAB 40.48, 23.24, -30.8

 

CMYK 25 / 38 / 0 / 35

HEX #7C66A5

RGB 124 102 165

HSL 260.95, 0.26%, 0.52%

LAB 47.63, 22.41, -30.78

 

CMYK 23 / 35 / 0 / 28

HEX #8D78B8

RGB 141 120 184

HSL 259.69, 0.31%, 0.6%

LAB 54.61, 21.67, -30.8

 

CMYK 22 / 32 / 0 / 20

HEX #9E8ACB

RGB 158 138 203

HSL 258.46, 0.38%, 0.67%

LAB 61.44, 21.01, -30.86

 

CMYK 36 / 50 / 0 / 48

HEX #554284

RGB 85 66 132

HSL 257.27, 0.33%, 0.39%

LAB 32.91, 24.13, -34.37

 

CMYK 40 / 58 / 0 / 56

HEX #443071

RGB 68 48 113

HSL 258.46, 0.4%, 0.32%

LAB 25.37, 25.34, -34.57

 

CMYK 46 / 68 / 0 / 63

HEX #331E5E

RGB 51 30 94

HSL 259.69, 0.52%, 0.24%

LAB 17.65, 26.68, -34.73

 

CMYK 55 / 84 / 0 / 71

HEX #220C4B

RGB 34 12 75

HSL 260.95, 0.72%, 0.17%

LAB 9.88, 27.86, -34.58

 

CMYK 70 / 100 / 0 / 78

HEX #110038

RGB 17 0 56

HSL 258.21, 1%, 0.11%

LAB 3.66, 22.79, -31.3

 

CMYK 36 / 50 / 0 / 48

HEX #554284

RGB 85 66 132

HSL 257.27, 0.33%, 0.39%

LAB 32.91, 24.13, -34.37

 

CMYK 22 / 50 / 0 / 48

HEX #674284

RGB 103 66 132

HSL 273.64, 0.33%, 0.39%

LAB 34.89, 29.4, -31.09

 

CMYK 9 / 50 / 0 / 48

HEX #784284

RGB 120 66 132

HSL 289.09, 0.33%, 0.39%

LAB 37.03, 34.58, -27.58

 

CMYK 0 / 50 / 5 / 48

HEX #84427D

RGB 132 66 125

HSL 306.36, 0.33%, 0.39%

LAB 38.34, 36.95, -21.09

 

CMYK 0 / 50 / 18 / 48

HEX #84426C

RGB 132 66 108

HSL 321.82, 0.33%, 0.39%

LAB 37.63, 33.94, -11.61

 

CMYK 36 / 50 / 0 / 48

HEX #554284

RGB 85 66 132

HSL 257.27, 0.33%, 0.39%

LAB 32.91, 24.13, -34.37

 

CMYK 49 / 50 / 0 / 48

HEX #434284

RGB 67 66 132

HSL 240.91, 0.33%, 0.39%

LAB 31.24, 19.32, -37.12

 

CMYK 50 / 50 / 0 / 48

HEX #424284

RGB 66 66 132

HSL 240, 0.33%, 0.39%

LAB 31.16, 19.07, -37.25

 

CMYK 36 / 50 / 0 / 48

HEX #554284

RGB 85 66 132

HSL 257.27, 0.33%, 0.39%

LAB 32.91, 24.13, -34.37

 

CMYK 47 / 66 / 0 / 42

HEX #4E3294

RGB 78 50 148

HSL 257.14, 0.49%, 0.39%

LAB 29.51, 36.91, -49.73

 

CMYK 57 / 79 / 0 / 36

HEX #4722A4

RGB 71 34 164

HSL 257.08, 0.66%, 0.39%

LAB 27.2, 48.83, -63.3

 

CMYK 64 / 90 / 0 / 29

HEX #4112B4

RGB 65 18 180

HSL 257.41, 0.82%, 0.39%

LAB 26.31, 58.57, -74.42

 

CMYK 70 / 99 / 0 / 23

HEX #3A02C4

RGB 58 2 196

HSL 257.32, 0.98%, 0.39%

LAB 26.53, 65.62, -83.56

 

CMYK 36 / 50 / 0 / 48

HEX #554284

RGB 85 66 132

HSL 257.27, 0.33%, 0.39%

LAB 32.91, 24.13, -34.37

 

CMYK 21 / 29 / 0 / 55

HEX #5C5274

RGB 92 82 116

HSL 257.65, 0.17%, 0.39%

LAB 37.06, 11.83, -17.9

 

CMYK 1 / 2 / 0 / 61

HEX #636264

RGB 99 98 100

HSL 270, 0.01%, 0.39%

LAB 41.7, 0.81, -1

 

CMYK 7 / 0 / 27 / 55

HEX #6A7253

RGB 106 114 83

HSL 75.48, 0.16%, 0.39%

LAB 46.61, -8.85, 16.22

 

CMYK 14 / 0 / 48 / 49

HEX #708243

RGB 112 130 67

HSL 77.14, 0.32%, 0.39%

LAB 51.63, -17.29, 31.77

 

CMYK 50 / 37 / 0 / 48

HEX #425384

RGB 66 83 132

HSL 224.55, 0.33%, 0.39%

LAB 36, 7.92, -29.56

 

CMYK 49 / 50 / 0 / 48

HEX #434284

RGB 67 66 132

HSL 240.91, 0.33%, 0.39%

LAB 31.24, 19.32, -37.12

 

CMYK 36 / 50 / 0 / 48

HEX #554284

RGB 85 66 132

HSL 257.27, 0.33%, 0.39%

LAB 32.91, 24.13, -34.37

 

CMYK 23 / 50 / 0 / 48

HEX #664284

RGB 102 66 132

HSL 272.73, 0.33%, 0.39%

LAB 34.78, 29.1, -31.28

 

CMYK 9 / 50 / 0 / 48

HEX #784284

RGB 120 66 132

HSL 289.09, 0.33%, 0.39%

LAB 37.03, 34.58, -27.58

 

CMYK 35 / 51 / 0 / 70

HEX #32264D

RGB 50 38 77

HSL 258.46, 0.34%, 0.23%

LAB 18.37, 15.78, -22.17

 

CMYK 36 / 50 / 0 / 59

HEX #433468

RGB 67 52 104

HSL 257.31, 0.33%, 0.31%

LAB 25.71, 19.76, -28.25

 

CMYK 36 / 50 / 0 / 48

HEX #554284

RGB 85 66 132

HSL 257.27, 0.33%, 0.39%

LAB 32.91, 24.13, -34.37

 

CMYK 35 / 50 / 0 / 38

HEX #67509F

RGB 103 80 159

HSL 257.47, 0.33%, 0.47%

LAB 39.79, 28.04, -39.73

 

CMYK 30 / 43 / 0 / 30

HEX #7C66B2

RGB 124 102 178

HSL 257.37, 0.33%, 0.55%

LAB 48.26, 25.75, -37.39

 

CMYK 36 / 50 / 0 / 48

HEX #554284

RGB 85 66 132

HSL 257.27, 0.33%, 0.39%

LAB 32.91, 24.13, -34.37

 

CMYK 0 / 50 / 24 / 48

HEX #844264

RGB 132 66 100

HSL 329.09, 0.33%, 0.39%

LAB 37.34, 32.66, -7.04

 

CMYK 44 / 0 / 50 / 48

HEX #4A8442

RGB 74 132 66

HSL 112.73, 0.33%, 0.39%

LAB 49.92, -32.9, 29.68

 

CMYK 36 / 50 / 0 / 48

HEX #554284

RGB 85 66 132

HSL 257.27, 0.33%, 0.39%

LAB 32.91, 24.13, -34.37

 

CMYK 0 / 36 / 50 / 48

HEX #845542

RGB 132 85 66

HSL 17.27, 0.33%, 0.39%

LAB 40.89, 17.25, 19.1

 

CMYK 50 / 0 / 36 / 48

HEX #428455

RGB 66 132 85

HSL 137.27, 0.33%, 0.39%

LAB 49.88, -32.17, 19.07

 

CMYK 36 / 50 / 0 / 48

HEX #554284

RGB 85 66 132

HSL 257.27, 0.33%, 0.39%

LAB 32.91, 24.13, -34.37

 

CMYK 0 / 50 / 24 / 48

HEX #844264

RGB 132 66 100

HSL 329.09, 0.33%, 0.39%

LAB 37.34, 32.66, -7.04

 

CMYK 14 / 0 / 50 / 48

HEX #718442

RGB 113 132 66

HSL 77.27, 0.33%, 0.39%

LAB 52.29, -18.04, 33.13

 

CMYK 50 / 0 / 26 / 48

HEX #428462

RGB 66 132 98

HSL 149.09, 0.33%, 0.39%

LAB 50.15, -29.48, 12

 

CMYK 36 / 50 / 0 / 48

HEX #554284

RGB 85 66 132

HSL 257.27, 0.33%, 0.39%

LAB 32.91, 24.13, -34.37

 

CMYK 0 / 50 / 39 / 48

HEX #844250

RGB 132 66 80

HSL 347.27, 0.33%, 0.39%

LAB 36.71, 29.84, 4.67

 

CMYK 14 / 0 / 50 / 48

HEX #718442

RGB 113 132 66

HSL 77.27, 0.33%, 0.39%

LAB 52.29, -18.04, 33.13

 

CMYK 50 / 0 / 11 / 48

HEX #428476

RGB 66 132 118

HSL 167.27, 0.33%, 0.39%

LAB 50.65, -24.7, 1.08

 

Description

Color code: HEX #554284 | qconv.com Color code: HEX #554284 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 66 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 66 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 50 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 50% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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